rapidly became popular in China with the Hua-Yen school, in Korea, and especially in Japan with the development of the Kegon school. Doctrinally it embraces Yog
c
ra/
Vijñ
v
da
idealism,
M
dhyamaka
, and
Tantric
elements, which it weaves together into a rich metaphysical tapestry. Underlying the apparent diversity in the world is a complex mesh of interdependence and interpenetration of phenomena illuminated and energized by the compassion of the cosmic Buddha (
Vairocana
). No part of the whole exists in isolation and there is complementarity and mutual identification between all entities in a grand harmonious unity. Elements which appear to be separate are in fact subtly linked like jewels which reflect their brilliance upon one another.
Avat
ra
(Skt., ‘descent’). The earthly manifestations (or ‘incarnations’) of a Hindu deity. More specifically, it is an earthly manifestation of Vi
u due to his free choice (i.e. not due to the laws of
karma
or a curse) and taking the form of a full human life (including conception, birth, and natural death), for the sake of a specific cosmic purpose. This allowed for the inclusion of other popular heroes and figures of worship under the general umbrella of Vi
u religion. Already at a relatively early stage, the
Vedic
figure of Trivikrama was included, now under the name of
V
mana
, ‘the Dwarf’. By widening the definition of the term, cult-figures like the
Var
ha
(Boar),
K
rma
(Tortoise),
Matsya
(Fish), and N
si
ha/
Narasi
ha
(Man-Lion), could be included. Somewhat later also
R
ma
,
Balar
ma
or Baladeva (K