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Authors: Catherine Coulter

The Cove

BOOK: The Cove
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This is a work of fiction. Names, characters, places, and incidents are either the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events or locales is entirely coincidental.

 

THE COVE

 

A
Jove
Book / published by arrangement with the author

 

All rights reserved.

Copyright ©
1996
by
Catherine Coulter

This book may not be reproduced in whole or part, by mimeograph or any other means, without permission. Making or distributing electronic copies of this book constitutes copyright infringement and could subject the infringer to criminal and civil liability.

For information address:

The Berkley Publishing Group, a division of Penguin Putnam Inc.,

375 Hudson Street, New York, New York 10014.

 

The Penguin Putnam Inc. World Wide Web site address is http://www.penguinputnam.com

 

ISBN:
9781101191477

 

A
JOVE
BOOK®

Jove
Books first published by The Berkley Publishing Group, a member of Penguin Putnam Inc.,

375 Hudson Street, New York, New York 10014.

JOVE
and the “
J
” design are trademarks belonging to Penguin Putnam Inc.

 

First edition (electronic): July 2001

Titles by Catherine Coulter

 

THE EDGE

THE COVE

THE MAZE

THE TARGET

BEYOND EDEN

IMPULSE

FALSE PRETENSES

THE COURTSHIP

MAD JACK

ROSEHAVEN

THE WILD BARON

THE WYNDHAM LEGACY

THE NIGHTINGALE LEGACY

THE VALENTINE LEGACY

LORD OF HAWKFELL ISLAND

LORD OF RAVEN
'
S PEAK

LORD OF FALCON RIDGE

THE SHERBROOKE BRIDE

THE HELLION BRIDE

THE HEIRESS BRIDE

Acknowledgments

 

To my creative and talented sister, Diane Coulter, who said to me in September 1994, “Let me tell you about this little town on the coast of Oregon called The Cove.” And thus
The Cove
was born.

To Jonathan Kellerman's novel
Bad Love
, the best title of the year. I told my editor, Stacy Creamer, that I wanted a title like his, only more. Being my editor, she suggested without a pause, “How about
Really Bad Cove
?”

To my assistant, Karen Evans, who snits without fear of death, and with charm.

To David Shanks, President of Putnam/Berkley, who swore to me in June 1995 that he'll tell me whenever I do something stupid.

And finally to my husband, Anton, partner and confidant, who manages to keep everything in proper perspective.

1

 

S
OMEONE WAS WATCHING
her. She tugged on the black wig, flattening it against her ears, and quickly put on another coat of deep-red lipstick, holding the mirror up so she could see behind her.

The young Marine saw her face in the mirror and grinned at her. She jumped as if she'd been shot.
Just stop it. He's harmless, he's just flirting
. He couldn't be more than eighteen, his head all shaved, his cheeks as smooth as hers. She tilted the mirror to see more. The woman sitting beside him was reading a Dick Francis novel. In the seat behind them a young couple were leaning into each other, asleep.

The seat in front of her was empty. The Greyhound driver was whistling Eric Clapton's “Tears in Heaven,” a song that always twisted up her insides. The only one who seemed to notice her was that young Marine, who'd gotten on at the last stop in Portland. He was probably going home to see his eighteen-year-old girlfriend. He wasn't after her, surely, but someone was. She wouldn't be fooled again. They'd taught her so much. No, she'd never be fooled again.

She put the mirror back into her purse and fastened the flap. She stared at her fingers, at the white line where the wedding ring had been until three days ago. She'd tried to pull it off for the past six months but hadn't managed to do it. She had been too out of it even to fasten the
Velcro on her sneakers—when they allowed her sneakers—much less work off a tight ring.

Soon, she thought, soon she would be safe. Her mother would be safe too. Oh, God, Noelle—sobbing in the middle of the night when she didn't know anyone could hear her. But without her there, they couldn't do a thing to Noelle. Odd how she rarely thought of Noelle as her mother anymore, not like she had ten years before, when Noelle had listened to all her teenage problems, taken her shopping, driven her to her soccer games. So much they'd done together. Before. Yes, before that night when she'd seen her father slam his fist into her mother's chest and she'd heard the cracking of at least two ribs.

She'd run in, screaming at him to leave her mother alone, and jumped on his back. He was so surprised, so shocked, that he didn't strike her. He shook her off, turned, and shouted down at her, “Mind your own business, Susan! This doesn't concern you.” She stared at him, all the fear and hatred she felt for him at that moment clear on her face.

“Doesn't concern me? She's my mother, you bastard. Don't you dare hit her again!”

He looked calm, but she wasn't fooled; she saw the pulse pounding madly in his neck. “It was her fault, Susan. Mind your own damned business. Do you hear me? It was her fault.” He took a step toward her mother, his fist raised. She picked up the Waterford carafe off his desk, yelling, “Touch her and I'll bash your head in.”

