The Concrete Blonde (50 page)
“Yeah, well, a lot of us did. I guess nobody knows anybody like they think.”
“Yeah. Seeya, Harry.”
Late that afternoon, he stood on the back deck, leaning forward on his new oak railing, looking out into the pass and thinking about the black heart. Its rhythm was so strong it could set the beat of a whole city. He knew it would always be the background beat, the cadence, of his own life. Bremmer would be banished now, hidden away forever, but he knew there would be another after him. And another after him. The black heart does not beat alone.
He lit a cigarette and thought about Honey Chandler, crowding his last view of her from his mind with the vision of her holding forth in court. That would always be her place in his mind. There had been something so pure and distilled about her fury—like the blue flame on a match before it burns out on its own. Even directed at him he could appreciate it.
His mind wandered to the statue at the courthouse steps. He still couldn't think of her name. A concrete blonde, Chandler had called her. Bosch wondered what Chandler had thought about justice at the end. At her end. He knew there was no justice without hope. Did she still have any hope left at the end? He believed that she did. Like the pure blue flame dimming to nothing, it was still there. Still hot. It was what allowed her to beat Bremmer.
He did not hear Sylvia until she stepped out onto the porch. He looked up and saw her there and wanted to go to her immediately, but held back. She was wearing blue jeans and a dark blue denim shirt. He'd bought the shirt for her birthday and he took that as a good sign. He guessed she had probably come from school, it having recessed for the weekend only an hour earlier.
“I called your office and they told me you were off. I thought I would come by to see how you were. I've been reading all about the case.”
“I'm okay, Sylvia. How are you?”
“I'm fine.”
“How are we?”
She smiled a little at that.
“Sounds like one of those bumper stickers you see. ‘How'm I driving?’ … Harry, I don't know how we are. I guess that's why I'm here.”
There was an uneasy silence as she looked around the porch and out into the pass. Bosch crushed his cigarette out and dropped it in an old coffee can he kept by the door.
“Hey, new cushions.”
“Yeah.”
“Harry, you have to understand why I needed some time. It's—”
“I do.”
“Let me finish. I rehearsed this enough times, I'd like to get a chance to actually say it to you. I just wanted to say that it is going to be very hard for me, for us, if we go on. It is going to be hard to deal with our pasts, our secrets, and most of all what you do, what you bring home with you …”
Bosch waited for her to continue. He knew she wasn't done.
“I know I don't have to remind you, but I've been through it before with a man I loved. And I saw it all go bad and—you know how it ended. There was a lot of pain for both of us. So you have to understand why I needed to take a step back and take a look at this. At us.”
He nodded but she wasn't looking at him. Her not looking concerned him more than her words. He couldn't bring himself to speak, though. He didn't know what he could say.
“You live a very hard struggle, Harry, Your life, I mean. A cop. Yet with all your baggage I see and know there are still very noble things about you.”
Now she looked at him.
“I do love you, Harry. I want to try to keep that alive because it's one of the best things about my life. One of the best things I know. I know it will be hard. But that might make it all the better. Who knows?”
He went to her then.
“Who knows?” he said.
And they held each other for a long time, his face next to hers, smelling her hair and skin. He held the back of her neck as though it was as fragile as a porcelain vase.
After a while they broke apart but only long enough to get on the chaise lounge together. They sat silently, just holding each other, for the longest time—until the sky started to dim and turn red and purple over the San Gabriels. Bosch knew there were still the secrets he carried, but they would keep for now. And he would avoid that black place of loneliness for just a while longer.
“Do you want to go away this weekend?” he asked. “Get away from the city? We could take that trip up to Lone Pine. Stay in a cabin tomorrow night.”
“That would be wonderful. I could—We could use it.”
A few minutes later she added, “We might not be able to get a cabin, Harry. There's so few of them and they're usually booked by Friday.”
“I already have one on reserve.”
