The Dead Place (6 page)

Fry lifted the package from the passenger seat beside her. She ought to have taken it into court with her, but security would have asked awkward questions. When she'd seen the tape on her desk that morning, she'd known that the first time she listened to it couldn't be in the office, surrounded by a bunch of cynical DCs. Nor in the DI's office, with Hitchens watching her for a reaction. She needed to hear it alone.

40 She wasn't sure what she would have done if her car hadn't been old enough to have a cassette player. But now she slid the tape in and pressed the 'play' button. She rested her head on the back of the seat and waited until the hiss faded away.

Soon there will be a killing. It might happen in the next few hours. We could synchronize our watches and count down the minutes ...

As she expected, the voice was distorted. The caller had done something to disguise it - not just the old handkerchief over the mouth, but some kind of electronic distortion that gave the voice a metallic sound, vibrating and echoey. The accent was local, as far as she could tell. But she hadn't yet worked out the subtle differences between Derbyshire people and their neighbours in Yorkshire, let alone between North and South Derbyshire. There were some who claimed they could pin down an accent to within a few miles, but that was a job for an expert.

One of the most worrying things about the tape was that the caller seemed completely calm and under control. His delivery was very deliberate, with no signs of agitation that she could detect. As Hitchens suggested, he sounded convincing. In fact, he would come over well in the witness box.

. . . What a chance to record the ticking away of a life, to follow it through to that last, perfect moment, when existence becomes nothing, when the spirit parts with the physical. . .

Fry glanced at the courthouse again. Her appearance seemed to have gone well, and the GPS were happy. Barring any major disasters during the rest of the hearing, Micky Ellis would be going down for a few years. It wouldn't do much good for Denise Clay, who had lain dead in her nightdress with her personal stereo on the bedside table and cigarette burns on the duvet. For her, justice would come too late. Denise was long since buried by now.

But it didn't do to personalize things too much. Sometimes, the processes of the law needed victims to take a back seat.

41 ... We turn away and close our eyes as the gates swing open on a whole new world - the scented, carnal gardens of decomposition. We refuse to admire those flowing juices, the flowering bacteria, the dark, bloated blooms of putrefaction. This is the true nature of death. We should open our eyes and learn.

Fry's eyes had started to close, but a few minutes later they came wide open again. She looked at the cassette player in bewilderment. She stopped the tape, rewound it and played it again from the section about Freud and the death instinct. There were a few seconds of silence, then the voice started again, filling the car with its metallic echoes.

'Damn it,' said Fry. 'Why did no one tell me there were two calls?'

And you can see the end for yourself. All you have to do is find the dead place. Here I am at its centre, a cemetery six miles wide. See, there are the black-suited mourners, swarming like ants around a decaying corpse.

We fill our dead bodies with poison, pump acid through their veins. We pollute the atmosphere with the smoke from their flesh. We let them rot below ground, in coffins bursting with gas or soaked in water like minestrone soup. But true death is clean and perfect. Lay them out in the sun, hang their bones on a gibbet. Let them decompose where the carrion eaters gather. They should decay in the open air until their flesh is gone and their bones are dry as dust. Or, of course, in a sarcophagus. Clean and perfect, and final.

Yes, you can see it for yourself. You can witness the last moments. Follow the signs at the gibbet and the rock, and you can meet my flesh eater.

It's perfectly simple. All you have to do is find the dead place.

42 There was a motorbike parked outside the Jarvis house, and several lumps of metal rusting in the paddock. The rain that had been falling all morning made sporadic rattling sounds in the long grass, as if hitting something metallic and hollow, like a car roof.

Ben Cooper stopped halfway up the path to take a closer look. Yes, the largest lump had been a car once - maybe an old Datsun Sunny, judging from the chocolate brown paintwork. Nearby were the remains of a chest freezer and a pig trailer with a broken chassis. None of them had served any useful purpose for a long time, except as homes for insects and rodents. Tongues of pale bracken were breaking through the floor of the Datsun, and nettles had folded themselves into its wheel arches, clutching the deflated tyres in tangles of spiky leaves. Now that summer was nearly over, the nettles, like everything else, were starting to die.

