The First Law (5 page)

He zipped it back up and placed it in the inside pocket of his jacket. A last check of the shop, then he grabbed his fedora off the hat rack, pushing it down hard over his crown against the wind he’d encounter when he got outside. He turned out the lights and retraced his steps down the center aisle. Stopping a last time, he looked both ways up the street and saw nothing suspicious.

He reached for the door and pulled it open.

The plan was a simple one. Speed and efficiency. They wore heavy coats, latex gloves, and ski masks to thwart identification. None of them was to say one word before they knocked Silverman out.

The old man was holding his hat down securely on his head with one hand, pulling the door to behind him when the three men came out of hiding in the doorways on either side of his shop windows and, pulling their masks down over their faces, fell upon him. The biggest guy got the door while the other two grabbed him by the arms, covered his mouth, and manhandled him inside and back up the aisle.

In the back room, they turned the light on. But the old man had gotten his mouth free and was starting to make noise now, yelling at them, maybe getting up the nerve to give them some kind of fight, as though he had any kind of chance. But delay would mean a hassle.

And since hassle wasn’t part of the plan, the big man pulled a revolver from his pocket. The old geezer was actually making a decent show of resistance, struggling, manipulating his shoulders from side to side, grunting and swearing with the exertion. Because of all the lateral movement, the first swing with the gun glanced off the side of the man’s head, but it was enough to stop him, stunned by the blow. The instant was long enough.

The next swing connected with Silverman’s skull and dropped him cold. He slumped into dead weight and they lowered him to the ground, where he lay unmoving.

The big man knew just what he was looking for and where it would be. In two seconds, he’d unplugged the surveillance video mounted over the office door. Five seconds later, he had the maroon leather pouch in his hands and was back on his feet. He pulled his ski mask off and threw it to the floor. His accomplices removed theirs and put them in their coat pockets. “Okay,” the big man said.

“Vámonos.”

Leading the way, he doused the shop lights again. He was at the front door, halfway out. Somebody called out, “Guys, wait up.”

The gunman stopped and turned. Waiting up wasn’t in the plan. The idea was to get the money and then get out, closing the dark shop behind them. When Silverman came to, if he ever did, they’d be long gone.

“The fuck are you doing?”

Their third partner remained in the back of the shop, over the jewelry case, still glowing under its soft night-light. “He’s got great stuff here. We can’t just leave it.”

“Yeah we can. Let’s go.”

The big man had the door open and was checking the street. He turned back and whispered urgently. “We don’t need it. We gotta move move move.”

The man in the back moved all right, but in the wrong direction. Now he was behind the counter, pulling at the glass, trying to lift it up. “He’s gotta have a key somewhere. Maybe it’s on him.”

At the door.
“Fuck it! Come on, come on.”

His partner pulled again at the countertop.

A noise in the street.
“Shit. People.”

The two men up front ducked to the side below the windows as two couples walked past the shop. Directly in front of the door, they stopped. Their voices filled the shop. Would they never move on? Sweat broke on the big man’s forehead and he wiped it with the back of his hand.

He pulled the revolver from his pocket.

Other people joined up with the first group and they all started walking again, laughing.

The big man looked out. The street seemed clear. But at the back counter, his partner was holding something up now—a key?—and fitting it to a lock.

“Jesus Christ! There’s no time for—”

When suddenly he was proven right. Whatever it might have been, there wasn’t going to be time for it.

Silverman must have come to and had a button he could push in the back room. The whole world lit up with light and the awful, continuous screaming ring of the shop’s alarm.

Wide-eyed in the sudden daylike brightness, the big man threw the door all the way open, yelling,
“Go, go, go!”
This time—the jewelry forgotten in the mad rush out—both his partners went. He was turning himself, breaking for the street, when he caught a movement off to his left. One hand to his head, blood running down his face, Silverman was on his feet, holding the side of the doorway for support.

The big man saw the shock of unmistakable recognition in the pawnbroker’s face. “I, I can’t believe . . .” Silverman stammered, then ran out of words.

