The Fermata (6 page)

She used three small motors. I told her that I was a post-doc in philosophy working on a monograph about a turn-of-the-century American metaphysician named Matthias Batchelder, who had postulated that three India-rubber bands, when alternately stretched and slackened at a particular frequency in the three Cartesian planes, would insert null placeholders into the stream of Becoming, effectively pausing the universe for all but the operator of the mechanism. Though Batch-elder
had written to G. E. Moore, C. S. Pierce, and A. A. Michelson about his ideas, I said (scrambling for plausibility), nobody had exhibited the slightest interest, partly because he lacked institutional affiliation, and partly because he had an off-puttingly contentious personal manner. (I should stress that there was no metaphysician by the name of Batchelder—the rough design for the machine had simply come to me one morning—but for the sake of secrecy I needed to distance myself from it. I “lied like hell” to this young mechanical engineer—I had to, I’m sorry.) She—I’m ashamed to say that I’ve forgotten her name—built the machine in short order, and she did a very nice job of explaining its finer points to me, though I have forgotten them. To keep costs down, she was kind enough to use “takeout” parts ordered through the Jerryco catalog—that is, motors removed from used equipment, copiers and such. “Well, I got it to do what you said you wanted it to do,” she said, in her serious way, as we stood in one of the mechanical-engineering labs (she was getting course credit for this project, it turned out, although she had hidden that fact from me), “but I’ve played with the frequencies and I can’t get it to do anything. The rubber bands look kind of neat when they really get going, though.”

I sat down in front of it. It was ludicrously bulky, definitely not portable. “You mean it doesn’t pause the universe?” I said, chuckling with mock incredulity to indicate that I knew full well that Batchelder’s ideas were a crock, and that I had gone through this whole exercise only out of kindness, merely to give this forgotten eccentric a belated chance to prove himself. “Well, I suppose I should try it myself anyway, for the old man’s sake,” I said. She pointed out the on/off switch, which I threw; I took a moment to adjust the stretching frequencies. (The rubber bands were chosen by me at random
from a forty-nine-cent bag of Alliance rubber bands,
PROUD TO SAY MADE IN USA
.) As soon as I got the ratios right (by ear), the lab, the woman, Cambridge, and everything else, with the exception of me and the jouncing Solonoid, promptly went into suspension. I crawled behind the engineer and kissed the beautifully defined H shapes at the back of her thick knees, which are often the best feature on college women (she wore a jean skirt), and then took my place at the controls again and cut the power to the Solonoid.

“See?” she said. “Nothing.” We shook our heads sadly, pitying poor deluded Matthias Batchelder, and I wrote her out a check for the full fifteen hundred and thanked her. (I keep my canceled checks; I must remember to go back and find out this young woman’s name.) She asked if she could possibly have a copy of some of Batchelder’s metaphysical writings, and I told her that for estate reasons I wasn’t allowed to give anything out, but that I would definitely send her a reprint of my monograph when it appeared. That satisfied her. And for a few weeks after that, until my supply from that first bag of bands ran out, I was able to do a fair number of intricately filthy Foldy things. The nice unforeseen quality of that machine, now that I think of it, was that it had a high degree of risk associated with it, since a rubber band could snap suddenly, without warning, causing time to resume and potentially exposing me at a very awkward moment—the sex-in-public-places risk. But I was careful. Eventually I incorporated some redundancy into the design by stretching two rubber bands in each direction rather than one, even though it meant I ran out quicker.

This problem of remembering names, which just came up in connection with the MIT woman, is a particularly acute one for the career temp. I may work as many as forty different
assignments in a given year—some for a week or two, some for a few days. At each assignment, there are typically three to five names to learn the first day (and occasionally many more); ten or more the second day. Depending on how heavy the phone action is, the number of names I end up finally mastering per job can go considerably over one hundred. Per year, I am being exposed to roughly three thousand names, of which (scaling back again) perhaps five hundred belong to individuals I get to know a little, talk to, work fairly closely with. Over ten years, that makes five thousand personalities, about each one of whom I must develop a little packet of emotion, a liking, a disliking, a theory about their feelings for some colleague, a mental note about their taste in clothes, a memory of how they like things done, whether they are of the opinion that state names ought to be spelled out in full or given the two-letter abbreviation, whether they like the document name or number included on the letter or think that this is a vulgarity, whether they want me to amuse myself when I’ve caught up with my work or prefer that I come bounding into their office asking for more to do. In college I was impressed by how well some very popular professors kept up with the particulars of their students’ lives—but the fact is that I master just as much raw humanity each year as the most hotshot celebrity professor. And the difference is that in my lowly case, all these people, or most of them, continue to work downtown, just as I do. They aren’t going to graduate and go away.

