The First Cut (11 page)

‘You’ve got a billiard room!’

Adam nodded. ‘The felt’s ripped. No one can play on it now.’ He turned to the large double front door. ‘Key’s been lost for years,’ he added.

‘Did the ghost steal it?’

‘No, the mad woman in the attic did.’

Nicky watched the dust billow in the sunbeams as she sat on a pew made of dark wood that smelled faintly of a lemon furniture polish. ‘It’s an amazing place, but why is it so run down?’

‘My dad’s life is in London now, Connie lived here until she couldn’t do it any more, the planes have increased lots in the last few years . . . We’re in a dispute with the airport about it.’

‘What do you mean?’

‘They’ve got the permission to expand, which means they want to buy the grounds. Dad’s resisting. He’s been locked in a legal argument with the airport owners for years now. He’s driving Lyndon B mad.’

‘Who’s that?’

‘A guy who owns some regional airports, here and in Spain. He’s the next BAA, if he gets his way.’ Adam opened a door opposite the dining room and walked into the darkness. ‘It’s not an exaggeration to say Dad and Lyndon hate each other.’ Nicky followed him into the drawing room. It was gloomy, with shutters across the bay windows. She reached out for the light switch. ‘Don’t bother. There’s no electricity. There’s a generator if we really need it, but we’re off the mains here.’

‘Really?’

‘Dad’s convinced Lyndon’s done something with our supply as it comes across what is now airport land. You know what I think? He just forgot to pay the bill, so Southern Electric cut us off.’

‘The entrepreneur versus the aristo.’

‘You’re such a journalist, thinking in headlines.’ He yanked at one of the shutters and it opened with a grinding clank. She crossed the room to help him as another plane made the windows rattle.

‘Did you get used to the planes when you lived here?’ she asked.

‘I never lived here. I was sent away to boarding school and was with my dad and Bridget in London in the holidays.’

With each shutter they opened it was like breathing life into a mausoleum.

‘It’s such an amazing view,’ Nicky couldn’t help saying in wonder, as she scrunched her eyes against the sun now flooding the room. The opened shutters revealed a set of patio doors that led to a terrace and then to the grassy slope that ended in the lake, which the sun bounced off like beaten silver. Beyond that were flat fields with huge trees dotted here and there, and far away on the horizon a black line which must have been the wall, on the other side of which lay the airport. ‘So no one lives here now?’

‘No. Mrs Perkins is usually here, keeping an eye out, making sure no one makes off with the silver.’

‘She must have a job vacuuming without electricity.’

Adam laughed a little sadly. ‘She lives in the village, but she’s on holiday at the moment. I keep telling Dad to sell, but he’s a stubborn old man.’

‘Who cuts the lawn?’

‘What?’

‘Lawns need lots of work and these gardens are huge.’

‘The deer eat it. There’s no one here, no one at all. It’s just us.’

Their tour of the ground floor ended in the wine cellar, which was really a small room without a window sandwiched between the storerooms off the kitchen and the back stairs. Most of the shelves were empty, cobwebs dragging down from the low ceiling. Adam jumped down the three wooden steps into the gloom and began brushing dust off labels.

‘Is some of this stuff valuable?’ Nicky asked, bending her head to get in.

‘I doubt it. Quantity not quality was the mantra.’

It was cool and dark in the wine cellar, the light failing to reach the furthest corners. Nicky held up a bottle, trying to see whether it was red or white.

‘Got mine,’ said Adam.

Nicky’s eyes wandered over the many empty shelves, the wealth of this semi-cellar presumably quickly disappearing down the thirsty throats of Adam and his mates. The thought made her sad, somehow. It took years to build something, and but a few raucous nights to end it. She followed him up the creaky steps, wondering if this was an allegory for her marriage. He picked two glasses off a shelf and they began walking round the drawing room, pausing to look at the dark oil paintings of stern-looking men and women, or men with dogs, which were hanging on chains from the picture rail.

‘I’ve never seen a picture rail actually used like that.’

‘It’s a way of never being able to get rid of the ancestors. Aunt Connie said that they used to give her nightmares when she was young.’

Nicky walked further along the wall, examining the paintings. ‘They’re all holding guns. What is it about the upper classes and their guns?’

Adam laughed. ‘They’re still here. There’s a cabinet.’

