The Flavia De Luce Series 1-4 (31 page)

The shelves on the left were filled with rows of identical gray volumes, each with the same gold-leaf title embossed on its spine in elaborate Gothic letters:
The Greyminsterian
; I remembered that these were the yearbooks from Father’s old school. We even had a few of them at Buckshaw. I pulled one from the shelf before noticing that it was marked 1942.

I returned it to its place and ran my index finger to the left along the spines of the remaining volumes: 1930 … 1925 …

Here it was—1920! My hands shook as I took down the book and flipped quickly through it from back to front. Its pages overflowed with articles on cricket, rowing, athletics, scholarships, rugger, photography, and nature study. As far as I could see, there was not a word about the Magic Circle or the Stamp Society. Scattered throughout were photographs in which row upon row of boys grinned, and sometimes grimaced, at the eye of the camera.

Opposite the title page was a photographic portrait edged in black. In it, a distinguished-looking gentleman in cap and gown perched casually upon the end of a desk, Latin grammar in hand as he gazed at the photographer with a look of ever-so-slight amusement. Beneath the photo was a caption: “Grenville Twining 1848–1920.”

That was all. No mention of the events surrounding his death, no eulogy, and no fond recollections of the man. Had there been a conspiracy of silence?

There was more to this than met the eye.

I began slowly turning pages, scanning the articles and reading the photo captions wherever one was provided.

Two thirds of the way through the book my eye caught the name “de Luce.” The photograph showed three boys in shirtsleeves and school caps sitting on a lawn beside a wicker hamper which rested on a blanket littered with what appeared to be food for a picnic: a loaf of bread, a pot of jam, tarts, apples, and jars of ginger beer.

The caption read “Omar Khayyam Revisited—Greyminster’s Tuck Shop Does Us Proud. Left to right: Haviland de Luce, Horace Bonepenny, and Robert Stanley pose for a tableau from the pages of the Persian Poet.”

There was no doubt that the boy on the left, cross-legged on the blanket, was Father, looking more happy and jolly and carefree than I had ever known him to be. In the center, the long, gangling lad pretending he was about to bite into a sandwich was Horace Bonepenny. I’d have recognized him even without the caption. In the photograph, his flaming red curls had registered on the film as a ghostly pale aura round his head.

I couldn’t suppress a shiver as I thought of how he had looked as a corpse.

Slightly apart from his comrades, the third boy, judging by the unnatural angle at which he held his head, seemed to be taking pains to show off his best profile. He was darkly handsome and older than the other two, with a hint of the smoldering good looks of a silent movie star.

It was odd, but I had the feeling that I had seen that face before.

Suddenly I felt as if someone had dropped a lizard down my neck. Of course I had seen this face—and recently too! The third boy in the photograph was the person who only two days ago had introduced himself to me as Frank Pemberton; Frank Pemberton, who had stood with me in Buckshaw Folly in the rain; Frank Pemberton, who this very morning had told me that he was off to view a shroud tomb in Nether Eaton.

One by one the facts assembled themselves, and like Saul I saw as clearly as if the scales had been ripped from my eyes.

Frank Pemberton was Bob Stanley and Bob Stanley was “The Third Man,” so to speak. It was
he
who had murdered Horace Bonepenny in the cucumber patch at Buckshaw. I’d be willing to stake my life on it.

As everything fell into place my heart pounded as if it were about to burst.

There had been something fishy about Pemberton from the outset, and again this was something I had not thought about since Sunday at the Folly. It was something he had said … but what?

We had talked about the weather; we had exchanged names. He had admitted that he already knew who I was, that he had looked us up in
Who’s Who
. Why would he need to do that when he had known Father for most of his life? Could that have been the lie that set my invisible antennae to twitching?

There had been his accent, I remembered. Slight, but still …

He had told me about his book:
Pemberton’s Stately Homes: A Stroll Through Time
. Plausible, I suppose.

What else had he said? Nothing of any great importance, some load of twaddle about us being fellow castaways on a desert island. That we should be friends.

The bit of tinder that had been smoldering away in the back of my mind burst suddenly into flames!