She turned around so she could face him. She smiled slyly and said. “Oh, so you knew all the time. You were just hanging around waiting for me to come back. No sleepless nights, no surprise.”
He didn't smile. He shook his head and for a few moments he looked out at the dying light reflected on the west wall of the San Gabriels.
“I didn't know, Sylvia,” he said. “I hoped.”
Michael Connelly is author of the bestselling Harry Bosch series of novels as well as the recent #1
New York Times
bestseller
The Lincoln Lawyer.
He is a former newspaper reporter who has won numerous awards for his journalism and his novels. He spends his time in California and Florida.
Look for the sizzling new thriller
by Michael Connelly
ECHO PARK
Available in mass market in August 07
Please turn this page for a preview.
And don't miss Michael Connelly's
other novels featuring Harry Bosch,
available now wherever books are sold.
The Black Echo
The Black Ice
Angels Flight
A Darkness More than Night
City of Bones
Lost Light
The Narrows
The Closers
THE HIGH TOWER 1993
It was the car they had been looking for. The license plate was gone but Harry Bosch could tell. A 1987 Honda Accord, its maroon paint long faded by the sun. It had been updated in ‘92 with the green Clinton bumper sticker and now even that was faded. The sticker had been made with cheap ink, not meant to last. Back when the election was a long shot. The car was parked in a single-car garage so narrow it made Bosch wonder how the driver had been able to get out. He knew he would have to tell the Forensics people to be extra diligent while checking for prints on the outside of the car and the garage's inner wall. The Forensics people would bristle at being told this but he would become anxious if he didn't.
The garage had a pull-down door with an aluminum handle. Not good for prints but Bosch would point that out to Forensics as well.
“Who found it?” he asked the patrol officers.
They had just strung the yellow tape across the mouth of the cul-de-sac which was made by the two rows of individual garages on either side of the street and the entrance of the High Tower apartment complex.
“The landlord,” the senior officer replied. “The garage goes with an apartment he's got vacant, so it's supposed to be empty. A couple days ago he opens it up because he's got to store some furniture and stuff and he sees the car. Thinks maybe it's somebody visiting one of the other tenants so he lets it go a few days, but then the car stays put and so he starts asking his tenants about it. Nobody knows the car. Nobody knows whose it is. So then he calls us because he starts thinking it might be stolen because of the missing plates. Me and my partner have got the Gesto bulletin on the visor. Once we got here we put it together pretty fast.”
Bosch nodded and stepped closer to the garage. He breathed in deeply through his nose. Marie Gesto had been missing ten days now. If she was in the trunk he would smell it. His partner, Jerry Edgar, joined him.
“Anything?” he asked.
“I don't think so.”
“Good.”
“Good?”
“I don't like trunk cases.”
“At least we'd have the victim to work with.”
It was just banter as Bosch's eyes roamed over the car, looking for anything that would help them. Seeing nothing, he took a pair of latex gloves out of his coat pocket, blew them up like balloons to stretch the rubber and then pulled them onto his hands. He held his arms up like a surgeon coming into the operating room and turned sideways so that he could try to slide into the garage and get to the driver's door without touching or disturbing anything.
He slid into darkness as he moved into the garage. He batted spider threads away from his face. He moved back out and asked the patrol officer if he could use the Maglite on his equipment belt. Once he was back in the garage he turned the light on and put its beam through the windows of the Honda. He saw the backseat first. The riding boots and helmet were on the seat. There was a small plastic grocery bag next to the boots with the Mayfair Supermarket insignia on it. He couldn't tell what was in the bag but knew that it opened an angle on the investigation they hadn't thought of before.
He moved forward. On the front passenger seat he noticed a small stack of neatly folded clothing on top of a pair of running shoes. He recognized the blue jeans and the long-sleeved T-shirt, the outfit Marie Gesto was wearing when last seen by witnesses as she was heading to Beachwood Canyon to ride. On top of the shirt were carefully folded socks, panties and bra. Bosch felt the dull thud of dread in his chest. Not because he took the clothing as confirmation that Marie Gesto was dead. In his gut he already knew that. Everybody knew it, even the parents who appeared on TV and pleaded for their daughter's safe return. It was the reason why the case had been taken from Missing Persons and reassigned to Hollywood Homicide.
