Authors: Scott G. Mariani
The Cross
The Cross
SCOTT G. MARIANI
As ever, thanks to my intrepid and tireless editor at Avon, Keshini Naidoo, who luckily for me enjoys the blood and gore of a vampire story even more than I do . . .
Thanks also to Nathan Shallcross at Armed Combat and Tactics UK for expert coaching in some particularly effective and nasty fighting techniques with the European longsword. Learning how to whip an opponent’s head off their shoulders with a four-foot blade is definitely the most fun I’ve ever had researching a novel.
Nearly thirty years of domination ensured that the hallowed traditions of the vampire race were all but eradicated under the rule of the Vampire Federation. Gone were the days when vampires were free to claim the blood of human victims at will, leaving their exsanguinated remains for the crows or turning them into vampires like themselves. Strict laws were laid down by Federation rulers and enforced by VIA, the Vampire Intelligence Agency, with agents like Alex Bishop licensed to hunt down and destroy vampires who flouted the rules.
It seemed as if the vampire way of life had changed forever. Until, that is, the uprising led by rebel vampire Gabriel Stone attempted to drive a stake into the very heart of its hated enemy the Federation. Only the chance intervention of a human, Joel Solomon, wielding an ancient and powerful anti-vampire weapon the legends call the Cross of Ardaich, prevented the complete annihilation of the Federation leaders and a resounding victory for the Traditionalist rebellion.
In the wake of the battle on the ramparts of Gabriel Stone’s Romanian castle hideaway, the rebellion has been crushed, the Cross of Ardaich destroyed and the Federation left in tatters. Surviving Federation leaders like Supremo Olympia Angelopolis will declare a victory . . .
But not everyone within the Federation is so sure . . .
The village of St Elowen
South-west Cornwall
Where two quiet lanes crossed, just a stone’s throw from the edge of the village, the grey stone church had stood more or less unchanged since not long after Henry V had ascended to the throne of England. The glow from its leaded windows haloed out into the frosty November night. From behind its ancient iron-studded, ivy-framed door, the sound of singing drifted on the wind.
Just another Thursday evening’s choir practice.
Although that night would be remembered quite differently by those villagers who would survive the events soon to become infamous as ‘The St Elowen Massacre’.
Inside the church, Reverend Keith Perry beamed with pride as the harmonies of his fourteen singers soared up to the vaulted ceiling. What many of them lacked in vocal ability, they more than made up for with their enthusiasm. Rick Souter, the village butcher, was the loudest, with a deep baritone voice that was only a little rough and almost in tune. Then there was young Lucy Blakely, just seventeen, giving it all she had. The most naturally talented of them all was little Sam Drinkwater, who in a few weeks’ time was set to audition for a place as boy soprano at King’s College, Cambridge. Sam’s parents, Liz and Brian, were there too, sharing a hymn book as they all belted out ‘All Things Bright and Beautiful’ to the strains of the electronic organ played by Mrs Hudson, the local music teacher.
The only face missing was that of Charlie Fitch, the plumber. Charlie was normally punctual, but his elderly mother had been quite ill lately; Perry prayed that nothing awful had happened.
That was when the church door banged behind them. A few heads turned to see the man standing at the entrance, watching them all. Mrs Hudson’s fingers faltered on the organ keys. Reverend Perry’s smile froze on his lips.
The drifter had been sighted on the edge of the village a few days before. The first concerned whispers had been exchanged in the shop and post office, and it hadn’t been long before most of St Elowen’s population of three hundred or so had heard the talk. The general consensus was that the drifter’s presence was somewhat worrying, somewhat discomfiting; and everyone’s hope was that it would be temporary. He was unusually tall and broad, perhaps thirty years old. Nobody knew his name, or where he’d come from, or where he was staying. His appearance suggested that he might have been living rough, travelling on foot from place to place like an aimless vagrant. His boots were caked in dirt and the military-style greatcoat he wore was rumpled and torn. But he was no new-age traveller, the villagers agreed. His face was as clean-shaven as a soldier’s, and his scalp gleamed from the razor. There were no visible tattoos. No rings in his nose or ears.
Just that look that anyone who saw him found deeply disconcerting. Cold. Indifferent. Somehow not quite right. Somehow – this was the account that had reached Reverend Perry’s ears – somehow not quite
human
.
Mrs Hudson stopped playing altogether. The voices of the choir fell away to silence as all eyes turned towards the stranger.
For a drawn-out moment, the man returned their gaze. Then, without taking his eyes off the assembly, he reached behind him and turned the heavy iron key. The door locked with a clunk that echoed around the silent church. The man drew the key out of the lock and dropped it into the pocket of that long greatcoat of his.
Little Sam Drinkwater took his mother’s hand. Lucy Blakely’s eyes were wide with worry as she glanced at the vicar.
