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Authors: James Baldwin

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BOOK: The Cross of Redemption
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So he reluctantly stepped behind the screen. He was overwhelmed by the bed; but he did not look at the bed directly. As though he were wading in deep water he held his head very high and braced his body. He saw the white bedposts, he was aware of a body’s outline on the bed; then, with a wrench, as though some strong hand had grasped the back of his head and turned it roughly, as though his father were forcing him to look down on the evidence of some misdemeanor, he forced himself to look down on the bed. There lay his father, black against white sheets.

And his gorge rose. This could not be his father. The heavy skull pressed into the pillow; the deep eye sockets pressed into the skull. The eyes were open, black, and varnished, the straight nose flared and trembled above the purple lips. The mouth was open and foam-flecked. The neck stretched like a phallic column, obscene and secret, with a very slow, indifferent pulsation.
The skeleton, beneath the twin, inadequate coverings of the white blankets and the black skin, rose in sharp, sardonic edges, like blunted knives pushing through leather. The wrist was now a polished bone, the fingers were of ebony, with blue nails. From beneath the blanket a wild thigh and ankle showed. The thigh was no thicker than the forearm. All over the room suddenly there was a sick sweet-sour smell.

It was his father that he watched dying; and no more would this violent man possess him; this arm would never be raised again. The ragged edge of sound which now issued from the throat would be silence soon or singing behind the far-flung stars. Now he was the man, the conqueror, alone on the tilting earth.

He felt thrown without mercy into everlasting space; or as though some door on which he had been knocking with all his weight had been, without warning, rudely opened; and now, like a two-year-old, he sprawled on his face and belly and burning knees, into an unfamiliar room, screaming with that unutterably astounded, apocalyptic terror of a child.

He moved nearer to the bed and murmured
Daddy
. And the sound stopped, the skeleton became perfectly still. Then it seemed that there was no sound being made anywhere on earth. Now communication, forgiveness, deliverance, never, the hope was gone.
He’s gone to meet the Lord
.

He laughed to himself at the phrase and again he called his father. A voice said,
Here now. Here now
. He felt hands on his shoulders and he tried to break away, screaming for his father. But he knew, in the awful, endless silence at the bottom of his mind, that it was himself who cried and himself who listened, that his cry would never be heard; it would bang forever against the walls of heaven and he would live with his recurring cry, the force of his anguish powerless to defeat the force of time and death. He wanted to run, to hide, to run out of the world and be forever hidden; but hands were holding him, a white face overwhelmed him, shooting out gray-green lights like signals for his destruction. He beat against the whiteness until his arms seemed bleeding in their sockets. Then the hands stapled his arms behind him; he sweated with the pain; and the gray-veined, marble floor opened up and dropped him a long way down.

They made him drink cocoa and rest and they wiped his forehead with an evil-smelling ointment. He took from their hands the brown paper bundle of his father’s clothes and walked the long corridor to the door. The door
crashed behind him and he ran down the walk to the iron gates which reared and glittered against the black, descending sky.

But the stars were out and the moon, a crescent, hung fanged and evil, gleaming through the passing clouds. He walked the railroad platform, carrying the bundle of his father’s clothes, waiting for the train to the city. Far behind him stood the hospital buildings, sprawling and sinister and all the windows dark.

Tomorrow a wagon would arrive from the city to take his father’s body away. For three days he would lie in state in a shabby velvet funeral parlor; men and women from the church would come and look down on his father and whisper and leave. They would look on his son, his oldest son, and warn him of the enormity of the danger in which he had placed his soul.

Jesus, thou Son of David, have mercy on me
. He paced the platform, carrying the bundle, listening to the sharp crack of his heels on the wood. He lit a cigarette; the brief flare lit up the night around him and he held the match until it burned his fingers and then dropped it and ground it beneath his heel.

A cloud uncovered the moon again. He watched it move slowly across the sky, impossible, eternal, burning, like God hanging over the world.

SOURCES

The material in this book originally appeared in the following publications:

“Mass Culture and the Creative Artist: Some Personal Notes.”
Culture for the Millions? Mass Media in Modern Society
, edited by Norman Jacobs. Princeton: Van Nostrand, 1959.

