The Complete Novels of Mark Twain and the Complete Biography of Mark Twain (147 page)

Then he showed us another little job he’d printed and hadn’t charged for, because it was for us. It had a picture of a runaway nigger with a bundle on a stick over his shoulder, and “$200 reward” under it. The reading was all about Jim, and just described him to a dot. It said he run away from St. Jacques’ plantation, forty mile below New Orleans, last winter, and likely went north, and whoever would catch him and send him back he could have the reward and expenses.

“Now,” says the duke, “after to-night we can run in the daytime if we want to. Whenever we see anybody coming we can tie Jim hand and foot with a rope, and lay him in the wigwam and show this handbill and say we captured him up the river, and were too poor to travel on a steamboat, so we got this little raft on credit from our friends and are going down to get the reward. Handcuffs and chains would look still better on Jim, but it wouldn’t go well with the story of us being so poor. Too much like jewelry. Ropes are the correct thing — we must preserve the unities, as we say on the boards.”

We all said the duke was pretty smart, and there couldn’t be no trouble about running daytimes. We judged we could make miles enough that night to get out of the reach of the powwow we reckoned the duke’s work in the printing office was going to make in that little town; then we could boom right along if we wanted to.

We laid low and kept still, and never shoved out till nearly ten o’clock; then we slid by, pretty wide away from the town, and didn’t hoist our lantern till we was clear out of sight of it.

When Jim called me to take the watch at four in the morning, he says:

“Huck, does you reck’n we gwyne to run acrost any mo’ kings on dis trip?”

“No,” I says, “I reckon not.”

“Well,” says he, “dat’s all right, den. I doan’ mine one er two kings, but dat’s enough. Dis one’s powerful drunk, en de duke ain’ much better.”

I found Jim had been trying to get him to talk French, so he could hear what it was like; but he said he had been in this country so long, and had so much trouble, he’d forgot it.

IT was after sun-up now, but we went right on and didn’t tie up. The king and the duke turned out by and by looking pretty rusty; but after they’d jumped overboard and took a swim it chippered them up a good deal. After breakfast the king he took a seat on the corner of the raft, and pulled off his boots and rolled up his britches, and let his legs dangle in the water, so as to be comfortable, and lit his pipe, and went to getting his Romeo and Juliet by heart. When he had got it pretty good him and the duke begun to practice it together. The duke had to learn him over and over again how to say every speech; and he made him sigh, and put his hand on his heart, and after a while he said he done it pretty well; “only,” he says, “you mustn’t bellow out ROMEO! that way, like a bull — you must say it soft and sick and languishy, so — R-o-o-meo! that is the idea; for Juliet’s a dear sweet mere child of a girl, you know, and she doesn’t bray like a jackass.”

Well, next they got out a couple of long swords that the duke made out of oak laths, and begun to practice the sword fight — the duke called himself Richard III.; and the way they laid on and pranced around the raft was grand to see. But by and by the king tripped and fell overboard, and after that they took a rest, and had a talk about all kinds of adventures they’d had in other times along the river.

After dinner the duke says:

“Well, Capet, we’ll want to make this a first-class show, you know, so I guess we’ll add a little more to it. We want a little something to answer encores with, anyway.”

“What’s onkores, Bilgewater?”

The duke told him, and then says:

“I’ll answer by doing the Highland fling or the sailor’s hornpipe; and you — well, let me see — oh, I’ve got it — you can do Hamlet’s soliloquy.”

“Hamlet’s which?”

“Hamlet’s soliloquy, you know; the most celebrated thing in Shakespeare. Ah, it’s sublime, sublime! Always fetches the house. I haven’t got it in the book — I’ve only got one volume — but I reckon I can piece it out from memory. I’ll just walk up and down a minute, and see if I can call it back from recollection’s vaults.”

So he went to marching up and down, thinking, and frowning horrible every now and then; then he would hoist up his eyebrows; next he would squeeze his hand on his forehead and stagger back and kind of moan; next he would sigh, and next he’d let on to drop a tear. It was beautiful to see him. By and by he got it. He told us to give attention. Then he strikes a most noble attitude, with one leg shoved forwards, and his arms stretched away up, and his head tilted back, looking up at the sky; and then he begins to rip and rave and grit his teeth; and after that, all through his speech, he howled, and spread around, and swelled up his chest, and just knocked the spots out of any acting ever I see before. This is the speech — I learned it, easy enough, while he was learning it to the king:

To be, or not to be; that is the bare bodkin That makes calamity of so long life; For who would fardels bear, till Birnam Wood do come to Dunsinane, But that the fear of something after death Murders the innocent sleep, Great nature’s second course, And makes us rather sling the arrows of outrageous fortune Than fly to others that we know not of. There’s the respect must give us pause: Wake Duncan with thy knocking! I would thou couldst; For who would bear the whips and scorns of time, The oppressor’s wrong, the proud man’s contumely, The law’s delay, and the quietus which his pangs might take, In the dead waste and middle of the night, when churchyards yawn In customary suits of solemn black, But that the undiscovered country from whose bourne no traveler returns, Breathes forth contagion on the world, And thus the native hue of resolution, like the poor cat i’ the adage, Is sicklied o’er with care, And all the clouds that lowered o’er our housetops, With this regard their currents turn awry, And lose the name of action. ’Tis a consummation devoutly to be wished. But soft you, the fair Ophelia: Ope not thy ponderous and marble jaws, But get thee to a nunnery — go!

Well, the old man he liked that speech, and he mighty soon got it so he could do it first-rate. It seemed like he was just born for it; and when he had his hand in and was excited, it was perfectly lovely the way he would rip and tear and rair up behind when he was getting it off.

