The Funny Man (3 page)

“He can’t get enough,” the funny man says to his wife.

“Tell me about it,” she replies, lifting a heavy breast with the back of her hand. The funny man laughs and she smiles back at him. The wife finishes tying the apron portion of her waitress uniform around her waist. She tucks a pen and order slip into the appropriate slots. She looks old-fashioned and hot to the funny man. A real throwback, this wife of his.

The funny man and his wife first met in the library at their college when the funny man’s future wife scanned his books for checkout and she smiled at him. The child was conceived in the very same library only a few weeks after they first met and mere days from their graduation, which meant the wife was fat with the growing child at the hasty fall wedding, but despite this, despite both of their mothers weeping copiously and constantly throughout the ceremony, and the whispers and her belly pressing against each and every guest as they were greeted in the receiving line, at that moment in the kitchen, neither the funny man nor his wife regretted squeezing themselves into the narrow shelves and giving in to what called them. The funny man knows he is no prize, can imagine his wife’s father saying, “He wants to be a what?” “When?” and “You’ve got to be kidding,” when they were told of his life’s dream, the wedding, and the gestating baby all in one conversation.

As she’s on her way out, the funny man shows his wife the clapping man’s card.

“What do you think?” he says.

“I think that Mrs. Kowalski is wondering where our rent is.” She kisses the funny man long and well on his mouth. The funny man’s hand lingers on her backside as she walks away and leaves for work and he thinks about how when she arrives home he will unwrap her apron, spinning her like a top back into his arms, and that maybe it’s time to do the next stupid thing, like make another baby.

In the living area, the funny man places toy blocks back into the toy chest and imagines the voice-over for his television biography that one day will air on one of the high-numbered cable channels:
Like many of the great funny men, the outward mask of laughter hid a
complex and private nature
. He feels neither complex, nor private, so that is something he will have to work on. He knows he is a simple man with a simple wish. He has had this wish for as long as he remembers and he has not been shy about announcing it to anyone who cared (or didn’t). There is a home movie of the funny man at Christmastime, age five or six, and he has been given a microphone that amplifies through a radio turned to the proper FM frequency. In the movie he marches around the house, intermittently shouting into the microphone. It is clearly the best toy ever. The camera shakes a little because his father is laughing at the antics. The child funny man looks up into the camera and his father asks him what he wants to be when he grows up, and the child funny man holds the microphone to his mouth, and even though he doesn’t even really know what it means and is simply saying it because it is the answer his parents gave when he asked them whose job it is to make people laugh, he says, loudly and clearly, “a comedian.”

The funny man next thinks of the off-Broadway play that he will one day write and perhaps produce as well after he is already a famous funny man. The play will have a “laugh out loud” opening, but the second half will contain an unexpected act of violence that will cause the critics to call the play “important” and “intriguing” and “unexpected.” There may be brief nudity as well. The funny man may even star in it with an actress most known for her sitcom work who is trying to stretch creatively. The play will cause people to expand their estimation of the funny man. No longer will he just be the funny man, but the funny man who wrote an off-Broadway play that filled every single one of its folding chairs.

The funny man rolls the child onto its back and tickles its belly. The funny man notices that the skin at the child’s joints is wrinkled like the back of the talent agent’s neck.

“Laugh,” he says to the child, and the child does. Kicks the air too.

The funny man’s wife supports this habit of going to the club at night and trying to induce drunk strangers to laugh by waiting tables because her degree in Spanish does not translate into a higher paying job and the funny man pledged to take care of the child, “as if he were my own,” which got quite a good laugh from the funny man’s wife since they both knew full well where the child came from. The funny man remembers the moment like it was just a year and a half ago, which it was. Money is tight and the best meals are ones his wife carts home cold from her work, but the funny man, despite his visions of future grandeur, cannot imagine wanting anything more than this apartment in this, the best city in the world, this woman, this child, which is of course why he can put so much focus into making all these impossibly large dreams happening.

