The Complete Short Stories (7 page)

BOOK: The Complete Short Stories
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“Rather an unexpected attitude for you.”

“I love people who do unexpected things. Didn't you always adore the man who slew a lion in a pit on a snowy day? But about this unfortunate innocence. Well, quite long ago, when I'd been quarrelling with more people than usual, you among the number—it must have been in November, I never quarrel with you too near Christmas—I had an idea that I'd like to write a book. It was to be a book of personal reminiscences, and was to leave out nothing.”

“Reginald!”

“Exactly what the Duchess said when I mentioned it to her. I was provoking and said nothing, and the next thing, of course, was that every one heard that I'd written the book and got it in the press. After that, I might have been a goldfish in a glass bowl for all the privacy I got. People attacked me about it in the most unexpected places, and implored or commanded me to leave out things that I'd forgotten had ever happened. I sat behind Miriam Klopstock one night in the dress-circle at His Majesty's, and she began at once about the incident of the Chow dog in the bathroom, which she insisted must be struck out. We had to argue it in a disjointed fashion, because some of the people wanted to listen to the play, and Miriam takes nines in voices. They had to stop her playing in the ‘Macaws' Hockey Club because you could hear what she thought when her shins got mixed up in a scrimmage for half a mile on a still day. They are called the Macaws because of their blue-and-yellow costumes, but I understand there was nothing yellow about Miriam's language. I agreed to make one alteration, as I pretended I had got it a Spitz instead of a Chow, but beyond that I was firm. She megaphoned back two minutes later, ‘You promised you would never mention it; don't you ever keep a promise?' When people had stopped glaring in our direction, I replied that I'd as soon think of keeping white mice. I saw her tearing little bits out of her programme for a minute or two, and then she leaned back and snorted, ‘You're not the boy I took you for,' as though she were an eagle arriving at Olympus with the wrong Ganymede. That was her last audible remark, but she went on tearing up her programme and scattering the pieces around her, till one of her neighbours asked with immense dignity whether she should send for a wastepaper-basket. I didn't stay for the last act.

“Then there is Mrs.—oh, I never can remember her name; she lives in a street that the cabmen have never heard of, and is at home on Wednesdays. She frightened me horribly once at a private view by saying mysteriously, ‘I oughtn't to be here, you know; this is one of my days.' I thought she meant that she was subject to periodical outbreaks and was expecting an attack at any moment. So embarrassing if she had suddenly taken it into her head that she was Cesare Borgia or St. Elizabeth of Hungary. That sort of thing would make one unpleasantly conspicuous even at a private view. However, she merely meant to say that it was Wednesday, which at the moment was incontrovertible. Well, she's on quite a different tack to the Klopstock. She doesn't visit anywhere very extensively, and, of course, she's awfully keen for me to drag in an incident that occurred at one of the Beauwhistle garden-parties, when she says she accidentally hit the shins of a Serene Somebody or other with a croquet mallet and that he swore at her in German. As a matter of fact, he want on discoursing on the Gordon-Bennett affair in French. (I never can remember if it's a new submarine or a divorce. Of course, how stupid of me!) To be disagreeably exact, I fancy she missed him by about two inches—over-anxiousness, probably—but she likes to think she hit him. I've felt that way with a partridge which I always imagine keeps on flying strong, out of false pride, till it's the other side of the hedge. She said she could tell me everything she was wearing on the occasion. I said I didn't want my book to read like a laundry list, but she explained that she didn't mean those sort of things.

“And there's the Chilworth boy, who can be charming as long as he's content to be stupid and wear what he's told to; but he gets the idea now and then that he'd like to be epigrammatic, and the result is like watching a rook trying to build a nest in a gale. Since he got wind of the book, he's been persecuting me to work in something of his about the Russians and the Yalu Peril, and is quite sulky because I won't do it.

“Altogether, I think it would be rather a brilliant inspiration if you were to suggest a fortnight in Paris.”

Reginald in Russia

First Collected, 1910

REGINALD IN RUSSIA

R
EGINALD
sat in a corner of the Princess's salon and tried to forgive the furniture, which started out with an obvious intention of being Louis Quinze, but relapsed at frequent intervals into Wilhelm II.

He classified the Princess with that distinct type of woman that looks as if it habitually went out to feed hens in the rain.

Her name was Olga; she kept what she hoped and believed to be a fox-terrier, and professed what she thought were Socialist opinions. It is not necessary to be called Olga if you are a Russian Princess; in fact, Reginald knew quite a number who were called Vera; but the fox-terrier and the Socialism are essential.

“The Countess Lomshen keeps a bull-dog,” said the Princess suddenly. “In England is it more chic to have a bull-dog than a fox-terrier?”

Reginald threw his mind back over the canine fashions of the last ten years and gave an evasive answer.

“Do you think her handsome, the Countess Lomshen?” asked the Princess.

Reginald thought the Countess's complexion suggested an exclusive diet of macaroons and pale sherry. He said so.

“But that cannot be possible,” said the Princess triumphantly; “I've seen her eating fish-soup at Donon's.”

The Princess always defended a friend's complexion. If it was really bad. With her, as with a great many of her sex, charity began at homeliness and did not generally progress much farther.

Reginald withdrew his macaroon and sherry theory, and became interested in a case of miniatures.

“That?” said the Princess; “that is the old Princess Lorikoff. She lived in Millionaya Street, near the Winter Palace, and was one of the Court ladies of the Old Russian school. Her knowledge of people and events was extremely limited; but she used to patronize every one who came in contact with her. There was a story that when she died and left the Millionaya for Heaven she addressed St. Peter in her formal staccato French: ‘Je suis la Princesse Lor-i-koff. Il me donne grand plaisir à faire votre connaissance. Je vous en prie me présenter an Bon Dieu.' St. Peter made the desired introduction, and the Princess addressed le Bon Dieu: ‘Je suis la Princesse Lor-i-koff. Il me donne grand plaisir à faire votre connaissance. On a souvent parlé de vous à l'église de la rue Million.'”