“A Word from Writer Directly to Reader.”
Fiction of the Fifties: A Decade of American Writing
, edited by Herbert Gold. New York: Doubleday, 1959.

“From
Nationalism, Colonialism, and the United States: One Minute to Twelve—A Forum.”
Liberation Committee for Africa, first-anniversary celebration, June 2, 1961. New York: Photo-Offset Press, 1961.

“Theater: The Negro In and Out.”
Urbanite
, April 1961. Reprinted in
Negro Digest
, April 1966.

“Is
A Raisin in the Sun
a Lemon in the Dark?”
Tone
, April 1961.

“As Much Truth As One Can Bear.”
The New York Times Book Review
, January 14, 1962.

“Geraldine Page: Bird of Light.”
Show
, February 1962.

“From
What’s the Reason Why: A Symposium by Best-Selling Authors:
James Baldwin,
Another Country.” The New York Times Book Review
, December 2, 1962.

“The Artist’s Struggle for Integrity.”
Freedomways
, 1963. Reprinted in
Seeds of Liberation
, edited by Paul Goodman. New York: George Braziller, 1964.

“We Can Change the Country.”
Liberation
, October 1963.

“Why I Stopped Hating Shakespeare.”
The Observer
, April 19, 1964.

“The Uses of the Blues.”
Playboy
, January 1964.

“What Price Freedom?”
Freedomways
, second quarter, 1964.

“The White Problem.”
100 Years of Emancipation
, edited by Robert A. Goodwin. Chicago: Rand McNally, 1964.

“Black Power.” Originally appeared as “Black Power: James Baldwin in Defense of Stokely Carmichael.”
The Guardian
, February 14, 1968.

“The Price May Be Too High.”
The New York Times
, February 2, 1969.

“The Nigger We Invent.”
Integrated Education
, March–April 1969.

“Speech from the Soledad Rally.”
Speeches from the Soledad Brothers Rally, Central Hall, Westminster, 20/4/71
. London: Friends of Soledad, 1974.

“A Challenge to Bicentennial Candidates.” Op-ed,
Los Angeles Times
, February 1, 1976. Reprinted as “Looking for the Bicentennial Man” in the
San Francisco Chronicle
, February 15, 1976.

“The News from All the Northern Cities Is, to Understate It, Grim; the State of the Union Is Catastrophic.” Op-ed,
The New York Times
, April 5, 1978.

“Lorraine Hansberry
at the Summit.”
Freedomways
, fourth quarter, 1979.

“On Language, Race, and the Black Writer.” Op-ed,
Los Angeles Times
, April 29, 1979.

“Of the Sorrow Songs: The Cross of Redemption.”
Edinburgh Review
, August 1979.

“Black English: A Dishonest Argument.”
Black English and The Education of Black Children and Youth
, a symposium at Wayne State University, Detroit, Michigan, 1980.

“This Far and No Further.”
Time Capsule
, summer/fall 1983.

“On Being ‘White’ … and Other Lies.”
Essence
, April 1984.

“Blacks and Jews.”
Black Scholar
, November–December 1988.

“To Crush a Serpent.”
Playboy
, January 1987.

“The Fight: Patterson vs. Liston.”
Nugget
, February 1963. Reprinted in
Antaeus
, spring 1989.

“Sidney Poitier.”
Look
, July 23, 1968.

“Letters from a Journey.”
Harper’s
, May 1963.

“The International War Crimes Tribunal.”
Freedomways
, third quarter, 1967.

“Anti-Semitism and Black Power.”
Freedomways
, first quarter, 1967.

“An Open Letter to My Sister Angela Y. Davis.”
The New York Review of Books
, January 7, 1971.

“A Letter to Prisoners.”
Inside/Out
, vol. 3, no. 1 (summer 1982).

“The Fire This Time: Letter to the Bishop.”
The New Statesman
, August 23, 1985.