He was panting now, turning swiftly to face her again, no more calm expression to fool her. His face was distorted with rage. “Bitch! Damned interfering little bitch! I'll make you pay for this, Susan. No one goes against me, particularly a spoiled little girl who's never done a thing in her life except spend her father's money.” He didn't hit Noelle again. He looked at both of them with naked fury, then strode out of the house, slamming the door behind him.

“Yeah, right,” she said and very carefully and slowly set the Waterford carafe down before she dropped it.

She wanted to call an ambulance but her mother wouldn't allow it. “You can't,” she said, her voice as cracked as her ribs. “You can't, Sally. Your father would be ruined, if anyone believed us. I can't allow that to happen.”

“He deserves to be ruined,” Sally said, but she obeyed. She was only sixteen years old, home for the weekend from her private girls' school in Laurelberg, Virginia. Why wouldn't they be believed?

“No, dearest,” her mother whispered, the pain bowing her in on herself. “No. Get me that blue bottle of pills in the medicine cabinet. Hurry, Sally. The blue bottle.”

As she watched her mother swallow three of the pills, groaning as she did so, she realized the pills were there because her father had struck her mother before. Deep down, Sally had known it. She hated herself because she'd never asked, never said a word.

That night her mother became Noelle, and the next week Sally left her girls' school and moved back to her parents' home in Washington, D.C., in hopes of protecting her mother. She read everything she could find on abuse—not that it helped.

That was ten years ago, though sometimes it seemed like last week. Noelle had stayed with her husband, refusing to seek counseling, refusing to read any of the books Sally brought her. It made no sense to Sally, but she'd stayed as close as possible, until she'd met Scott Brainerd at the Whistler exhibition at the National Gallery of Art and married him two months later.

She didn't want to think about Scott or about her father now. Despite her vigilance, she knew her father had hit Noelle whenever she happened to be gone from the house. She'd seen the bruises her mother had tried to hide from her, seen her walking carefully, like an old woman. Once he broke her mother's arm, but Noelle refused to go to
the hospital, to the doctor, and ordered Susan to keep quiet. Her father just looked at her, daring her, and she did nothing. Nothing.

Her fingers rubbed unconsciously over the white line where the ring had been. She could remember the past so clearly—her first day at school, when she was on the seesaw and a little boy pointed, laughing that he saw her panties.

It was just the past week that was a near blank in her mind. The week her father had been killed. The whole week was like a very long dream that had almost dissolved into nothing more than an occasional wisp of memory with the coming of the morning.

Sally knew she'd been at her parents' house that night, but she couldn't remember anything more, at least nothing she could grasp—just vague shadows that blurred, then faded in and out. But they didn't know that. They wanted her badly, she'd realized that soon enough. If they couldn't use her to prove that Noelle had killed her husband, why, then they'd take her and prove that she'd killed her father. Why not? Other children had murdered their fathers. Although there were plenty of times she'd wanted to, she didn't believe she'd killed him.

On the other hand, she just didn't know. It was all a blank, locked tightly away in her brain. She knew she was capable of killing that bastard, but had she? There were many people who could have wanted her father dead. Perhaps they'd found out she'd been there after all. Yes, that was it. She'd been a witness and they knew it. She probably had been. She just didn't remember.

She had to stay focused on the present. She looked out the Greyhound window at the small town the bus was going through. Ugly gray exhaust spewed out the back of the bus. She bet the locals loved that.

They were driving along Highway 101 southwest. Just another half hour, she thought, just thirty more minutes, and she wouldn't have to worry anymore, at least for a
while. She would take any safe time she could get. Soon she wouldn't have to be afraid of anyone who chanced to look at her. No one knew about her aunt, no one.

She was terrified that the young Marine would get off after her when she stepped down from the bus at the junction of Highways 101 and 101A. But he didn't. No one did. She stood there with her one small bag, staring at the young Marine, who'd turned around in his seat and was looking back at her. She tamped down on her fear. He just wanted to flirt, not hurt her. She thought he had lousy taste in women. She watched for cars, but none were coming from either direction.

She walked west along Highway 101A to The Cove. Highway 101A didn't go east.

 

“Yes?”

She stared at the woman she'd seen once in her life when she was no more than seven years old. She looked like a hippie, a colorful scarf wrapped around her long, curling, dark hair, huge gold hoops dangling from her ears, her skirt ankle-length and painted all in dark blues and browns. She was wearing blue sneakers. Her face was strong, her cheekbones high and prominent, her chin sharp, her eyes dark and intelligent. Actually, she was the most beautiful woman Sally had ever seen.

“Aunt Amabel?”

