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Authors: Robert Ludlum

The Chancellor Manuscript

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THE CHANCELLOR MANUSCRIPT

“Ludlum piles conspiracy upon counterconspiracy, keeping his hero and the reader dangling right to the end.”

—Barbara A. Bannon,
Publishers Weekly

“His best yet … A compound of fact and fiction manipulated with masterly skill … We are satiated these days by sensation … What will keep the reader turning the pages is no longer just sensation but style, suspense and skill on the storyteller’s part. Ludlum has all three … A top-flight novel of action and intrigue.”


John Barkham Reviews

“Reads as though Ludlum has his very own ‘Deep Throat’… Contains details about the secret workings of intelligence agencies that seem frighteningly accurate.”


Christian Science Monitor

“An even better novel than The Rhinemann Exchange—a rousing adventure with no dull moments.”


Cincinnati Enquirer

“Ludlum’s best yet!”


San Francisco Examiner

This edition contains the complete text of the original hardcover edition.
NOT ONE WORD HAS BEEN OMITTED.

THE CHANCELLOR MANUSCRIPT
A Bantam Book / published by arrangement with
The Dial Press
PUBLISHING HISTORY
Dial edition published March 1977
Literary Guild edition published May 1977
Bantam edition / February 1978

Lyrics from “Let It Snow, Let It Snow, Let It Snow,” by Sammy Cahn and Jules Stein, used by permission of Edward Traubner.

Lines From “Buffalo Bill’s” by e. e. cummings from Complete Poems 1913—1962 by e. e. cummings, published by Harcourt Brace Jovanovich, Inc.

All rights reserved.
Copyright © 1977 by Robert Ludlum.
No part of this book may be reproduced or transmitted
in any form or by any means, electronic or mechanical,
including photocopying, recording, or by any information
storage and retrieval system, without permission in
writing from the publisher.
For information address: Bantam Books.

eISBN: 978-0-307-81381-7

Bantam Books are published by Bantam Books, a division of Bantam Doubleday Dell Publishing Group, Inc. Its trademark, consisting of the words “Bantam Books” and the portrayal of a rooster, is Registered in U.S. Patent and Trademark Office and in other countries. Marca Registrada. Bantam Books, 1540 Broadway. New York, New York 10036.

v3.1_r1

Contents
Prologue

June, 3, 1968

The dark-haired man stared at the wall in front of him. His chair, like the rest of the furniture, was pleasing to the eye but not made for comfort. The style was Early American, the theme Spartan, as if those about to be granted an audience with the occupant of the inner office should reflect on their awesome opportunity in stern surroundings.

The man was in his late twenties, his face angular, the features sharp, each pronounced and definite as if carved by a craftsman more aware of details than of the whole. It was a face in quiet conflict with itself, striking and yet unsettled. The eyes were engaging, deep set and very light blue, with an open, even questioning quality about them. They seemed at the moment to be the eyes of a blue-eyed animal, swift to level in any direction, steady, apprehensive.

The young man’s name was Peter Chancellor, and the expression on his face was as rigid as his posture in the chair. His eyes were angry.

There was one other person in the outer office: a middle-aged secretary whose thin, colorless lips were set in constant tension, her gray hair stretched and spun into a bun that took on the appearance of a faded flaxen helmet. She was the Praetorian Guard, the attack dog who protected the sanctuary of the man behind the oak door beyond her desk.

Chancellor looked at his watch; the secretary glanced at him disapprovingly. Any indication of impatience was out of place in this office; the audience itself was everything.

It was quarter to six; all the other offices were closed. The small Midwest campus of Park Forest University was
preparing for another late-spring evening, the controlled revelry heightened by the proximity of graduation day.

Park Forest strove to remain outside the unrest that had swept across the university campuses. In an ocean of turbulence it was an undisturbed sandbar. Insular, rich, at peace with itself, essentially without disruption. Or brilliance.

It was this fundamental lack of external concerns, so the story went, that brought the man behind the oak door to Park Forest. He sought inaccessibility, if not anonymity, which of course could never be granted. Munro St. Claire had been undersecretary of state for Roosevelt and Truman; ambassador-extraordinary for Eisenhower, Kennedy, and Johnson. He had flown about the globe with an open portfolio, bringing his Presidents’ concerns and his own expertise to the world’s troubled areas. That he had elected to spend a spring semester at Park Forest as visiting professor of government—while organizing the data that would form the basis of his memoirs—was a coup that had stunned the trustees of this wealthy but minor university. They had swallowed their disbelief and guaranteed St. Claire the isolation he could never have found in Cambridge, New Haven, or Berkeley.