On the future televised biography of the funny man’s life, they will interview a host of lesser funny men to talk about the career of the funny man. The funny man vows that he will never appear in one of these televised biographies about someone else, because only people less famous than the subject at hand agree to be interviewed for them. It is like volunteering for the junior varsity.

The funny man imagines one of these lesser funny men being filmed in his Coral Gables living room while sitting in an ugly, floral-print easy chair. “Who shot the curtains, right?” this lesser funny man will say to the camera operator as the lighting is adjusted. “But what are you going to do? It’s the wife’s taste and you’ve got to keep her happy.” The camera operator will smile wanly and ask this lesser funny man if he’s ready.

“Does the pope shit in his hat?”

On camera, the lesser funny man will gesture with his hands, and talking about the funny man say something like, “You’ve got to understand that the best humor comes from a dark place, and if you spend a lot of time in that place, your head’s going to wind up being a little
farchadat
.”

The funny man has heard this often, mostly backstage at the club where there is a kind of competition for who is the most fucked-up, who is darkest, who is most despairing, who has the worst tales of early abuse that have marked them for the self-flagellation that is professional comedy. Early on, the funny man tried playing these reindeer games, but he was making stuff up, stories borrowed from characters in the soap operas he would watch instead of going to class and deep down he knows that his mind is not even partly cloudy, let alone black and stormy. This is one of his biggest concerns, actually, that he is not screwed up enough to have anything interesting to say.

The best thing about the child is that recently his little personality has begun to emerge. Early on, the funny man found the boy distressingly inert, a warm, sleeping, crying, pissing, shitting lump that was a pleasant couch companion when watching the game, as long as he was sleeping and not shitting or crying. The funny man started calling the boy BP, short for
baked potato
, because he was often swaddled in a silver blanket that looked like foil. The funny man’s wife frowned at this in a way that said she thought it was adorable. It got ninety seconds in his act. But now, the child can no longer be contained by the swaddling. He loves to thrash his arms and legs, and above all, to wave them in front of his own face before trying to see how many he can stuff inside his mouth, which the funny man finds absolutely hilarious. A chip off the old block.

Inspired, the funny man continues to tickle the child with one hand while trying to shove his other hand entirely inside his own mouth. The child’s eyes shut he laughs so hard. The funny man feels his knuckles scrape past his teeth. There is a clicking noise in the back of the funny man’s head that tells him either something important has happened or he has unhinged his jaw. He fights the urge to gag. Still laughing, the child thoroughly wets its diaper. The funny man removes his hand from all the way inside his mouth and smacks his lips together into a funny face that the child enjoys tremendously as he is carried to the changing table, dripping all the way.

After changing the baby, the funny man calls the number on the clapping man’s card, and as it turns out, the clapping man had told the truth, though about something different than the funny man hoped. “He’s dead,” the voice on the line says. “He was dying and now he’s dead.”

“He told me I should call. He was going to take me places,” the funny man says.

“He mentioned you,” the voice replies. “He was my partner, said he’d seen a real funny man. I asked him if you had a ‘thing.’ He said, ‘not yet, but he will.’”

“I do. I have a thing now,” the funny man says. “I’m sure of it.”

“You should come by then. We’re mourning right now, but we’ll have to wrap that up soon. Tomorrow.”

“I’m sorry to hear …” the funny man says.

“Yeah, well, we all knew it was going to happen at some point or another. We’re all stamped with an expiration date,” the man on the other line says before hanging up.

3

T
HE FIRST TIME
I saw the judge I was surprised she was a woman, and not a bad-looking one at that, mid-forties, shoulder-length brunette, trim, good grooming. When she entered the courtroom, we all shot to attention and as she mounted the steps to the bench, I saw a pair of stylish high heels beneath the hem of her robe and just above the heels a rather nice flash of leg. Sitting just outside my own consciousness, as I am now capable of, thanks to my therapist, I marveled at my inclination to notice the well-turned shape of a woman’s leg even as I’m on trial for my life. This is a reversion to a different, darker time I thought was in the past, but was apparently resummoned when I pulled the trigger six times and killed that man.

