The Book of a Thousand Days (15 page)

BOOK: The Book of a Thousand Days
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Her khan is betrothed. There's a promise between him and Lady Vachir now. By rights, his betrothed can take the life of anyone who threatens her marriage. Even on the steppes, betrothal is sacred, and a man who carries off a betrothed girl is declared by all clans to be marked for slaying. I can't risk my lady's life by telling him she's here.

Then again, he and my lady were promised together first. Or were they? I mean, they promised their hearts to each other, but there couldn't have been a betrothal ceremony with ribbons of scarlet and brooms sweeping away the past. Her father

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never consented. If Lady Vachir asked for my lady's life, the chiefs of the city might find justice in her claim and grant it.

Besides, how would her khan be sure she really was his lady love? Will he remember her by sight? He hasn't seen her in at least four years. She must've been a girl when they met, and now she's a woman.

I'll have Qacha sing me the song for a clear head and think on this tomorrow.

Day 92

I've decided. I can't tell him yet. I need to be sure first that he'd welcome her, that there'd been a promise between them that would protect her from Lady Vachir.

"Was there a promise?" I asked my lady.

She was scrubbing a rag but going about it all wrong, just sort of massaging it with her fingers instead of rubbing it hard against itself. I took the rag from her and began to work at the stain until she snatched it back.

"I'll do it myself, Dashti. And I don't know what you mean about the promise. I don't remember."

Too often my lady talks this way. She says she

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doesn't know anything and remembers less, and spends each hour in silence, scrubbing, scrubbing, scrubbing. I don't know why I bother to keep singing her the healing songs. Maybe there's nothing to heal.

Day 100

I've returned three times to her khan. Each time I sing to his pain and help his bones and muscles remember how they used to be whole. Sometimes the khan's chiefs sit in the room, talking low about war and Lord Khasar. Sometimes we're alone but for a guard outside the door, and the room is stuffed with silence. He hasn't spoken to me since the first day when he asked my name.

Day 103

Ancestors, I did speak when I should've been silent, I did forget who I was.

This afternoon, Shria returned me to the khan's low-ceilinged room and left me there. Khan Tegus was reading papers, and for many long minutes, perhaps

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an hour, I stood by the door. How my feet itched! But it felt like a solemn time, too, watching him read, seeing how he hunched his neck when the news was bad, how his cheek twitched with the idea of a smile when something amused him. He scratched his brow, his chin (and once, his rear end).

The looking reminded me of how I used to stare at the Sacred Mountain after Mama died. For hours I would gaze at the peak, imagining her soul making the journey up its slopes and back down to find the whole world transformed into the Ancestors' Realm, brimming with souls and dancing with light. I think sometimes just being silent and watching can change a person.

I draw this from memory, so it won't be right:

[Image: Drawing of a Man Seated Reading.]

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After some time he stretched, turned, and looked on me, looking for the time of a breath in and a breath out before his eyes focused and he realized he was staring at someone. He gasped.

"Lord Under but you startled me," he said. "I didn't realize anyone was here."

I laughed. I couldn't help it. He didn't seem to mind.

I set to work on his leg and I could sense the pain lifting from him fast. When I sang the pain out of his leg two weeks ago, it had taken much longer, finally easing in the time it takes water to boil over a fire. The more I work his leg, the better it remembers what it felt like to be whole and uninjured. In time, I guess his leg will heal itself entirely. And he won't need me.

Maybe that thought was what itched me to look deeper for another pain. I placed my hands on his belly, then his chest. His eyes opened. I could feel a heat inside him, a sharp heat, a yellow heat that comes from two broken bits of something rubbing against each other. Not an injury of flesh, but a hurt he refused to let go. This surprised me because in all my life, I've only been able to feel the heat pain like this with my own mama and with my lady, and once with a lamb I loved like a baby. And yet I could feel it so clearly in her khan.

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"May I... may I sing to you again, my lord?" I asked.

"My leg feels fine. That will be all."

That will be all, he'd said, and that meant I should've left as quick as a fish. But how could I sense such a wound and not try to heal it? A bit of my mama awakened in me, a bit of the stubborn mucker soul, the stuff that keeps you alive when all the world is frozen and the food sacks empty. Any fool would be happy to die then and go to the Realm of the Ancestors, but only a mucker is stubborn enough to keep living.

"Sit down," I said.

I squeeze my eyes shut even as I write these words, though they're true. I did tell my lady's khan, the lord of Song for Evela, an honored gentry, to sit down. Forgive me, Nibus, god of order.

I kept my hands on his chest, and I could feel how strong he was. It reminded me of touching the neck of a horse as it runs, all those muscles under skin. Khan Tegus was a warrior, he could've knocked me to the roof and back down again. Instead he leaned back.

And I sang. "Berries in summer, red, purple, green." And I sang, "Digging and scratching, the earth bears a kin."

He leaned back more, he tensed and relaxed, the

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muscles of his forehead tightened. Then all of a sudden he gasped, not in pain but surprise, and his arm flailed, scattering papers.

"Are you all right?" I asked. My hands took to shaking, and I patted him all over his chest and belly, making sure I hadn't hurt him.

His eyes were wide, but he nodded. "You pricked me just then. I can't explain it."

"Was it..." I hesitated. I didn't want to tell him his own feelings, but I thought I understood. "Was it as though you had a splinter inside, deep in your chest, that had been there so long you'd forgotten to notice the pain, and the song reminded you so you could pluck it out?"

I think he really saw me then for the first time, if that makes sense. He looked in my eyes, and he smiled and said, "Thank you, Dashti."

I hadn't known that he remembered my name. I can't say why, but his words made me want to cry, so I turned my head away and started gathering up the papers that had scattered. I felt him kneel beside me, heard the rustle of parchment as he picked up others.

"Where's that food storage account?" he mumbled after a time.

"Here, my lord," I said, handing him a paper.

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"You read?"

"Yes, my lord, and write."

"And where do you work when you're not attending to me?"

"In the kitchens. I'm a scrubber."

"You read and write, you have the voice of the goddess Evela, and you scrub in the kitchens."

I laughed. "Evela's voice! I'm no pretty singer, no sit-and-listen singer. My mama used to say my singing voice is as rough as a cat's tongue and that's why my healing songs work. They dig at you, get inside, clean you up."

"Where's your mother now?"

"In the Realm of the Ancestors." And just like that I started to cry. Five years she's been gone. I should think I'd be used to it, but just saying those words to Khan Tegus was like being swatted in the face with the sadness all over again--maybe because for the first time I was telling him some of my own truth. I handed him the papers right quick and begged dismissal, walking out his door before he'd even given me leave.

When I think on all the times I sinned against her khan's nobility, I'm shocked I haven't been struck dead. Perhaps in the morning I'll wake as a pile of ash.

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Day 104

Not ash yet.

Day 105

I'm writing this from a clean room with its own hearth, a horsehair blanket, and a wood table and chair. There's a window that looks over the dairy. The room's half the size of a gher and for now it's my own. How mama would laugh! Privacy's a strange notion to a mucker, where five in a tent is a roomy place.

Yesterday Shria told Cook, "Dashti will be living upstairs so she can copy notes for the chiefs and attend to Khan Tegus with the healing songs."

Saren didn't like it, but what could I do? I begged Qacha to look out for her and help her keep up with her scrubbing, said good-bye, and that quickly, here I am. Perhaps I should've found a way to stay with my lady, but she's improved very little since the tower, and my daily singing doesn't heal her a bit. Maybe it won't hurt either of us to be apart.

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I've spent the past two days brushing ink on paper, making copies of lists about supplies and weapons, and looking out the window to ease the cramping in my eyeballs.

Windows are the eyes of the Ancestors. Windows are better than food!

I had a free hour this morning and went back to the kitchens to fetch this book from where I'd hidden it beneath some empty grain sacks. No one in the kitchens can read, so far as I know, but I'd rather not risk it being found. There are things written in here that could get me hanged on the south wall.

The girls cheered to see me and wanted all the details, so I washed pots and described my room and the window and the horsehair blanket. My lady didn't speak a word. She wouldn't even meet my eyes. Sometimes I have to snap a twig to keep from shouting, "Why don't you tell him who you are? Why don't you smile? Why don't you stop worrying about your father and Khasar and the tower and just decide to be Lady Saren?"

I should scratch out those words. Maybe later.

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Day 109

Lately all I do is write. I copy pages of notes, lists of food supplies, numbers of weapons. As I fall asleep, the soft sound of a brush grazing parchment continues to murmur in my ear. Already my scrubber hands have begun to heal and my ink stains make me feel like a real scribe. I'm mostly alone, but white-haired Shria comes to take the papers to the khan's chiefs, and twice a day Qacha brings my meals from the kitchen.

Sometimes when I'm sitting on the floor eating with Qacha, I feel about as content as a bird with a good lifting wind. In greeting, we always clasp forearms, touch cheeks, and inhale through our noses so as to breathe in each other's scent. Smell is the voice of the soul, and this greeting is the most intimate. It's common among family and clan, of course, but I've been on my own for so long, I'd forgotten how warm and wonderful it is.

And whenever I can, I return to the kitchen to see my lady and the other girls or walk around the stables and dairy and soak in the cheery summer sun. The window is wonderful, but any walls remind me of the tower.

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I haven't seen her khan since I came to this small, clean room.

Day 111

Shria called me to the khan's chamber today. I was startled to see it full, seven of the khan's chiefs present, several shamans, all arguing about Khasar and scouting reports and the state of the city with the refugees near bursting the walls. Three other scribes were there. I joined them by the wall, taking notes of the talk as quickly as I could.

Khan Tegus never looked at me. I'm a mucker maid. I guess I needed to be reminded of that. So, good. Fine. Sometimes my fancy gets to floating inside me, threatening to carry me away like a leaf on a wind. Better to be a stone.

Day 112

Shria came flustering for me this morning.

"Come! Quick!"

We raced down the corridors, up another flight of stairs, and into the last of the khan's chain of rooms.

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The first thing I noticed was a man lying on the floor and bleeding, bleeding fast. Another man was in the corner, his ankles and wrists tied with sashes, animal scratches on his face. Three men with drawn swords were guarding the bound man, all tense as a gher roof, shaking slightly as if hoping for a reason to stab the bound man through. I stopped on the threshold. I wobbled.

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