The first chance we got the duke he had some showbills printed; and after that, for two or three days as we floated along, the raft was a most uncommon lively place, for there warn’t nothing but sword fighting and rehearsing — as the duke called it — going on all the time. One morning, when we was pretty well down the State of Arkansaw, we come in sight of a little one-horse town in a big bend; so we tied up about three-quarters of a mile above it, in the mouth of a crick which was shut in like a tunnel by the cypress trees, and all of us but Jim took the canoe and went down there to see if there was any chance in that place for our show.

We struck it mighty lucky; there was going to be a circus there that afternoon, and the country people was already beginning to come in, in all kinds of old shackly wagons, and on horses. The circus would leave before night, so our show would have a pretty good chance. The duke he hired the courthouse, and we went around and stuck up our bills. They read like this:

Shaksperean Revival ! ! ! Wonderful Attraction! For One Night Only! The world renowned tragedians, David Garrick the Younger, of Drury Lane Theatre London, and Edmund Kean the elder, of the Royal Haymarket Theatre, Whitechapel, Pudding Lane, Piccadilly, London, and the Royal Continental Theatres, in their sublime Shaksperean Spectacle entitled The Balcony Scene in Romeo and Juliet ! ! ! Romeo...................Mr. Garrick Juliet..................Mr. Kean Assisted by the whole strength of the company! New costumes, new scenes, new appointments! Also: The thrilling, masterly, and blood-curdling Broad-sword conflict In Richard III. ! ! ! Richard III.............Mr. Garrick Richmond................Mr. Kean Also: (by special request) Hamlet’s Immortal Soliloquy ! ! By The Illustrious Kean! Done by him 300 consecutive nights in Paris! For One Night Only, On account of imperative European engagements! Admission 25 cents; children and servants, 10 cents.

Then we went loafing around town. The stores and houses was most all old, shackly, dried up frame concerns that hadn’t ever been painted; they was set up three or four foot above ground on stilts, so as to be out of reach of the water when the river was over-flowed. The houses had little gardens around them, but they didn’t seem to raise hardly anything in them but jimpson-weeds, and sunflowers, and ash piles, and old curled-up boots and shoes, and pieces of bottles, and rags, and played-out tinware. The fences was made of different kinds of boards, nailed on at different times; and they leaned every which way, and had gates that didn’t generly have but one hinge — a leather one. Some of the fences had been white-washed some time or another, but the duke said it was in Clumbus’ time, like enough. There was generly hogs in the garden, and people driving them out.

All the stores was along one street. They had white domestic awnings in front, and the country people hitched their horses to the awning-posts. There was empty drygoods boxes under the awnings, and loafers roosting on them all day long, whittling them with their Barlow knives; and chawing tobacco, and gaping and yawning and stretching — a mighty ornery lot. They generly had on yellow straw hats most as wide as an umbrella, but didn’t wear no coats nor waistcoats, they called one another Bill, and Buck, and Hank, and Joe, and Andy, and talked lazy and drawly, and used considerable many cuss words. There was as many as one loafer leaning up against every awning-post, and he most always had his hands in his britches-pockets, except when he fetched them out to lend a chaw of tobacco or scratch. What a body was hearing amongst them all the time was:

“Gimme a chaw ’v tobacker, Hank.”

“Cain’t; I hain’t got but one chaw left. Ask Bill.”

Maybe Bill he gives him a chaw; maybe he lies and says he ain’t got none. Some of them kinds of loafers never has a cent in the world, nor a chaw of tobacco of their own. They get all their chawing by borrowing; they say to a fellow, “I wisht you’d len’ me a chaw, Jack, I jist this minute give Ben Thompson the last chaw I had”— which is a lie pretty much everytime; it don’t fool nobody but a stranger; but Jack ain’t no stranger, so he says:

“YOU give him a chaw, did you? So did your sister’s cat’s grandmother. You pay me back the chaws you’ve awready borry’d off’n me, Lafe Buckner, then I’ll loan you one or two ton of it, and won’t charge you no back intrust, nuther.”

“Well, I DID pay you back some of it wunst.”

“Yes, you did —’bout six chaws. You borry’d store tobacker and paid back nigger-head.”

Store tobacco is flat black plug, but these fellows mostly chaws the natural leaf twisted. When they borrow a chaw they don’t generly cut it off with a knife, but set the plug in between their teeth, and gnaw with their teeth and tug at the plug with their hands till they get it in two; then sometimes the one that owns the tobacco looks mournful at it when it’s handed back, and says, sarcastic:

“Here, gimme the CHAW, and you take the PLUG.”

All the streets and lanes was just mud; they warn’t nothing else BUT mud — mud as black as tar and nigh about a foot deep in some places, and two or three inches deep in ALL the places. The hogs loafed and grunted around everywheres. You’d see a muddy sow and a litter of pigs come lazying along the street and whollop herself right down in the way, where folks had to walk around her, and she’d stretch out and shut her eyes and wave her ears whilst the pigs was milking her, and look as happy as if she was on salary. And pretty soon you’d hear a loafer sing out, “Hi! SO boy! sick him, Tige!” and away the sow would go, squealing most horrible, with a dog or two swinging to each ear, and three or four dozen more a-coming; and then you would see all the loafers get up and watch the thing out of sight, and laugh at the fun and look grateful for the noise. Then they’d settle back again till there was a dog fight. There couldn’t anything wake them up all over, and make them happy all over, like a dog fight — unless it might be putting turpentine on a stray dog and setting fire to him, or tying a tin pan to his tail and see him run himself to death.