The Complete Works of Leo Tolstoy (25+ Works with active table of contents) (751 page)

BOOK: The Complete Works of Leo Tolstoy (25+ Works with active table of contents)
2.47Mb size Format: txt, pdf, ePub

"The neighborhood of my ward continues to be pillaged by soldiers of the 3rd Corps who, not satisfied with taking from the unfortunate inhabitants hiding in the cellars the little they have left, even have the ferocity to wound them with their sabers, as I have repeatedly witnessed."

 

"Nothing new, except that the soldiers are robbing and pillaging- October 9."

 

"Robbery and pillaging continue. There is a band of thieves in our district who ought to be arrested by a strong force--October 11."

 

"The Emperor is extremely displeased that despite the strict orders to stop pillage, parties of marauding Guards are continually seen returning to the Kremlin. Among the Old Guard disorder and pillage were renewed more violently than ever yesterday evening, last night, and today. The Emperor sees with regret that the picked soldiers appointed to guard his person, who should set an example of discipline, carry disobedience to such a point that they break into the cellars and stores containing army supplies. Others have disgraced themselves to the extent of disobeying sentinels and officers, and have abused and beaten them."

 

"The Grand Marshal of the palace," wrote the governor, "complains bitterly that in spite of repeated orders, the soldiers continue to commit nuisances in all the courtyards and even under the very windows of the Emperor."

 

That army, like a herd of cattle run wild and trampling underfoot the provender which might have saved it from starvation, disintegrated and perished with each additional day it remained in Moscow. But it did not go away.

 

It began to run away only when suddenly seized by a panic caused by the capture of transport trains on the Smolensk road, and by the battle of Tarutino. The news of that battle of Tarutino, unexpectedly received by Napoleon at a review, evoked in him a desire to punish the Russians (Thiers says), and he issued the order for departure which the whole army was demanding.

 

Fleeing from Moscow the soldiers took with them everything they had stolen. Napoleon, too, carried away his own personal tresor, but on seeing the baggage trains that impeded the army, he was (Thiers says) horror-struck. And yet with his experience of war he did not order all the superfluous vehicles to be burned, as he had done with those of a certain marshal when approaching Moscow. He gazed at the caleches and carriages in which soldiers were riding and remarked that it was a very good thing, as those vehicles could be used to carry provisions, the sick, and the wounded.

 

The plight of the whole army resembled that of a wounded animal which feels it is perishing and does not know what it is doing. To study the skillful tactics and aims of Napoleon and his army from the time it entered Moscow till it was destroyed is like studying the dying leaps and shudders of a mortally wounded animal. Very often a wounded animal, hearing a rustle, rushes straight at the hunter's gun, runs forward and back again, and hastens its own end. Napoleon, under pressure from his whole army, did the same thing. The rustle of the battle of Tarutino frightened the beast, and it rushed forward onto the hunter's gun, reached him, turned back, and finally--like any wild beast--ran back along the most disadvantageous and dangerous path, where the old scent was familiar.

 

During the whole of that period Napoleon, who seems to us to have been the leader of all these movements--as the figurehead of a ship may seem to a savage to guide the vessel--acted like a child who, holding a couple of strings inside a carriage, thinks he is driving it.

 

CHAPTER XI

 

Early in the morning of the sixth of October Pierre went out of the shed, and on returning stopped by the door to play with a little blue-gray dog, with a long body and short bandy legs, that jumped about him. This little dog lived in their shed, sleeping beside Karataev at night; it sometimes made excursions into the town but always returned again. Probably it had never had an owner, and it still belonged to nobody and had no name. The French called it Azor; the soldier who told stories called it Femgalka; Karataev and others called it Gray, or sometimes Flabby. Its lack of a master, a name, or even of a breed or any definite color did not seem to trouble the blue-gray dog in the least. Its furry tail stood up firm and round as a plume, its bandy legs served it so well that it would often gracefully lift a hind leg and run very easily and quickly on three legs, as if disdaining to use all four. Everything pleased it. Now it would roll on its back, yelping with delight, now bask in the sun with a thoughtful air of importance, and now frolic about playing with a chip of wood or a straw.

