The Great Big Beautiful Tomorrow (4 page)

For a second, though, I couldn’t find it and I had a vision of it sitting in the wrecked cockpit of my mecha, a ten-minute walk away that might as well have been in one of the moon colonies. Then I found it, transferred absently to one of the many pockets that ran down the sleeves of my sweater.

I let myself in and collapsed in the vestibule, on one of Dad’s live divans. It purred and cuddled me, which set my ribs afire again. On the other side of the dome there was a model room for a robot hotel that Dad had rescued from Atlantic City. It had a robutler that could do rudimentary first aid. I’d grown up playing hospital with it. Now I limped over and let myself in, summoning the bot. It had a queer gait, a half-falling roll that was like a controlled stagger. It clucked over my ribs, applied a salve, waited for the numbness to set it, then taped me up, getting my ribs into alignment.

I stood up, numb from chin to hip, and dismissed the robutler. Its blank face bowed to me as it slid back into its receptacle. Dad let me stay in the hotel room on my birthday sometimes. As I left it, I realized that I’d never see it again.

In the middle of the field, the tethered zepp strained at its mooring lines. The
Spirit of the People’s Will
was a Chinese mini-freighter, the kind of thing you could still find in the sky, but Dad collected it anyway. The first time he saw its stubby lines, playful like a kid’s toy, he rushed out and got one for the museum. “An instant classic,” he called it, “like the Mac, or the Mini. Perfection.”

The zepp’s cargo hoist was already loaded. Dad must have done that, before getting in the harrier and setting out to defend our turf. The hoist was groaning under a prodigious weight, and I groaned too, once I saw what it was. Dad had put the Carousel onto the hoist.

The Carousel of Progress debuted in 1964, at the New York World’s Fair. Walt Disney built it for General Electric—a six-scene robotic stage-play about the role of technology in making our lives better. It was Dad’s most treasured possession in the entire world. I seriously believe that if it was a choice between me and it, he might pick it.

In fact, he had sort of done that.

Ten minutes had gone by since I’d made it home, and the sounds of the air battle still raged outside. The zepp was going to have a hard time attaining lift-off with all that weight, and I still hadn’t grabbed my own stuff.

Yes, Dad had said to go right away, no delay. Yes, there was a war raging outside the walls. But I wasn’t going to leave my friends behind.

The pack’s den was in the back of my room, four overgrown canisters that I kept under my desk. The canisters were standard issue brain-storage—drop as much of the nervous system as you can scrape together into one, and it would grow silicon into the ganglia until it had an interface, keeping the whole thing awash in nutrients and wicking waste products out to an evaporator. I had to remember to add a little sugar every now and again, and to whisk away the residue in the evaporator, but apart from that, they did their thing all on their lonesome. Dad had been worried that I wouldn’t be able to take care of a pet, let alone four pets, but the pack were the happiest doggies in the state. I’d find them somewhere to live when I got to wherever I was going. I certainly wasn’t going to leave them behind.

The Carousel stood so high on the cargo hoist that I was able to simply climb its service ladder to the roof and then reach up and catch the boarding ramp for the gondola. I yanked it down, hearing—but no longer feeling—the pain in my ribs.

The zepp had already warm-booted, all systems nominal. The radars reported a clear liftoff path through Comerica’s retracted dome—Dad had added it early on, before I was born, with Mom’s help. I had flown the zepp before, but always with Dad at my elbow. It wasn’t rocket science, of course. The thing rose until you told it to stop, then moved in whichever direction you steered it. It was a zepp—easier to pilot than a mecha.

The zepp lumbered into the sky, dragged down by the Carousel. We cleared the lip of Comerica and picked up speed, rising a little more cleanly as the Carousel and the zepp made their peace with each other. The lights on the pack’s cylinders blinked nervously. I looked around the gondola’s open windows, trying to spot the harrier and the battle-platform, half not wanting to see in case what I saw was Dad being blasted out of the sky.

But there they were, Dad still flying circles around the giant thing, its many rotors and gasbags all straining to keep it aloft and stationary. Smaller drones and even a couple of manned planes took off after Dad as I watched and he blasted them out of the sky with contemptuous ease. Dad liked to practice in sims a lot. He might have been the world’s greatest organic fighter pilot at this point. Not that that meant much—who cared about being a fighter pilot anymore?

