The Duel (22 page)

“From whom have you learnt all this?” she asked, smiling.

“From a friend of a person very well known to you,” replied Tomsky, “from a very distinguished man.”

“And who is this distinguished man?”

“His name is Hermann.”

Lizaveta made no reply; but her hands and feet lost all sense of feeling.

“This Hermann,” continued Tomsky, “is a man of romantic personality. He has the profile of a Napoleon, and the soul of a Mephistopheles. I believe that he has at least three crimes upon his conscience … How pale you have become!”

“I have a headache. But what did this Hermann—or whatever his name is—tell you?”

“Hermann is very much dissatisfied with his friend: he says that in his place he would act very differently … I even think that Hermann himself has designs upon you; at least, he listens very attentively to all that his friend has to say about you.”

“And where has he seen me?”

“In church, perhaps; or on the parade—God alone knows where. It may have been in your room, while you were asleep, for there is nothing that he—”

Three ladies approaching him with the question: “
oubli ou regret?
” interrupted the conversation, which had become so tantalisingly interesting to Lizaveta.

The lady chosen by Tomsky was the Princess Pauline herself. She succeeded in effecting a reconciliation with him during the numerous turns of the dance, after which he conducted her to her chair. On returning to his place, Tomsky thought no more either of Hermann or Lizaveta. She longed to renew the interrupted conversation, but the mazurka came to an end, and shortly afterwards the old Countess took her departure.

Tomsky’s words were nothing more than the customary small talk of the dance, but they sank deep into the soul of the young dreamer. The portrait, sketched by Tomsky, coincided with the picture she had formed within her own mind, and thanks to the latest romances, the ordinary countenance of her admirer became invested with attributes capable of alarming her and fascinating her imagination at the same time. She was now sitting with her bare arms crossed and with her head, still adorned with flowers, sunk upon her uncovered bosom. Suddenly the door opened and Hermann entered. She shuddered.

“Where were you?” she asked in a terrified whisper.

“In the old Countess’s bedroom,” replied Hermann: “I have just left her. The Countess is dead.”

“My God! What do you say?”

“And I am afraid,” added Hermann, “that I am the cause of her death.”

Lizaveta looked at him, and Tomsky’s words found an echo in her soul: “This man has at least three crimes upon his conscience!” Hermann sat down by the window near her, and related all that had happened.

Lizaveta listened to him in terror. So all those passionate letters, those ardent desires, this bold obstinate pursuit—all this was not love! Money—that was what his soul yearned for! She could not satisfy his desire and make him, happy I The poor girl had been nothing but the blind tool of a robber, of the murderer of her aged benefactress! … She wept bitter tears of agonised repentance. Hermann gazed at her in silence: his heart, too, was a prey to violent emotion, but neither the tears of the poor girl, nor the wonderful charm of her beauty, enhanced by her grief, could produce any impression upon his hardened soul. He felt no pricking of conscience at the thought of the dead old woman. One thing only grieved him: the irreparable loss of the secret from which he had expected to obtain great wealth.

“You are a monster!” said Lizaveta at last.

“I did not wish for her death,” replied Hermann: “my pistol was not loaded.”

Both remained silent.

The day began to dawn. Lizaveta extinguished her candle: a pale light illumined her room. She wiped her tearstained eyes and raised them towards Hermann: he was sitting near the window, with his arms crossed and with
a fierce frown upon his forehead. In this attitude he bore a striking resemblance to the portrait of Napoleon. This resemblance struck Lizaveta even.

“How shall I get you out of the house?” said she at last. “I thought of conducting you down the secret staircase, but in that case it would be necessary to go through the Countess’s bedroom, and I am afraid.”

“Tell me how to find this secret staircase—I will go alone.”

Lizaveta arose, took from her drawer a key, handed it to Hermann and gave him the necessary instructions. Hermann pressed her cold, limp hand, kissed her bowed head, and left the room.