 

Pierre's attire by now consisted of a dirty torn shirt (the only remnant of his former clothing), a pair of soldier's trousers which by Karataev's advice he tied with string round the ankles for warmth, and a peasant coat and cap. Physically he had changed much during this time. He no longer seemed stout, though he still had the appearance of solidity and strength hereditary in his family. A beard and mustache covered the lower part of his face, and a tangle of hair, infested with lice, curled round his head like a cap. The look of his eyes was resolute, calm, and animatedly alert, as never before. The former slackness which had shown itself even in his eyes was now replaced by an energetic readiness for action and resistance. His feet were bare.

 

Pierre first looked down the field across which vehicles and horsemen were passing that morning, then into the distance across the river, then at the dog who was pretending to be in earnest about biting him, and then at his bare feet which he placed with pleasure in various positions, moving his dirty thick big toes. Every time he looked at his bare feet a smile of animated self-satisfaction flitted across his face. The sight of them reminded him of all he had experienced and learned during these weeks and this recollection was pleasant to him.

 

For some days the weather had been calm and clear with slight frosts in the mornings--what is called an "old wives' summer."

 

In the sunshine the air was warm, and that warmth was particularly pleasant with the invigorating freshness of the morning frost still in the air.

 

On everything--far and near--lay the magic crystal glitter seen only at that time autumn. The Sparrow Hills were visible in the distance, with the village, the church, and the large white house. The bare trees, the sand, the bricks and roofs of the houses, the green church spire, and the corners of the white house in the distance, all stood out in the transparent air in most delicate outline and with unnatural clearness. Near by could be seen the familiar ruins of a half-burned mansion occupied by the French, with lilac bushes still showing dark green beside the fence. And even that ruined and befouled house--which in dull weather was repulsively ugly--seemed quietly beautiful now, in the clear, motionless brilliance.

 

A French corporal, with coat unbuttoned in a homely way, a skullcap on his head, and a short pipe in his mouth, came from behind a corner of the shed and approached Pierre with a friendly wink.

 

"What sunshine, Monsieur Kiril!" (Their name for Pierre.) "Eh? Just like spring!"

 

And the corporal leaned against the door and offered Pierre his pipe, though whenever he offered it Pierre always declined it.

 

"To be on the march in such weather..." he began.

 

Pierre inquired what was being said about leaving, and the corporal told him that nearly all the troops were starting and there ought to be an order about the prisoners that day. Sokolov, one of the soldiers in the shed with Pierre, was dying, and Pierre told the corporal that something should be done about him. The corporal replied that Pierre need not worry about that as they had an ambulance and a permanent hospital and arrangements would be made for the sick, and that in general everything that could happen had been foreseen by the authorities.

 

"Besides, Monsieur Kiril, you have only to say a word to the captain, you know. He is a man who never forgets anything. Speak to the captain when he makes his round, he will do anything for you."

 

(The captain of whom the corporal spoke often had long chats with Pierre and showed him all sorts of favors.)

 

"'You see, St. Thomas,' he said to me the other day. 'Monsieur Kiril is a man of education, who speaks French. He is a Russian seigneur who has had misfortunes, but he is a man. He knows what's what.... If he wants anything and asks me, he won't get a refusal. When one has studied, you see, one likes education and well-bred people.' It is for your sake I mention it, Monsieur Kiril. The other day if it had not been for you that affair would have ended ill."

 

And after chatting a while longer, the corporal went away. (The affair he had alluded to had happened a few days before--a fight between the prisoners and the French soldiers, in which Pierre had succeeded in pacifying his comrades.) Some of the prisoners who had heard Pierre talking to the corporal immediately asked what the Frenchman had said. While Pierre was repeating what he had been told about the army leaving Moscow, a thin, sallow, tattered French soldier came up to the door of the shed. Rapidly and timidly raising his fingers to his forehead by way of greeting, he asked Pierre whether the soldier Platoche to whom he had given a shirt to sew was in that shed.

 

A week before the French had had boot leather and linen issued to them, which they had given out to the prisoners to make up into boots and shirts for them.

 

"Ready, ready, dear fellow!" said Karataev, coming out with a neatly folded shirt.

