The Demon's Lexicon (18 page)

“We should go check on him,” she said as Nick opened the door.

Jamie nodded in his direction. “I think he's probably all right.”

Mae looked around and did not blush. Nick liked that, the
way she felt no need to pretend either indifference or exaggerated concern. She just nodded at him.

He was not used to big houses like this. He was used to small, shabby houses and flats, places with so few rooms and such thin walls that he always knew where Alan was. Now he was in wide open spaces under vaulted ceilings, and he was noticing too many things about this girl. The strangeness of it all made him feel irritated and uncomfortable. He slouched against the wall and looked deliberately through Mae. After a few moments she moved away from the coldness of his fixed gaze, toward Alan.

It didn't make Nick feel any better. He felt restless suddenly, and as he tuned out the others' voices and wished for something to do, he registered again the sound that had woken him. Coming to him through heavy doors and solid walls, through all the expensive privacy of this house, were faint but unmistakable screams.

It was obvious that the rest of them couldn't hear it. He should probably tell Alan.

“There is someone being tortured in this house.”

Alan gave a guilty start, and it was clear to Nick that he at least already knew.

“That's not entirely true,” he said hastily.

“
Tortured
?” exclaimed Jamie.

Nick shrugged. “Sounds like that to me.”

“Alan,” Mae said, in a tone of command rather than appeal. “Where are we?”

Alan looked defeated already, as if some terrible fate was rushing upon them, something as impossible to reason with or escape from as a storm spilling darkness across the sky.

“This is the House of Mezentius,” he said.

“That's what it said above the door,” Nick agreed. “Who's Mezentius?”

Alan seemed to be having trouble with the words. “He was an Etruscan king in a legend,” he said slowly. “He had living people bound face-to-face with dead bodies and left to starve.”

“He sounds a charming host,” said Nick. “I thought you said this was Merris Cromwell's house.”

“Merris runs the house,” Alan answered in a low voice. “It's her job to organize everything here, to keep everything…contained.”

“Well she's not doing a very good job, is she?” Jamie exclaimed. “If there's someone being tortured in here.”

“That person's here of their own free will,” Alan told him.

His eyes looked more bruised and sad with every word dragged out of him, and Nick felt the impulse to silence all the questions that were hurting his brother. He'd always trusted Alan to know best, trusted that Alan would sooner or later tell Nick everything he needed to know. He thought of that hidden picture, though, and about him letting that magician go. There were some things Alan never said anything about. He wondered what secret Alan was hiding this time.

He kept quiet, and let Mae and Jamie keep pushing for answers.

“Do you know the person who's screaming?”

“Why would someone come here to be tortured?”

Mae demanded, “Can't you just show us what's going on?”

Alan looked almost gray. “I can,” he said. “But you don't want to see. I swear, you don't want to see.”

There was another slight movement of unease in Nick's gut. He could still shut them both up.

He hesitated a second too long and gave Mae the chance to make up her own mind.

“Let me decide that for myself. I want to see.”

 

Alan walked down the staircase heavily, as if he was carrying a large burden that he did not expect to be able to put down for some time. Mae walked with a firm step beside him, Jamie was hanging back, and Nick became more and more convinced that he did not like this place.

The staircase was wide, a gleaming marble flight of the kind that women swept down in the sappy movies Alan liked. Only instead of leading to a ballroom, it ended in a hall with the same dark polished floors and severe white walls as the corridors in the north wing. Nick kept trying to work out why this place jarred on him so much, and then he got it. The north wing with its four-poster beds and fancy ceilings was a disguise, and this house was as much of a facade as the decorative gate outside.

This was not a stately home. This place was an institution.

The screaming was getting closer.

After a moment's analysis, Nick decided that it was just one person screaming. It was a woman, and she sounded young, or at least not old. The hall opened into more corridors as they went along, and Nick was amazed that he had not realized before how clinical the corridors were, perfectly upkept, with no pictures or even creaking old radiators to lend them personality. They passed a few simple wooden doors, but Alan kept going, and their little group silently followed him.