He descended the winding staircase, and once more entered the Countess’s bedroom. The dead old lady sat as if petrified; her face expressed profound tranquillity. Hermann stopped before her, and gazed long and earnestly at her, as if he wished to convince himself of the terrible reality; at last he entered the cabinet, felt behind the tapestry for the door, and then began to descend the dark staircase, filled with strange emotions. “Down this very staircase,” thought he, “perhaps coming from the very same room, and at this very same hour sixty years ago, there may have glided, in an embroidered coat, with his hair dressed
à l’oiseau royal
and pressing to his heart his three-cornered hat, some young gallant, who has long been mouldering in the grave, but the heart of his aged mistress has only to-day ceased to beat …”

At the bottom of the staircase Hermann found a door, which he opened with a key, and then traversed a corridor which conducted him into the street.

THREE days after the fatal night, at nine o’clock in the morning, Hermann repaired to the Convent of——, where the last honours were to be paid to the mortal remains of the old Countess. Although feeling no remorse, he could not altogether stifle the voice of conscience, which said to him: “You are the murderer of the old woman!” In spite of his entertaining very little religious belief, he was exceedingly superstitious; and believing that the dead Countess might exercise an evil influence on his life, he resolved to be present at her obsequies in order to implore her pardon.

The church was full. It was with difficulty that Hermann made his way through the crowd of people. The coffin was placed upon a rich catafalque beneath a velvet baldachin. The deceased Countess lay within it, with her hands crossed upon her breast, with a lace cap upon her head and dressed in a white satin robe. Around the catafalque stood the members of her household: the servants in black
caftans
, with armorial ribbons upon their shoulders, and candles in their hands; the relatives—children, grandchildren, and great-grandchildren—in deep mourning.

Nobody wept; tears would have been
une affectation
. The Countess was so old, that her death could have surprised nobody, and her relatives had long looked upon her as being out of the world. A famous preacher pronounced the funeral sermon. In simple and touching words he described the peaceful passing away of the righteous, who had passed long years in calm preparation for a Christian end. “The angel of death found her,” said the orator, “engaged in pious meditation and waiting for the midnight bridegroom.”

The service concluded amidst profound silence. The relatives went forward first to take farewell of the corpse. Then followed the numerous guests, who had come to render the last homage to her who for so many years had been a participator in their frivolous amusements. After these followed the members of the Countess’s household. The last of these was an old woman of the same age as the deceased. Two young women led her forward by the hand. She had not strength enough to bow down to the ground—she merely shed a few tears and kissed the cold hand of her mistress.

Hermann now resolved to approach the coffin. He knelt down upon the cold stones and remained in that
position for some minutes; at last he arose, as pale as the deceased Countess herself; he ascended the steps of the catafalque and bent over the corpse. At that moment it seemed to him that the dead woman darted a mocking look at him and winked with one eye. Hermann started back, took a false step and fell to the ground. Several persons hurried forward and raised him up. At the same moment Lizaveta Ivanovna was borne fainting into the porch of the church. This episode disturbed for some minutes the solemnity of the gloomy ceremony. Among the congregation arose a deep murmur, and a tall thin chamberlain, a near relative of the deceased, whispered in the ear of an Englishman who was standing near him, that the young officer was a natural son of the Countess, to which the Englishman coldly replied: “Oh!”

During the whole of that day, Hermann was strangely excited. Repairing to an out-of-the-way restaurant to dine, he drank a great deal of wine, contrary to his usual custom, in the hope of deadening his inward agitation. But the wine only served to excite his imagination still more. On returning home, he threw himself upon his bed without undressing, and fell into a deep sleep.

When he woke up it was already night, and the moon was shining into the room. He looked at his watch: it was a quarter to three. Sleep had left him; he sat down upon his bed and thought of the funeral of the old Countess.

At that moment somebody in the street looked in at his window, and immediately passed on again. Hermann paid no attention to this incident. A few moments afterwards he heard the door of his ante-room open. Hermann thought that it was his orderly, drunk as usual, returning from some nocturnal expedition, but presently he heard footsteps that were unknown to him: somebody was walking softly over the floor in slippers. The door opened, and a woman dressed in white, entered the room. Hermann mistook her for his old nurse, and wondered what could bring her there at that hour of the night. But the white woman glided rapidly across the room and stood before him—and Hermann recognised the Countess!

