The Door in the Moon (13 page)

“Shut up and listen! This flower will give you some sort of power over Summer. I don't know what it can do but Venn almost purred when he saw it, so it must be good. You should—”

Abruptly, the robin gave a strangled chirrup of terror and fled away.

Wharton looked up.

Summer was standing twirling a parasol at the far end of the bench. “My dear George,” she said quietly. “Are you talking to yourself now?”

He hadn't a clue how to answer, so he just laughed, a ghastly parody of mirth.

And slid his fingers over the flower.

She didn't seem to notice. She closed the parasol, sat on the bench, and slid up alongside him, crossing her bare ankles in the buttercups.

“No sign of Gideon coming back,” she said. “So it seems I'll be keeping you here a little longer. Have you thought any more about my offer, George? I know you're tempted.”

He couldn't stand it anymore. The anxiety that had built up in him seemed to explode in a silent, cold terror that made him reckless.

He picked up the purple flower.

“What's that?” she snapped, but before she could freeze him or snatch it, he had put it in his buttonhole, with shaky fingers.

Suddenly she was looking at him as if she had never seen him before.

“George,” she giggled. “What's happened to you?”

For a moment then his dream flashed through his mind; he felt his head and ears with alarm but they were all as normal and he seemed just the same.

“Nothing. Why?”

Summer's eyes were dark as night. Her red lips twisted into a smile, and somehow its usual power to make him afraid had been doubled. “Because you're so handsome. So . . . strong. I feel as though I've been woken up, George. By a dark angel.”

He felt himself going red. “What—what about Venn?” he stammered.

Summer shook her head. “Who cares about Venn?” she murmured.

She reached out and took his sweaty hand.

The baby, Lorenzo, had a cot, made of white wood, and all around the cot Rebecca had hung metal implements—scissors, shears, spoons and saucepans, like some crazy force-field. She finished feeding him now with the last of the warmed milk, then laid him on her shoulder and tapped his back. She had seen this done on TV but had no real idea what it was for.

Lorenzo made a small burp.

“Good. Okay. Listen, I need you to go to sleep now.”

She laid him back in the cot. He looked up at her with dark, serious eyes. A baby born over seven hundred years ago. David's son. Jake's brother. It was all so weird.

But she didn't have time to think about that. She turned to the cats. “I want at least two of you here watching him at all times. Got that? If Summer gets her hands on him, there'll be hell to pay, and I've got the whole house to look after.

The Replicant animals regarded her with seven green stares.

She turned and hurried out.

There was no way she could safeguard the whole Abbey. So she had brought the baby down to the Monk's Walk, together with a supply of food, all the water she could carry, the med kit, the radio, her phone—though there was no signal—and any weapon she had found in the house. Which was an old sword, a poker from the drawing room, and a set of kitchen knives.

Now, as the slow summer twilight descended, she made sure the lab door was securely locked, and went and stood over Maskelyne.

He lay still, his eyes closed.

For a terrible moment she thought his breathing had stopped, but then the dark cloth of his jacket lifted and fell, and she blew out her cheeks in relief. His temperature was normal, but nothing would wake him.

She should get help.

Get him in the car. Drive to the hospital, take the baby too.

And leave the mirror exposed to its enemies?

She sat down, helpless.

As she did so, all the lights went out.

For a moment her terror froze her; then she jumped up, fumbled her way across the pitch-black lab, and groped for the switches. When she found them she clicked them rapidly. Nothing happened.

There was a flashlight among the stuff from the kitchen; when she found it and switched it on, it gave only a narrow jerky cone of light that made everything outside it even darker. It flashed across some yawning emptiness in the corner. With a gasp she turned back, but it was only the mirror, a leaning darkness that took the light and swallowed it and gave nothing back.

She turned her back on it, but it was still there. Like an unlocked door into the house.

There were three candles; she lit them and stuck them around—one by Maskelyne, one on the bench, one by the monitor. The screen was dark, all the controls off. No images appeared in the mirror, and she had no way of knowing how things were with Venn.

Was this some sort of power cut, or had the Shee done it? In either case she couldn't sit here all night in the dark.

The backup generator.

It was out in the cloister. She would have to go out into the Abbey, along the gallery, down the main stairs, along the kitchen corridor, and out through the east door.