Everyone could hear the screams now.

They turned a corner in the winding passageways, and the
screams suddenly had a definite location. They were coming from a large metal door down the corridor, on the left. There were no other curves remaining in the corridor, and Nick saw it stretching on into dimness. Glinting at intervals in the dimness were other metallic doors, armored so they bulged out of their door frames, looking forbidding and utterly out of place.

As they drew level with the first metallic door, the screaming stopped.

The scream was cut off so abruptly Nick thought that the person screaming must have died. There was a small window in the door, though, wire forming tiny squares inside two sheets of glass, and when they peered inside they saw no dead bodies.

There were two people in the room. There was a woman kneeling on the floor, and there was a man chained to a wall.

Nick's first reaction was disbelief. This house might be an institution, but it was clearly civilized and organized. It seemed unbelievable that these quiet corridors could lead to dungeons.

Then he looked at the prisoner properly.

At first sight he was a normal man. His face was deeply lined and his body was stooped in his chains, so he looked old even though most of his hair was brown. He wore old clothes, and a beard covered most of his face.

As they all stood staring, the man's flat black eyes darted toward the window in the door. His expression did not change.

His eyes did. They bulged in his eye sockets, bulged until they seemed to bulge
out
of his eye sockets, and then Nick realized they were not bulging at all. The man's eyes had seemed almost like normal eyes at first, but now the pupils expanded
as if someone had tipped ink into two saucers and filled them from edge to edge with shiny black.

The black ovals that had been his eyes were lifting themselves out of his eye sockets, showing little legs, and in the space of a few seconds there was a fat black beetle emerging from each socket. They crawled down the man's face like tears.

Jamie screamed, the sound shuddering into a moan, and there was movement in the corner of Nick's eye that suggested he and Mae were clinging to each other. At Nick's side he could feel Alan trembling. Nick was distantly aware that he should be shocked himself, but he'd seen a lot of things in his life worse than this. He kept watching with calm interest, and the man's face sharpened as if he was a dog who had caught a scent. There was a long moment where Nick was sure that somehow the man could see him.

The man winked, his wrinkled eyelid flicking over the raw hollow of his eye socket. Nick hesitated for a second, and then winked back.

One of the fat black beetles reached the man's chin and dropped into the kneeling woman's hair. She looked up and shook the beetle onto the floor with a convulsive tremor, but aside from that initial movement of automatic disgust, she did not seem surprised. She looked to be in her mid-twenties, with thick chestnut hair and brimming eyes. Nick wondered what had made her scream.

“I see you've met Ruth and Thomas,” said Merris Cromwell, her voice ringing clear and calm against the corridor walls. She spoke as if she was introducing people at a cocktail party.

“Met Ruth and—? What the hell is wrong with that man?” Jamie demanded, his voice unusually ferocious. He strode toward Merris, and Nick noticed that his shoulders
were shaking. He imagined from the way Jamie was behaving that he already knew what was wrong with the man and was doing his best not to believe what he knew.

Merris walked down the corridor as if she could not see Jamie, and at the last moment before a collision was inevitable Jamie stepped aside. “Let me see,” she said. “Mute, with no trace of his former personality remaining, and with the ability to manipulate anything in the natural world, including his own body. I shall take a wild leap and say that he's possessed.”

Jamie's body snapped back as if he had been punched. “Possessed.” He jerked his head toward all the other metal doors, glinting along the corridor until the light was not sufficient enough for them to see and the doors went on in darkness. “Are you saying that behind every door there's someone—”

“Unless one of them has died since yesterday.” Merris's wide gray eyes moved past Jamie and looked over them all. She obviously saw something in one of their faces that irritated her, because her lip curled and she demanded in her turn, “Have none of you ever given a moment's thought to what happens to the possessed?”

None of them had an answer for her. Merris waited for a moment so they could all be fully aware of that and went on.

