- Nabucco
1
- Night
at
the
Chinese
Opera,
A
1
- Nightingale,
The
1
- Nixon in China
1
- Norma
1
- Nozze di Figaro, Le
1
- Oedipus Rex
1
- Oklahoma!
1
- Orfeo
1
- Orfeo ed Euridice
1
- Orphée aux Enfers
1
- Orpheus in the Underworld
1
- Otello
1
- Pagliacci
1
- Parsifal
1
- Patience
1
- Paul
Bunyan
1
- Pêcheurs de Perles, Les
1
- Pelléas et Mélisande
1
- Perchance
to
Dream
1
- Peter Grimes
1
- Pilgrim’s
Progress,
The
1
2
- Pirates of Penzance, The
1
- Porgy and Bess
1
- Powder
Her
Face
1
- Prince
Igor
1
- Prinz
von
Homburg,
Der
1
- Prophète,
Le
1
- Prodigal
Son,
The
1
- Punch
and
Judy
1
- Puritani, I
1
- Queen of Spades, The
1
- Quiet
Place,
A
1
- Rake’s Progress, The
1
- Rape of Lucretia, The
1
- Red
Line,
The
1
- Regina
1
- Renard
1
- Return of Ulysses to his Homeland, The
1
- Rienzi
1
- Rigoletto
1
- Ring des Nibelungen, Der
1
- Rise and Fall of the City of Mahagonny
1
- Ritorno d’Ulisse in Patria, Il
1
- Roberto
Devereux
1
- Rodelinda
1
- Roméo et Juliette
1
- Rondine,
La
1
- Rosenkavalier, Der
1
- Rusalka
1
- Ruslan
and
Ludmila
1
- Saint
François
d’Assise
1
- Salome
1
- Samson et Dalila
1
- Savitri
1
- Semele
1
- Semiramide
1
- Serva
Padrona,
La
1
- Show
Boat
1
- Siège
de
Corinthe,
Le
1
- Silver
Tassie,
The
1
- Simon Boccanegra
1
- Sir
John
in
Love
1
- Snow
Maiden,
The
1
- Soldaten,
Die
1
- Sorcerer,
The
1
,
2
- South
Pacific
1
- Streetcar
Named
Desire,
A
1
- Student
Prince,
The
1
- Susannah
1
- Sweeney Todd
1
- Tancredi
1
- Tannhäuser
1
- Tender
Land,
The
1
- Thieving
Magpie,
The
1
- Threpenny Opera, The
1
- Tosca
1
- Tote
Stadt,
Die
1
- Traviata, La
1
- Tristan und Isolde
1
- Trittico, Il
1
- Trojans, The
1
- Trouble
in
Tahiti
1
- Trovatore, Il
1
- Troyens, Les
1
- Turandot
1
- Turn of the Screw, The
1
- Vanessa
1
- Venus
and
Adonis
1
- Viaggio
a
Reims,
Il
1
- Wally,
La
1
- War and Peace
1
- Werther
1
- West
Side
Story
1
- William Tell
1
- Where
the
Wild
Things
Are
1
- Wozzeck
1
- Zauberflöte, Die
1
- Zigeunerbaron,
Der
1
Index of Composers
- Bartók, Béla
1
- Beethoven, Ludwig van
1
- Bellini, Vincenzo
1
- Berg, Alban
1
- Berlioz, Hector
1
- Bernstein, Leonard
1
- Birtwistle, Harrison
1
- Bizet, Georges
1
- Britten, Benjamin
1
- Debussy, Claude
1
- Donizetti, Gaetano
1
- Dvořák, Antonin
1
- Gershwin, George
1
- Giordano, Umberto
1
- Gluck, Christoph Willibald von
1
- Gounod, Charles
1
- Handel, George Frideric
1
- Henze, Hans Werner
1
- Humperdinck, Engelbert
1
- Lehár, Franz
1
- Leoncavallo, Ruggero
1
- Mascagni, Pietro
1
- Massenet, Jules
1
- Menotti, Giancarlo
1
- Monteverdi, Claudio
1
- Mozart, Wolfgang Amadeus
1
- Mussorgsky, Modest
1
- Poulenc, Francis
1
- Prokofiev, Sergei
1
- Puccini, Giacomo
1
- Purcell, Henry
1
- Ravel, Maurice
1
- Rossini, Gioachino
1
- Saint-Saëns, Camille
1
- Schoenberg, Arnold
1
- Shostakovich, Dmitri
1
- Smetana, Bedřich
1
- Sondheim, Stephen
1
- Strauss, Johann
1
- Strauss, Richard
1
- Stravinsky, Igor
1
- Sullivan, Arthur
1
- Tchaikovsky, Piotr Ilyich
1
- Thomas, Ambroise
1
- Tippett, Michael
1
- Wagner, Richard
1
- Weber, Carl Maria von
1
- Weill, Kurt
1
About the Author
Rupert Christiansen was born in London and educated at King’s College, Cambridge.
After further study as a Fulbright scholar at Columbia University, he has written several books including
Prima Donna, Romantic Affinities, Paris Babylon, The Visitors
and
Arthur Hugh Clough
.
In 1997, he was elected a Fellow of the Royal Society of Literature.
He is currently opera critic of the
Daily Telegraph
and a member of the editorial board of
Opera
magazine.
He has contributed to many newspapers and magazines, including
The Spectator, Times Literary Supplement, Harpers & Queen, Los Angeles Times, Vanity Fair
and the
New Yorker
.
Copyright
This ebook edition published in 2010
by Faber and Faber Ltd
Bloomsbury House
74–77 Great Russell Street
London WC1B 3DA
All rights reserved
© Rupert Christiansen, 2002
The right of Rupert Christiansen to be identified as author of this work has been asserted in accordance with Section 77 of the Copyright, Designs and Patents Act 1988
This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law.
Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights, and those responsible may be liable in law accordingly
ISBN 978–0–571–26097–3