The Fountainhead (37 page)

 

Dominique Francon lived alone, that summer, in the great Colonial mansion of her father’s estate, three miles beyond the quarry town. She received no visitors. An old caretaker and his wife were the only human beings she saw, not too often and merely of necessity; they lived some distance from the mansion, near the stables; the caretaker attended to the grounds and the horses; his wife attended to the house and cooked Dominique’s meals.

The meals were served with the gracious severity the old woman had learned in the days when Dominique’s mother lived and presided over the guests in that great dining room. At night Dominique found her solitary place at the table laid out as for a formal banquet, the candles lighted, the tongues of yellow flame standing motionless like the shining metal spears of a guard of honor. The darkness stretched the room into a hall, the big windows rose like a flat colonnade of sentinels. A shallow crystal bowl stood in a pool of light in the center of the long table, with a single water lily spreading white petals about a heart yellow like a drop of candle fire.

The old woman served the meal in unobtrusive silence, and disappeared from the house as soon as she could afterward. When Dominique walked up the stairs to her bedroom, she found the fragile lace folds of her nightgown laid out on the bed. In the morning she entered her bathroom and found water in the sunken bathtub, the hyacinth odor of her bath salts, the aquamarine tiles polished, shining under her feet, the huge towels spread out like snowdrifts to swallow her body—yet she heard no steps and felt no living presence in the house. The old woman’s treatment of Dominique had the same reverent caution with which she handled the pieces of Venetian glass in the drawing-room cabinets.

Dominique had spent so many summers and winters, surrounding herself with people in order to feel alone, that the experiment of actual solitude was an enchantment to her and a betrayal into a weakness she had never allowed herself: the weakness of enjoying it. She stretched her arms and let them drop lazily, feeling a sweet, drowsy heaviness above her elbows, as after a first drink. She was conscious of her summer dresses, she felt her knees, her thighs encountering the faint resistance of cloth when she moved, and it made her conscious not of the cloth, but of her knees and thighs.

The house stood alone amidst vast grounds, and the woods stretched beyond; there were no neighbors for miles. She rode on horseback down long, deserted roads, down hidden paths leading nowhere. Leaves glittered in the sun and twigs snapped in the wind of her flying passage. She caught her breath at times from the sudden feeling that something magnificent and deadly would meet her beyond the next turn of the road; she could give no identity to what she expected, she could not say whether it was a sight, a person or an event; she knew only its quality—the sensation of a defiling pleasure.

Sometimes she started on foot from the house and walked for miles, setting herself no goal and no hour of return. Cars passed her on the road; the people of the quarry town knew her and bowed to her; she was considered the chatelaine of the countryside, as her mother had been long ago. She turned off the road into the woods and walked on, her arms swinging loosely, her head thrown back, watching the tree tops. She saw clouds swimming behind the leaves; it looked as if a giant tree before her were moving, slanting, ready to fall and crush her; she stopped, she waited, her head thrown back, her throat pulled tight; she felt as if she wanted to be crushed. Then she shrugged and went on. She flung thick branches impatiently out of her way and let them scratch her bare arms. She walked on long after she was exhausted, she drove herself forward against the weariness of her muscles. Then she fell down on her back and lay still, her arms and legs flung out like a cross on the ground, breathing in release, feeling empty and flattened, feeling the weight of the air like a pressure against her breasts.

Some mornings, when she awakened in her bedroom, she heard the explosions of blasting at the granite quarry. She stretched, her arms flung back above her head on the white silk pillow, and she listened. It was the sound of destruction and she liked it.

 

Because the sun was too hot, that morning, and she knew it would be hotter at the granite quarry, because she wanted to see no one and knew she would face a gang of workers, Dominique walked to the quarry. The thought of seeing it on that blazing day was revolting; she enjoyed the prospect.

When she came out of the woods to the edge of the great stone bowl, she felt as if she were thrust into an execution chamber filled with scalding steam. The heat did not come from the sun, but from that broken cut in the earth, from the reflectors of flat ridges. Her shoulders, her head, her back, exposed to the sky, seemed cool while she felt the hot breath of the stone rising up her legs, to her chin, to her nostrils. The air shimmered below, sparks of fire shot through the granite; she thought the stone was stirring, melting, running in white trickles of lava. Drills and hammers cracked the still weight of the air. It was obscene to see men on the shelves of the furnace. They did not look like workers, they looked like a chain gang serving an unspeakable penance for some unspeakable crime. She could not turn away.

She stood, as an insult to the place below. Her dress—the color of water, a pale green-blue, too simple and expensive, its pleats exact like edges of glass—her thin heels planted wide apart on the boulders, the smooth helmet of her hair, the exaggerated fragility of her body against the sky—flaunted the fastidious coolness of the gardens and drawing rooms from which she came.

She looked down. Her eyes stopped on the orange hair of a man who raised his head and looked at her.

She stood very still, because her first perception was not of sight, but of touch: the consciousness, not of a visual presence, but of a slap in the face. She held one hand awkwardly away from her body, the fingers spread wide on the air, as against a wall. She knew that she could not move until he permitted her to.

She saw his mouth and the silent contempt in the shape of his mouth; the planes of his gaunt, hollow cheeks; the cold, pure brilliance of the eyes that had no trace of pity. She knew it was the most beautiful face she would ever see, because it was the abstraction of strength made visible. She felt a convulsion of anger, of protest, of resistance—and of pleasure. He stood looking up at her; it was not a glance, but an act of ownership. She thought she must let her face give him the answer he deserved. But she was looking, instead, at the stone dust on his burned arms, the wet shirt clinging to his ribs, the lines of his long legs. She was thinking of those statues of men she had always sought; she was wondering what he would look like naked. She saw him looking at her as if he knew that. She thought she had found an aim in life—a sudden, sweeping hatred for that man.