“A mute, magically powerful creature replaces an ordinary person overnight. You can't imagine that passes unnoticed. If the possessed has a family, they soon notice the change. They're horrified, and they have nobody to help them. Except us.”

She smiled. “We have these new magical circles specifically designed to confine a demon who has acquired a human body. We have containment facilities. If people come to us with tales of possessed friends and relatives, we do not talk about mental
illness and we do not disbelieve in the demon's power. Mezentius House is the only place these desperate people can turn, and of course, we obey the businesslike laws of supply and demand. They pay well for our help.”

“They're people in trouble!” Jamie cried, wiping his mouth as if he'd eaten something bad and could not rub away the taste.

Nick thought suddenly of what that magician Gerald had said, that the Market was funded with blood money. This was why everyone obeyed Merris Cromwell. This money was what helped the Market people—helped
them
—find houses and transfer to new schools and jobs quickly.

The money was paid by the families of people who'd been possessed, like Jamie might be. Like Alan might be. He wondered what Sin would think of this.

Merris raised her eyebrows. “So are the people who go to hospitals, and they have to pay. There are a lot of hospitals. There is only one Mezentius House.”

Thoughts of Alan aside, it did not sound unreasonable to Nick. Those who dealt in magic had their own private economy, and Merris had worked out how to manipulate it in her favor. There was just one thing he didn't understand.

He cleared his throat. “Why don't you kill them all?”

“The relatives seem curiously reluctant to have the possessed killed. Particularly once I explain to them that their loved one is inside somewhere, unable to regain control of their body. Their friends and family want them controlled but not harmed. They pray for miracles. Sometimes they insist on staying with them, hoping to ease their pain.” Merris shrugged. “That costs extra.”

“The magical circles you keep the possessed in,” Alan said with what appeared to be scientific interest. “How different
are they from normal magicians' circles? Can you command a demon in them? Could you summon one?”

“I cannot imagine why we would want to. We have quite enough to do with the demons we have. I consider keeping them confined the most important part,” said Merris dryly. “Since you came all this way to insist on answers, I have a few diagrams I can show you that detail how our circles work.”

“I'd appreciate that,” said Alan.

“They're very basic,” Merris said. “You can't summon a demon into them. We haven't even worked out a way to make communication lines work for them. Almost the only thing we can do is keep them trapped.”

“What if a dancer was involved?” Alan asked, frowning. “Speaking purely academically, of course.”

Nick wondered if Alan had some sort of plan for trapping the demons the magicians sent after them. It didn't sound like it would work.

Mae and Jamie were still staring into the cell with horrified fascination, and after a moment, Mae spoke.

“Does a miracle ever happen? I mean, if you have them trapped—does the demon ever leave?”

“No demon ever leaves,” Merris said. “No matter what happens to them, they prefer our world to theirs. But people keep hoping, right until the end.”

She nodded casually to the window in the metal door. They all watched, as if the window was a television and the scene had been designed for them to see, while chestnut-haired Ruth climbed stiffly to her feet. She put her hand to Thomas's face, and Thomas—did not blink, exactly. His eyes flickered as if he had multiple eyelids, like a cat, and when his eyes were open they were normal eyes again. He watched the woman with his flat
gaze and under his eyes a cut opened on her cheek. She moaned and held her hand to her face, and he looked at her arm. Another gash opened there, as if his traveling eyes were knives.

“Don't worry,” Merris told them. “The demon's using all the magic he can think of to make her let him out, but he won't damage her permanently. He knows she's the only one who will feed him.”

Moving like an old woman, Ruth replaced her hand against the possessed Thomas's face. She stroked his cheek briefly, and Nick saw her lips move, though he could not make out what she was saying. It had never occurred to Nick before that communication lines could not be drawn for a demon possessing a human. He'd known that possessed people did not speak. Now, watching the possessed body watch the woman with reptilian blankness, he realized that the demon really could not understand.