“What did you say?” Amabel stared at the young woman who stood on her front doorstep, a young woman who didn't look cheap with all that makeup she'd piled on her face, just exhausted and sickly pale. And frightened. Then, of course, she knew. She had known deep down that she would come. Yes, she'd known, but it still shook her.

“I'm Sally,” she said and pulled off the black wig and took out half a dozen hairpins. Thick, waving dark-blond hair tumbled down to her shoulders. “Maybe you called me Susan? Not many people do anymore.”

The woman was shaking her head back and forth, those dazzling earrings slapping against her neck. “My God, it's really you, Sally?” She rocked back on her heels.

“Yes, Aunt.”

“Oh, my,” Amabel said and quickly pulled her niece against her, hugged her tightly, then pushed her back to look at her. “Oh, my goodness. I've been so worried. I finally heard the news about your papa, but I didn't know if I should call Noelle. You know how she is. I was going to call her tonight when the rates go down, but you're here, Sally. I guess I hoped you'd come to me. What's happened? Is your mama all right?”

“Noelle is fine, I think,” Sally said. “I didn't know where else to go, so I came here. Can I stay here, Aunt Amabel, just for a little while? Just until I can think of something, make some plans?”

“Of course you can. Look at that black wig and all that makeup on your face. Why, baby?”

The endearment undid her. She'd not cried, not once, until now, until this woman she didn't really know called her “baby.” Her aunt's hands were stroking her back, her voice was low and soothing. “It's all right, lovey. I promise you, everything will be all right now. Come in, Sally, and I'll take care of you. That's what I told your mama when I first saw you. You were the cutest little thing, so skinny, your arms and legs wobbly like a colt's, and the biggest smile I'd ever seen. I wanted to take care of you then. You'll be safe here. Come on, baby.”

The damnable tears wouldn't stop. They just kept dripping down her face, ruining the god-awful thick black mascara. She even tasted it, and when she swiped her hand over her face it came away with black streaks.

“I look like a circus clown,” she said, swallowing hard to stop the tears, to smile, to make herself smile. She took out the green-colored contacts. With the crying, they hurt.

“No, you look like a little girl trying on her mama's makeup. That's right, take out those ugly contacts. Ah,
now you've got your pretty blue eyes again. Come to the kitchen and I'll make you some tea. I always put a drop of brandy in mine. It wouldn't hurt you one little bit. How old are you now, Sally?”

“Twenty-six, I think.”

“What do you mean, you think?” her aunt said, cocking her head to one side, making the gold hoop earring hang straight down almost to her shoulder.

Sally couldn't tell her that though she thought her birthday had come and gone in that place, she couldn't seem to see the day in her mind, couldn't dredge up anyone saying anything to her, not that she could imagine it anyway. She couldn't even remember if her father had been there. She prayed he hadn't. She couldn't tell Amabel about that, she just couldn't. She shook her head, smiled, and said, not lying well, “It was just a way of speaking, Aunt Amabel. I'd love some tea and a drop of brandy.”

Amabel sat her niece down in the kitchen at her old pine table that had three magazines under one leg to keep it steady. At least she'd made cushions for the wooden seats, so they were comfortable. She put the kettle on the gas burner and turned it on. “There,” she said. “That won't take too long.”

Sally watched her put a Lipton tea bag into each cup and pour in the brandy. Amabel said, “I always pour the brandy in first. It soaks into the tea bag and makes the flavor stronger. Brandy's expensive and I've got to make it last. This bottle”—she lifted the Christian Brothers—“is going on its third month. Not bad. You'll see, you'll like it.”

“No one followed me, Aunt Amabel. I was really careful. I imagine you know that everyone is after me. But I managed to get away. As far as I know, no one knows about you. Noelle never told a soul. Only Father knew about you, and he's dead.”

Amabel just nodded. Sally sat quietly, watching Amabel move around her small kitchen, each action smooth
and efficient. She was graceful, this aunt of hers in her hippie clothes. She looked at those strong hands, the long fingers, the short, buffed nails painted an awesome bright red. Amabel was an artist, she remembered that now. She couldn't see any resemblance at all to Noelle, Amabel's younger sister. Amabel was dark as a gypsy, while Noelle was blond and fair-complexioned, blue-eyed and soft as a pillow.

Like me, Sally thought. But Sally wasn't soft anymore. She was hard as a brick.

She waited, expecting Amabel to whip out a deck of cards and tell her fortune. She wondered why none of Noelle's family ever spoke of Amabel. What had she done that was so terrible?

Her fingers rubbed over the white band where the ring had been. She said as she looked around the old kitchen with its ancient refrigerator and porcelain sink, “You don't mind that I'm here, Aunt Amabel?”

BOOK: The Cove
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