Reverend Perry swallowed back his nervousness, forced the smile back onto his lips and walked up the centre aisle towards the man. ‘Good evening,’ he said as brightly as he could. ‘Welcome to St Elowen’s. It’s always a pleasure to see—’
As the stranger slowly reached down and swept back the hem of his long coat, Reverend Perry’s words died in his mouth. Around the man’s waist was a broad leather belt. Dangling from the belt, at his left hip, was an enormous sword. Its basket hilt was lined with scarlet cloth. Its polished scabbard glinted in the church lights.
Reverend Perry was too shocked to utter a word more. The man said nothing either. In no hurry, he reached his right hand across his body. His fingers wrapped themselves around the sword’s hilt and drew out the weapon with a metallic swishing sound. Its blade was long and straight and broad and had been crudely etched with strange symbols.
Reverend Perry gaped dumbly at the sight of the weapon in his church. He was only peripherally aware of the gasps and cries of horror that had started breaking out among the choir members.
The drifter smiled for the first time. But it was no ordinary smile. Reverend Perry almost fainted at the sight.
The man’s teeth were sharp and pointed. Like the fangs of a monster.
And then, in a smooth and rapid motion that was over before anyone could react, the intruder swung the sword.
The chopping impact of the blade was drowned out by Mrs Hudson’s scream. Keith Perry’s severed head bounced up the aisle and came to a rest between the pews. And the choir exploded into screaming panic.
The drifter held the blade up lovingly in front of his face. He licked the running blood off the steel and swallowed. Began walking slowly up the aisle towards the terrified parishioners.
‘The vestry door!’ Lucy Blakely shrieked, pointing. Liz Drinkwater grabbed her son’s arm tightly as she and her husband fled for the exit at the right of the altar. The others quickly followed, tripping over each other and their own feet in their desperation to get away. Rick Souter snatched up a heavy candlestick. With a scowl of rage he ran at the intruder and raised his makeshift weapon to strike.
The drifter swung the sword again. Rick Souter’s amputated arm fell to the floor still clutching the candlestick. The blade whooshed down and back up, slitting the butcher from groin to chin so that his innards spilled across the flagstones even before he’d collapsed on his face.
The drifter crouched over the fallen body to dab his fingers into the pool of blood that was spreading rapidly over the church floor. With a look of passionate joy he smeared the blood over his lips, greedily sucked it from his fingers. Bubbles of it frothed out from the serrated gaps between his teeth and trickled down his chin and neck. Then he stood, raised his face to the vaulted ceiling and his laughter echoed through the whole church.
‘You think you’re safe in here? Think your
God
will protect you?’
The vestry door was bolted from the outside. Lucy Blakely and the Drinkwaters were desperately trying to force it open, but even as the other choir members joined them, they knew the door wouldn’t give. Little Sam howled as his mother clutched him to her. Brian Drinkwater was looking around him in panic for some other way out.
But there wasn’t one. They were all trapped in here with the monster.
Charlie Fitch parked his van outside the little church. As he walked briskly down the stone path leading to the door, his mind was still full of his hospital visit to his mother earlier that evening. Thank God she was okay and would be home again soon.
Then Charlie heard the sounds that froze the blood inside his veins. It wasn’t the singing of his friends in the choir he could hear from inside the church, nor the playing of the organ. They were screaming.
Screaming in horror and terror. In agony.
He rattled the door handle. The door was locked. He scrambled up the mossy bank behind him so he could peer in through the leaded panes of the stained-glass window.
The sight he saw inside was one that would remain with him until his dying day. The church floor littered with corpses and severed body parts. Blood spattered across the altar, on the pews, on everything.
In the middle of the nightmare stood a man in a long coat. Blood was spattered across his face and his shaven head and the blade of the sword he was swinging wildly at the fleeing, screeching figure of Lucy Blakely. It was surreal. Charlie watched as the girl’s head was separated from her shoulders by the gore-streaked blade. Then the madman turned to little Sam Drinkwater, who was kneeling by the bloody bodies of his parents, too frightened to scream.
It wasn’t until he witnessed what the man did to the boy that Charlie was able to break out of his trance of horror and run. He ran until his heart was about to burst, fell to his knees and ripped his phone out of his pocket.
Nineteen minutes later, the police armed response unit broke in the church door and burst onto the scene of the devastation. The first man inside nearly dropped his weapon when he took in the carnage in front of him.
Nothing remained of the Reverend Keith Perry or his choir members. Nothing except the horrific gobbets of diced human flesh that were scattered across the entire inside of the church.
The killer was still there. He stood calmly at the altar with his back to the door, stripped naked, bloodied from head to foot. His sword lay across the altar in front of him, gore still dripping from its blade. In his powerful hands he held a blood-filled chalice over his head.
The squad leader yelled ‘Armed police! Step away from the weapon!’ The man ignored the command and the guns that were aimed at his back. Murmuring softly to himself, he slowly turned his face upwards and tipped the bloody contents of the chalice over his head, drinking and slurping greedily.
‘
Who the fuck is this person?
’ The squad leader hardly realised he’d spoken those words out loud.
Not until the man at the altar turned round to face him.
And said: ‘I am a vampire.’