 

Karataev, on account of the warm weather and for convenience at work, was wearing only trousers and a tattered shirt as black as soot. His hair was bound round, workman fashion, with a wisp of lime-tree bast, and his round face seemed rounder and pleasanter than ever.

 

"A promise is own brother to performance! I said Friday and here it is, ready," said Platon, smiling and unfolding the shirt he had sewn.

 

The Frenchman glanced around uneasily and then, as if overcoming his hesitation, rapidly threw off his uniform and put on the shirt. He had a long, greasy, flowered silk waistcoat next to his sallow, thin bare body, but no shirt. He was evidently afraid the prisoners looking on would laugh at him, and thrust his head into the shirt hurriedly. None of the prisoners said a word.

 

"See, it fits well!" Platon kept repeating, pulling the shirt straight.

 

The Frenchman, having pushed his head and hands through, without raising his eyes, looked down at the shirt and examined the seams.

 

"You see, dear man, this is not a sewing shop, and I had no proper tools; and, as they say, one needs a tool even to kill a louse," said Platon with one of his round smiles, obviously pleased with his work.

 

"It's good, quite good, thank you," said the Frenchman, in French, "but there must be some linen left over.

 

"It will fit better still when it sets to your body," said Karataev, still admiring his handiwork. "You'll be nice and comfortable...."

 

"Thanks, thanks, old fellow.... But the bits left over?" said the Frenchman again and smiled. He took out an assignation ruble note and gave it to Karataev. "But give me the pieces that are over."

 

Pierre saw that Platon did not want to understand what the Frenchman was saying, and he looked on without interfering. Karataev thanked the Frenchman for the money and went on admiring his own work. The Frenchman insisted on having the pieces returned that were left over and asked Pierre to translate what he said.

 

"What does he want the bits for?" said Karataev. "They'd make fine leg bands for us. Well, never mind."

 

And Karataev, with a suddenly changed and saddened expression, took a small bundle of scraps from inside his shirt and gave it to the Frenchman without looking at him. "Oh dear!" muttered Karataev and went away. The Frenchman looked at the linen, considered for a moment, then looked inquiringly at Pierre and, as if Pierre's look had told him something, suddenly blushed and shouted in a squeaky voice:

 

"Platoche! Eh, Platoche! Keep them yourself!" And handing back the odd bits he turned and went out.

 

"There, look at that," said Karataev, swaying his head. "People said they were not Christians, but they too have souls. It's what the old folk used to say: 'A sweating hand's an open hand, a dry hand's close.' He's naked, but yet he's given it back."

 

Karataev smiled thoughtfully and was silent awhile looking at the pieces.

 

"But they'll make grand leg bands, dear friend," he said, and went back into the shed.

 

CHAPTER XII

 

Four weeks had passed since Pierre had been taken prisoner and though the French had offered to move him from the men's to the officers' shed, he had stayed in the shed where he was first put.

 

In burned and devastated Moscow Pierre experienced almost the extreme limits of privation a man can endure; but thanks to his physical strength and health, of which he had till then been unconscious, and thanks especially to the fact that the privations came so gradually that it was impossible to say when they began, he endured his position not only lightly but joyfully. And just at this time he obtained the tranquillity and ease of mind he had formerly striven in vain to reach. He had long sought in different ways that tranquillity of mind, that inner harmony which had so impressed him in the soldiers at the battle of Borodino. He had sought it in philanthropy, in Freemasonry, in the dissipations of town life, in wine, in heroic feats of self-sacrifice, and in romantic love for Natasha; he had sought it by reasoning--and all these quests and experiments had failed him. And now without thinking about it he had found that peace and inner harmony only through the horror of death, through privation, and through what he recognized in Karataev.

Other books

Shoot to Kill by Brett Halliday
Girls Of The Dark by Katherine Pathak
Worth a Thousand Words by Stacy Adams
Witch Blood by Anya Bast
Enslaved by Shoshanna Evers
No One Writes to the Colonel by Gabriel García Márquez, J. S. Bernstein
The Hike by Drew Magary
Tango Key by T. J. MacGregor