| and Samuel Taylor Coleridge, 346, 349, 384;
|
| critical reception of, 147, 382;
|
| and the Byronic hero, 382, 400;
|
| and the dramatic monologue, 378;
|
| and dream poetry, 365-367;
|
| and the French Revolution, 388;
|
| influence of, 377, 536;
|
| influences on, 117-118, 401;
|
| and John Keats, 381, 385, 398;
|
| on poetry, 384-385;
|
| political poetry of, 392-395;
|
| on Alexander Pope, 384- 385;
|
| and Romanticism, 363-367, 369-375, 377-378, 387;
|
|