The Body of David Hayes (41 page)

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Authors: Ridley Pearson

BOOK: The Body of David Hayes
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This city was the last place—the absolute last place—he might have expected to hear her laugh: a combination of wild monkey and a Slinky going down a set of stairs. Even almost six years later he would have known her musical cackle anywhere. But St. Louis, in the Fox Theatre? Not on your life. Not on hers, either.

But it was Shakespeare, which he knew to be in her blood. If he were to find her, it would be at a performance
like this—and so a part of him was tempted, even convinced, that he’d finally found her.

The balcony
. He imagined her selecting a seat that offered the strategic advantage of elevation, because that was just the kind of thing he’d taught her.

Onstage, Benedick, having dived into a horse trough, addressed the audience, his black leather riding pants and billowing shirtsleeves leaking water. Another volley of laughter rippled through the crowd, and there it was again. Larson felt like a birder identifying a particular species solely by its song.

He was no longer laughing along with the others. Instead, driven by curiosity, he was turned and straining to look up into the balcony.

Being too large for the closely crowded seats, his temperature spiked and his skin prickled. Or was that the possibility running through him? He represented Hope’s past, her former self. Would she want that as badly as he did? Had she somehow found out about his transfer? Through all his training, coincidence nipped at his heels. Baffled, unsure what to do, he stayed in his seat.

The Fox Theatre, a renovated throwback to a bygone era, dwarfed its audience. Its combination of art deco, gilded Asian, quasi-Egyptian splendor, with anachronistic icons, like a twenty-foot-tall cross-legged Buddha, lit in a garish purple light, looked intentionally overwhelming. Despite the vastness of the hall, Larson felt impossible to miss. At well over six feet, and with shoulders that impeded both the theater-goers on either side of him, he would stick out if he stood. It seemed doubtful she might spot him, might recognize him from the back at such a distance, but
he hoped she would. He glanced around once more, amused and concerned, intrigued and feeling foolish, his muscles tense. His shoulder ached, as it had ached for the past six years every time a storm drew near. He’d carried the same badge all these years, though now his credentials wallet showed a different title, Larson having been reassigned, along with Hampton and Stubblefield, to the Marshals Service’s elite Fugitive Apprehension Task Force. Part bounty hunter, part bloodhound, part con man and actor, FATF marshals pursued escaped convicts and wanted felons in an effort to return them to their predetermined incarceration.

If she spotted him before he spotted her, what would come of it? Larson wondered. Would she fight through the crowd to be in his arms? Would she run? Again he put his own training onto her, deciding for her that she’d selected an aisle seat near an exit. She’d probably make for that exit rather than risk running into him.

He’d lost all track of the play. The audience erupted in laughter, and he’d missed the joke. He continued to imagine various ways this could possibly be her, but none made sense. Not here. Not St. Louis. Not unless she, too, were looking for him.

Six years
. It seemed alternately to him like both a matter of days and a lifetime. What would he say to her? Her to him? Would she even care?

Larson wiped his damp palms on the thighs of his khakis. Again, a wave of laughter washed over the crowd. But this time, something different: her distinctive laugh was no longer a part of it. Larson turned again in his seat, scanning various exits. No sign of Hope, but slightly behind
him, a pair of men in dark suits stood with an usher, both dutifully scanning the crowd.

In an audience of twenty-five hundred, there were plenty of men wearing suits—but none quite like these two. Conservative haircuts, thick builds. The big guy looked all too familiar. Federal agents, like himself. Though not like him at all. FBI maybe, or ATF, or even Missouri boys, working for the governor. A WITSEC deputy? The federal witness security and protection service was now a separate entity, but had recently been part of the Marshals Service.

Larson knew many of those guys, but not all. These

two, WITSEC? He doubted it.

He might have thought they were looking for Hope, but the big one looked right at him and locked on. This man somehow knew the row, the seat—he knew where to find Larson. Cocking his head, the agent directed Larson to meet up with them. Larson held off acknowledging while he thought long and hard about how to play this, the earlier buzzing of his BlackBerry now more persistent in his memory.

As with Hope’s laugh, two deputy marshals, or agents, materializing at the Fox was anything but coincidence.

He felt tempted to check the BlackBerry but didn’t want to leave his head down that long. The big guy’s posture and the way he bit his lower lip revealed a gnawing anxiety, a nagging unrest. This wasn’t a social call.

A nearby woman wore too much perfume. He’d been struggling with it through the performance, driven to distraction. Only now did he find it nauseating.

The audience laughed uproariously.

Larson chanced a last strained look toward the balcony, then gave it up.

Hope didn’t miss anything. Whether she’d seen Larson or not, she’d likely have spotted the suits by now, and therefore was already well on her way to gone.