Cooper could feel the dampness penetrating the hems of his trousers as he brushed through the grass. Even when it wasn't raining, it would be permanently wet down here on the low-lying ground at Litton Foot. White bracket fungus flourished wherever it could find an inch of surface soft enough to plant its spores. Layers of it grew from the rubber

43 seal on the lid of the abandoned freezer, and from the crumbling foam insulation behind the dashboard of the car.

He saw that there were other rusted hulks lying in the paddock, and more of them hidden in brambles growing around a gate that led down to the woods. But it was too wet, and Cooper didn't feel interested enough to explore.

A man in jeans and a thick sweater stood watching him from a wooden porch built on to the back of the house. Cooper hoped he hadn't looked too interested in the wrecked Datsun. The man had the expression of a used car salesman spotting an approaching customer. Predatory, yet ready to turn on the charm. Cooper could feel himself being assessed.

'Mr Jarvis?' he called.

'Aye. What can I do for you?'

Before he answered, Cooper moved a bit closer. He had to watch where he was putting his feet to avoid stepping on shards of rusted metal lying in the grass.

As he got closer, he saw that the porch itself seemed to have been made out of old timber salvaged from a converted chapel or schoolroom. The boards Mr Jarvis was standing on were massive planks of weathered oak, full of knotholes and the heads of six-inch nails embedded in the wood and painted over. Here and there, patches of black paint still showed through a layer of varnish. The whole structure must weigh a ton - no modern pine decking from Homebase for Tom Jarvis.

'Detective Constable Cooper, sir. Edendale CID.'

Cooper was used to a variety of reactions when he identified himself. He was rarely a welcome visitor, even to someone who'd been the victim of a recent crime. Then, he was often the target of their frustration. But there was no anxiety or surprise from Tom Jarvis, only a slight disappointment that he hadn't found a customer for the old Datsun after all.

'Did you want something?' he said.

'Could I ask you a few questions, sir? Nothing to worry about - just routine.'

44 'Come up on to the porch, then.'

The deck of the porch was quite a long way off the ground, and Mr Jarvis was looking down on him from a height of about nine feet. Cooper could have scrambled up, but he thought he might lose dignity doing it. Instead, he walked around to the side to reach a set of wide wooden steps that led down to a path into the trees.

Going up the steps, he felt as though he was mounting a stage. That was something he hadn't done for a long time, not since he went up to collect his certificates at his school prize-giving. For a moment, Cooper felt as vulnerable as he had when he'd been convinced he was going to trip over the top step and fall flat on his face in front of eight hundred pupils and parents.

'How are you, Mr Jarvis?' he said.

'Sound. I'm sound.'

'This porch is a solid piece of work, sir. Did you build it yourself?'

'With a bit of help from my sons. Joinery used to be my trade, but this was a challenge. I wanted something that'd last, not some rubbish that would blow down in the first gale.'

'It won't do that.'

Jarvis kicked a post reflectively. His boot connected with a dull thud. 'No, I reckon it won't.'

Cooper grasped the rail to help himself up the last step. The wood felt smooth and comfortable, and he saw that it was turned in decorative patterns, like the end of a church pew. It was the sort of smoothness that resulted from the touch of many hands over centuries of use, wherever it had originally come from.

'You'll be all right,' said Jarvis from the end of the porch. 'They won't bother you. They always sleep at this time of day, and it'd take Armageddon to wake 'em up.'

Puzzled, Cooper looked up. Four huge mongrel dogs lay

45 in a tangled heap on the porch, like a badly made rug. At least, he thought there were four. There could have been another shaggy head or two somewhere in the middle of the heap, without making much difference.

'What are their names?' he said, knowing it always went down well with the punters to show an interest in their pets.

Jarvis grimaced at the dogs. 'Feckless, Pointless, Graceless and Aimless.'

'Really?'

'Don't ask me why. It was her idea.'

'Whose?'

He jerked his head towards the house. 'Hers. The wife's.'

'Well, I don't need to ask why. Mrs Jarvis must be a fan of Cold Comfort Farm. The Starkadders and Aunt Ada Doom.'

'Aunt who?'

'"Something nasty in the woodshed."'