Shaking his head in frustration and disgust—their good plan was all in tatters now—he stood up slowly and took three steps toward the old man, as though he planned to have a conversation with him. He did speak, but only to say, “Ah, shit, Sam.”

Then he raised the gun and shot him twice in the chest.

The streetlights on O’Farrell came on as assistant patrol special Matt Creed, working Thirty-two, came around the corner a long block down on Market. Though Creed had been on the beat less than a year, when he heard the squeal of the burglar alarm and saw the two men breaking out of a storefront ahead of him on a dead run, he knew what he was seeing.

“Hey! Hold on!” he yelled into a gust, over the alarm and the wind. To his surprise, the men actually stopped long enough to look back at him. Creed yelled again and, moving forward now, reached down to clear his jacket and unholster his weapon. But he hadn’t gone five steps when—

Crack!

Unmistakably, a gunshot. Brickwork shattered by his head, rained down over him. Creed ducked against the front of the nearest building. Another man broke from the door of Silverman’s shop. Less than a half block separated them now, and Creed stood, stepped away from the building into the lamplight, and called again. “Hold it! Stay where you are!”

The figure stopped, whirled toward him and without any hesitation extended his arm. Creed caught a quick glint of shining steel and heard the massive report and another simultaneous ricochet. It was the first time he’d been fired at and for that moment, during which his assailant broke into a run, he half ducked again and froze.

By the time he’d recovered, raised his own weapon, and tried to level it with both shaking hands, the third man had disappeared with the other two, and there was no real opportunity to shoot. Creed broke into a full run and reached the corner in time to get a last glimpse of what seemed to be a lone fleeing shadow turning right at the next corner. Vaguely aware of pedestrians hugging the buildings on both sides of the street, he sprinted the length of the block along the cable car tracks, past the trees that incongruously sprang from the pavement near the end of the Powell Street line.

By the time he got down to the cable car turnaround at Market, it was over. There was no sign of any of them. They’d probably split up and gone in separate directions. But even if they had stayed together, which Creed would have no way of knowing, they could go in any one of six or seven directions from this intersection—streets and alleys within a half block in every direction, each a potential avenue of escape. The turnaround also marked the entrance to the subterranean BART station.

And since Creed hadn’t gotten close enough to get a good look at any of them, as soon as his three men stopped running, they would look like anyone else. He had a sense that the man who’d fired at him was bigger than the other two, but that was about it.

A fresh gust of wind brought on its front edge a wall of water as the drizzle became a downpour. Creed heard the insistent keening, still, of Silverman’s alarm. He took a last look down Market, but saw nothing worth pursuing. He looked down at his gun, still clenched tight in his right hand. Unexpectedly, all at once, his legs went rubbery under him.

He got to the nearest building and leaned against it. He got his gun back into its holster, buttoned the slicker over his jacket against the rain, began to jog back to Silverman’s. It didn’t take him a minute.

Still, the alarm pealed; the door yawned open. The shop’s interior lights illuminated the street out front. Creed drew his gun again and stood to the side of the door. Raising his voice over the alarm, he called into the shop. “Is anybody in there?” He waited. Then, even louder, “Mr. Silverman?”

Remembering at last, he pulled his radio off his belt and told the dispatcher to get the regular police out here. With his gun drawn, he stepped into the light and noise of the shop. But he saw or heard nothing after catching sight of the body.

The victim might have been napping on the floor, except that the arms were splayed unnaturally out on either side of him. And a stream of brownish-red liquid flowed from under his back and pooled in a depression in the hardwood floor.

The skin on Sergeant Inspector Dan Cuneo’s face had an unusual puffiness—almost as though he’d once been very fat—and it gave his features a kind of bloated, empty quality, not exactly enhanced by an undefined, wispy brown mustache that hovered under a blunt thumbprint of a nose. But his jaw was strong, his chin deeply cleft, and he had a marquee smile with perfect teeth. Tonight he wore a black ribbed turtleneck and black dress slacks. He was a professional and experienced investigator with an unfortunate arsenal of nervous habits that were not harmful either to his own or to anyone else’s health. They weren’t criminal or even, in most cases, socially inappropriate. Yet his partner, Lincoln Russell—a tall, lean African-American professional himself—was finding it increasingly difficult to tolerate them.