A Quarter-Century of Un-Americana.”
Originally appeared as the envoi to
A Quarter Century of Un-Americana, 1938–1963: A Tragico-Comical Memorabilia of HUAC
, edited by Charlotte Pomerantz. New York: Manzani & Munsell, 1963.

“Memoirs of a Bastard Angel: A Fifty-Year Literary and Erotic Odyssey
by Harold Norse.” Originally appeared as the preface to
Ole
, no. 5 (1965). Reprinted in
Memoirs of a Bastard Angel
. New York: William Morrow, 1989.


The Negro in New York: An Informal Social History, 1626–1940
, edited by Roi Ottley and William J. Weatherby.” Originally appeared as the introduction to
The Negro in New York
. New York: Oceana Publications, 1967.

“Daddy Was a Number Runner
by Louise Meriwether.” Originally appeared as the foreward to
Daddy Was a Number Runner
. Englewood Cliffs, N.J.: Prentice-Hall, 1970.


A Lonely Rage
by Bobby Seale.” Originally appeared as “Stagolee,” the foreword to
A Lonely Rage
. New York: Times Books, 1978.

“Best Short Stories
by Maxim Gorky.” Originally appeared as “Maxim Gorki As Artist.”
The Nation
, April 12, 1947.

“Mother
by Maxim Gorky.” Originally appeared as “Battle Hymn.”
New Leader
, November 29, 1947.

“The Amboy Dukes
by Irving Shulman.” Originally appeared as “When the War Hit Brownsville.”
New Leader
, May 17, 1947.

“The Sure Hand of God
by Erskine Caldwell.” Originally appeared as “The Dead Hand of Caldwell.”
New Leader
, December 6, 1947.


The Sling and the Arrow
by Stuart Engstrand.” Originally appeared as “Without Grisly Gaiety.”
New Leader
, September 20, 1947.

“Novels and Stories
by Robert Louis Stevenson, edited by V. S. Pritchett; and
Robert Louis Stevenson
by David Daiches.” Originally appeared as “Bright World Darkened.”
New Leader
, January 24, 1948.

“Flood Crest
by Hodding Carter.” Originally appeared as “Change Within a Channel.”
New Leader
, April 24, 1948.


The Moth
by James M. Cain.” Originally appeared as “Modern Rover Boys.”
New Leader
, August 14, 1948.


The Portable Russian Reader
, edited by Bernard Guilbert Guerney.” Originally appeared as “Literary Grab-Bag.”
New Leader
, February 28, 1948.


The Person and the Common Good
by Jacques Maritain.” Originally appeared as “Present and Future.”
New Leader
, March 13, 1948.


The Negro Newspaper
by Vishnu V. Oak;
Jim Crow America
by Earl Conrad;
The High Cost of Prejudice
by Bucklin Moon;
The Protestant Church and the Negro
by Frank S. Loescher;
Color and Conscience
by Buell G. Gallagher;
From Slavery to Freedom
by John Hope Franklin; and
The Negro in America
by Arnold Rose.” Originally appeared as “Too Late, Too Late.”
Commentary
, January 1949.


The Cool World
by Warren Miller.” Originally appeared as “War Lord of the Crocodiles.”
New York Times Book World
, January 21, 1959.

“Essays
by Seymour Krim.” Originally appeared as “Views of a Near-Sighted Cannoneer.”
The Village Voice
, July 13, 1961.


The Arrangement
by Elia Kazan.” Originally appeared as “God’s Country.”
New York Review
, March 23, 1967.


A Man’s Life: An Autobiography
by Roger Wilkins.” Originally appeared as “Roger Wilkins: A Black Man’s Odyssey in White America.”
The Washington Post Book World
, June 6, 1982.

“The Death of a Prophet.”
Commentary
, March 1950.

JAMES BALDWIN

James Baldwin was born in 1924. He is the author of more than twenty works of fiction and nonfiction. Among the awards he received are a Eugene F. Saxon Memorial Trust Award, a Rosenwald Fellowship, a Guggenheim Fellowship, a
Partisan Review
Fellowship, and a Ford Foundation grant. He was made Commander of the Legion of Honor in 1986. He died in 1987.

BOOK: The Cross of Redemption
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