The Feast of Love (25 page)

And then I thought about what sort of man would want to do this. I mean, he had to be pretty desperate, calling up some service somewhere, just because he wanted to watch. I took a walk in Allmendinger Park to think about it. I watched the dogs and the parents and the kids. I imagined him coming home from work, another lonely guy doing the dishes, standing under a lightbulb and listening to the radio, trying not to be a creep but being one anyway, and one night he realizes, bingo, that he’s in hell, he just lives there permanently, hellllooooo, he’s never getting out. The fix is so in, you can’t get more in than that. So what he wants is, he wants to look at what it’s like in heaven, where we are, he wants to see two representatives of the youth culture, which is us, Oscar and me, just lying around and making love, and maybe he could get clarified that way, you know, sitting there, looking at us yelping with happiness the way we do.

It’d be sort of like bringing a dog to a person in an old-age home. Therapeutic. Except you can pat the dog. Us, he wouldn’t be able to touch. I’d insist on that.

Seeing is believing. Seeing is different from telling. I mean, it’s different from me telling you about it, right? Right?

Well, I think so.

But suppose Oscar starts to give me a kiss. When nobody’s watching, he’s, like, doing it for me, and for himself, because he likes to. He likes the way I taste to him. He just breathes me in up here and down there. Would he give me a Slurpee? Maybe not if we were being studied. He’d get shy. But when you’ve got this golf-playing lonely polyester hyper-wimp sitting in a chair watching, this guy who’s bought, excuse me, a fucking ticket, then you’re doing it, like, for him. The whole deal changes. It turns into a show.

That’s not healthy.

THAT NIGHT, WE WERE MAKING
hamburgers at the tiny stove, so close to everything that it’s not even in a kitchen, and I told Oscar about it, Janey’s proposal, and you know what he did? He sat there. So I just sat there. Then we both started talking. Eventually he yelled at me and I yelled at him. He and I fought and we ended up crying together, but by the end of the dinner hour we’d decided.

We told each other it wasn’t a big deal.

After all, everybody likes to watch. I mean, I like to watch Oscar, I even like to watch him shave when he’s naked, and he likes to watch me.

We decided to do it. But we wouldn’t go to anyone else’s house, we had to do it here. The guy would have to come in and we would close the door. Those were the conditions. And we did. I called Janey and Janey called him.

THE GUY CAME OVER,
just this anonymous middle-aged smallish bald guy with asthma, wearing an old-fashioned gray fedora hat. You could tell his upper lip had been surgically reconstructed. There were flesh fault lines heaving upward from his off-center mouth.

Anyway, this citizen sat on our chair, our
furniture —
and that was almost the worst part — and we did it for a while, for long enough, anyway. The trouble was, it was an act. And I never felt that Oscar and me were an act before. I couldn’t look back at the guy watching us. I just concentrated on Oscar. I never took my eyes off him. I held on to Oscar like you’d hold on to a lifebuoy that keeps you afloat. At one point his eyes said he couldn’t go on, and my eyes told him he had to, so he did. It was the low point of my life so far.

When we were finished, the guy said he wanted to see us do it again, with some variations.

Oscar sat up in bed. He said okay, sure, in a minute. Then he said he wanted to talk about a movie he’d seen. Did the guy like movies? The guy shrugged. So Oscar said he’d just seen this movie called
Cyber Catch
or something, and in this movie there’s a vast evil megacomputer that the super-secret government owns that can analyze your DNA from a blood sample. And the computer, the big mainframe, has some people all predicted from here until infinity, their lives laid out and everything based on the DNA, even their afterlives are predicted by the computer before they’re born, in their pre-life. The computer also knows if you’ll go to hell or not, even before you’re born. Your entire post-life is completely mapped out. What it doesn’t get from blood it gets from handwriting samples. The computer wants total control for a consumer society, including the afterlife. The hero and his girlfriend are trying to get
at
the computer, but the computer knows all about them, so the guy-hero has to think his way into being somebody else in order to defeat the computer, and the girl-hero has to change her identity into, like, this minimum-wage cleaning woman. They’ve got to
imagine
their escape.