“I have come to you against my wish,” she said in a firm voice: “but I have been ordered to grant your request. Three, seven, ace, will win for you if played in succession, but only on these conditions: that you do not play more than one card in twenty-four hours, and that you never play again during the rest of your life. I forgive you my death, on condition that you marry my companion, Lizaveta Ivanovna.”

With these words she turned round very quietly, walked with a shuffling gait towards the door and disappeared. Hermann heard the street-door open and shut, and again he saw some one look in at him through the window.

For a long time Hermann could not recover himself. He then rose up and entered the next room. His orderly was lying asleep upon the floor, and he had much difficulty in waking him. The orderly was drunk as usual, and no information could be obtained from him. The street-door was locked. Hermann returned to his room, lit his candle, and wrote down all the details of his vision.

TWO fixed ideas can no more exist together in the moral world than two bodies can occupy one and the same place in the physical world. “Three, seven, ace,” soon drove out of Hermann’s mind the thought of the dead Countess. “Three, seven, ace,” were perpetually running through his head and continually being repeated by his lips. If he saw a young girl, he would say: “How slender she is! quite like the three of hearts.” If anybody asked: “What is the time?” he would reply: “Five minutes to seven.” Every stout man that he saw reminded him of the ace. “Three, seven, ace” haunted him in his sleep, and assumed all possible shapes. The threes bloomed before him in the forms of magnificent flowers, the sevens were represented by Gothic portals, and the aces became transformed into gigantic spiders. One thought alone occupied his whole mind—to make a profitable use of the secret which he had purchased so dearly. He thought of applying for a furlough so as to travel abroad. He wanted to go to Paris
and tempt fortune in some of the public gambling-houses that abounded there. Chance spared him all this trouble.

There was in Moscow a society of rich gamesters, presided over by the celebrated Chekalinsky, who had passed all his life at the card-table and had amassed millions, accepting bills of exchange for his winnings and paying his losses in ready money. His long experience secured for him the confidence of his companions, and his open house, his famous cook, and his agreeable and fascinating manners gained for him the respect of the public. He came to St. Petersburg. The young men of the capital flocked to his rooms, forgetting balls for cards, and preferring the emotions of faro to the seductions of flirting. Narumov conducted Hermann to Chekalinsky’s residence.

They passed through a suite of magnificent rooms, filled with attentive domestics. The place was crowded. Generals and Privy Counsellors were playing at whist; young men were lolling carelessly upon the velvet-covered sofas, eating ices and smoking pipes. In the drawing-room, at the head of a long table, around which were assembled about a score of players, sat the master of the house keeping the bank. He was a man of about sixty years of age, of a very dignified appearance; his head was covered with silvery-white hair; his full, florid countenance expressed good-nature, and his eyes twinkled with a perpetual smile. Narumov introduced Hermann to him. Chekalinsky shook him by the hand in a friendly manner, requested him not to stand on ceremony, and then went on dealing.

The game occupied some time. On the table lay more than thirty cards. Chekalinsky paused after each throw, in order to give the players time to arrange their cards and note down their losses, listened politely to their requests, and more politely still, put straight the corners of cards that some player’s hand had chanced to bend. At last the game was finished. Chekalinsky shuffled the cards and prepared to deal again.

“Will you allow me to take a card?” said Hermann, stretching out his hand from behind a stout gentleman who was punting.

Chekalinsky smiled and bowed silently, as a sign of acquiescence. Narumov laughingly congratulated Hermann on his abjuration of that abstention from cards which he had practised for so long a period, and wished him a lucky beginning.

“Stake!” said Hermann, writing some figures with chalk on the back of his card.

“How much?” asked the banker, contracting the muscles of his eyes; “excuse me, I cannot see quite clearly.”