Jarvis shrugged, his expression unreadable. 'If you say so.'

Cooper stepped carefully over the dogs. None of them moved, or even opened an eye to look at him. There seemed to be an awful lot of muddy paws and scruffy tails protruding from the heap and sprawling across the oak boards. But Mr Jarvis said there were only four dogs, and Cooper had to believe him.

'Just routine,' said Jarvis. 'That's what you all say, isn't it? Do they teach you that in police school?'

Cooper laughed. 'Yes. But I do mean it for once.'

Jarvis gave him a brief nod. 'You've time for a brew then, if it's just routine.'

'No, sir. Thank you.'

'Suit yourself.'

'Actually, it's about the human remains that were found at the edge of your property,' said Cooper.

'Bloody hell, that was weeks ago. Have you found out who the poor bugger was?'

46 'Not yet.'

'Some dropout, I reckon,' said Jarvis.

Cooper smiled at the old-fashioned term. It was what his grandfather had called anyone with long hair, an expression he'd picked up in the sixties and never stopped using.

'Why do you say that, sir?'

'Well, it was a skeleton. That person must have been there for years. Yet nobody missed them.'

'Perhaps.'

Cooper produced the photographs he'd been given by Suzi Lee. 'This is a facial reconstruction. Does it remind you of anyone you might have seen around this area at any time?'

'The dead person?' said Jarvis, making no attempt to reach for the pictures.

'Yes, sir, We've had them done by a forensic artist, so the likeness won't be exact. We're hoping it might jog someone's memory.'

Rather reluctantly, Jarvis took the photos. He frowned at the appearance of the face, perhaps noticing the inhuman aspects of it first before focusing on the features that might be recognizable.

'A woman,' he said.

'Yes, sir. We know that much, at least. She was white, aged between forty and forty-five, five feet seven inches tall. The hair and eyes may not be quite right.'

Jarvis was silent, staring fixedly at the photos. Cooper waited patiently, conscious of a trickle of dampness in his collar and a pool of water forming at his feet as the rain ran off his clothes on to the porch.

'Do they ring any bells, sir?' he asked.

But Jarvis shook his head. 'Strange to think she was lying dead as a doornail just down there. It makes me feel a bit peculiar.'

'I understand.'

'She doesn't look like a dropout, though.'

47 'No,' agreed Cooper. 'She doesn't.'

Jarvis handed the photos back. 'I never thought it would be a woman. No bugger told me that.'

'While I'm here, would you mind if I had a look at the site where the remains were found?' asked Cooper.

'If you like. There isn't much to see.'

As Cooper turned, he caught a movement out of the corner of his eye. One of the dogs was loping across the grass towards the woods. Matted lumps of hair bounced on its sides, and legs flew in all directions as its tongue sprayed saliva into the air. The dog had a curious gait - it ran almost sideways, with one shoulder pointing in the direction it was going, but its head turned to the side, like a circus clown grinning to the audience. Cooper had no idea which of the dogs it was, but he knew which name would fit perfectly.

'Yes, that's Graceless,' said Jarvis. 'The only bitch in the bunch. Lovely nature, she has. Ugly as sin, though.'

'Yes, I can see.'

Graceless seemed to be the only one of the dogs with enough energy to reach the woods. Feckless, Pointless and Aimless lay on the porch and watched her with weary, patronizing expressions. One of them yawned deeply and dropped his head back to the floor with a thump, rolling his eyes at the two men.

'They're hoping it'll be dinner time soon,' said Jarvis. 'Idle buggers, they are. I don't know why I give them house room.'

'Are they any good as guard dogs?'

Jarvis snorted. 'Guard dogs? Well, if I could train them to sleep in the right places, they might trip somebody up in the dark. But that's about the strength of it.'

'Still, they're big enough,' said Cooper. 'The sight of them alone might deter burglars.'

'Aye, happen so.'

But Jarvis didn't seem convinced. Perhaps living at the damp end of the valley for so long had given him an eternally

48 sceptical view of life. The outlook was always rain at Litton Foot. He would probably react the same way if Cooper told him the sun would break through one day. Aye, happen so.

Jarvis descended the steps and headed down the path, not looking to see if Cooper was following.