The thought of creeping all that way with only a candle was terrifying.

But what else could she do? They needed power.

“Right. I'm risking it. You stay here.” She stuck a knife in the belt of her jeans and picked up one of the candles.

The cat Primo sat by the cradle; it mewed, but she had no idea what it said.

The Monk's Walk was quiet, the river far below running softly. From the arched windows she saw that the full moon had risen over the trees of the Wood, and she wondered where, somewhere out beneath it, Wharton was held prisoner.

She unlocked the door, slipped through, and locked it tight behind her. Then she hung a pair of metal shears on the handle.

The Abbey was dark and silent. She crept along the Long Gallery among the flickering of shadows, and every window was open. Moths and bats flitted down the corridors, the curtains drifted in the warm night. Slants of silver lay across the floor, and as she passed the doorway to Venn's room she saw that it too was wide, and creaking very slightly in the draft.

She peered in.

The bedroom looked more like a forest.

Ivy had broken in through the windows; it festooned the bed like glossy green curtains. Venn's clothes lay there. Already they were webbed in branch and tendril, and even as she watched, she saw that spiders, hosts of them, were matting the chandelier and the dressing-table and all his wife's things with gray web.

She looked up. The portrait of Leah was a mass of ivy. The creeper curled thickly, spitefully over it, and all Rebecca could see of it were the woman's dark laughing eyes. Suddenly furious, she crashed in, sending moths flying, dragged a chair over and tore down the ivy, flinging it in armfuls to the floor, not stopping until most of the painting was clear, her heart thudding with an anger that surprised herself.

“Leave us alone!” she yelled.

Then she stalked back out and down the corridor.

But her anger slid quickly away into fear. As she descended the stairs, small drafts moved around her. The candle guttered, sending eerie shapes up the wall. And the great house was not silent; it stirred and murmured, and through all the open windows, night creatures came and went.

But she ran quickly down, through the kitchens to the cloister, and saw the dim shape of the generator in its cobwebbed corner.

Would it even work?

There was a hand lever on one side. She took hold of it and forced it down.

A judder and a hum started up in its depths. A weak light flickered from a bulb overhead.

Rebecca grinned. Sorted. Getting back should be easy.

But as soon as she came back into the hall she knew that the fear had only been waiting for her. She slowed, almost unable to climb each stair, her limbs heavy, her heart thudding.

Halfway up, she stopped, wanting to crouch by the banister and curl up and just keep still.

She should never have yelled like that. Because the Shee were certainly close around the house.

As if the knowledge had slid back some filter over her eyes, she looked over and saw them, tall silvery people, whispering and peering in at the windows, peeping in at the open front door, dancing and laughing and gathering in hosts out there on the weedy drive, and she shrank back against the wall and dropped the candle and stood only in the pale light of the moon.

Their eyes and clothes glistened like the wings of beetles. Their voices were the buzz of bees, the rasp of crickets. Then one of them raised a fiddle to its chin with spidery fingers, and began to play.

Music broke over her skin like sweat.

Another thing that is remarkable about Venn is that he is expert at changing his appearance. He has a chameleon quality that can be uncannily convincing. In Tibet he lived as a native of the country for two years and was never discovered by the authorities.

For a blond, blue-eyed Westerner, that is so unlikely it could almost be said to be magic.

Jean Lamartine,
The Strange Life of Oberon Venn

T
HE GUESTS BEGAN
arriving at twilight, and just after, Madame Lepage knocked softly on the bedroom door. “Time,” she whispered.

Sarah dressed and hurried down. She slipped through the servants' entry and positioned herself discreetly behind a painted screen to watch the carriages roll up. The night was flaring with flambeaux held by a line of footmen in powder and gold-and-purple livery, the red flames cracking and sparking all down the mile-long drive.

There was no sign of Janus. But she knew, with that strange inner link that bound her to him, that he was still here, somewhere.

Behind her, in the first of several reception rooms, the tiny vicomte, pale with anxiety, fussed over the piled sweetmeats, while the musicians warmed up with deep notes and quick arpeggios. He was dressed in sumptuous cream and more frills than Sarah would have thought possible.

