Authors: David Mitchell
Tags: #Fantasy, #Science Fiction, #Thriller, #Fiction
The Bone Clocks
is a work of fiction. Names, characters, places, and incidents are the products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.
Copyright © 2014 by David Mitchell
Illustrations copyright © 2014 by Neal Murren
All rights reserved.
Published in the United States by Random House, an imprint and division of Random House LLC, a Penguin Random House Company, New York.
R
ANDOM
H
OUSE
and the H
OUSE
colophon are registered trademarks of Random House LLC.
Published in the United Kingdom by Sceptre, an imprint of Hodder & Stoughton, London.
Grateful acknowledgment is made for permission to reprint an excerpt from “Journey of the Magi” from
Collected Poems 1909–1962
by T. S. Eliot, copyright © 1936 by Houghton Mifflin Harcourt Publishing Company, copyright renewed 1964 by Thomas Stearns Eliot. Rights outside the United States are administered by Faber and Faber Limited, London, from
The Complete Poems and Plays of T. S. Eliot
, copyright © the Estate of T. S. Eliot. All rights reserved. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company, and Faber and Faber Limited.
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Mitchell, David
The bone clocks : a novel / David Mitchell.
pages cm
ISBN
978-1-4000-6567-7
eBook
ISBN
978-0-8129-9473-5
1. Imaginary wars and battles—Fiction. I. Title.
PR
6063.1785
B
66 2014
823′.914—dc23 2014008517
Jacket design: Peter Mendelsund and Oliver Munday
Author photograph: © Paul Stuart
v3.1_r1
I
FLING OPEN MY BEDROOM CURTAINS
, and there’s the thirsty sky and the wide river full of ships and boats and stuff, but I’m already thinking of Vinny’s chocolaty eyes, shampoo down Vinny’s back, beads of sweat on Vinny’s shoulders, and Vinny’s sly laugh, and by now my heart’s going mental and, God, I wish I was waking up at Vinny’s place in Peacock Street and not in my own stupid bedroom. Last night, the words just said themselves, “Christ, I really love you, Vin,” and Vinny puffed out a cloud of smoke and did this Prince Charles voice, “One must say, one’s frightfully partial to spending time with you too, Holly Sykes,” and I nearly weed myself laughing, though I was a bit narked he didn’t say “I love you too” back. If I’m honest. Still, boyfriends act goofy to hide stuff, any magazine’ll tell you. Wish I could phone him right now. Wish they’d invent phones you can speak to anyone anywhere anytime on. He’ll be riding his Norton to work in Rochester right now, in his leather jacket with
LED ZEP
spelled out in silver studs. Come September, when I turn sixteen, he’ll take me out on his Norton.
Someone slams a cupboard door, below.
Mam. No one else’d dare slam a door like that.
Suppose she’s found out?
says a twisted voice.
No. We’ve been too careful, me and Vinny.
She’s menopausal, is Mam. That’ll be it.
T
ALKING
H
EADS
’
Fear of Music
is on my record player, so I lower the stylus. Vinny bought me this LP, the second Saturday we met at Magic Bus Records. It’s an amazing record. I like “Heaven” and
“Memories Can’t Wait” but there’s not a weak track on it. Vinny’s been to New York and actually saw Talking Heads, live. His mate Dan was on security and got Vinny backstage after the gig, and he hung out with David Byrne and the band. If he goes back next year, he’s taking me. I get dressed, finding each love bite and wishing I could go to Vinny’s tonight, but he’s meeting a bunch of mates in Dover. Men hate it when women act jealous, so I pretend not to be. My best friend Stella’s gone to London to hunt for secondhand clothes at Camden Market. Mam says I’m still too young to go to London without an adult so Stella took Ali Jessop instead. My biggest thrill today’ll be hoovering the bar to earn my three pounds’ pocket money. Whoopy-doo. Then I’ve got next week’s exams to revise for. But for two pins I’d hand in blank papers and tell school where to shove Pythagoras triangles and
Lord of the Flies
and their life cycles of worms. I might, too.
Yeah. I might just do that.
D
OWN IN THE
kitchen, the atmosphere’s like Antarctica. “Morning,” I say, but only Jacko looks up from the window-seat where he’s drawing. Sharon’s through in the lounge part, watching a cartoon. Dad’s downstairs in the hallway, talking with the delivery guy—the truck from the brewery’s grumbling away in front of the pub. Mam’s chopping cooking apples into cubes, giving me the silent treatment. I’m supposed to say, “What’s wrong, Mam, what have I done?” but sod that for a game of soldiers. Obviously she noticed I was back late last night, but I’ll let her raise the topic. I pour some milk over my Weetabix and take it to the table. Mam clangs the lid onto the pan and comes over. “Right. What have you got to say for yourself?”