It was her clothes that got to Bosch. The way they were folded so neatly. Did she do that? Or had it been the one who took her from this world? It was the little questions that always bothered him, filled the hollow inside with dread.
After surveying the rest of the car through the glass, Bosch carefully worked his way out of the garage.
“Anything?” Edgar asked again.
“Her clothes. The riding equipment. Maybe some groceries. There's a Mayfair at the bottom of Beachwood. She could've stopped on her way up to the stables.”
Edgar nodded. A new lead to check out, a place to look for witnesses.
Bosch stepped out from beneath the overhead door and looked up at the High Tower Apartments. It was a place unique to Hollywood. A conglomeration of apartments built into the extruded granite of the hills behind the Hollywood Bowl. They were of Streamline Moderne design and all linked at the center by the slim structure that housed the elevator—the high tower from which the street and complex took its name. Bosch had lived in this neighborhood for a time while growing up. From his home on nearby Camrose he could hear the orchestras practicing in the bowl on summer days. If he stood on the roof he could see the fireworks on the Fourth and at the close of the season.
At night he had seen the windows on the High Tower glowing with light. He'd see the elevator pass in front of them on its way up, delivering another person home. He had thought as a boy that living in a place where you took an elevator home had to be the height of luxury.
“Where's the manager?” he asked the patrol officer with two stripes on his sleeves.
“He went back up. He said take the elevator to the top and his place is the first one across the walkway.”
“Okay, we're going up. You wait here for SID and the OPG. Don't let the tow guys touch the car until Forensics takes a look.”
“You got it.”
The elevator in the tower was a small cube that bounced with their weight as Edgar slid the door open and they stepped in. The door then automatically closed and they had to slide an interior safety door closed as well.
There were only two buttons, 1 and 2. Bosch pushed 2 and the car lurched upward. It was a small space, with enough room for four people at the most before everybody would start tasting each other's breath.
“Tell you what,” Edgar said, “nobody in this place has a piano, that's for sure.”
“Brilliant deduction, Watson,” Bosch said.
On the top level they pulled the doors open and stepped out onto a concrete runway that was suspended between the tower and the separate apartments built into the hillside. Bosch turned and looked past the tower to a view that took in almost all of Hollywood and had the mountain breeze to go with it. He looked up and saw a red-tailed hawk floating above the tower, as if watching them.
“Here we go,” Edgar said.
Bosch turned to see his partner pointing to a short set of stairs that led to one of the apartment doors. There was a sign that said
manager
below a doorbell. The door was opened before they got to it by a thin man with a white beard. He introduced himself as Milano Kay, the manager of the apartment complex. After they badged him Bosch and Edgar asked if they could see the vacant apartment to which the garage with the Honda in it was assigned. Kay led the way.
They walked back past the tower to another runway that led to an apartment door. Kay started working a key into the door lock.
“I know this place,” Edgar said. “This complex and the elevator, it's been in the movies, right?”
“That's right,” Kay said. “Over the years.”
It stood to reason, Bosch thought. A place as unique as this could not escape the eye of the local industry.
Kay opened the door and signaled Bosch and Edgar in first. The apartment was small and empty. There was a living room, kitchen with a small eat-in space and a bedroom with an attached bathroom. No more than four hundred square feet and Bosch knew that with furniture it would look even smaller. But the view was what the place was about. A curving wall of windows looked out on the same view of Hollywood seen from the walkway to the tower. A glass door led to a porch that followed the curve of glass. Bosch stepped out and saw the view was expanded out here. He could see the towers of downtown through the smog. He knew the view would be best at night.
“How long has this apartment been vacant?” he asked.