Russell worried about it. It reminded him of how he’d gotten to feel about his first wife Monica before he decided he was going to have to divorce her if he wasn’t going to be forced to kill her first. She wasn’t a bad person or an unsatisfactory mate, but she had this highly pitched laugh that, finally, he simply couldn’t endure any longer. She’d end every sentence, every phrase almost, with a little “hee-hee,” sometimes “hee-hee-
hee,
” regardless of the topic, as though she was embarrassed at every word, every thought, every goddamned
impulse
to say anything that passed through her brain.

By the last few weeks of their cohabitation, Russell would often find himself in a high rage before he even got to their front door, merely in anticipation of “Hi, honey, hee-hee,” and the chaste little kiss. His fists would clench.

He knew it wasn’t fair of him, wasn’t right. It wasn’t Monica’s fault. He’d even told her about how much it bothered him, asked her politely more than several times if she could maybe try to become aware of when she did it, which was
all the time.
And perhaps try to stop.

“I’ll try, Lincoln; I really will. Hee-hee. Oh, I’m sorry. Hee . . .”

One of the things he loved most about Dierdre, his wife now of eleven years, was that she never laughed at anything.

And now his partner of six years, a damn good cop, a nice guy and the other most intimate relationship in his life, was starting to bother him the way Monica had. He thought it possible that this time it could truly drive him to violence if he couldn’t get Dan to stop.

Here, on this miserable night, for example, they had been called to a homicide scene just outside the Tenderloin, some poor old bastard beaten up and shot dead. And for what? A few hundred bucks? No sign of forced entry to his shop. Nobody even tampered with the safe. Botched robbery, was Russell’s initial take on it. Probably doped-up junkers too loaded to take the stuff they came for. But a tragic scene. It’s looking like the guy’s married forever—an old lady’s picture on the desk. Kids and grandkids on the wall. Awful. Stupid, pointless and awful.

And here’s his partner humming “Volare” to beat the band: humming while the young beat guy, Creed, all traumatized, is giving his statement to them; humming as he follows the crime scene photographer around snapping pictures of everything in the store; humming while the coroner’s assistant is going over body damage, occasionally breaking into words in both Italian and English. “Volare, whoa-oh, cantare, oh, oh, oh, oh . . .”

Now it’s ten-thirty. They’ve been here three hours. Somebody is knocking at the door and Cuneo’s going over to open it, suddenly breaking into song: “Just like birds of a feather, a rainbow together we’ll find.”

Suddenly Russell decides he’s had enough. “Dan.”

“What?” Completely oblivious.

Russell holds out a flat palm, shakes his head. “Background music. Ixnay.”

Cuneo looks a question, checks the figure at the door, then gets the message, nods, mercifully shuts up. The sudden silence hits Russell like a vacuum. The rain tattoos the skylight overhead.

“I’m Wade Panos, Patrol Special for this beat.”

And no pussycat. Heavyset, an anvil where most people have a forehead, eyebrows like the business side of a barbecue brush. Pure black pupils in his eyes, almost like he’s wearing contacts for the effect. “Mind if I come in?”

Under his trenchcoat, Panos was in uniform. In theory, Patrol Specials were supposed to personally walk their beats in uniform every day. Then again, in theory, bumblebees can’t fly. But obviously Panos at least went so far as to don the garb. He looked every inch the working cop, and Cuneo opened the door all the way. “Sure.”

Panos grunted some kind of thanks. He brushed directly past Cuneo and back to where Silverman’s body lay zipped up in a body bag. The coroner’s van was out front and in a few more moments they’d be taking the body away, but Panos went and stood by the bag, went down to a knee. “You mind if I . . . ?”

The coroner’s assistant looked the question over to Cuneo, who’d followed Panos back to the doorway. The inspector nodded okay, and the assistant zipped the thing open. Panos reached over, pulled the material for a clearer view of Silverman’s face. A deep sigh escaped, and he hung his head, shaking it heavily from side to side.