The Godfather Returns (34 page)

Nick smiled. “Thanks,” he said. “I’ll let you know.”

“Don’t take him lightly,” Fausto said, zipping up. “In his day he sent more men to meet the Devil than—”

“I won’t.” Nick washed his hands and held the door for his father. “First bet’s on me.”

He placed it with the same five his father had left under Charlotte’s purse. It went on a big ugly Blueface stag, a ten-to-one underdog that they first saw in its pen, shitting all over itself. Fausto looked at the diarrhea and even stuck his finger into a gob that had fallen on the floor and smelled it. Thirty seconds in, the shit-tailed cock leapt up and hit the other bird’s carotid artery. As Fausto the Driver had guessed, the diarrhea had been a sham, induced with Epsom salts.

The Geracis were fifty to the good, playing it cool, trying to find the angles that would decide the next deadly fight, no matter how much rage beat in the hearts of the next two chickens.

Chapter 19

P
ETE
C
LEMENZA
was holding court at a diner just outside the Garment District, a place with a back dining room where no one who was not with Clemenza was ever seated. The man who owned the place was old enough to be Pete’s father, and Pete was seventy. They’d been friends longer than either man could remember. This particular morning, the boss was home sick and Pete was in the kitchen, an apron tied over his silk suit, cooking peppers and eggs, redoing the chopped onions (the ones already prepared were “a million times too coarse”), and showing the ropes to the punks who worked for his friend, keeping them in line. Two of Clemenza’s men sat at a metal table crammed in the corner, listening to Clemenza do what he’d done for the better part of his waking life, which was tell a story. It had been what had sealed his bond with Vito Corleone. Pete was a born storyteller, Vito a born listener.

This one happened five years ago, right after Pete got out of prison for a short stretch he’d had to do for extortion (the case was overturned on appeal). Pete had gone to see Tessio’s new TV. “Compared to the TV sets in the joint,” Pete said, “this one’s got a picture so pretty it made your dick hard. It’s Friday night, and Tessio’s got a few of us over to watch the fights, hoist a couple, place a friendly wager or two. Tessio had inside dope on every fight in creation, but he’s extending his hospitality, so losing money to him, it’s like slipping the house a little something for a good seat. Only guy there I don’t know is this one kid—new guy, wound tight as a squirrel. For somebody who’s not well known, he’s asking a lot of questions, and at a certain point I say something about it. Kid goes white, but Sally says, ‘Let him ask, how else does a guy learn?’ A little later I’m in the hall comin’ out of the can when Richie Two Guns asks what the squirrel’s story was. I didn’t know shit, I said, which maybe oughta be on my tombstone. The first fight starts, and Sally tells Richie to turn the sound off, that he can’t stand the announcer. Then Sally tells the squirrel to announce the fight. Kid laughs, but Sally pulls out a gun and waves it at him like get on with it. Kid looks like he might piss himself. ‘Welcome to Madison Square Garden,’ he says, and, I shit you not, his voice comes out of the TV! ‘Who’s in the dark trunks?’ Sally says. The squirrel says, ‘In the dark trunks, we have Beau Jack,’ which again comes through the TV. Sally smiles and says he don’t like this announcer, either. Richie rips the squirrel’s shirt off, and damned if this hairy bastard ain’t wearing a wire. First one I ever saw with a transmitter. Primitive government piece of shit played right through Sally’s new TV. Sally goes over, leans into the microphone part, and says, ‘
Fatta la legge, trovato l’inganno.
’ For every law, there’s a loophole, I guess you’d say. Anyway, this cop or whatever he was must have known Italian and figured out that despite the rule against killing cops, Sally was going to get the job done anyway. So then the squirrel really
does
piss himself. It shorts out the fucking transmitter. Squirrel starts jerking and screaming. Swear to God, his
nuts
are on fire. His nuts!”

Everyone in that cramped kitchen laughed.

Clemenza keeled over onto the grill.

They must have thought he was going for a bigger laugh yet. For a moment—as the big man’s great big heart blew like a bald truck tire—he got one. Then the flesh of his fat face seared and crackled and his suit coat burst into flame. His men leapt up and pulled him from the grill. They smothered the fire in no time.

All the last original employees of Genco Pura Olive Oil—its president, Vito Corleone; its manager, Genco Abbandando; and its two salesmen, Sal Tessio and Pete Clemenza—were dead.

The train station in Cleveland was near enough to the lake that gusts of icy wind were knocking down disembarking passengers. Nick Geraci fell, as did two of his men. Eddie Paradise broke his arm, though it was a few days before he figured that out.

The Polack was out by the Thinker.