“Only the old and the clergy of Established churches know how to be flippant gracefully,” commented Reginald; “which reminds me that in the Anglican Church in a certain foreign capital, which shall be nameless, I was present the other day when one of the junior chaplains was preaching in aid of distressed somethings or other, and he brought a really eloquent passage to a close with the remark, ‘The tears of the afflicted, to what shall I liken them—to diamonds?' The other junior chaplain, who had been dozing out of professional jealousy, awoke with a start and asked hurriedly, ‘Shall I play to diamonds, partner?' It didn't improve matters when the senior chaplain remarked dreamily but with painful distinctness, ‘Double diamonds.' Every one looked at the preacher, half expecting him to redouble, but he contented himself with scoring what points he could under the circumstances.”

“You English are always so frivolous,” said the Princess. “In Russia we have too many troubles to permit of our being light-hearted.”

Reginald gave a delicate shiver, such as an Italian greyhound might give in contemplating the approach of an ice age of which he personally disapproved, and resigned himself to the inevitable political discussion.

“Nothing that you hear about us in England is true,” was the Princess's hopeful beginning.

“I always refused to learn Russian geography at school,” observed Reginald; “I was certain some of the names must be wrong.”

“Everything is wrong with our system of government,” continued the Princess placidly. “The Bureaucrats think only of their pockets, and the people are exploited and plundered in every direction, and everything is mismanaged.”

“With us,” said Reginald, “a Cabinet usually gets the credit of being depraved and worthless beyond the bounds of human conception by the time it has been in office about four years.”

“But if it is a bad Government you can turn it out at the election,” argued the Princess.

“As far as I remember, we generally do,” said Reginald.

“But here it is dreadful, every one goes to such extremes. In England you never go to extremes.”

“We go to the Albert Hall,” explained Reginald.

“There is always a see-saw with us between repression and violence,” continued the Princess; “and the pity of it is the people are really not in the least inclined to be anything but peaceable. Nowhere will you find people more good-natured, or family circles where there is more affection.”

“There I agree with you,” said Reginald. “I know a boy who lives somewhere on the French Quay who is a case in point. His hair curls naturally, especially on Sundays, and he plays bridge well, even for a Russian, which is saying much. I don't think he has any other accomplishments, but his family affection is really of a very high order. When his maternal grandmother died he didn't go as far as to give up bridge altogether but he declared on nothing but black suits for the next three months. That, I think, was really beautiful.”

The Princess was not impressed.

“I think you must be very self-indulgent and live only for amusement,” she said. “A life of pleasure-seeking and card-playing and
dissipation brings only dissatisfaction. You will find that out some day.”

“Oh, I know it turns out that way sometimes,” assented Reginald. “Forbidden fizz is often the sweetest.”

But the remark was wasted on the Princess, who preferred champagne that had at least a suggestion of dissolved barley-sugar.

“I hope you will come and see me again,” she said in a tone that prevented the hope from becoming too infectious; adding as a happy after-thought, “you must come to stay with us in the country.”

Her particular part of the country was a few hundred versts the other side of Tamboff, with some fifteen miles of agrarian disturbance between her and the nearest neighbour. Reginald felt that there is some privacy which should be sacred from intrusion.

THE RETICENCE OF LADY ANNE

E
GBERT
came into the large, dimly lit drawing-room with the air of a man who is not certain whether he is entering a dovecote or a bomb factory, and is prepared for either eventuality. The little domestic quarrel over the luncheon-table had not been fought to a definite finish, and the question was how far Lady Anne was in a mood to renew or forgo hostilities. Her pose in the arm-chair by the tea-table was rather elaborately rigid; in the gloom of a December afternoon Egbert's pince-nez did not materially help him to discern the expression of her face.

By way of breaking whatever ice might be floating on the surface he made a remark about a dim religious light. He or Lady Anne were accustomed to make that remark between 4.30 and 6 on winter and late autumn evenings; it was a part of their married life. There was no recognized rejoinder to it and Lady Anne made none.

Don Tarquinio lay astretch on the Persian rug, basking in the firelight with superb indifference to the possible ill-humour of Lady Anne. His pedigree was as flawlessly Persian as the rug, and his ruff was coming into the glory of its second winter. The page-boy, who had Renaissance tendencies, had christened him Don Tarquinio. Left to themselves, Egbert and Lady Anne would unfailingly have called him Fluff, but they were not obstinate.

Egbert poured himself out some tea. As the silence gave no sign of breaking on Lady Anne's initiative, he braced himself for another Yermak effort.

“My remark at lunch had a purely academic application,” he announced; “you seem to put an unnecessarily personal significance into it.”

Lady Anne maintained her defensive barrier of silence. The bullfinch lazily filled in the interval with an air from
Iphigénie en Tauride.
Egbert recognized it immediately, because it was the only air the bullfinch whistled, and he had come to them with the reputation for whistling it. Both Egbert and Lady Anne would have preferred something from
The Yeoman of the Guard,
which was their favourite opera. In matters artistic they had a similarity of taste. They leaned towards the honest and explicit in art, a picture, for instance, that told its own story, with generous assistance from its title. A riderless warhorse with harness in obvious disarray, staggering into a courtyard full of pale swooning women, and marginally noted “Bad News,” suggested to their minds a distinct interpretation of some military catastrophe. They could see what it was meant to convey, and explain it to friends of duller intelligence.

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