A jog at her elbow made her turn, fast, but instead of Janus, she saw Long Tom. His narrow face was rouged and powdered. He winked at her with a sly eye.

“All set?”

“Yes, but—”

“At the stroke of midnight the fireworks start. Open the door
at once
and wait behind it. Don't go in.”

“Yes, but you have to listen to me! Janus is here!”

“Janus?”

“He's a
journeyman
. An enemy. You have to tell Jake! Jake will understand.”

Tom muttered a few swear words and shrugged. “Can't do it. I have to be with the automata. Is he from your time? Is he trouble?”

She laughed, harsh. “You have no idea!”

“Well, deal with him, girl! A cutpurse like you should know the ropes.”

As he slid away toward the summerhouse she wondered what
deal with him
meant. There was no way of dealing with a Replicant. Let alone the wolves.

Then she straightened, and took a sharp breath of awe. Low on the horizon over the roofs of Paris, round and silver and beautiful, the full moon was rising. And under it, winding away into the dark, a long procession of carriages, black and gilt and gold, was rolling toward her like a dry, creaking river.

Venn said, “Here they come. Get ready.”

Gideon, crouching among the heady flowers of the rhododendrons, nodded.

The carriages were drawn by sleek horses, their heads plumed, their eyes blinkered. He gazed at them in fascination, at the postilions in garish coats, the footmen riding in pairs at the back.

Venn waited until several coaches had galloped by; then the line slowed and closed up, the drive choked with vehicles.

“Now,” he breathed.

He slid out, keeping low, and moved through the dark undergrowth to the back of a coach with huge wheels, painted gold and scarlet.

Only a single footman stood guard.

Venn hissed a few sharp words in French. It sounded to Gideon like some sort of appeal for help; certainly the footman looked sharply aside, then, as the carriage was now stationary, jumped down and came quickly toward them.

Venn jerked his head. Gideon stepped back.

As soon as the man ducked under the bushes, Venn grabbed him and whipped a hand around his mouth; he grabbed the man's arm and jerked it up behind him. In his ear he hissed, “Not a word, monsieur, not a cry, or your throat is cut.
Comprenez
?”

A slant of moonlight lit Venn's sharp face, his hard ice-blue eyes. The footman nodded so vehemently his hat fell off.

Venn glanced at Gideon. The boy already had the silk handkerchief out of his pocket; he whipped it as a gag between the man's teeth, and tied it tight. Then Venn flung the man on the ground, dragged his coat of livery off, and hurriedly they trussed his hands and feet with his own belt and garters.

Venn crouched, his lips close to the servant's ear. “A few hours' sleep in a warm garden won't hurt you. Lie still, and don't struggle. Forget you ever saw us.”

Standing up, he shrugged the livery coat on over his own and clapped the man's hat on. “Move,” he said. Then he was out and striding back toward the coach, just as the driver glanced back and asked some question in French.

Venn shrugged.
“Ce n'est rien!”
he snapped, and jumped up onto the coach, Gideon a shadow behind him. “Don't let them see you,” Venn muttered.

There was a dark space at his feet, maybe for luggage. Gideon slid into it, curled up, and felt the vehicle jerk awkwardly into motion.

The wheels rolled.

Venn stood tall and stared forward at the glittering château. Looking up, Gideon saw how the man's face was lit with flame light and energy. He was transformed—this was not Summer's bored lover but an adventurer heading full tilt for danger.

Gideon smiled a secret smile.

They made their slow, jolting way up the drive.

Twenty carriages behind, Moll knelt on the velvet seat and gazed back through the rear window. “Bloody long line, Jake! Nearly a hundred, I reckon. Plenty of aristos still in Paris with no idea what's coming down on them.”

He thought again of the guillotine blade, slicing the air.

“Sorry.” She slid back, patted his arm. “But don't you worry, Jake. This is my operation, and the contessa never gets it wrong.”

He didn't want to think about his father in some dungeon, terrified, so he said, “How do you know so much history, Moll?”

“Research. Lord, Symmes was always bloody big on research. It was him taught me to read, Jake, and it was like a light came on in my head! All that stuff in books! I never knew about any of that. So now I always cram up on the history before any heist, though I have to say a lot of it is written by old geezers that could make you cry with the boring, dry-as-dust plod they make of it.”

