The Chameleon
The majority of events and characters in this book are fictitious. Certain real locations, public figures, and historical events are mentioned; I used literary license with these people, places, and events to bring
The Chameleon
to life. All other characters, places, and events are totally imaginary.
WARNER BOOKS EDITION
Copyright © 1999 by Sugar Rautbord
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review.
Cover illustration by Franco Accornero
Hand lettering by David Gatti
Warner Books, Inc.
Hachette Book Group
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New York, NY 10017
Visit our Web site at
www.HachetteBookGroup.com
The Warner Books name and logo is a trademark of Hachette book Group
A Time Warner Company
First eBook Edition: August 2000
ISBN: 978-0-446-55368-1
Contents
Chapter Two: Elevators and Escalators
Chapter four: Give the Lady What She Wants
Chapter Seven: The Two Mrs. Harrisons
Chapter Eight: The Second Front
Chapter Nine: Eleanor and Lucy
Chapter Ten: Bombs and Liaisons
Chapter Eleven: Domestic Damage
Chapter Twelve: Social Climbing
Chapter Thirteen: The Jeweled Collar
Chapter Fourteen: Into the Tunnel
Chapter Sixteen: Julia and Norma Jean
Praise for Sugar Rautbord and THE CHAMELEON
“Ordinary folk can enjoy a close-up of the grand houses, the jewelry, the designer gowns, and opulent parties, while we look down on their owners’ greed and snobbery.”
—Chicago Tribune
“Celebrities from Claire's various eras help enliven an ever-smooth, sandalwood soaper with class stamped all over it. Quite dreamy, with mild dips into sex—real sugar all the way.”
—Kirkus Reviews
“The best romp-filled, multi-husbanded climb by a smart, determined beauty to international society's peaks of wealth and power since Pamela Harriman.”
—
Christopher Ogden, author
of life of the Party
“Set against tumultuous pre- and post-World War II real-life happenings, packed with the most powerful real-life people in history, Claire's hugely entertaining story astonishes and intrigues to the last page.”
—
Shirley lord, author of
The Crasher
“Sugar Rautbord has invented the kind of world-class brassy broad heroine that Sinatra would have chased around the world. Who knows—maybe he did!”
—Bill Zehme, author of
The Way You Wear Your Hat: Frank Sinatra and the Lost Art of livin’
“THE CHAMELEON is a lot of fun—sexy, humorous, and, like its protagonist, full of charm.”
—
Scott Throw, author of
laws of Our Fathers
Also by Sugar Rautbord
SWEET REVENGE GIRLS IN HIGH PLACES (co-authored)
To all the chameleons—the women who've had the courage to change.
I wish to thank all the people at Marshall Fields who whirled me through the revolving doors and ushered me into their vast archives of social and fashion history. A special nod to retail wizard Michael Francis, window dresser superstar Jamie Becker, and store historian Homer Sharp, who was there when Coco Chanel herself swept into the store and young Vincent Minnelli was designing windows.
Thank you to my friends at Warner Books, especially Caryn Karmatz Rudy and Maureen Egen, and my stalwart cohorts Marcy Posner, Leigh Ann Hirschman, and Susan Leon.
My gratitude to the Chicago Historical Society and to Time Warner's Gerald Levin and Nan Miller for access to historical material from 1924 to 1970 or until my memory kicked in.
A salute to Jacques Leviant, Anne Roosevelt, Christopher Ogden, Maureen Smith, Bill Bartholomay, Kevin Johnson, Virginia Smiley, Audrey Pass, Patricia Tracy, John Remington, and all the wonderful peple who helped me sort the facts and find my voice.
Always thank you to Shelley Wanger, the Arnold Jurdems, Miriam Schwartz, Roy Zurkowski, Audrey Grass, Juanita Jordan, Gigi Mahon, Lane Davis, Bill Zwecker, Karen Patterson and Michael Rautbord for being there.
Change your hair, change your politics, change your tax bracket. Reinvent yourself, my dear, or the world will pass you by. Keep changing and when one door shuts you'll turn the knob and open another.
—Virginia George
You know how it is, when you look back on your life, you hardly recognize the person you once were. Like a snake shedding skins.
—Jacqueline Kennedy Onassis
I have learned to confront misfortune even when it swallowed me whole.
I adapt to surroundings. I do not cave in to odds.
I instinctively know when it is time to change.
I reinvent myself when necessary.
I am a chameleon.
—
Claire Harrison Grant
S
he spoke in the low-pitched, cultured voice that was her trademark. The voice conjured up all the best places—private white beaches with big striped umbrellas, candlelit dinners in foreign embassies, highballs in old WASPy clubs—but its power lay in the instant intimacy it created, as if the focus of her attention was more fascinating to her at that moment than any world leader or lover she had ever known. Now the attention of the famous Claire Harrison Duccio Lefkowitz Grant was leveled at the eleven men who would decide her future.
She ignored the crowd in the chamber and the whirring television cameras as she answered their questions, one by one. When they brought up her past, she braced herself for the barrage of words that would echo off the hearing room's turn-of-the-century chandelier. Her stories, tossed up like an unsolvable puzzle that would fall down around her in a thousand pieces, rearranged to support their version of her history. She volleyed back with a practiced smile, the one she had cultivated for fifty years, the one that calmed her and belied any fear she was feeling. How often she had relied on this slight lift of her lips when she was in danger.
She lowered her voice an octave, as if she were inviting them into her private rooms, where each man's special interests would be listened to with all the flattery they deserved. There was a kind, maternal quality to her voice now. It had taken her years to get it just right, to have just this kind of effect on people.