The platform’s big guns followed Dad through the sky, seemingly always a little behind him. He anticipated their curve, dodging the twisting, seeking fingers of lightning, the hails of ammo, the guided missiles. He was good—I found myself grinning hard and pumping my fist as Dad took out another battery—but I could see that he wasn’t good enough. He had to be good a million times. They had to get lucky once. They would.

As I came up level with the platform, it seemed to notice me, turning a battery toward me. The shells it lofted at me hung in the sky nearby, then sploded in a deadly hail of millions of microscale daisy-cutters. I yanked hard at the yoke and floored it, and the zepp turned away, but not enough. I heard a scritching noise as the deadly little bots skittered on the zepp’s armored balloon and gondola, scrabbling for purchase. They rained down past the gondola’s windows, like dandruff being shrugged off the zepp’s scalp.

Dad’s harrier screamed over to the battery that had attacked me, flipping and rolling as he opened up on it, pouring fire down until the side of the platform nearest me literally began to melt, liquefying under withering fire and dripping molten metal in rivulets down the side of the platform. I could see men and mechas running to the affected area, moving up replacement guns, firing on Dad, and then the harrier screamed past me. I caught a glimpse of Dad, in his augmented reflex helmet and crash-suit. He seemed to be saluting me, though he went past so fast I couldn’t say for sure. I saluted back and engaged the zepp’s props, setting a course east.

I put the zepp on autopilot and turned all the sensor arrays up to maximum paranoia and then went back to watch the dogfight between the harrier and the platform from the rear of the gondola.

Something had hit Dad. There was smoke rising from the mid-section of the harrier, just behind the cockpit. Those things could soak up a lot of damage and still keep turning over, but it was clear, even from this distance, that Dad wouldn’t last forever. I found some binox in an overhead compartment and watched Dad dodge and weave. I wanted to call him before I got out of range of our towers, but I didn’t want to distract him.

It didn’t matter. One of the questing, bent fingers of lightning seized the harrier and followed it as it tried to circle away. Smoke poured from the harrier’s engines. The lighting stopped and the harrier began a lazy, wobbly glide toward the platform, Dad’s last charge, a suicide trajectory. Two missiles lifted off from the platform, arcing for the harrier, and they caught it before it could crash.

My heart thudded in my ears, audible over the growl of the zepp’s turbines. I dialed the binox up higher, letting them auto-track, then switching back over to manual because they kept focusing on the damned
shrapnel
, and I want to find Dad.

Maybe I saw him. It looked like a man in a crash-suit, there amid the rolling smoke and the expanding cloud of metal and ceramic. Looked like a man, maybe, for an instant, lost amid the smoke. Maybe he landed on the platform and fought his way free—or was taken prisoner.

Maybe Dad was still immortal.

In any event, I still was.

Part 2: No Privacy At All Around This Place!

THE CULTISTS DIDN'T MIND THAT I keep the Carousel up and running. Twenty years before, I’d set it down before the old administrative building of the college where they had their headquarters, and they’d never once asked me to shut it down.

Oh, sure, they put a wire in my head, did it on the first day. That wasn’t optional: if you stayed with the cultists, you needed to have the wire in your head. It was for the good of the colony.

But being immortal has its advantages, besides the obvious ones. My brain just kind of
ate
that wire—denatured it, anyway. It took a couple weeks, so for the first little while, I was just like all the other cultists, a transceiver for human emotion. I remember that period hazily, but it wasn’t altogether terrible. Once you were attuned to the emotions of everyone else in town, everything was kind of . . . It’s hard to describe. Huge. Mellow. The emotional state of three million people has a certain inertia, and it’s hard to shift in one direction or another. It dampens all the extremes. Sometimes you’d get a
little
happy, or a
little
miserable, but never those raging, spectacular blisses and rages.

It was probably good therapy for me, just then. It probably helped me get by without Dad.

But like I say, it only took a couple weeks for the wire to lose its efficacy. I could still feel a little tickle that let me know, more or less, what the groupmind was thinking, but it never loomed up large. And I could get as angry or happy as I wanted and my neighbors never seemed to notice, so I guess I wasn’t transmitting much.