“I trust we shall become fast friends.”

His exact words! But where had I heard them before?

Like a ball on a rubber string my thoughts flew back to a winter’s day. Although it had been still early, the trees outside the drawing-room window had gone from yellow to orange to gray; the sky from cobalt blue to black.

Mrs. Mullet had brought in a plate of crumpets and drawn the curtains. Feely was sitting on the couch looking at herself in the back of a teaspoon, and Daffy was stretched out across Father’s old stuffed chair by the fire. She was reading aloud to us from
Penrod
, a book she had commandeered from the little shelf of childhood favorites which had been preserved in Harriet’s dressing room.

Penrod Schofield was twelve, a year and some months older than I, but close enough to be of passing interest. To me, Penrod seemed to be Huckleberry Finn dragged forward in time to World War I and set down in some vaguely midwestern American city. Although the book was full of stables and alleys and high board fences and delivery vans which were, in those days, still drawn by horses, the whole thing seemed to me as alien as if it had taken place upon the planet Pluto. Feely and I had sat entranced through Daffy’s readings of
Scaramouche, Treasure Island
, and
A Tale of Two Cities
, but there was something about Penrod which made his world seem as far removed from us in time as the last Ice Age. Feely, who thought of books in terms of musical signatures, said that it was written in the key of C major.

Still, as Daffy plodded through its pages, we had laughed once or twice, here and there, at Penrod’s defiance of his parents and authority, but I had wondered at the time what there was about a troublesome boy that had captured the imagination, and possibly the love, of the young Harriet de Luce. Perhaps now I could begin to guess.

The most amusing scene, I remembered, had been the one in which Penrod was being introduced to the sanctimonious Reverend Mr. Kinosling, who had patted him on the head and said, “A trost we shall bick-home fawst frainds.” This was a kind of condescension with which I lived my life, and I probably laughed too loud.

The point, though, was that
Penrod
was an American book, written by an American author. It was not likely as well known here in England as it would have been abroad.

Could Pemberton—or Bob Stanley, as I now knew him to be—have come across the book, or the phrase, in England? It was possible, of course, but it seemed unlikely. And hadn’t Father told me that Bob Stanley—the same Bob Stanley who was Horace Bonepenny’s confederate—had gone to America and set up a shady dealing in postage stamps?

Pemberton’s slight accent was American! An old Greyminsterian with just a touch of the New World.

What an imbecile I had been!

Another peek out the window showed me that Mrs. Fairweather was gone and Cow Lane was now empty. I left the book lying open on the table, slipped out the door, and made my way round the back of the Pit Shed to the river.

A hundred years ago the river Efon had been part of a canal system, although there was now little left of it but the towpath. At the foot of Cow Lane were a few rotting remnants of the pilings which had once lined the embankment, but as it flowed towards the church, the river’s waters had swollen from their decaying confines to widen in places into broad pools, one of which was at the center of the low marshy area behind the church of St. Tancred.

I scrambled over the rotted lych-gate into the churchyard, where the old tombstones leaned crazily like floating buoys in an ocean of grass so long I had to wade through it as if I were a bather waist-deep at the seaside.

The earliest graves, and those of the wealthiest former parishioners, were closest to the church, while back here along the fieldstone wall were those of more recent interments.

There was also a vertical stratum. Five hundred years of constant use had given the churchyard the appearance of a risen loaf: a fat loaf of freshly baked green bread, puffed up considerably above the level of the surrounding ground. I gave a delicious shiver at the thought of the yeasty remains that lay beneath my feet.

For a while I browsed aimlessly among the tombstones, reading off the family names that one often heard mentioned in Bishop’s Lacey: Coombs, Nesbit, Barker, Hoare, and Carmichael. Here, with a lamb carved on his stone, was little William, the infant son of Tully Stoker, who, had he lived, would by now have been a man of thirty, and older brother to Mary. Little William had died aged five months and four days “of a croup,” it said, in the spring of 1919, the year before Mr. Twining had leaped from the clock tower at Greyminster. There was a good chance, then, that the Doctor, too, was buried somewhere nearby.