Oscar sat up in bed naked doing this plot summary for about ten minutes. I never knew he could make up stories before that. Then the bald guy with the facial fault lines said, “That’s nice, kid. But if I wanted to go to a movie, I’d go to a movie. Maybe you could do what I’m paying you for, okay?”

“Okay,” Oscar said, and he shrugged his naked shoulder. He turned to me and gave me a peck on the cheek, like the show had to go on.

The second time was harder, that’s all I’ll say. We earned that money. At the end of the show, when we were finished, we got paid. I’d almost never seen so much cash in my life.

I swore off life for a day or two after that. My New Year’s resolution was to bag it.

I won’t even tell you about how I vomited the next day. Or how I got rid of the chair the guy had sat in. My life isn’t sad, I have a good life, so I won’t convey that it’s pathetic or anything. But I did get rid of that chair.

The funny thing was, after all this happened, and before we actually got married, I stopped thinking of myself as a girl. I
had
thought of myself that way, on and off, up until then. But after that, no. No more girl. The girl was out of me. It didn’t apply. The word sort of made me flinch from then on.

THE LITTLE MARRIAGE EXPERIMENT
with Bradley hadn’t worked out, and so here I was, doing a recently divorced debutante show.

It was Saturday. I had drifted into this summer evening party, a back yard gathering with pinprick clouds of gnats disturbing the air, in that space where the other guests were drinking and talking. Farther back, near the garage, a wasp nest was hanging from a maple branch just above the phone lines. I didn’t see any wasps, but the guests were windmilling their hands in front of their faces to keep the gnats away. “Hi, Diana,” they would say, waving as if to say good-bye. The hostess, Lydia, smiled with relief when I came in. I am rarely a disappointing guest. I tend to spice up whatever social gathering I am invited to. I create small harmless scenes.

The weather seemed untroubled. I heard birds crying out, somewhere above us.

These two people, my friends, the hosts, had constructed this back deck a few years ago, parallel gray boards nailed to a frame. Lydia’s taste was for a certain easygoing informality that thrived on summer parties but not winter ones; this marriage, the one with Don, was her third, and all sorts of children and stepchildren and semi-orphans had been dressed up and were serving condiments and hors d’oeuvres. One of them, whose name was Edgar — you don’t expect a small child to be named Edgar — was playing the piano in the den. The windows were open, and the music-beginner’s Mozart — mixed with the sounds of conversation.

People lazed around. They came and went. Coolers full of beer lay open for inspection and slow bluesy jazz arose like candle smoke out of the stereo and was combined near the house with the sound of Edgar’s Mozart, the minuets he was playing. Their house, which was stuffed with scratched-up antiques, was set back far enough away from the street for privacy, and the hedges were littered with kids’ toys, tricycles, and broken plastic battery-operated games. Walking in, you’d see this wreckage, and it was comforting, familial. Then you’d get to the back and note a treehouse falling to pieces close to the nest of wasps. And down there, in the yard, under the wasp nest, the guests had assembled. The invited guests and the more or less invited guests, people like me, our laughter mixing with the sounds of the crickets and the outcasts, the cigarette smokers, huddling in the back corner, grumpily inhaling.

Lydia is a tall, straight-lined woman with curly black hair that sweeps in a tangle down both sides of her face and her neck. She’s not beautiful, exactly, but her eager, smiling intelligence greets you at the doorway, and before very long you’re divulging your small wickednesses to her, and she’s telling you hers, and she takes on the attractiveness of anyone for whom every sub-minor detail is interesting. Interesting events cling to her. She’s a perfect hostess for a party. She’ll just pry the outrageousness out of you for the sake of a story. She wants to hear about everyone, and it’s only later that you remember that you neglected to ask her about herself.

She writes and illustrates children’s books, all of them about a family of goats who are given distinctive individual features like reading glasses, distinctive smirks, uncombed forelocks, and scowls that Lydia has picked up from her two ex-husbands and her own children. I have often wondered what her children thought about finding their own features located in these goats, but I never found the right moment to ask.

The guests were all from Burns Park, a rumpled academic-professional neighborhood, mostly made up of professionally paid know-it-alls, people with opinions and the leisure to express them.

