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Authors: John Updike

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BOOK: The Early Stories
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The smell of old straw scratched his sinuses. The red sofa, half hidden under its white-splotched tarpaulin, seemed assimilated into this smell, sunk in it, buried. The mouths of empty bins gaped like caves. Rusty oddments of farming—coils of baling wire, some spare tines for a harrow, a handleless shovel—hung on nails driven here and there in the thick wood. He stood stock-still a minute; it took a while to separate the cooing of the pigeons from the rustling in his ears. When he had focused on the cooing, it flooded the vast interior with its throaty, bubbling outpour: there seemed no other sound. They were up behind the beams. What light there was leaked through the shingles and the dirty glass windows at the far end and the small round holes, about as big as basketballs, high on the opposite stone side walls, under the ridge of the roof.

A pigeon appeared in one of these holes, on the side toward the house. It flew in, with a battering of wings, from the outside, and waited there, silhouetted against its pinched bit of sky, preening and cooing in a throbbing, thrilled, tentative way. David tiptoed four steps to the side, rested his gun against the lowest rung of a ladder pegged between two upright beams, and lowered the gunsight into the bird's tiny, jauntily cocked head. The slap of the report seemed to come off the stone wall behind him, and the pigeon did not fall. Neither did it fly. Instead it stuck in the round hole, pirouetting rapidly and nodding its head as if in frantic agreement. David shot the bolt back and forth and had aimed again before the spent cartridge had stopped jingling on the boards by his feet. He eased the tip of the sight a little lower, into the bird's breast, and took care to squeeze the trigger with perfect evenness. The slow contraction of his hand abruptly sprang the bullet; for a half-second there was doubt, and then the pigeon fell like a handful of rags, skimming down the barn wall into the layer of straw that coated the floor of the mow on this side.

Now others shook loose from the rafters, and whirled in the dim air with a great blurred hurtle of feathers and noise. They would go for the hole; he fixed his sight on the little moon of blue, and when a pigeon came to it, shot him as he was walking the twenty inches of stone that would have carried him into the open air. This pigeon lay down in that tunnel of stone, unable to fall either one way or the other, although he
was alive enough to lift one wing and cloud the light. The wing would sink back, and he would suddenly lift it again, the feathers flaring. His body blocked that exit. David raced to the other side of the barn's main aisle, where a similar ladder was symmetrically placed, and rested his gun on the same rung. Three birds came together to this hole; he got one, and two got through. The rest resettled in the rafters.

There was a shallow triangular space behind the crossbeams supporting the roof. It was here they roosted and hid. But either the space was too small, or they were curious, for now that his eyes were at home in the dusty gloom David could see little dabs of gray popping in and out. The cooing was shriller now; its apprehensive tremolo made the whole volume of air seem liquid. He noticed one little smudge of a head that was especially persistent in peeking out; he marked the place, and fixed his gun on it, and when the head appeared again, had his finger tightened in advance on the trigger. A parcel of fluff slipped off the beam and fell the barn's height onto a canvas covering some Olinger furniture, and where its head had peeked out there was a fresh prick of light in the shingles.

Standing in the center of the floor, fully master now, disdaining to steady the barrel with anything but his arm, he killed two more that way. Out of the shadowy ragged infinity of the vast barn roof these impudent things dared to thrust their heads, presumed to dirty its starred silence with their filthy timorous life, and he cut them off, tucked them back neatly into the silence. He felt like a creator; these little smudges and flickers that he was clever to see and even cleverer to hit in the dim recesses of the rafters—out of each of them he was making a full bird. A tiny peek, probe, dab of life, when he hit it blossomed into a dead enemy, falling with good, final weight.

The imperfection of the second pigeon he had shot, who was still lifting his wing now and then up in the round hole, nagged him. He put a new clip into the stock. Hugging the gun against his body, he climbed the ladder. The barrel sight scratched his ear; he had a sharp, garish vision, like a color slide, of shooting himself and being found tumbled on the barn floor among his prey. He locked his arm around the top rung—a fragile, gnawed rod braced between uprights—and shot into the bird's body from a flat angle. The wing folded, but the impact did not, as he had hoped, push the bird out of the hole. He fired again, and again, and still the little body, lighter than air when alive, was too heavy to budge from its high grave. From up here he could see green trees and a brown corner of the house through the hole. Clammy with the cobwebs that gathered
between the rungs, he pumped a full clip of eight bullets into the stubborn shadow, with no success. He climbed down, and was struck by the silence in the barn. The remaining pigeons must have escaped out the other hole. That was all right; he was tired of it.

He stepped with his rifle into the light. His mother was coming to meet him, and it tickled him to see her shy away from the carelessly held gun. “You took a chip out of the house,” she said. “What were those last shots about?”

“One of them died up in that little round hole and I was trying to shoot it down.”

“Copper's hiding behind the piano and won't come out. I had to leave him.”

“Well, don't blame me.
I
didn't want to shoot the poor devils.”

“Don't smirk. You look like your father. How many did you get?”

“Six.”