‘No way!’ She followed Adam out to the hallway and by the billiard room there was a locker with a long glass front and two guns stacked against the supports inside. Nicky pulled at the door. ‘It’s shut.’

‘There’s a key somewhere.’ Adam felt along the top of the case and a moment later found the key. He opened the door and pulled out a shotgun, aiming it at Nicky’s chest. ‘Stick ’em up!’

It was more unpleasant having a gun pointed at her than she had imagined; its power and connotations were impossible to ignore. ‘Tell me that’s not loaded.’

Adam shrugged. ‘I’ve no idea.’

‘Please put it back.’ Adam didn’t move. His grin grew wider. He lifted the gun towards her face, looking down the barrel at her. ‘Stop it!’ He didn’t, and a long moment passed. ‘Put that fucking thing away!’

A spell had been broken. Adam held up his hands in mock defeat. ‘Relax, it’s OK. I’m kidding.’ The gun rested on his shoulder, pointing up to the ceiling.

She was suddenly angry. ‘You never mess about with guns.’ She tried to grab it from his hand, preparing for a battle, but he limply let her have it. It was colder and heavier than she had expected, the wood smooth in her palm. She bundled it back into the cabinet and locked the door, putting the key back where Adam had retrieved it from. When she turned back he was staring at her, looking hurt. ‘I’m sorry. It’s the total surrender it demands. The – I don’t know – bowing before the great power of the fucking gun. These things kill, Adam!’

‘It was just a joke,’ he said quietly, and walked off into the drawing room.

Nicky felt bad, but she didn’t feel in the wrong. He shouldn’t point guns in people’s faces. She picked up the key from the top of the cabinet and stuck it behind a photo on a bureau in the hall. She didn’t want a repeat of what had just happened. It might be his house and she was a guest, but she was unnerved. Hiding the key was a way to keep things light between them. She looked at the picture in the frame and paused. It was Adam’s mother, she was sure. Their eyes were the same shape, with the same intense stare, but hers were blue. She was looking up at the photographer, her hands clasping her elbows in a defensive gesture. She was wearing a frilly blouse that made her look a bit prim; her blonde hair was iron straight and long. She was beautiful and young and it brought home to Nicky the enormity of Adam’s loss: a child without a mother. I don’t have a single picture of my mother, thought Nicky suddenly. Not even one.

She looked round at the grand old house, steeped in generations of family history, ancestors on the walls, photos in frames, stories, anecdotes, a lineage recorded in Debrett’s. It really brought home to Nicky, for the first time, that she was without history; she had been stripped of her own story. If you don’t know who you are, can you know where you’re going? She was affected by this and retreated to the toilet, shaken.

That these unresolved feelings about her unknown family should appear so strongly here, of all places, was a shock to Nicky, and she would have spent longer thinking it through but she was soon distracted by her admiration of the trompe l’oeil wallpaper in the toilet, some of which was peeling at the sides with the damp. Guns, dogs and horses – the motifs of the upper classes. A representation of her upbringing would have been a drinks trolley, a chicken brick and those British bird coasters. She weed on the curly blue lettering in the toilet bowl that advertised the workshop that had fashioned the ceramic. ‘Pissing on the workers, are we, Nics?’ That’s what Maria would say when she told her. But Maria, despite her fashionable flirtations with revolutionary politics in her youth, would be rapt. This set-up was every girl’s dream, however much they pretended otherwise. She’d seen Maria steal
Country Life
from the Art Desk, just as she had done. She was hanging out with a handsome, passionate young man with a crumbling estate and a tragic past. In many ways Adam and Greg were similar – no wonder she was attracted to him. She was dealing with high emotion and chaos and it was a heady combination.

She came back into the billiard room and looked at the huge painting hanging on the back wall.

‘My mum painted this.’

‘Oh bless.’

‘It’s awful, really awful.’

‘Yes, I see what you mean.’

It was a view of the estate seen from the side, where a huge willow tree dominated a section of lawn. It was a timid and literal representation of the view. It was sludgy and sad, but not in an arresting way. Nicky tried to find something positive to say. She admired anyone who had a go and thought sniping at someone’s ambition, however poorly executed, was mean, but she couldn’t help thinking of the striking, modern prints in Lawrence’s London flat – so much better than these.