It was the day before Clemenza’s funeral and an hour after the Cleveland Museum of Art closed. Geraci was shown into a white room, utterly empty except for Vincent Forlenza—the largest anonymous donor in the history of that great museum—and his wheelchair. He called to his men to get Mr. Geraci a chair or a bench, but Geraci insisted that it was fine, he’d stand. Forlenza’s nurse and all the bodyguards waited at the end of a long hall.

Geraci admitted that his first impulse had been to have Laughing Sal’s car sabotaged and make it look like an accident. Tit for tat, more or less. Forlenza’s idea had been to car-bomb Narducci into a hundred corners of oblivion. Car bombing was the midwestern Families’ style. It was a labor saver, eliminating any need to dispose of the bodies.

They discussed the merits of torturing Narducci, as Forlenza had the dead pal of the dead mechanic. But there was nothing Narducci could tell them that they hadn’t already confirmed. If they were going to kill him, they might as well just give him two to the head or, sure, wire up his car.

But Geraci talked Forlenza into keeping Narducci alive. For now.

First of all, if Narducci died or disappeared, Michael Corleone would be onto them. And Narducci hardly seemed to pose a threat. He’d made the most indirect move on Forlenza possible. Furthermore, as far as Geraci knew, no
consigliere
had ever betrayed his boss. This could be a terrible embarrassment to the Cleveland organization. Narducci would have to be disposed of in a way that wouldn’t look as if it had been ordered or even condoned by Don Forlenza.

Killing Michael Corleone would have been another option, and, like killing Narducci, a satisfying one. But where would it have led? Mayhem, war, millions of dollars in lost profits in the meantime. Even if they won, they’d lose.

For now, they’d keep a close eye on the men who’d betrayed them but turn their efforts to building a new set of allegiances. Geraci already worked with Black Tony Stracci and his organization. Forlenza had ties to Paulie Fortunato. With Clemenza’s death, Geraci would be controlling the day-to-day operations of the Corleone Family in New York. He was practically a boss himself now. So that was three of the five New York Families.

The key after that would be Chicago. Louie Russo already had a coalition involving Milwaukee, Tampa, Los Angeles, New Orleans, and Dallas. Put that together with what Geraci and Forlenza could build, and Michael Corleone will
wish
he was dead.

The best revenge on Michael Corleone
was
tit for tat.

They would use Fredo as a pawn, the same way Michael had tried to use Nick Geraci.

They’d stay above the fray and let their enemies kill each other off.

They’d take it slowly. Carefully.

When it was over, Cleveland and Chicago and the other midwestern Families would again control the West. Nick Geraci would be the boss of what used to be the Corleone Family, doing business in and around New York. All they needed to do was put Fredo in the middle between Michael and Hyman Roth.

Don Forlenza shook his frail head. Morgues are full of new arrivals who look more vital than the ancient Don. “Tell me this, Fausto,” he said. “Why would this Fredo do it?”

Fausto.
Only he and Michael Corleone called Geraci
Fausto
and it always threw him, just a little. The real Fausto called him no name at all, just names.
Genius. Big shot. Ace.

“That time he cried on the street in New York after his father was shot?” Forlenza said. “Didn’t that come after his brother Sonny took sides against the Family on the issue of narcotics?”

Don Forlenza had no idea his own godson was the biggest heroin importer in the United States. “I don’t know,” Geraci said. Though he did, of course. “Something like that.”

“Sonny more or less got Vito shot, is the story I heard. I don’t see this Fredo, after an experience like that, doing something even worse.”

“First of all,” Geraci said, “Fredo’s on the booze and has an unbelievably bad marriage. He’s out of control. Second, and this is how we get him to hang himself—”

“Hang himself?”

“Figure of speech.”

Forlenza shrugged. “If he hangs himself, he hangs himself.”

“Right, well. Sure. Anyway. Here’s the deal: Fredo’s got this idea about building a city of the dead in New Jersey. He’s like a guy who had a religious vision or something.”

“City of the dead?”

“Big cemetery scam. Long story. Michael’s not for it, and he’s probably right. How is Fredo, out west and married to a movie star, going to run a big new operation—on another Family’s turf, more or less? Point is, Fredo thinks he came up with a billion-dollar business and that Mike’s too caught up in his Cuba thing to give him the time of day. Or too sick of what a fuckup Fredo is to give him more than a symbolic title and a legal whorehouse to run.”

Geraci heard himself say all this and knew there was no turning back. He was taking sides against the Family, too. Fuck it. Loyalty’s a two-way street. Nick Geraci never breathed a disloyal breath—up until the point Michael Corleone tried to kill him.

Revenge, in Nick Geraci’s book, was not the same thing as betrayal.

Don Forlenza closed his eyes and sat in silence so long that Geraci looked at the man’s chest to make sure he was still breathing.

