The Darling (53 page)

Sam and I remained silent for a long moment. Finally, I said, “Where… how did you get this?”

“Friends in high places,” he said and popped the video from the VCR and slid it into his jacket pocket. He refilled his glass and then mine, leisurely, as if we had all the time in the world. “No, it’s a bootleg copy. Half the foreign journalists in West Africa have seen it by now.” He sat down on the sofa and stretched his long legs out and crossed them at the ankles the way Zack used to. “Hannah, we’re shutting down the embassy tomorrow. I’m leaving the country tonight, and you are, too.”

“I can’t.”

“You haven’t much of a choice. It’s simple suicide for you to stay here now. In a week, Monrovia, the whole country, will belong to Taylor. And he’ll come after you, Hannah. Believe me.”

“Charles? I’m in no danger from Charles,” I said. “Since we’re both truth-telling, Sam, I’ll tell you this: I helped Charles. In the States. I was the one who helped him break out of jail.”

He smiled, cold and knowing. “I’m well aware of that.”

“You are?” I said, and then suddenly all the lights went out. “Shit! That’s the end of the fuel for the generator, I guess.” I couldn’t see a thing, as if I were blindfolded. I started to get up and search in the dark for a candle or kerosene lantern, but my body wouldn’t obey, as if my arms and legs were bound. Into the darkness I said, “Oh, Sam, what is going on? What do you mean, you’re well aware that I helped Charles escape?”

His voice came out of the darkness. “Back then, the last place we wanted Charles Taylor was in a cell in Massachusetts. We wanted him here in Liberia. Our man in Africa.”

“ ‘We’?”

“We didn’t quite count on Prince Johnson showing up at the party, of course. But we more or less got what we wanted. At least Doe’s out of the picture. But Charles Taylor ain’t your friend, Hannah.”

“I don’t understand.” The rain had let up, and in the sudden silence our voices seemed amplified, as if we were miked. I heard Sam loudly sigh. I said, “What are you telling me? That you somehow arranged Charles’s escape from prison? That’s impossible. No one knew I was there. No one out here knew, certainly.”

“Some of it was dumb luck, I admit. We were going to use your friend, Zack, who wasn’t all that steady a hand. But then you turned up, and ol’ Zack was happy to step aside, long as he thought he’d still get him a sizeable payday out of it.”

“And I suppose he did.”

“Yeah, eventually. We all got what we wanted out of it. Zack wanted a big payday, and you wanted to help Charles turn Liberia into a socialist democracy, which he might yet do, but don’t count on it. And we wanted Charles to get rid of Samuel Doe. We just didn’t get what we wanted in the form we’d imagined or planned. But that’s history. Zack’s happily back in business in Accra, buying and selling artworks, nicely protected and properly licensed. The man must be a millionaire ten times over by now. And I expect Charles will be an improvement on Doe. He’s a whole lot smarter than Doe and nowhere near as crazy, but he ain’t Nelson Mandela. Hell, even Nelson Mandela’s no Nelson Mandela.”

“I was working for you, then. The Americans. The CIA.”

“Let’s just say you were a protected asset. Still are. Which is why, Miz Sundiata, it’s time to get your ass out of Africa. You know too much for Charles to let you stay here alive.”

“Such as?”

“Such as how he got out of an American prison. First thing he’ll do when he takes Monrovia is send some of his nastier boys over here to Duport Road looking for you. Then he’s going after Prince Johnson and everyone else in that video. He’s probably got his own copy and watches it every night, making his hit list. Charles definitely did not want Doe dead. He wanted a televised show trial that would establish his own legitimacy and right to run the country.”

I heard Sam get up and grope his way from the room out to the terrace, where he called to the Marines and asked for a flashlight. A moment later he returned with the circle of light dancing in front of him. “C’mon, girlfriend, pack your bag. We got us a helicopter waiting out there on the basketball court at the embassy. You’ll be home in Emerson, Massachusetts, by tomorrow night,” he said. “I assume that’s where you’ll want to go.”