They — we — had a certain party varnish on. Depending on whether I’ve had enough to drink, I usually don’t like ironic friendliness as much as homely glitter. Because it’s the Midwest, no one really glitters because no one has to, it’s more a dull shine, like frequently used silverware. We were all presentable enough, but almost no one was making any kind of
statement.
Out here in Michigan, real style is too difficult to maintain; the styles are all convenient and secondhand. We’re all hand-me-down personalities. But that’s liberating: it frees you up for other matters of greater importance, the great themes, the sordid passions.

I hadn’t planned to come at all. I knew people were going to take a sort of friendly interest in me and my novelty marriage to Bradley and its quick aftermath. I was prepared to be snarly in a provocative and sexy way, provided I could manage my smiling and witty quarrelsomeness within acceptable limits. I didn’t want sympathy. Well, these people were too hip for sympathy anyway. To be honest, I had this image of myself: I was the tree that a drunk driver slides off the road into. The tree doesn’t move. It doesn’t do anything except stand there. It kills the person just by standing there. That would be me. I’ve got my attitude: lethal neutrality and immobility.

“Hi, Diana.” A voice out of the party air.

“Oh, hi.” My voice back to it. A glassy indifferent smile.

“You look so cute in that.”

“Thanks.” I turned to freshen my drink. I said something about the weather.

I
had
been back in my house, refurnishing it, preparing one of my cases, and thinking about David now and then, just before this party. Bradley, who was a mistake when conjoined with me, did not occupy my thoughts, but David did, and the other preoccupations I had were the probable duration of our affair and his probable attendance at this back yard social. The statue of the little boy reclined in my back yard.

If you’re recently divorced, and you’re a woman, you don’t know what to wear for a while. You put on the pale blue sundress but you don’t like the boniness of your shoulder blades — people will comment on your eating habits or your level of fitness because they’re terrifically eager to know your mood — so you take off the sundress and you put on the jeans, but that’s physically vain and indulgent unless they’re new and the exact right fit, and so you take them off for the simple skirt, but that’s
too
simple, that and the blouse: it turns you instantly into one of the clueless off-the-racks, hopelessly unstyled and unaccessorized. So what you do is, you put on one of David’s shirts that he left behind, one time, one summer afternoon in your bedroom, escaping in his undershirt from your presence, bloated and mind-numbed from sex, the undershirt with the bookstore logo on it. Then you put on your jeans. You don’t tuck in the shirt, David’s blue denim, you let it hang down. Then you do tuck it in. You wonder if the wife, the ill-named Katrinka, will recognize it. It has started to seem, in your meaner moments, to be an interesting prospect that she might recognize it. She could make a fuss and stage an outcry. That might even be quite wonderful, that prospect. It would enliven the party.

Before the itch started, I made a social effort. I conversed with one doctor and one accountant, one electrical engineer and two remedial educationists, one professor of economics and one landscape gardener, another person who as far as I could tell was gainfully
un
employed, very proud about it, too, and one person who had in a former life-phase programmed computers and now, following a personal crisis, contentedly made furniture. I talked to an aging personnel manager who wanted to take up jazz piano. Some of these people were women and some were not.

Then I felt the itch on the sole of my right foot, a poison ivy rash or a mosquito bite. What I wanted to do was to remove my sandal and start clawing. Sometimes my whole body feels that way. When that happens, I can claw at myself anywhere, I turn into a woman-rash, head to foot.

I put down my plate of barbecued ribs and barbecued chicken right there on the green and fuzzy lawn, without somehow noticing that the clouds had formed and rain had begun to fall and then was insistently falling. Soon everyone except for myself had gone inside. There I was. Preoccupied, I took my sandal off to scratch my foot. Intent on my little task, I just dug at it. I love to do that, it’s one of my bad habits when I have an itch. I was sitting behind a tree guarded from public view, near that wasp nest. No one saw me, or so I thought, enthralled with myself as I was, dazed and thoughtless and fugued. That’s why I didn’t notice this lightly damp business from the sky, this airy show of droplets. I wasn’t paying attention. I was under that tree. The party had gone inside, the people and their food and Edgar’s minuets, and I hadn’t noticed, and it had been reciprocal. No one had collared me. I was uncollected.