She giggled, squirming around. “Maybe when I give up the big game I'll be a writer Jake, and tell it like it is and people will read it and said,
Lumme, it's like she was really there . . .
”

The carriage jolted. He couldn't help laughing, even through the dull ache of anxiety about his father. “You're crazy, Moll.”

“Only way to be, Jake.” She turned, adjusting the delicate white skirt. “Got your pistol?”

“I prefer the sword.” Seeing her quizzical glance, he said, “I was school fencing champion. So look out.”

Before she could answer, the carriage stopped.

Moll sat upright, shoulders back. “This is it, cully. Success, or die trying. Agreed?”

“Agreed.”

“Chin up.”

The door was opened, the footman handed her down. Jake climbed out beside her and was instantly blinded by the rows of flaming torches. The twilight was heavy with the scents of roses and honeysuckle and perfume and smoke; rearing against the sky he saw a château of staggering beauty, white as a wedding cake, its windows and door wide, spilling light. Gorgeously costumed men and women wandered its terraces.

“Mask,” Moll hissed.

He took it out quickly and fastened it on—a black highwayman's mask—and he felt that familiar tingle of daring, of becoming someone else.

Moll lifted the silver vixen face with a languid hand and peered through it. She put out her arm and he took it. Together they climbed the steps and entered the ballroom.

Maskelyne's dream had come late and slowly, and yet it was one he knew only too well.

He dreamed of falling.

Down and down and down, endlessly, through stars, galaxies, through dark seas and deep wells. Head first, hands reaching out, his whole body a silent scream. If he had wings they were broken. If he had come from some great height he had forgotten it. All he knew was the fall.

And he would never land, because the universe was without end and infinity a bottomless abyss.

He opened his eyes.

A gasp went through him, a great, painful in-drawing of air that made him shudder. His heart thudded as if he had come back from the dead. His hair was in his eyes.

He brushed it back, looked around.

“Rebecca?”

She had been here. He knew the scent she used, the taste of her on the air. But the lab was quiet and dark, only one candle had been jammed in a jar on the bench. A small movement made him turn his head; he saw the cats, all seven of them, sitting in a protective circle around the cradle, where Lorenzo slept peacefully.

“Rebecca? Where is she?” he said. “Where is everyone?”

The cats were listening, but not to him. He saw now that their fur was prickled in alarm, their sensitive ears alert, their heads angled to catch some distant sound.

Then he heard it too.

It came from somewhere in the house. The faintest, sweetest music.

He leaped up, flung off the blanket, raced to the door. As he passed the black mirror, its leaning vacancy jutted into his mind; he said, “Wait! I'll be back. Wait for me,” but hurrying down the dark cloister of the Monk's Walk, he saw in alarm how much time had passed. Now the moon flickered beside him from window to window, snared in the black branches of the Wood, and in the Long Gallery he saw that this dwelling was broken—despite all its protection, it was prised and cracked open, infiltrated by the heat and the scurrying, scuttling, web-weaving creatures of summer.

He came to the head of the stairs and looked down.

Rebecca was standing quite still, listening to the fairy music. He knew that stillness. It filled him with a sick fear.

“Becky!”

She didn't hear, or move.

He fled down, a shadow among shadows. He felt the music like a prickle on his skin, a bramble-scratch, a nettle-itch; as he caught her arm they both jerked with the pain, as if with a wasp-sting.

Her eyelids flickered. She saw him.

“Cover your ears!” He did it for her, clumsy, grabbing at her hair. “Don't listen! Never listen to them!”

Startled, she said, “I've only just come down here—”

“That's what you think! Maybe it's been hours. They do that. They hold you like a fly in a web. Come away Becky, quickly.”

But she didn't move, astonishment and joy coming over her as she realized he was there, awake, alive.

“Quickly!”

As he hustled her up the stairs she felt giddy and strange. How long had she stood there? The green twilight that had infested the house seemed to have crawled into her too. She felt hot, irritated, wanted to stop, scratch, fling off her annoying clothes. And always, somewhere below her hearing, under her skin, the soft music teased and lingered, and it was sweet, so wonderfully sweet, she could have cried with it, and she knew she would never, never get it out of her now, out of her mind and memory, out of her heart.