What this means, practically speaking, is that every few days I will almost certainly run into someone with whom I have worked closely at some company at some time in the past. And I will want so much to remember his or her name! They usually remember my name, and in some cases I can detect a faint hurt look in their eyes when they perceive, through my
joshing and bluster, that I don’t remember theirs, since together we did work very hard and beat impossible deadlines and joke around only six months ago, or a year and a half ago, or five years ago. And—they and I both secretly think—they were higher-ranking than I was, they were salaried, I was a temp, so it is a duty in keeping with my subordinate station to remember their names, while it is only noblesse oblige for them to remember mine.

Yet if they took a moment to do the arithmetic of my work life versus their work life, as I have, they would perhaps understand and absolve, for they see the same people every day, their universe of clients and contacts and colleagues is relatively confined and stable, so that a new temp like me in their office is a novelty, a topic of conversation, a person to whom they can “give a leg up,” an outsider in whom they can confide hatreds and old wounds. I stick in their mind because they are pleased that they were able to put aside class differences and treat me as an equal. “Arno, hi!” And there I am, standing in front of Park Street Station, unable to reciprocate properly, feeling like a waiter asked to remember an order from a table he served months before.

The name problem is compounded by the fact that there is apparently some vulnerability in my countenance that signals to lost people that I should be approached for directions. I have gotten good at sensing the lost now as they look over a crowdlet of potential help at a stop sign: they spot me, and though I’m wearing a tie like the other men, they seem to smell that I’m a temp and must therefore be permanently lonely and lowly, a sick caribou that the wolf singles out for attention; they know that they will feel at ease with me about admitting to being a stranger because I am going to welcome any human contact, any indication that I’m established and
not transient. I go through periods when I am asked three times a day for directions. And these lost people are right—I do like being interrupted on the street, especially by women, but by men, too. I am poor at retaining street names, however, even streets that hold buildings in which I’ve worked in the past. For a while I deliberately studied maps of the business district in the evening, counting traffic lights and memorizing cross streets and helpful landmarks, so that I would live up to the expectations of unintimidating guidance that my face and features seem to create. (I find that the response is especially heavy if I am carrying some bulky item, like a bunch of flowers or a Wang VS backup disk.) As a result, I never know if the person coming toward me on the sidewalk and seeking eye contact is someone I worked with at Gillette or Kendall or Ropes & Gray or Polaroid or MassBank or Arthur Young, or whether he or she just needs to know how to get to Milk Street.

During the periods when I have full Fold-powers, however, these difficulties are easily solved. As soon as I hear an “Arno, hi!” I can do a Drop and check wallet or purse ID and then greet whoever it is properly. It makes such a difference. I don’t feel cringey and can lose myself in the pleasure of the reunion: for I really do like most of the people I have worked with over the years; almost all of them have some lovable feature. And if someone asks me how to get to a place that I should know perfectly well how to get to and don’t, I can freeze his inquiring expression and check a map. (I carry one in my briefcase, as well as my old bottle of contact-lens solution, in case someone finds herself in ocular distress.) Of course, I could pull out the map while he looks on, but I hate to see that shifty, clouded look come into his eyes as he thinks to himself, This guy doesn’t have a clue—I should have asked one of the others. Also, when I pull out a map to help a
tourist, especially an Asian tourist, I inevitably end up giving it to him, because impulsive generosity is such a high—and those maps are ridiculously expensive.

I’m not being quite fair to myself, then, when I say that the Fold is just a sexual aid. It is primarily that—my Fold-energies seem to be a direct by-product of my appetite for nakedness. I doubt that I would have wormed my way into the Fermata even once if I had not been motivated primarily by the desire to take women’s clothes off. But I don’t want to ignore or depreciate the range of nonsexual uses that I have put it to. I have, for example, relied on it for things like last-minute Christmas shopping; it’s nice to browse in utter silence. When I’m irritable at work, and I know that the people around me don’t deserve my misanthropy, I can stop them all until I’m fond of them again. If someone makes a revealing comment in passing, I can take time out to think about its hidden implications and check the expressions of others who have heard it, all while I’m right there and it is fresh in my mind.

I also use the Fold when I’m called on to come up with something especially understanding or sympathetic in a conversation and I want to be sure that my tact is exactly on key—although there is a serious risk in mulling over your kindness for any longer than fifteen or twenty seconds, because as you weigh and polish your response you can quickly lose your working sense of the immediate emotional flux. I’ve nearly derailed one or two important heart-to-heart talks by pausing so long to hone my tone that when I was finally ready to re-enter time I knew that I was going to be brittle and foolish and insincere, exactly what I’d Dropped out to avoid, and I had a very hard time working myself back around to the mood that had made the conversation seem important enough for me to have wanted to interrupt it in the first place.
Nonetheless, used sparingly, the Fold can really help with commiseration.