“Hyman Roth’s been in partnership with the Corleones,” Geraci said, “even longer than he has with you, but the deal he and Mike are working on in Cuba is so big that they’ve reached some sort of stalemate.” Geraci came closer. He raised his voice, enough to wake Forlenza up if need be. “We can use Fredo to break it. Roth still has plenty of political pull in New York. If Fredo thinks that Roth will back this cemetery thing, it’ll get his attention in a hurry.”

Forlenza kept breathing. His fingers tugged ever so slightly at the blanket on his lap.

“What we do,” Geraci said, “is go through Louie Russo for everything. The L.A. guys are Russo’s puppets. Fredo’s chummy with a lot of ’em. What happens is, you get Russo to get the word to L.A. Gussie Cic-ero or somebody can set it up so that one of Roth’s guys—Mortie Whiteshoes, Johnny Ola, a party boy like that—just happens to bump into Fredo out in Beverly Hills. Fredo’ll give Roth’s guys any info about Mike they want so long as he thinks that the payoff will be that if you die in New York City, Fredo’ll get a piece of it.”

Finally, Forlenza looked up. “Why the fuck would I die in New York City?”

“Godfather, I have every confidence that you’ll never die anywhere.”

Forlenza waved him off and laughed. “
La testa di cazzo,
eh?” What makes you so sure Fuckface will want to go along with all this?”

“He’ll benefit from it. That’s the main thing. But the other reason is that the person he’ll be dealing with is you—the only Don who’s not Russo’s puppet or his enemy.”

“That’s what you think, huh?” Forlenza said, clearly flattered.

“I didn’t get as far as I have by being a guy who doesn’t do his homework, you know?”

Forlenza smiled. He knew. He agreed to the plan and sealed it with a kiss.

If anything went wrong, the blame would fall on Russo. If that layer of insulation failed, the blame would fall on Forlenza, who could be counted on, in his dealings with Russo, to leave all mention of Geraci out of it—both to protect his godson and because he’d want to take credit for the plan himself. Geraci didn’t
want
blame to fall on Forlenza, but better him than Nick Geraci.

At great length, they discussed the details.

“Trust me,” Geraci said as they were finishing. “Fredo’s so dumb, he’ll betray his brother and think he’s helping out.”

“Never say
Trust me.
Because no one will.”

“Oh, yeah?”

“Trust me.”

Geraci grinned “You trust
me,
don’t you, Godfather?”

“I do, of course. Of course!”

“Enough to grant me a favor? One final detail we haven’t yet covered?”

Forlenza pursed his lips and turned his hands palms up, a let-me-hear-it gesture.

“When the time is right,” Geraci said, “I want to kill that rat Narducci myself.”

That rat.
In his mind’s eye, Geraci saw the river rat slithering out of the rectum of that stiff Laughing Sal had planted down by the river, the corpse the world had mistaken for Gerald O’Malley.

“Let me be honest with you,” Forlenza said. “I was already gonna have you do it.”

Clemenza had been Vito Corleone’s oldest friend, but the only member of the late Don’s immediate family who went to New York for the funeral was Fredo. Carmela had had a flare-up of her blood clots—this time in her legs—and couldn’t travel. Michael had business. Kay, a lot of people seemed to think, was on the edge of leaving him. Connie had dumped her second husband, that sadsack accountant Ed Federici, and was off in Monaco, consorting naked on the beaches with Eurotrash. It was unclear—to Nick Geraci, anyway—why Hagen couldn’t come, but he wasn’t here. The same went for all the members of the organization out in Nevada, even Rocco Lampone, who’d made it all the way from a gimpy war vet with few prospects all the way to
caporegime,
every step of it with Clemenza’s backing. Nobody but Fredo, dispatched for symbolic value, presumably, though when Geraci picked him up at the airport, Fredo said he wouldn’t have missed the chance to pay his respects to Pete Clemenza for anything.

On the way to the funeral, during a snowstorm, Fredo Corleone and Nick Geraci stopped for a walk through the Brooklyn Botanic Garden. This had been Tessio’s favorite place to talk business, and it had become Geraci’s. The place was never so crowded on a weekday that it was hard to talk privately. Plus, it would have been an impossible place to bug.

The snow fell in wet flakes, four inches or more expected. The Rock Garden looked like the lumpy surface of the moon. Trailing several paces behind were four of Geraci’s men, Momo the Roach, Eddie Paradise, and two zips (recently arrived Sicilians, in other words, considered ruthless even by other wiseguys). Two others (Tommy Neri, who’d come with Fredo, and Geraci’s driver, Donnie Bags, so named for the colostomy bag he’d needed since he was gutshot by his own wife) had stayed with the cars.