She was first to move. She turned and walked away from him. She saw the superintendent of the quarry on the path ahead, and she waved. The superintendent rushed forward to meet her. “Why, Miss Francon!” he cried. “Why, how do you do, Miss Francon!”

She hoped the words were heard by the man below. For the first time in her life, she was glad of being Miss Francon, glad of her father’s position and possessions, which she had always despised. She thought suddenly that the man below was only a common worker, owned by the owner of this place, and she was almost the owner of this place.

The superintendent stood before her respectfully. She smiled and said:

“I suppose I’ll inherit the quarry some day, so I thought I should show some interest in it once in a while.”

The superintendent preceded her down the path, displayed his domain to her, explained the work. She followed him far to the other side of the quarry; she descended to the dusty green dell of the work sheds; she inspected the bewildering machinery. She allowed a convincingly sufficient time to elapse. Then she walked back, alone, down the edge of the granite bowl.

She saw him from a distance as she approached. He was working. She saw one strand of red hair that fell over his face and swayed with the trembling of the drill. She thought—hopefully—that the vibrations of the drill hurt him, hurt his body, everything inside his body.

When she was on the rocks above him, he raised his head and looked at her; she had not caught him noticing her approach; he looked up as if he expected her to be there, as if he knew she would be back. She saw the hint of a smile, more insulting than words. He sustained the insolence of looking straight at her, he would not move, he would not grant the concession of turning away—of acknowledging that he had no right to look at her in such manner. He had not merely taken that right, he was saying silently that she had given it to him.

She turned sharply and walked on, down the rocky slope, away from the quarry.

 

It was not his eyes, not his mouth that she remembered, but his hands. The meaning of that day seemed held in a single picture she had noted: the simple instant of his one hand resting against granite. She saw it again: his finger tips pressed to the stone, his long fingers continuing the straight lines of the tendons that spread in a fan from his wrist to his knuckles. She thought of him, but the vision present through all her thoughts was the picture of that hand on the granite. It frightened her; she could not understand it.

He’s only a common worker, she thought, a hired man doing a convict’s labor. She thought of that, sitting before the glass shelf of her dressing table. She looked at the crystal objects spread before her; they were like sculptures in ice—they proclaimed her own cold, luxurious fragility; and she thought of his strained body, of his clothes drenched in dust and sweat, of his hands. She stressed the contrast, because it degraded her. She leaned back, closing her eyes. She thought of the many distinguished men whom she had refused. She thought of the quarry worker. She thought of being broken—not by a man she admired, but by a man she loathed. She let her head fall down on her arm; the thought left her weak with pleasure.

For two days she made herself believe that she would escape from this place; she found old travel folders in her trunk, studied them, chose the resort, the hotel and the particular room in that hotel, selected the train she would take, the boat and the number of the stateroom. She found a vicious amusement in doing that, because she knew she would not take this trip she wanted; she would go back to the quarry.

She went back to the quarry three days later. She stopped over the ledge where he worked and she stood watching him openly. When he raised his head, she did not turn away. Her glance told him that she knew the meaning of her action, but did not respect him enough to conceal it. His glance told her only that he had expected her to come. He bent over his drill and went on with his work. She waited. She wanted him to look up. She knew that he knew it. He would not look again.

She stood, watching his hands, waiting for the moments when he touched stone. She forgot the drill and the dynamite. She liked to think of the granite being broken by his hands.

She heard the superintendent calling her name, hurrying to her up the path. She turned to him when he approached.

“I like to watch the men working,” she explained.

“Yes, quite a picture, isn’t it?” the superintendent agreed. “There’s the train starting over there with another load.”

She was not watching the train. She saw the man below looking at her, she saw the insolent hint of amusement tell her that he knew she did not want him to look at her now. She turned her head away. The superintendent’s eyes traveled over the pit and stopped on the man below them.

“Hey, you down there!” he shouted. “Are you paid to work or to gape?”

The man bent silently over his drill. Dominique laughed aloud.

The superintendent said: “It’s a tough crew we got down here, Miss Francon.... Some of ’em even with jail records.”

“Has that man a jail record?” she asked, pointing down.

“Well, I couldn’t say. Wouldn’t know them all by sight.”

She hoped he had. She wondered whether they whipped convicts nowadays. She hoped they did. At the thought of it, she felt a sinking gasp such as she had felt in childhood, in dreams of falling down a long stairway; but she felt the sinking in her stomach.

She turned brusquely and left the quarry.

She came back many days later. She saw him, unexpectedly, on a flat stretch of stone before her, by the side of the path. She stopped short. She did not want to come too close. It was strange to see him before her, without the defense and excuse of distance.

He stood looking straight at her. Their understanding was too offensively intimate, because they had never said a word to each other. She destroyed it by speaking to him.

“Why do you always stare at me?” she asked sharply.

She thought with relief that words were the best means of estrangement. She had denied everything they both knew by naming it. For a moment, he stood silently, looking at her. She felt terror at the thought that he would not answer, that he would let his silence tell her too clearly why no answer was necessary. But he answered. He said:

“For the same reason you’ve been staring at me.”

“I don’t know what you’re talking about.”

“If you didn’t, you’d be much more astonished and much less angry, Miss Francon.”

“So you know my name?”

“You’ve been advertising it loudly enough.”

“You’d better not be insolent. I can have you fired at a moment’s notice, you know.”

He turned his head, looking for someone among the men below. He asked: “Shall I call the superintendent?”

She smiled contemptuously.

“No, of course not. It would be too simple. But since you know who I am, it would be better if you stopped looking at me when I come here. It might be misunderstood.”

“I don’t think so.”