She went into the barn, and he followed. She listened to the silence. Her hair was scraggly, perhaps from tussling with the dog. “I don't suppose the others will be back,” she said wearily. “Indeed, I don't know why I let Mother talk me into it. Their cooing was such a comforting noise.” She began to gather up the dead pigeons. Though he didn't want to touch them, David went into the mow and picked up by its tepid, horny, coral-colored feet the first bird he had killed. Its wings unfolded disconcertingly, as if the creature had been held together by threads that now were slit. It did not weigh much. He retrieved the one on the other side of the barn; his mother got the three in the middle and led the way across the road to the little south-facing slope of land that went down toward the foundations of the vanished tobacco shed. The ground was too steep to plant and mow; wild strawberries grew in the tangled grass. She put her burden down and said, “We'll have to bury them. The dog will go wild.”

He put his two down on her three; the slick feathers let the bodies slide liquidly on one another. David asked, “Shall I get you the shovel?”

“Get it for yourself;
you
bury them. They're your kill. And be sure to make the hole deep enough so Copper won't dig them up.” While he went to the tool shed for the shovel, she went into the house. Unlike his usual mother, she did not look up, either at the orchard to the right of her or at the meadow on her left, but instead held her head rigidly, tilted a little, as if listening to the ground.

He dug the hole, in a spot where there were no strawberry plants, before he studied the pigeons. He had never seen a bird this close before.
The feathers were more wonderful than dog's hair, for each filament was shaped within the shape of the feather, and the feathers in turn were trimmed to fit a pattern that flowed without error across the bird's body. He lost himself in the geometrical tides as the feathers now broadened and stiffened to make an edge for flight, now softened and constricted to cup warmth around the mute flesh. And across the surface of the infinitely adjusted yet somehow effortless mechanics of the feathers played idle designs of color, no two alike, designs executed, it seemed, in a controlled rapture, with a joy that hung level in the air above and behind him. Yet these birds bred in the millions and were exterminated as pests. Into the fragrant open earth he dropped one broadly banded in slate shades of blue, and on top of it another, mottled all over in rhythms of lilac and gray. The next was almost wholly white, but for a salmon glaze at its throat. As he fitted the last two, still pliant, on the top, and stood up, crusty coverings were lifted from him, and with a feminine, slipping sensation along his nerves that seemed to give the air hands, he was robed in this certainty: that the God who had lavished such craft upon these worthless birds would not destroy His whole Creation by refusing to let David live forever.

Friends from Philadelphia
 

In the moment before the door was opened to him, he glimpsed her thigh below the half-drawn shade. Thelma was home, then. She was wearing the Camp Winniwoho T-shirt and her quite short shorts.

“Why, my goodness: Janny!” she cried. She always pronounced his name, John, to rhyme with “Ann.” Earlier that summer, she had visited New York City, and tried to talk the way she thought they talked there. “What on earth ever brings you to me at this odd hour?”

“Hello, Thel,” he said. “I hope—I guess this is a pretty bad time.” She had been plucking her eyebrows again. He wished she wouldn't do that.

Thelma extended her arm and touched her fingers to the base of John's neck. It wasn't a fond gesture, just a hostesslike one. “Now, Janny. You know that I—my mother and I—are always happy to be seeing you. Mother, who do you ever guess is here at this odd hour?”

“Don't keep John Nordholm standing there,” Mrs. Lutz said. Thelma's mother was settled in the deep-red settee watching television and smoking. A coffee cup being used as an ashtray lay in her lap, and her dress was hitched so that her knees showed.

“Hello, Mrs. Lutz,” John said, trying not to look at her broad, pale knees. “I really hate to bother you at this odd hour.”

“I don't see anything odd about it.” She took a deep-throated drag on her cigarette and exhaled through her nostrils, the way men do. “Some of the other kids were here earlier this afternoon.”

“I would have come in if anybody had told me.”

Thelma said, “Oh, Janny! Stop trying to make a martyr of yourself. Keep in touch, they say, if you want to keep up.”

He felt his face grow hot and knew he was blushing, which made him blush all the more. Mrs. Lutz shook a wrinkled pack of Herbert Tareytons at him. “Smoke?” she said.

“I guess not, thanks a lot.”

“You've stopped? It's a bad habit. I wish I had stopped at your age. I'm not sure I'd even
begun
at your age.”

“No, it's just that I have to go home soon, and my mother would smell the smoke on my breath. She can smell it even through chewing gum.”

“Why must you go home soon?” Thelma asked.

Mrs. Lutz sniffled. “I have sinus. I can't even smell the flowers in the garden or the food on the table any more. Let the kids smoke if they want, if it makes them feel better. I don't care. My Thelma, she can smoke right in her own home, her own living room, if she wants to. But she doesn't seem to have the taste for it. I'm just as glad, to tell the truth.”

John hated interrupting, but it was close to five-thirty. “I have a problem,” he said.

“A problem—how gruesome,” Thelma said. “And here I thought, Mother, I was being favored with a social call.”

“Don't talk like that,” Mrs. Lutz said.

“It's sort of complex,” John began.

“Talk like what, Mother? Talk like what?”

“Then let me turn this off,” Mrs. Lutz said, snapping the right knob on the television set.

“Oh, Mother, and I was listening to it!” Thelma toppled into a chair, her legs flashing. When she pouted, John thought, she was delicious.

Mrs. Lutz had set herself to give sympathy. Her lap was broadened and her hands were laid palm upward in it.

BOOK: The Early Stories
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