In the midst of the worst times I self-diagnosed a sex addiction to my therapist. This was after the divorce when I was doing three sessions a week and complaining that the freedom to sleep with anyone I wanted to felt somehow confining, and how fuckedup was that? The therapist nodded thoughtfully as I described my symptoms, the “ache” I would feel when I found something attractive about a woman, an ache I was dead certain could only be satisfied by having sex with her, but then I would turn and see someone else, this one with a tiny scar on her upper lip, a slice of pale flesh that was suddenly irresistible, and the ache would turn into an anxiety and then a panic, a desperation. I would invent stories for each of them, scenarios that would bring us together, like porn, but with actual romance involved. My throat and chest would tighten and I would crumple and strangers would be asking me first if I needed help, before saying, “Hey, are you that guy?”

“It’s like there’s too much choice,” I said to my therapist. “It’s like buying toothpaste. Have you tried buying toothpaste recently? It’s like a whole aisle, just toothpaste. It used to be a shelf, but now it’s a whole aisle. Soon we’re going to need an entire store called Just Toothpaste.” I got up off of the therapist’s couch and spread my arms to indicate a large store sign and pulsed my fingers to indicate flashing lights. “Just Toothpaste. Do I get tartar control? Whitening? Breath freshening? Something with sparkles in it? What about the flavor? Spearmint? Baking soda? Citrus? Fresh mint? What the fuck is fresh mint, anyway? Is there a stale mint flavor? The Just Toothpaste stores are going to have those guys like at the fancy restaurants who know everything about wine. Whaddya call them?”

“Sommeliers,” the therapist said.

“Yeah, we’ll need toothpaste sommeliers, toothpaste consultants just to figure out the right goddamn toothpaste. I’m telling you, doc, the choice is killing me.”

“Is this in your act?” the therapist asked.

“No,” I said, “should it be?”

“It’s very funny.”

“But you’re not laughing.”

“I don’t laugh because I understand what’s behind the joking, which isn’t a laughing matter, but that doesn’t mean it isn’t funny.”

He is and always has been a buzz kill. If I was going to kill anyone, it should’ve been him.

“Anyway, you’re not a sex addict,” he said.

“Then what am I?”

“A man.”

W
HEN THE JUDGE
enters this time, I take care to focus on her face, which is undeniably pretty. Normally, middle age is not attractive to me, but this woman has kept it together and the age lines around her eyes and mouth are charming. Barry has warned me about this kind of thing, this appearing to be what people think I am. He said that there are two key things to know about juries: Number one, they notice everything, and number two, they’ve got nothing to do but talk to each other, particularly when a jury is sequestered, as they are in this trial. According to the focus groups, I’m supposed to be demonstrating respect for the process, an understanding of what’s at stake, and a fundamental trust in the American system of jurisprudence, and staring at the judge’s legs or grinning at the thought of her serious, but charming face are likely not in sync with those values. Under no circumstances should a man in my circumstances be grinning.

“Pinch your sack if you have to,” Barry counseled.

With a brief wave of her hand the judge indicates that everyone should be seated as she settles in her high-backed chair behind the bench high above us. The judge’s clerk approaches from the side to privately confer on something with the judge as the court reporter, just to the right of the witness chair, cracks his knuckles in anticipation of going back on the record. For the last week or so I’ve had this urge to tell the judge how impressed I am with her, how good she is at what she does. She appears overwhelmingly comfortable with each and every action, like the way she unhurriedly takes her chair, even though she must know the entire room is waiting for and looking at her, that she is the focal point. Or how she accepts a file from her clerk with a graceful flick of one wrist, while the other hand moves the stylish reading glasses hanging from a chain around her neck into place on the bridge of her nose. She has a nod she gives the court reporter that signals it’s time to go back on the record that I couldn’t even see until I took care to look extremely closely, but somehow it always snaps the court reporter from his dazed inactivity into a straight-backed virtuoso of the steno machine.