Her listeners, wearing good-on-television red neckties, leaned forward to hear her better. This group of men, their brass nameplates arranged in front of them like giant place cards at one of Claire's famous dinners, were there to untangle the rumors that swirled around Claire from the facts. It was whispered that her celebrated stamp collection was a personal portrait gallery of all the great men she had known and that she kept her latest late husband's ashes in a green jar on her kitchen counter between the allspice and the oregano. Odd fodder for this stony lineup of middle-aged senators. She was seated at the green felt-covered table across from and several feet below their bench, wearing the same serene look that had stared out at them from dozens of magazines, her fingers gracefully interlaced. Her violet eyes pierced the dim room and seemed to beam directly upon each one of them, the currents of warmth in her soft irises rendering her unexpectedly vulnerable. Despite the acreage of years she had covered, most of it squarely in the public eye, Claire was remarkably handsome. She had opted not to change her face with cosmetic surgery. Most of her cronies, stalwart surgical pioneers, looked like they'd been hurled through wind tunnels at breakneck speeds. Claire had chosen to do her changing from within.
The sun emerged from behind a cloud and shone through the heavy wooden blinds, backlighting Claire like in a forties film noir. The kind she and Lefty used to cast. One of those romantic mysteries she could imagine she was starring in today. Would the heroine outwit the villain? Would the lady get her own microphone at the U.N.?
Claire inhaled deeply and adjusted her skirt length with only a slight movement of her leg. A subtle hitch. No hands. A trick she had learned from the image-conscious duchess of Windsor and mastered years ago when Claire realized she also would be on continuous public display. Everything that had been useful in her life she had learned early on in her unorthodox upbringing.
She drummed her fingers on the table and turned her head to survey the room. Why was it so difficult for these men to realize that the accomplished woman sitting in front of them was light-years away from that shy teenager photographed at Eleanor Roosevelt's elbow, or the notorious mankiller wrapped in a Christian Dior gown on the cover of
Look?
Claire brightened when she saw the wild halo of apple-red curls and mouthed “I'm glad you're here” to her daughter. The earnest face suddenly put all her ambitions in perspective. This had been her hardest-fought battle, more bitter than any she'd fought with the powerful men who had crossed their swords with hers.
The men in her life. Fenwick Grant had called Claire a magnificent castle with no central heating. Fulco Duccio had called her the most expensive courtesan on the continent and many cruder things. Lefty Lefkowitz had said his beloved Claire was the most understanding wife in the world, whose skillful nursing had given him two more wonderful years. She had been called many other, less flattering, things, including murderess. Great luck and great tragedy had touched her, yet no one held the key to the castle that was Claire. She smiled now at the management of this carefully constructed facade, even as she thought of the men she had loved, and the one among them who had surely been the love of her life. As she thought of him now, of the touch of his elegant hands on her flesh, she involuntarily raised a hand to her lips and there was genuine excitement in her eyes.
Perhaps they would make her the ambassador. She believed with all her heart that she was singularly prepared for this role. After all, she had survived an avalanche of a life.
Not so bad for a girl who had come from humble origins.
Humble Origins
Many who arrive at the top are found to have very simple backgrounds.
—
Eleanor Roosevelt
V
iolet Organ was in a pickle. It wasn't enough that Leland Organ had saddled her with a plainly ugly last name. He had abandoned her at the worst of times. She hadn't been able to keep anything down except Frango mints for the last two days. Her young husband had suddenly developed traveling feet and bolted six months earlier to see the Pyramids, leaving her, Hyde Park, his job as a geography teacher, and a growing bump now the size of a world globe in Violet's belly. She was feeling so queasy she almost hadn't made it out of bed this morning, but if she missed one more day of work, she'd get her pink slip for sure.
“Hurry up,” Slim called to her friend. “We don't want to be trampled to death on the train by all these last-minute shoppers. Procrastinators!”
Talk about waiting until the last minute, Violet thought. She supposed not going to the doctor to check on her symptoms was her own form of procrastination. There was hardly any mistaking them now. But then there was the expense of a doctor, which she couldn't afford, not to mention the embarrassment of it all. Part of her had preferred not to think about her predicament, hoping it would just go away like the January white sales. She let Miss Slim wrangle her to the train door.
“I'm doomed,” Violet Organ murmured. “It's probably too late for me.” Could a healthy twenty-two-year-old be stricken with liver disease? Wouldn't that be better than having a baby? People were sent to sanatoriums out West where they recovered, weren't they? Or was that for some other disease? She was confused. She'd been feeling so lightheaded since she'd awakened at dawn. How could she possibly work all day on her feet and take care of a child with only eighteen dollars in the bank? She could barely take care of herself. And how would she explain the sudden appearance of a baby? Did Marshall Field's Department Store believe in the stork? Violet sighed. Nineteen twenty-three was ending on a very low note.
When her belly had first started to swell a few months ago, she thought it might be an ulcer or a gallstone, her menstrual cycle being as erratic as her charming but peripatetic spouse. But as the bump in her belly was now swollen to the size of a pocketbook, even someone as naive as she could no longer deny the obvious. A baby born to a poor salesgirl whose husband was missing was utterly unthinkable. She hadn't dared to confide in anyone, not even Slim. She couldn't let anyone see how ill she was, or how desperate. Violet couldn't afford to lose her job at Marshall Field's this close to Christmas, not when there were a hundred girls in line anxious for the chance to work at the finest store in America, whose employees proudly felt a cut above anyone who worked anyplace else. By half starving herself and small-boned to begin with, she had put on only fourteen pounds. What if there were medical bills? What if she lost her Christmas bonus, her employee benefits, and all of the lovely friends she'd made in the two years she'd been there? They were becoming like family to her. Especially since Leland Organ had up and left. If only she could go to the store's Lost and Found on the third floor and find him, her “missing Organ,” as Slim cheekily referred to Violet's aberrant husband.
