The Collected Stories of William Humphrey (54 page)

BOOK: The Collected Stories of William Humphrey

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In 1957 Humphrey's debut novel,
Home from the Hill
, rocketed him into modern conversation and defined him as an author. Previously regarded as a Western writer due to his Texan roots and their resonance in his work, Humphrey now became firmly grounded in the Southern literary tradition. Comparisons to Faulkner were constant throughout his life and long after his death.

Home from the Hill
was an instant success and was made into a motion picture in 1960 starring Robert Mitchum.
Variety
reported that the film rights sold to MGM for $750,000, to which Humphrey humorously responded, “Unfortunately, they had one zero too many.” Still, it was enough money for Humphrey and his wife to travel extensively in Europe, moving to England in 1958 and later to Italy. Humphrey also used this time to focus on one of his greatest passions: fly-fishing.

In 1963 Humphrey returned to the United States and over the next few years partially returned to the world of academia, taking up short-term positions at the Massachusetts Institute of Technology, Princeton University, Smith College, and Washington and Lee University. But he continued to publish short stories and essays in major magazines such as
Esquire
,
Sports Illustrated
, and the
Atlantic Monthly
and in 1964 was nominated for an Edgar Award for Best Short Story for his work “The Ballad of Jesse Neighbors.” In 1965 Humphrey bought an apple farm in Hudson, New York. Though he would travel extensively in the coming years, the apple farm was to be his home for the rest of his life.

During the same year, Humphrey published his second novel,
The Ordways
, which received extremely strong critical reviews and was compared to the writings of Mark Twain. A second collection of short stories,
A Time and a Place
, was published in 1968, and two essays
, The Spawning Run
and
My Moby Dick
, which first appeared in
Esquire
and
Sports Illustrated
, respectively, were eventually expanded and published as short books.

Over the next few years, Humphrey continued to publish with discipline, writing books that incorporated his signature microcosmically expressed theme of family values. These included
Proud Flesh
(1973),
Hostages to Fortune
(1984),
The Collected Stories of William Humphrey
(1985), and
Open Season
(1986). His last novel,
No Resting Place
(1989), was based on the forced removal of the Cherokee nation along the Trail of Tears and was heralded by the
Los Angeles Times
as “a novel every American should be required to read.”

Humphrey's final collection of short stories,
September Song
(1992), conveyed his mounting sense of frustration at his declining health. By his seventieth birthday, Humphrey had undergone treatment for skin cancer and was hard of hearing. Diagnosed with cancer of the larynx, he died on August 20, 1997, at his home in Hudson. He was seventy-three years old.

William Humphrey in the 1960s, shortly after returning to the United States.

The author in Alsace, France. The image was taken in 1965, the year
The Ordways
was published. Two years prior, the manuscript almost disappeared when Humphrey accidentally left it aboard an express train from Rome to Milan. He added a prefatory note in the published edition thanking “Capostazione Michele Fortino of the Stazione Terminal in Rome” for his efforts in recovering the manuscript.

By the 1970s Humphrey was well established within contemporary literature.

William and Dorothy Humphrey in August 1995 in Hudson, New York.

The author and his wife loved roaming through local thrift stores and modeling their finds.

Dorothy did both of these paintings: Humphrey in his black-and-red hunting cap (at top) and a portrait of Humphrey based on a photograph sent by his mother, taken when he was three years old.

Humphrey at his farm in Hudson, New York. The author required and enjoyed a high degree of quietude all his life.

All rights reserved, including without limitation the right to reproduce this ebook or any portion thereof in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.

These are works of fiction. Names, characters, places, events, and incidents either are the product of the author's imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

“Quail for Mr. Forester” first appeared in
The New Yorker;
“The Hardys” and “The Fauve” in
The Sewanee Review;
“In Sickness and Health” and “Man with a Family” in
Accent;
“Sister” in
Harper's Bazaar;
“A Fresh Snow” and “A Job of the Plains” in
The Quarterly Review of Literature;
“The Ballad of Jesse Neighbours,” “The Pump,” “The Human Fly,” and “The Last of the Caddoes” in
Esquire;
“A Voice from the Woods” in
The Atlantic Monthly;
“A Good Indian” (under a different title), “The Rainmaker,” and “A Home Away from Home” in
The Saturday Evening Post.