The Blind Giant

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Authors: Nick Harkaway

BOOK: The Blind Giant
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A VINTAGE ORIGINAL, MAY 2012

Copyright © 2012 Nick Harkaway

All rights reserved. Published in the United States by Vintage Books, a division of Random House, Inc., New York. Originally published in Great Britain by John Murray Publishers, a division of Hachette UK, London, in 2012.

Vintage and colophon are registered trademarks of Random House, Inc.

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Cover design by Jason Booher

Vintage eISBN: 978-0-345-80372-6

www.vintagebooks.com

v3.1

To
everyone who has ever taught me:
thank you

Knowledge is power, but it is a power reined by scruple, having a conscience of what must be and what may be; whereas Ignorance is a blind giant who, let him but wax unbound, would make it a sport to seize the pillars that hold up the long-wrought fabric of human good, and turn all the places of joy dark as a buried Babylon
.

Daniel Deronda

Explanatory Note

Throughout
The Blind Giant
, you will find printed hypertext links (for anyone new to the digital world and thinking about taking their first steps, those are the messy strings of letters and characters.) If you click on these links or type them into your web browser, you will find yourself at the book’s website, where you can share a fragment of the text with friends and invite discussion, or dive into whatever conversations may already be under way. From time to time, you may also find additional thoughts from me or from others on the topics covered in the book: the pace of events is so fast, and the debates so intense, that in the month or so since I finished editing the main text I’ve seen four or five things I wish I could have included. Some of these have fractionally changed my opinions and others have confirmed them. Thoughts on paper are fixed, but the world moves on.

Introduction

Dreams and Nightmares

T
HIS IS THE
nightmare world, the place where all the bad things are:

A child sits goggled in a chair, senses open to a tsunami of babbling media: violent games, meaningless shotgun blasts of movies and TV shorn of context and plot, semi- and outright pornographic images, musical mash-ups and plagiarized, bastardized art. The child cannot concentrate on lessons in school or build relationships in the real world and is as a consequence completely emotionally shut off. This is all they are interested in: plugging in to a pleasure machine. Real life is boring. The child’s health, unsurprisingly, is poor, limbs flaccid and body weak.

The child’s parents carry cellphones and rarely make eye contact with one another because they are emailing and texting. Often they sit in separate rooms because they are always connected, trivially, in the Cloud. If they read books on their devices, or newspapers, they do so in a shallow, fragmented and distracted way, partially assimilating content without thinking about it, echoing it without considering it. They don’t bother to learn things or try to understand them, any more than the child, because they know they can find everything through search engines. They have long since stopped trying to keep track of what their offspring is consuming, or even what laws are being broken. The monitoring and filtering software they installed a while ago has proven inadequate to restrain or protect junior.

On the other hand, both they and the child are watched at all
times by dozens of corporations and banks, not to mention the local council, the police, the government and several intelligence agencies from various nations. There’s no reason to suspect them of anything – beyond the endless downloading – but they are watched anyway as a matter of course. Their buying habits, political beliefs, lifestyle, sexual preferences and religious convictions are all recorded. From time to time, a software system somewhere sends them information about a product they will want, and – accurately assessed by the system – they do indeed buy it, mostly without really thinking about it. This places strain on their financial situation, but they are barely aware of that because banks and credit companies are watching their incomings and outgoings and know just when to offer them loans. These loans are now compounded and unrepayable, the interest alone sufficient to tie them to their present social and commercial classification, keep them working hard at the jobs they have rather than risking the job market, even when the terms of their contracts become draconian.

Finally, when stress, poor diet and lack of exercise take their toll, these people become sick, and are treated according to a system of quotas devised by a machine at a healthcare provider. The machine knows that there are various ways to treat them, and selects the one which is an acceptable compromise between patient care and healthcare-provider profit. Actuarial sub-systems calculate the likely length of their lives and encourage them towards habits which will not put too great a strain on the corporate or public purse. There is no discussion of whether this is the best solution from their point of view, because they don’t ask. If the machine proposes it, it must be.

Outside, in the city in which they live, everyone is the same. When they meet, they do so in order to video it and put the video online. They live entirely in reflection of themselves. They don’t engage politically because they’re only really interested in the next gadget. Their libidos are ruined by images of physical
perfection and moral depravity which have replaced their natural sex lives. They have become isolated from one another and society as a whole, each living in his or her own technological bubble, opinions reinforced by news articles and clips culled to agree with their prejudices and uninformed preconceptions – of whatever residual political stripe. The problems of the world around them are irrelevant, except where they impinge directly on their own lives, and in these rare cases they often believe bizarre, xenophobic theories of conspiracy to avoid consideration of their own culpability in the way everything works. They are sheep, herded by commercial interests; government is reduced to the role of debt collector, corporate enforcer and policeman.

Through these wretched Eloi move sinister Morlocks: terrorists and child abductors and sexual stalkers whom the police are powerless to identify, so deftly do they manipulate the digital environment. All that open data, shared in exchange for games and trinkets, heedless of the possible risk, makes the population an endless, soft-shelled smörgåsbord to predator entities of all kinds. This in turn engenders paranoia and a fear of the outside world. People stay in more, demand more surveillance rather than less, yield their rights and their privileges in exchange for a delusion of security.

The situation is locked in, self-reinforcing. ‘
Lock-in’ is the bane of technological and systems-based societies, a condition in which a historical choice such as driving on a particular side of the road, made for what were then good and sufficient reasons (allegedly because a right-handed swordsman on horseback would always keep his weapon between himself and an oncoming stranger), is so embedded or buried in subsequent choices and infrastructure (the way we learn to drive, the way our cars are made, the way our roads are constructed) that changing it becomes impossible even if rationally in the modern context it might be better to do so. Thus something is locked in, because while we might wish to break out of it, we cannot do so without
also unravelling everything that has been constructed on top of it, and many of those things are hugely profitable and hence powerful and able to defend themselves. They refuse to be undermined, even while the individuals within them might privately recognize the need. The petroleum industry could be seen as the perfect example of lock-in: it and its dependent transport and manufacturing industries fighting tooth and nail to preserve a dominance in world affairs and commerce which must eventually crash, and which in any case is wrecking our planet’s ecology.

In this present example, the lock-in is more than usually secure, because unbiased
news – through which the people might otherwise come to understand their situation – is all but dead, because no one pays for it.
Journalism is balkanized: there are remnants of the old media, paid for by advertisers who demand their own slant on the facts; bloggers whose opinions they cannot separate from the truth; unchecked misinformation and infomercials; propaganda campaigns by oil companies demanding the right to drill everywhere and subsidies to do it; the food industry eroding standards to include more and more high-fructose corn syrup, which suppresses satiation and keeps consumers eating. High-quality film and TV are things of the past; theatre has ultimately become commercially unviable. All that remains is an endless circle of mash-ups of mash-ups, derivative works made more and more so by the multiple layers of meaningless repurposing. Rare new works are not cherished and certainly are not paid for; they are just meat dropped into a piranha tank.

The technofetishism of this nightmare society is such that little by little the actual humanity of the people in it is fading away. Their brains are adapting; they are learning to be aspects of their own machinery. Consciousness itself, abstracted thought and a sense of the individual as separate from the environment – all these are withering away. In the end, at best, all that will be left is machines which remember us fondly. More likely is that the
whole of our world will simply slow down and stop like an old-fashioned clock with no one to wind it, leaving a giant junkyard planet rapidly overgrown with weeds.

By way of contrast, this is the digital dream world, where everything that could possibly go well, has:

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