Home?
Whose home? Not Hannah Musgrave’s. And not Dawn Carrington’s. And not Mrs. Woodrow Sundiata’s home. All the women I have been disappeared from the planet that night. “I don’t want to go to jail, Sam,” I said. “If I go back, I stand a good chance of being arrested. I’m still a fugitive, Sam.”

“You won’t be arrested. You still got that old fake passport, don’t you?”

“Yes.”

“It’ll do. You haven’t been underground anyhow. Not for a long time. We got those old Chicago bail-jumping charges against you dropped before you went back in eighty-three. You’ve been clean as a whistle for years, Hannah. Practically a virgin.”

“Sam, I hate this.”

“Yeah, well, that’s about the size of it, Hannah.” He took both my hands in his and pulled me to my feet. “C’mon. It’s time to turn this war and this damned country over to the Africans again.”

“As soon as the war is over, I’m coming back. This is my home, Sam.”

“Maybe so, darlin’, but I’ve got a feeling that by the time this war’s truly over you’re going to be an old lady.”

Chapter V

S
AM’S DOUR PREDICTION
was not far off. More than a decade passed before I felt able to return and face the aftermath of that last night in Monrovia, and I was fifty-eight by then. Not an old lady, exactly, not by today’s standards, but pretty much gone in the face and body. Most people in the village view me as old and sexually irrelevant, and here at the farm even Frieda and Nan and Cat and Anthea, though they work alongside me day in and out, treat me as an old lady, which is to say, they treat me as if I were of a slightly different species than they, and there is a certain amount of truth in that. I’m a husk of what I was twelve years ago. As we age we become a different animal. Women, especially. And when we’ve become an animal that’s no longer sexually viable, the young, because they think they’ll never be old themselves, treat us as if we’re another kind of primate than they. As if one of us were a chimpanzee and the other human.

Because of my age, I have many notable incapacities and limitations that the girls don’t have, and they know it and show it, for they are as competitive with one another and me as men are with men. For example, I can’t lift as much as they. Cat, so delicate and precise in her movements, can lug more firewood and can load a truck with apples faster than I. And I have less stamina than they. Frieda and Nan are athletes and, regardless of their seasonal debauches, can work all day behind a rototiller in rocky Adirondack soil and have enough energy to drink and dance till closing time at one of the local roadhouses and then go home with a college boy working summers as a waiter at the Ausable Club and screw him blue till sunrise and still show up at the farm at seven ready for work. Anthea, after a lifetime of hard physical labor, has a strong man’s upper-body strength. Though she’s in her early forties, she can climb a ladder with a fifty-pound bundle of shingles on her shoulder, shear a dozen sheep without a break, and dig post holes from dawn to dusk without complaint, except of boredom. I can’t do any of that. Nor can I attract the erotic gaze of a man or woman anymore. Only low curiosity comes my way now.

But for every incapacity and limitation of age there is a compensatory gift and attribute. So while the girls flirt and gossip, I lay out their day’s work. I leave the rototilling to Nan and Frieda, but when we plow the riverfront fields in spring and in August cut hay in the high meadows, I drive the tractor; and when we go to market, I drive the truck, and Cat loads and unloads it, and the stock boys all come running to help her. I do the bookkeeping and select and purchase our seed and fertilizer and livestock and, inasmuch as it can be done selectively, control the breeding of the animals and fowl. Though I haven’t a quarter of Anthea’s experience and have no more natural intelligence than the girls, who are all very smart people, mine is the mental faculty of the farm. In this little troop, I am the rational one, the one who anticipates and prepares for catastrophe and crisis and the breakdown of machinery, the one who watches for capricious weather, sudden price fluctuations, illness in the livestock, and blight on the crops. The others merely go about their appointed daily rounds. I am the one who holds her tongue. The others are forever talking. I am the one with secrets untold, the one whose life’s meaning is shaped by her memories and not by her ambitions or desires. I am the serious one.