‘Let’s get Connie’s stuff,’ Adam said and they wandered up the broad turning staircase to the bedrooms on the first floor, passing more paintings by Adam’s mother of the lake and other views of the estate, some seen through a first-floor window.

They were on the top landing now, sun cascading through the floor-to-ceiling windows, where a much better, larger oil painting, of a cavalier knight, hung on the landing wall. He was staring sternly out of the canvas, his hand on the hilt of a huge sword. ‘Oh we have to do something funny,’ Adam said. ‘Close your eyes. Go on, close them.’ Nicky gave a nervous half giggle. ‘Go on, it’s an old family game. Everyone plays it when they come here, it’s a Thornton ritual. Just stand here on the landing and close your eyes.’

‘I’m in.’ Nicky liked silly games. She put her hands over her eyes, listening. She heard nothing. ‘Can I open them yet?’ There was no answer. ‘Adam?’ She waited a few more moments and then took her hands away and looked around. The sun was still shining, the dust dancing lightly on the rising summer air. She looked down both corridors that led away from the landing but Adam wasn’t there. She leaned over the banister but he didn’t seem to be downstairs. A plane began its low drone over the house, the noise reaching its crescendo a short while later. The silence crept back. She sensed Adam was near but she couldn’t work out where. She heard a faint noise by the picture of the cavalier and took a step towards it. Where was he? She stared at the picture and gasped. Its eyes were moving! She burst out laughing as Adam rolled his eyes theatrically in the cavalier’s head. ‘That is brilliant!’

Adam opened a hidden door in the painting, made to follow the outline of the knight’s armour, and Nicky joined him in the secret room. It was larger than expected and the only light came from the two holes in the eyes. She looked out at the corridor and the top of the stairs. ‘When I came to stay we had such a laugh scaring people,’ Adam said. ‘Look, here are the eyes you put back.’ He held up a piece of wood with the eyeballs painted on it and pointed at the little shelf that it sat on.

‘Who painted this, then?’

Adam sniggered. ‘Certainly not my mother!’

G
reg woke in his bed with a start, clawing his way to consciousness. He lay panting in the wet sheets, his heart hammering. He had been falling, twisted and contorted . . . He wondered if he had been screaming, and if anyone in the hotel had heard. He reached out for the ringing phone and dragged himself to sit upright on the side of the bed.

It was Liz, her voice crisp and accusing. ‘I’ve got some news.’

‘Yeah?’

‘She picked up a young man this morning in the car.’

‘Who is he?’

‘How should I know! She met him on Portobello Road.’ Greg frowned. He opened the Evian bottle on the bedside table. ‘Then they drove off.’

‘Where did they go?’

Liz paused. ‘I don’t know.’

‘You mean you lost them?’

‘Yes, Greg! This isn’t an action film! I’m not exactly trained to do this! He was driving. He suddenly took off.’

‘He was driving my car?’ The silence hung heavy in the air. ‘He was driving my fucking car?’

‘They swapped when she met him.’

Greg began to squeeze the small plastic bottle in his hand. A cold pebble of hatred and jealousy formed in his throat as he thought of Nicky. He was stuck here, working seventeen-hour days, seven days a week, while back home his wife was letting her toy boy smear his hands over the gearstick of his beloved motor. She knew how much he cared for his car, and he didn’t apologize or feel embarrassed about that – it was what men of his class and age did: care, covet and show off. Why else did men buy Kevlar bicycles and flat-screen, sixty-inch, high-resolution TVs with surround sound? He squeezed so hard on the tiny Evian bottle water splashed onto his fist.

‘They were driving west when he suddenly ran a red light, turned right across two lanes of oncoming traffic and sped off. He nearly hit a pedestrian. It came out of the blue. She looked as surprised as I was.’

Too much saliva was draining into Greg’s mouth. Surprises in his life had never been good; unexpected news was, to Greg, simply tragedy by another name. After what had happened to Grace it was no wonder. The anger was being chased by fear, the claustrophobia of not knowing, of having to imagine. ‘What did he look like?’

‘He’s got dark hair, kind of tall, really young.’

‘How young?’

‘Mid-twenties, I’d guess.’ Greg thought back to his Skype call with Nicky after she nearly drowned in the Thames and was rescued by some young buck. It was the same jumped-up little fucker, he was sure of it. ‘She didn’t take a bag with her. She wasn’t planning on going for long.’