So the story went.

And Peter Chancellor thought about the salient points of St. Claire’s story to keep his mind off his own. But not entirely. At the moment, the salient points of his own immediate existence were as discouraging as one could imagine. Twenty-four months lost, thrown away into academic oblivion. Two years of his life!

His doctoral thesis had been rejected by the vote of eight to one by the honors college of Park Forest The one dissenting vote was, naturally, that of his advisor and, as such, without influence on the others. Chancellor had been accused of frivolousness, of wanton disregard of historical fact, of slovenly research, and ultimately of irresponsibly inserting fiction in lieu of provable data. It was not at all ambiguous. Chancellor had failed; there was no appeal, for the failure was absolute.

From an exhilarating high he had sunk into a deep depression. Six weeks ago the
Foreign Service Journal
of Georgetown University had agreed to publish fourteen excerpts from the thesis. A total of some thirty pages. His advisor had managed it, sending a copy to academic friends
in Georgetown, who thought the work was both enlightening and frightening. The
Journal
was on a par with
Foreign Affairs
, its readership among the country’s most influential. Something was bound to result; somebody had to offer something.

But the
Journal’s
editors made one condition: Due to the nature of the thesis, the doctoral acceptance was mandatory before they would publish the manuscript. Without it they would not.

Now, of course, publishing any part was out of the question.

“The Origins of a Global Conflict” was the title. The conflict was World War II, the origins an imaginative interpretation of the men and the forces that collided during the catastrophic years from 1926 to 1939. It did no good to explain to the history committee of the honors college that the thesis was an interpretive analysis, not a legal document. He had committed a cardinal sin: He had attributed invented dialogue to historical figures. Such nonsense was unacceptable to the groves of academe at Park Forest.

But Chancellor knew there was another more serious flaw in the eyes of the committee. He had written his thesis in outrage and emotion, and outrage and emotion had no place in doctoral dissertations.

The premise that financial giants stood passively by while a band of psychopaths shaped post-Weimar Germany was ludicrous. As ludicrous as it was patently false. The multinational corporations could not feed the Nazi wolf pack fast enough; the stronger the pack, the more rapacious the appetites of the marketplace.

The German wolf pack’s objectives and methods were conveniently obscured in the interests of an expanding economy. Obscured, hell! They were tolerated, ultimately
accepted
, along with the swiftly rising lines on profit-and-loss charts. Diseased Nazi Germany was given an economic clean bill of health by the financiers. And among the colossi of international finance who fed the Wehrmacht eagle were a number of the most honored industrial names in America.

There was the problem. He could not come out and identify those corporations because his proof was not conclusive. The people who had given him the information, and led him to other sources, would not allow their names to be used. They were frightened, tired old men,
living on government and company pensions. Whatever had happened in the past was past; they would not risk losing the largess of their benefactors. Should Chancellor make public their private conversations, they would deny them. It was as simple as that.

But it
wasn’t
as simple as that. It
had
happened. The story had
not
been told, and Peter wanted very much to tell it. True, he did not want to destroy old men who had merely carried out policies they had not understood, conceived by others so far up the corporate ladders they’d rarely met them. But to walk away from unrecorded history was wrong.

So Chancellor took the only option open to him: He had changed the names of the corporate giants, but in such a way as to leave no doubt as to their identities. Anyone who read a newspaper would know who they were.

This was his unforgivable error. He had raised provocative questions few wished to recognize as valid. Park Forest University was looked upon favorably when corporations and corporate foundations issued grants; it was not a dangerous campus. Why should that status be threatened—even remotely—by the work of a single doctoral candidate?

Christ!
Two
years
. There were alternatives, of course. He could transfer his credits to another university and resubmit “Origins.” But what then? Was it worth it? To face another form of rejection? One that lay in the shadows of his own doubts? For Peter was honest with himself. He had not written so unique or brilliant a work. He had merely found a period in recent history that infuriated him because of its parallels with the present Nothing had changed; the lies of forty years ago still existed. But he did not want to walk away from it; he
would
not walk away. He would tell it. Somehow.

BOOK: The Chancellor Manuscript
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