For a moment I thought I had found him: a black stone with a pointed pyramidal top had the name
Twining
crudely cut upon it. But this Twining, on closer inspection, turned out to be an Adolphus who had been lost at sea in 1809. His stone was so remarkably preserved that I couldn’t resist the urge to run my fingers over its cool polished surface.

“Sleep well, Adolphus,” I said. “Wherever you are.”

Mr. Twining’s tombstone, I knew—assuming he had one, and I found it difficult to believe otherwise—would not be one of the weathered sandstone specimens which leaned like jagged brown teeth, nor would it be one of those vast pillared monuments with drooping chains and funereal wrought-iron fences that marked the plots of Bishop Lacey’s wealthiest and most aristocratic families (including any number of departed de Luces).

I put my hands on my hips and stood waist-deep in the weeds at the churchyard’s perimeter. On the other side of the stone wall was the towpath, and beyond that, the river. It was somewhere back here that Miss Mountjoy had vanished after she had fled the church, immediately after the Vicar had asked us to pray for the repose of Horace Bonepenny’s soul. But where had she been going?

Over the lych-gate I climbed once more, and onto the towpath.

Now I could clearly see the stepping-stones that lay spotted among streamers of waterweed, just beneath the surface of the slow-flowing river. These wound across the widening pool to a low muddy bank on the far side, above and beyond which ran a bramble hedge bordering a field which belonged to Malplaquet Farm.

I took off my shoes and socks and stepped off onto the first stone. The water was colder than I had expected. My nose was still running slightly and my eyes watering, and the thought crossed my mind that I’d probably die of pneumonia in a day or two and, before you could say “knife,” become a permanent resident of St. Tancred’s churchyard.

Waving my arms like semaphore signals, I made my way carefully across the water and flat-footed it through the mud of the bank. By grasping a handful of long weeds I was able to pull myself up onto the embankment, a dike of packed earth that rose up between the river and the adjoining field.

I sat down to catch my breath and wipe the muck from my feet with a hank of the wild grass which grew in knots along the hedge. Somewhere close by a yellowhammer was singing “a little bit of bread and no cheese.” It suddenly went silent. I listened, but all I could hear was the distant hum of the countryside: a bagpipe drone of far-off farm machinery.

With my shoes and socks back on, I dusted myself off and began walking along the hedgerow, which seemed at first to be an impenetrable tangle of thorns and brambles. Then, just as I was about to turn and retrace my steps, I found it—a narrow cutting in the thicket, no more than a thinning, really. I pushed myself through and came out on the other side of the hedge.

A few yards back, in the direction of the church, something stuck up out of the grass. I approached it cautiously, the hair at the nape of my neck prickling in Neanderthal alarm.

It was a tombstone, and crudely carved upon it was the name Grenville Twining.

On the tilted base of the stone was a single word:
Vale!

Vale!
—the word Mr. Twining had shouted from the top of the tower! The word Horace Bonepenny had breathed into my face as he expired.

Realization swept over me like a wave: Bonepenny’s dying mind had wanted only to confess to Mr. Twining’s murder, and fate had granted him only one word with which to do so. In hearing his confession, I had become the only living person who could link the two deaths. Except, perhaps, for Bob Stanley. My Mr. Pemberton.

At the thought, a cold shiver ran down my spine.

There were no dates given on Mr. Twining’s tombstone, almost as if whoever had buried him here had wanted to obliterate his history. Daffy had read us tales in which suicides were buried outside the churchyard or at a crossroads, but I had scarcely believed these to be any more than ecclesiastical old wives’ tales. Still, I couldn’t help wondering if, like Dracula, Mr. Twining was lying beneath my feet wrapped tightly in his Master’s cape?

But the gown I had found hidden on the tower roof at Anson House—which was now reposing with the police—had not belonged to Mr. Twining. Father had made it clear that Mr. Twining was wearing his gown when he fell. So, too, had Toby Lonsdale, as he told
The Hinley Chronicle
.

Could they both be wrong? Father had admitted, after all, that the sun might have dazzled his eyes. What else had he told me?

I remembered his exact words as he described Mr. Twining standing on the parapet: