The Blind Contessa's New Machine

BOOK: The Blind Contessa's New Machine
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Table of Contents
 
 
 
VIKING
Published by the Penguin Group
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A. • Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) • Penguin Books Ltd, 80 Strand, London WC2R 0RL, England • Penguin Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) • Penguin Books Australia Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) • Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi - 110 017, India • Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd) • Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa
 
Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England
 
First published in 2010 by Viking Penguin, a member of Penguin Group (USA) Inc.
 
 
Copyright © Carey Wallace, 2010
All rights reserved
 
A Pamela Dorman Book / Viking
 
Excerpt from “Elegy” from
Collected Poems 1957-1982
by Wendell Berry.
Copyright © 2005 by Wendell Berry. Published by Counterpoint.
 
PUBLISHER’S NOTE
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
 
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Wallace, Carey
The blind contessa’s new machine / Carey Wallace.
p. cm.
eISBN : 978-1-101-19025-8
1. Blind women—Fiction. 2. Inventors—Fiction. 3. Italy—History—19th century—Fiction. I. Title.
PS3623.A44295B57 2010
813’.6—dc22 2010003332
 
 
Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.
 
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for my mother:
your trip to Italy
Until morning comes say of the blind bird:
His feet are netted with darkness, or he flies
His heart’s distance in the darkness of his eyes.
 
—Wendell Berry, “Elegy”
THE BLIND CONTESSA’S NEW MACHINE
O
N THE DAY Contessa Carolina Fantoni was married, only one other living person knew that she was going blind, and he was not her groom.
This was not because she had failed to warn them.
“I am going blind,” she had blurted to her mother, in the welcome dimness of the family coach, her eyes still bright with tears from the searing winter sun. By this time, her peripheral vision was already gone. Carolina could feel her mother take her hand, but she had to turn to see her face. When she did, her mother kissed her, her own eyes full of pity.
“I have been in love, too,” she said, and looked away.
“Papa,” Carolina had said.
Her father had laid his magnifying glass down on the map unrolled before him. A mournful sea monster loomed below the lens. Although it was the middle of the day, the blindness shrouded the bookshelves that rose behind him in false dusk. Only the large window over his head and the desk itself were still bright and clear.
“Nonna was blind when she died,” Carolina said.
Her father nodded. “And for years before that,” he said. “But I only half believed it. It was like she had another pair of eyes hidden in a box. She knew everything.”
“Did she ever tell you how it happened?” Carolina asked.
Her father shook his head. “I was very young then.”
“I think maybe I am going blind,” Carolina told him.
Her father frowned. After considering this for a moment, he waved his hand before his face. When her eyes followed it, he broke into a wide grin.
“Ah, but you haven’t yet!” he said.
She had told Pietro in the garden, when her mother had left them alone for a few moments under a sky full of stars that Carolina could snuff out or call back into existence simply by turning her head.
Pietro had laughed and laughed.
“What are you going to tell me next?” he had asked her, between kisses. “I suppose you can fly as well? And turn into a cat?”
“Already I can’t see things,” she insisted. “Around the edges.”
“Next you will tell me you have forgotten how to kiss,” Pietro said, and kissed her again.
In those first days, Carolina measured her losses by the size of her lake. Her father had dammed a length of the small river that wandered their property as a present to her mother on their fifth anniversary. But as an amateur in these things, he had only clumsily dredged the surrounding marsh. The resulting body of water, thirty paces long and half again as wide, was in no place deep enough for a man to stand fully submerged. His young wife, still homesick for the sea, had tramped loyally across the soggy ground with him on the day of her anniversary but never returned voluntarily, so when Carolina turned seven, her father had scattered stone benches on the grassy shore, filled the lake’s surface with lantern-lit boats, and made a new present of it to his daughter.
BOOK: The Blind Contessa's New Machine
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