“Good morning to you too, Mam. Another hot day.”
“What have you got to
say
for yourself, young lady?”
If in doubt, act innocent. “ ’Bout what exactly?”
Her eyes go all snaky. “What time did you get home?”
“Okay, okay, so I was a bit late,
sorry
.”
“Two hours isn’t ‘a bit late.’ Where were you?”
I munch my Weetabix. “Stella’s. Lost track of time.”
“Well, that’s peculiar, now, it really is. At ten o’clock
I
phoned Stella’s mam to find out where the hell you were, and guess what? You’d left before eight. So who’s the liar here, Holly? You or her?”
Shit
. “After leaving Stella’s, I went for a walk.”
“And where did your walk take you to?”
I sharpen each word. “Along the river, all right?”
“Upstream or downstream, was it, this little walk?”
I let a silence go by. “What
diff
’rence does it make?”
There’re some cartoon explosions on the telly. Mam tells my sister, “Turn that thing off and shut the door behind you, Sharon.”
“That’s not fair! Holly’s the one getting told off.”
“
Now
, Sharon. And you too, Jacko, I want—” But Jacko’s already vanished. When Sharon’s left, Mam takes up the attack again: “All alone, were you, on your ‘walk’?”
Why this nasty feeling she’s setting me up? “Yeah.”
“How far d’you get on your ‘walk,’ then, all alone?”
“What—you want miles or kilometers?”
“Well, perhaps your little walk took you up Peacock Street, to a certain someone called Vincent Costello?” The kitchen sort of swirls, and through the window, on the Essex shore of the river, a tiny stick-man’s lifting his bike off the ferry. “Lost for words all of a sudden? Let me jog your memory: ten o’clock last night, closing the blinds, front window, wearing a T-shirt and not a lot else.”
Yes, I did go downstairs to get Vinny a lager. Yes, I did lower the blind in the front room. Yes, someone did walk by.
Relax
, I’d told myself.
What’s the chances of one stranger recognizing me?
Mam’s expecting me to crumple, but I don’t. “You’re wasted as a barmaid, Mam. You ought to be handling supergrasses for MI5.”
Mam gives me the Kath Sykes Filthy Glare. “How old is he?”
Now I fold my arms. “None of your business.”
Mam’s eyes go slitty. “Twenty-four, apparently.”
“If you already know, why’re you asking?”
“Because a twenty-four-year-old man interfering with a fifteen-year-old schoolgirl is il
legal
. He could go to prison.”
“I’ll be sixteen in September, and
I
reckon the Kent police have bigger fish to fry. I’m old enough to make up my own mind about my relationships.”
Mam lights one of her Marlboro Reds. I’d kill for one. “When I tell your father, he’ll flay this Costello fella alive.”
Sure, Dad has to persuade piss-artists off the premises from time to time, all landlords do, but he’s not the flaying-anyone-alive type. “Brendan was fifteen when he was going out with Mandy Fry, and if you think they were just holding hands on the swings, they weren’t. Don’t recall him getting the ‘You could go to prison’ treatment.”
She spells it out like I’m a moron: “It’s—different—for—
boys
.”
I do an
I-do-not-believe-what-I’m-hearing
snort.
“I’m telling you now, Holly, you’ll be seeing this … car salesman again over my dead body.”
“
Ac
tually, Mam, I’ll bloody see who I bloody well
want
!”
“New rules.” Mam stubs out her fag. “I’m taking you to school and fetching you back
in the van
. You don’t set foot outside unless it’s with me, your father, Brendan, or Ruth. If I
glimpse
this cradle snatcher anywhere near here, I’ll be on the blower to the police to press charges—yes, I
will
, so help me God. And—
and
—I’ll call his employer and let them know that he’s seducing underage schoolgirls.”
Big fat seconds ooze by while all of this sinks in.
My tear ducts start twitching but there’s no
way
I’m giving Mrs. Hitler the pleasure. “This isn’t Saudi Arabia! You can’t lock me up!”
“Live under our roof, you obey our rules. When
I
was your age—”
“Yeah yeah yeah, you had twenty brothers and thirty sisters and forty grandparents and fifty acres of spuds to dig ’cause that was how life was in Auld
feckin’
Oireland but this is England, Mam,
England
! And it’s the 1980s and if life was so
feckin’
glorious in that West Cork
bog
why did you
feckin’
bother even coming to—”