Intermission arrived with a wave of crushing applause. The stage fell dark. By the time the houselights came up, Larson had already slipped past four sets of knees, avoided a handbag, and laid his big hand on a stranger’s shoulder.

Hope would now head in the opposite direction from the two agents; she would quickly put as much distance between herself and the theater as possible. Seek cover. Avoid public space. She would never look back and would not hurry, no matter how desperate she believed her situation. Her walk would be controlled, yet deceptively swift, her demeanor casual though determined. She would never return to the theater again, no matter what the show. If he were to catch her, he would have to run; and if he ran, the two bloodhounds were sure to follow; and if they followed, and if he led them to her, then he’d prove himself a traitor to her.

Stuck. Larson tested the agents’ purpose by mixing himself into the throng and making for the opposite exit. But his head traveled a full head above most, like a parade float.

As expected, the two immediately followed, rudely pushing open a route to attempt to intersect Larson’s path. Larson got caught in a snag of people as a wheelchair blocked the aisle. He cut through a now-empty row, working away from the men. Copies of
Playbill
littered the floor. He joined the right flank and pressed on toward an interior lobby, where people mingled looking lost.

Out of habit, he tested his skills, scanning the crowd for any woman wearing a headscarf or a hat, any woman making quickly for the main lobby and the doors beyond. He didn’t spot her, and all the better. He had no desire to get her tangled up with these two.

Someone shouted and he knew it was for him. Adrenaline pricked his nerves. His stomach turned with the mixture of human sweat, cologne, and perfume. He pushed on to his left, his swollen bladder taking him down a long, wide set of elegant stairs as he joined a phalanx of men eager for urinals. He heard his name called out and cringed. It reminded him, not favorably, of being singled out by a coach, or the school principal.

He hazarded a look: The big one with the leather face and edgy disposition was following him, the younger one immediately on his heels.

He stopped on the stairs, and the current of impatient men streamed around him. He addressed his two pursuers as they drew closer, the face of the more senior of them revealing his surprise that Larson would allow himself to be caught.

“Gimme a minute of privacy,” Larson said as he continued down, determined to appear unruffled.

Reaching the basement level, he entered a cavernous anteroom that held only a mirror, a small wooden table, and twin tapestry chairs that looked to be from a museum. Beyond this anteroom was the actual bathroom, about the size of a soccer field. Sinks straight ahead. To his left, a room of stalls; to his right a roomful of old porcelain urinals—there must have been thirty or forty of them. Built
into the wall and floor, and so obviously antiques, the urinals looked surprisingly beautiful to him.

Larson took his place in line and emptied his bladder. One of the great pleasures in life.

“We need to talk.” The same low voice, now directly behind him. The big one had followed him down. Junior Mint was no doubt standing sentry at the top of the stairs, ensuring that Larson didn’t slip out.

“And I need to pee,” Larson said, not looking back, but the magic of the moment spoiled.

A hand fell firmly onto his shoulder.

“Fuck off!” Larson shrugged and wrenched himself forward, dislodging the grip. Thankfully the man stepped back and let him finish. As he washed his hands he saw two images of the big pain in the ass in the cracked mirror.

“That was unnecessary,” Larson cautioned. He wanted to establish some rules.

The agent said, “We were told you could be slippery. To respect that in you. That’s why the hardball.”

The guy at the next sink over stopped washing and eavesdropped on them.

“You trying to butter me up?” Larson asked. “You’ve got a funny way of doing that.”

“I’m trying to get a message to you.”

Larson had to stare down the man at the adjacent sink to get him to leave.

“So, deliver it.”

“Here?”

Larson turned and faced the man, Larson taller by several inches. “Here.”

Seen close up, this other guy’s face carried an unintentional
intensity—something, somewhere, was very, very wrong.

The man cupped his hand and leaned in toward Larson, who did nothing to block him, as his own hands were now engaged with a paper towel. The guy’s breath felt warm against Larson’s neck, causing a shiver as he said, “I was told to tell you that we’ve lost Uncle Leo.”

Larson dumped the towel into the bin and heard himself mumble, “Oh, shit.”

PRAISE FOR
THE ART OF DECEPTION:

“Beautifully orchestrated.”

—The New York Times Book Review

“Better than a guilty pleasure.”

—Entertainment Weekly

“A one-sitting read that shows why Ridley Pearson is the grandmaster of the police procedural.”

—The Midwest Book Review

“A dramatic finale … his series remains one of the genre’s greatest pleasures.”

—Booklist
(starred review)

“No one blends crime fiction and realism like Ridley Pearson. In
The Art of Deception
, he transports readers into uncharted realms—the eerie, subterranean ghost town that is Seattle’s ‘Underground’—and the groundbreaking relationship between John LaMoia and Daphne Matthews. A 150-proof thriller!”