Here’s what happened as I steamed east, away from Detroit and the ruins of my father’s city/museum. It was smooth sailing for the first couple hours, then I started to hear ominous clunks and thuds. I knew it must be the little daisy cutters. Some of them must have found soft spots in the bag’s armor. That was the point of a billion little daisy cutters instead of just one big one—a brute-force attack on the entire defensive perimeter of the target. An attacker only has to find one hole—a defender needs to be seamless.

The zepp’s idiot lights got redder and redder as time went by, one critical system after another failing. By the time I thought to bring her down—I was in shock, I guess, plus I was young then—it was too late. Altitude controls were locked.

I watched, helpless, clutching the pack’s canisters, as we drifted in the winds, sometimes going higher, sometimes dipping down. The Carousel was a destabilizing force: every time the wind gusted, it rocked like a pendulum, and as the zepp’s gyros wound down, we rocked with it.

The zepp set itself down in North Carolina, amid the leftovers of the old UNC campus, settling gently. I slid/stumbled down the ramp with the pack in hand. The zepp was still losing altitude, inching lower and lower. Soon enough, the gondola would come down on the top of the Carousel, doing who-knew-what damage. I did a little executive planning and decided that I had a way better chance of bringing the Carousel up to nominal than I did the daisy-cutter wormed zepp, and I blew the cargo hoist loose, cutting the zepp free so that it lofted away, to ply its idiot way through the skies, unmanned and dying.

- - -

The thing about immortality is, it’s complicated. A mixed blessing. Dad’s immortality was a much simpler thing, really: a collection of hacks and tricks to wind back his body’s clock, to repair the damage of the ages, to make him young again. Like his yogurt, for his liver.

With me, it was all about the germ plasm. I’d been modded down in my nuclei, a transhuman by birth, a native of the transhuman condition. And no one knew what that meant, really. Including me.

So while it was apparent early on that I was aging slowly—retaining maximal brain plasticity by keeping my physical age as young as possible—no one seemed to suspect just how slowly I was going to age. I was chronologically thirteen when I landed in North Carolina, but I was physically more like ten. At the time, I assumed that meant that I’d just go on, aging slowly, but aging.

Not so, as it turned out.

Twenty years later, I was still eleven. Maybe thirteen. Let me put it this way: no pubes. This was not what I had in mind when I pictured immortality. I had . . . stirrings. But they were like phantom limbs—there but not there, elusive, an itch I couldn’t scratch.

The cultists were mildly curious about this, in the same way that they were mildly curious about most things. They weren’t worked up about it or anything. They didn’t get worked up about anything. That was the point. But they liked having kids and they wanted to know when I’d be ready to help out in that department. So they asked, every now and again, frankly. And I told them the truth. Why not? They weren’t going to throw me out—not as long as they thought I was a wirehead.

The only person who had a problem with my perpetual adolescence was me. There were moods that came on me, now and again, sudden and ferocious. Terrors, too. It came with the brain plasticity—I could adapt to anything, but nothing ever stuck. I could never approximate the incredible conviction of the cultists—not even the lesser conviction of the normals who traded with them every now and again. I’d believe something for a day or two—like wanting to overthrow the cult and rescue the wireheads from their surgical bondage—and then it would seem like a stupid idea, and then a distant memory. Only my journals showed me how changeable my weather was. When I got them down off the seat I kept them on in the Carousel and thumbed through them, it wrenched something in my chest. Sometimes I cried. Sometimes I cried for a long time.

Mostly I tried to distract myself from all of this. One good way to do that was to keep the Carousel tuned up. The cultists liked it—it was a relaxing place to sit and watch a show, something they didn’t get much of in Raleigh Durham since the wires went in.

The Carousel was a four-part show with a prologue and epilogue, “the longest-running stage show in the history of the world,” in which primitive robots told the story of how General Electric and Thomas Edison had rescued them from the dark ages. The robots rotated in and out, appearing behind scrims and delivering corny jokes, singing and tapping their toes, while their electrical appliances clattered, clanked, and showed themselves off.