And I am the one with the money. Let us not forget that. The farm is not a democracy or a socialist experiment, so the girls and I are as different as two separate species for that, too. Money and the power that comes with it distinguish between us as sharply as our differences in age. I own the farm and finance its operation and pay the girls’ salaries with the money from the crops, but mostly run it with the money I inherited from my father by way of my mother. The sheep and goats are mine; the chickens and geese, the orchards and the fields and everything that grows on this land are mine; the house and outbuildings and vehicles and farm machinery and all the tools are mine, and the land and the forests on it and the river that runs through it. Even the dogs, Baylor and Winnie, who like all Border collies seem to belong to no one but themselves, they, too, are mine.

Thanks to my father and mother, I own a great deal now. In 1990, when I fled Monrovia, I owned nothing but a change of clothes—a pair of jeans, a sweatshirt, socks, and underwear—and a packet of old letters and a few photographs of my sons and Woodrow, grabbed almost as an afterthought when Sam and I ran from the house like terrorists who’d planted a bomb inside it. When I showed up at my mother’s house in Emerson, I had nothing—no money, no property, no future. Only a past, and that shattered.

Who’s the poet who said home is the place that when you have to go there they have to take you in? My mother took me in. She housed and fed and clothed me as if I were a child again, an errant teenager come reluctantly back to the nest, unwilling and unable to say where she had been, what she had seen and done, unable to tell anyone, even herself, what had gone terribly wrong out there in the wide world.

But my mother was by then very old, nearly eighty, and had grown feeble with Parkinson’s disease, and soon, a few months later, I was taking care of her. For the first time since I left my dreamers on their island and the night I gave my sons up for lost, I felt useful again and necessary to another person’s welfare. I fed her and clothed her and kept house for her as if she were a small child and I were her mother. The months passed, and she retreated from childhood to babyhood all the way to infancy, until she could no longer feed herself and then could no longer speak and was like a newborn animal and became incontinent. And then one night, without a sound, while I lay sleeping in the cot beside her bed, she simply stopped breathing, and when I awoke, I was all alone in the house that I had been raised in and had fled at the first opportunity and, when I had no place else to go, had returned to and was taken in.

My mother lies buried beside my father. There is no room there for me, even if I wanted it. In life as in death, for me and everyone else, there was no room beside or between my parents. In our family drama they were the only players. Standing off to the side all by myself, I was the chorus and sometimes played a messenger with news from the front, but more often was merely an extra, an onlooker. My small fate in the larger family fate was to be for my father an example, his Exhibit A, and for my mother a looking glass that told her she was the fairest of them all.

I sold my parents’ house and everything in it. I packed into my Daddy’s old Buick my few personal belongings, barely enough to fill the trunk, and drove to where for a few weeks each summer I had been a happy, contented child among other happy, contented children. I wanted to see the place again and try to remember what it was I felt back then during those five summers when my parents sent me away to live with other children and a few supervising adults on a lake in the forest. It was before I turned myself into the girl named Scout and the only time I felt as autonomous and free and authentic as an animal must feel all its life. I thought that if I could bring back the memory, I could bring back the feeling, and I would know for the first time what I truly wanted for myself, and then I would go and find it. That was my plan. But memories are always of things lost and gone and never returning. On a rainy, cold April morning, I sat in my car at the side of the road and wept bitterly. Saranac Lake Work and Arts Camp no longer existed. It had been sold to a private developer, who had torn down the bunkhouses and arts and crafts shops and cut the land into ten-acre lakeside lots for summer homes for suburbanite dot-com millionaires from Westchester County and Connecticut. The Adirondacks had become fashionable.

I thought of Alaska, of the far Northwest, of the Canadian Maritimes, but before leaving the Adirondacks for any one of those places, I stopped first at the Noonmark Diner here in Keene Valley. While waiting for my omelet to arrive I leafed idly through a brochure listing local real estate for sale and saw an ad for a property called Shadowbrook Farm, one hundred twenty acres with Ausable River frontage, meadows, open fields, a seven-room, hundred-year-old farmhouse with fireplace, outbuildings, farm equipment, and all furnishings included. It was listed for $130,000 with Adirondack Realty, whose office was conveniently located next to the diner, and by noon I had signed a contract to buy it. A month later I closed on the farm, hired Anthea and moved in, and commenced the life I have now.