—Greg Iles, author of
Dead Sleep

“A killer combination of Patricia D. Cornwell and John D. MacDonald with a soupçon of Thomas Harris.”

—Stephen King

“Realistic police work, real people, real suspense. Ridley Pearson always delivers.”

—Tami Hoag

“Ridley Pearson has been called ‘the best thriller writer alive,’ and … there’s no disagreement here.”

—New York Post

“Pearson tells an irresistible tale.”

—The Los Angeles Times Book Review

“Pearson excels at writing novels that grip the imagination.”

—People

PRAISE FOR
PARALLEL LIES:

“Pearson (No
Witnesses
, etc.) has written another terrific thriller…”

—Library Journal

“… Pearson remains near the top of the genre …”

—Booklist

“… grabs, he twists, he tightens the screws until you’re drained by a superior read.”

—Clive Cussler

“Pearson works this man-on-the-run episode like a pro … you’ll be rewarded with a bravura display of acceleration.”

—Kirkus Reviews

PRAISE FOR
MIDDLE OF NOWHERE:

“Excitement quotient: high; technology details: intriguing.”

—USA Today

“Master plotter, reliable thrills from a pro.”

—Kirkus Reviews

“Fast-paced read from beginning to end. Pearson is able to effortlessly intertwine several detailed plot lines while still keeping his story firmly robed in reality.”

—New York Post

“Pearson uses clear, forthright prose that perfectly exposes the psychological doubts and fears of his characters and keeps the plot racing from scene to scene. Craftily, Pearson weaves his web.”

—Providence Sunday Journal

PRAISE FOR
THE FIRST VICTIM:

“Razor sharp plotting and timing.”

—Seattle Times

“There is no one writing police novels with the precise touch of Pearson. His stories are thoroughly researched, heartbreaking and full of escalating suspense.”

—Denver Rocky Mountain News

PRAISE FOR
THE PIED PIPER:

“Pearson proves once again that he can put together a big-scale, big-time police manhunt better than anybody else in the business.”

—Kirkus Reviews

“A master of the genre. We all should thank Ridley Pearson for the gift of good characters and great plots.”

—Washington Times

“Pearson is a first-rate winner, and
The Pied Piper
won’t disappoint his growing number of fans.”

—Knight Ridder News Service

PRAISE FOR
BEYOND RECOGNITION:

“Pearson’s dazzling forensics will hook his usual fans. But it’s the richness of incident and the control of pace that’ll keep them dangling as he switches gears each time you think the story’s got to be winding down in this exhilarating entertainment.”

—Kirkus Reviews

“Pearson has all the sharps and flats he needs to keep his roller-coaster rhythm rising and falling, speeding and slowing, yet somehow always building, winding us tighter.”

—Booklist

“Pearson has the details of a murder investigation down cold.”

—San Francisco Chronicle

PRAISE FOR
CHAIN OF EVIDENCE:

“This is an impeccable, high-speed thriller.”

—Boston Sunday Globe

“Pearson handles the complex plot with grace and speed, packing a potent blend of action and procedural information into his work. A must-read for thriller fans.”

—Chicago Tribune

“The gadget man is back with a bag of new toys. You don’t have to be a techno-nerd to get wired on this scary stuff.”

—New York Times Book Review

“Pearson weaves psychology and suspense into this tale of high-tech clues and complex motives.”

—Playboy

“Ridley Pearson is an unequivocal success. I’m hooked again.”

—Entertainment Weekly

PRAISE FOR
NO WITNESSES:

“Tough and intelligent.”

—Fort Worth Star Telegram

“Up-to-the-nanosecond techno-thriller.”

—New York Times

“Infused with astonishingly effective overtones.”

—Boston Globe

“Good old-fashioned storytelling.”

—Washington Post Book World

“A serious, well-researched, complex thriller.”

—Los Angeles Times

PRAISE FOR
THE ANGEL MAKER:

“Exceptionally gripping and full of amazing forensic lore: a top-flight offering from an author who has clearly found his groove.”

—Kirkus Reviews

“A chilling thriller.”

—Dell Publishing

PRAISE FOR
HARD FALL:

“Pearson excels at novels that grip the imagination.
Hard Fall
is an adventure with all engines churning.”

—People
magazine

“Mesmerizing urgency.”

—Los Angeles Times Book Review

“Nifty cat-and-mouse caper. Crisply written tale.”

—Chicago Tribune

PRAISE FOR
UNDERCURRENTS:

“Neatly constructed plot. Hair-raising denouement. Remarkable insight and understanding of the motivations of the criminal mind.”

—Publishers Weekly

“Undercurrents
is a roller-coaster ride in the dark.”

—Book-of-the-Month Club

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