The Collected Works of Chögyam Trungpa: Volume Seven (100 page)

Open Theater

Open-mindedness

heaven principle as

Ordinary mind

Oshima, Kozuko

Outrageousness

as fearlessness

as sense of humor

Pacifying karma

blue color of

circle shape of

freedom from neurosis as

Padma (buddha family)

art of

Chakrasamvara and

discriminating awareness wisdom

fire element

lotus symbol

mahakalis and

red color

spring season

west direction

Padma Jong (practice/arts community)

Padmasambhava

Pageantry

Pain

and pleasure

symbolism of

of ultimate reality

Palden, Sherab

Panic

expectations and

Paranoia

process of

Passion

art and

discriminating awareness and

expectations as

magnetizing karma and

padma family

poetry and

Passionlessness

symbolism and

Path (Buddhist)

goal of

vs. materialism

as nuisance

three-yana

as “way” (
do
)

Pattern(s)

of enlightenment

of life

Peaceful deities, gyaling (horn) and

Peaceful energy

intelligence, as

See also
Pacifying (karma)

Pehar (guardian deity)

Pema Karpo

Perception, human

anxiety and

appreciation of

art and

Buddhist approach to

cowardice and

as energy of egolessness

five styles of

four karmas and

gap of mind and

heaven/earth/man and

hesitation as obstacle to

as lifestyle

meditation and

mind and

precision of

preconceptions vs.

reality as

space and

three levels of

threefold logic of

See also
Sense perception(s); Visual perception

“Perception and the Appreciation of Reality” (article)

Performance arts.
See
Theater/performance arts Pernagchen (mahakala)

Persia, Tibetan art/iconography and

Phenomenological clumsiness

Philadelphia Fringe Festival

Photography

basic principle of

buddha families and

Plato

Plays

spontaneous

Poet(s)

American

as bodhisattva

humor and craziness of

vision of

Poetic license

“Poetics” (article)

Poetry

audience and

collorabative/group

as description

doha

elegance of

Japanese haiku

meditation and

as music

neurosis and

as proclamation

vs. prose writing

as right speech

threefold logic of

Tibetan classical

transforming society through

See also
Poetry (of Chögyam Trungpa)

Poetry (of Chögyam Trungpa)

Allen Ginsberg and

English language

Japanese influence on

loneliness as touchstone of

style of

Tibetan language

Western influence on

Poets

American

mind

tribal

Western

“Poets’ Colloquium”

art that clears

of world/society

Portuges, Paul

Positive arrogance

Positive art

Postmeditation

post-art and

Poverty, magnetizing karma and

Power

individual vs. universal

of magic

Prajna (intellect)

“looking” as

sword of

wisdom/jnana and

Prajna
(play)

Prajnaparamita teachings

Precision (perceptual)

meditation and

power of

sudden glimpse as

of visual dharma/symbolism

Preconception(s)

perception vs.

shocking

Proclamation
(play)

Projections and projector

Prose writing

Provisional Open Theater

“Purifying and Invoking the Four Directions”

Purple (color) of feminine/queen principle

Quakers and Shakers

The Rain of Wisdom
(NTC)

Ratna (buddha family)

autumn season

earth element

jewel symbol

south direction

Vajrabhairava and

wisdom of equanimity

yellow color

Reality

appreciating

art as

as basic space

broad smile of

direct experience of

mahamudra view of

performance arts and

as process of perception

ultimate

Western poetry and

working with

Red (color)

of magnetizing karma

of padma family

Reeds
(photograph)

Reference point(s)

empty-heartedness vs.

mind of “no”

relative truth as

Regret, absence of

Relaxation

Religion

art and

beyond

sacredness vs.

“Report from Loveland”

“Report from Outside the Closet”

Resentment

toward society

Retreat (practice), theater arts as

Rich, Thomas.
See
Tendzin, Vajra Regent Ösel Richness

in filmmaking and

iconography of

of ratna family

See also
Enriching karma

Right speech

Rimbaud

Ritual

“opening the eyes”

Roberts, Esmé Cramer

Rockwell, John

Rocky Mountain Dharma Center