It is an obvious escape, too—though here again, I have learned to use it sparingly. I was given a temp assignment at the alumni office of a graduate school, where I was asked to roll up posters and stuff them in mailing tubes. I did this for four straight days. I would not have minded if the posters had not been so ugly. On the second day, I found it difficult to entertain the notion of rolling up one more purple-and-black poster—the waste of glossy paper, of post office energy, of university money, seemed too awful—and so I hit the clutch and took two non-hours to read some of Diana Crane’s
The Transformation of the Avant-Garde
. In that case it helped a lot: the book was better, more licentiously toothsome, for being read
en Folde
. But there have been other times when, once I have lapsed into the timelessness of the arrested instant, the particular obligation or person from whom I have temporarily freed myself becomes more and more horrific, posed in its or his stalled imminence, and the idea that I will have to take up right where I have left off becomes unbearable, and I re-enter time’s cattle-drive with a sense of defeat and unhappiness more acute than any I felt before I had ducked, or copped, out.

I think, too, that it is exceedingly dangerous to Drop when you are in any sort of depression about how bad the world is. A Fold then can deepen infinitely—since in a way you are now in control over whether all the world’s continuing atrocities and tragedies should resume or not. You know that as soon as you give the go-ahead to time again, pets will not be given enough water, feelings will be needlessly hurt, killings, crashes, miscarriages of justice, bureaucratic harassment, infidelity, artistic disappointments, and worse will all go forward,
and you begin to think that you will be in a sense their cause, you will be directly responsible for them, since you have a choice whether to let them happen, by opting to restart time or not. When I am in a Fold, I know for a fact that no woman anywhere is crying or feeling betrayed, and since I want above all for women not to cry, I can begin to believe, irrationally, that it is my duty to live out my entire life in this artificial solitude, eating canned foods. “He died suddenly,” they would say on discovering my abruptly aged body. But when I died, all the misery-in-progress that I had so heroically held at bay for forty-odd years would resume anyway. I don’t have any power to alter the fact that evils will do their work, only how “soon” they will. As a consequence, I have determined that my Foldouts should in general be short, recreational, and masturbatory, rather than deep and pained.

I should mention here, though, under the heading of nonsexual uses of the Fermata, one of my least attractive episodes. Three black kids, age eighteen or so, stopped me one afternoon and asked which way the Boston Common was, and when I put on my usual “Yes, I’d be delighted to help you find your way, and I will of course be discreet about your sketchy knowledge of this area of the city, and when you walk away you will be cheered by the conviction that you did the right thing asking me and not those other, less amiable people for directions” face, one of the kids placed a gun to my jaw (this was near the medical center downtown), and asked me to give him my wallet and watch. I timed out by pushing on the lead-advance button of my mechanical pencil (in my back pocket), and took the gun out of play. I was trembling, outraged that these kids would feel entitled to my wallet and watch and were willing to threaten me with death to get them. I was put in mind of the old jokey way of teaching genuflection: “Spectacles,
testicles, wallet, watch.” So I got some wire from the back of a New England Telephone truck that was parked nearby and tied all three of them by the balls to a nearby stop sign. It is a somewhat disorienting experience to be calmly winding telephone wire around the testicle-sack of a person who has just been in the process of mugging you. I taped their dicks up temporarily so that they wouldn’t annoy me by hanging in my way while I wound. (Two were uncircumcised.) When all three of them were fully secured to the stop sign, the three wires exiting the backs of their pants through holes I had snipped with wire cutters, I stood back a few paces, turned time on, and, with pathetic bravado, said, “Come and get me, you little fucks!” Startled, they sized up the situation for a second, then lunged after me and fell forward at once, swearing with pain. I loped off, feeling increasingly remorseful, not to mention relieved that I hadn’t in the first flush of my vengefulness cut off their balls altogether and dragged them to the emergency room; an option, I am ashamed to say, that I had briefly considered. (Can one bleed to death from castration? Probably. And it was doubtful they had medical insurance.) After that unsettling experience I spent an “afternoon” performing acts of lite altruism, wandering in the Fold through crummy neighborhoods collecting concealed handguns off anyone who looked under thirty, but the frisking was tiring and distasteful work, and I stopped after I had only forty-four weapons in my commandeered shopping cart, with the sense that I had done nothing of real value, and had possibly even destabilized a momentarily tranquil street scene. (Still under cover of the Fermata, I pushed the weapons into some newly poured cement at a construction site.)