The Great Floodgates of the Wonderworld (12 page)

BOOK: The Great Floodgates of the Wonderworld
8.35Mb size Format: txt, pdf, ePub

Then a short Puerto Rican man stands up and starts shouting, telling everyone how furious he is that he never gets called on to share.


Fuck all you guys
,” he yells, tears streaming down his face.

There’s not much talk about relationships—about being hooked on someone emotionally—which is what I’m there for. I have some issues around sex, sure. But I’ve mostly been in monogamous relationships my whole life; I can count the total number of people I’ve slept with on both hands. So I’m not sure I’m in the right place, and I’m feeling unsettled.

More so when I look over and see him—Melville—in the corner, sitting in a folding chair with his arms crossed, looking defeated and ashamed.

And when, by surprise, I get called on to speak, it’s all I can think to say. That I’m deeply
unsettled
.

OPHELIA, PART II

A
fter watching Dawn charge out into Ophelia waves, my nerves fail me. It’s only been a few months since I started surfing on the East Coast; I’m not sure if I’m ready for waves taller than I am, that are surging in off the horizon, one after another, lashing the beach with such unrelenting rhythm.

I sit down on the sand, chest and stomach muscles clenched, heart pumping arrhythmically.

Teagan, who has also just started surfing, stretches into a borrowed wetsuit.

“Come on,” she says, “we’ll go out together. We’ve totally got this.”

Shoulder to shoulder with Teagan, things seem less perilous. With glassy conditions and just a slight offshore breeze, paddling out is easier than I thought, and to my surprise, so is catching waves.

My first is a perfectly shaped, head-high wall of water—)))))))))))))))))))))))—the concave lip breaking from left to right, from Queens toward Brooklyn.

I paddle into it at a slight angle. Just like Kyle Grodin showed me the weekend before. Arching my back and popping up to my feet, I cut frontside down the stained-glass face, my back knee cocked in slightly.

Dropping right into the pocket—the power source—the wave folds into itself just behind me, while the silver-blue, sun-flecked lip keeps welling up in front of me, feathering white at the upper edge, the wind hollowing it out, holding it up like a crystal cavern wall—and I skim across it faster than I’ve ever surfed, my left fingers combing the surface, a long frothy wake tailing my board—until it curls and tumbles all over itself, rolls itself up like a long, bleached bale of hay, then collapses.

It only lasts a few seconds, but still it’s a kind of peak flow experience, something I’ve experienced many times on a skateboard, where all sense of time drops away, inducing a sense of euphoria combined with intense focus. In this case, the experience is heightened by the ocean, by the fact that I’m in physical conversation with a reverberation of energy from a distant storm system.

After cheering on Dawn as she rips a right-breaking peak, I catch a few more perfect lefts, riding the last one all the way back to shore, where Teagan’s already out of the water, waiting for us. Emerging from the brisk sea into warm, hazy sunlight, I feel like I’m being reborn into the world as a different person—I just surfed my first storm swell without failing or even falling once.

Back on the beach, we peel off our wetsuits, spread a Mexican blanket across the sand, and lie down, Teagan’s tan, sun-warmed leg touching mine. I watch as she rubs some sunscreen between her hands, then finger-combs it through her thick brown hair.

“Hair can get sunburned?” I ask.

“Not so much burned as damaged. Here, you want me to give you a little condition?”

She squeezes a tiny white pearl into her palm, rubs her hands together, then massages it into my hair and scalp. I haven’t been touched by another human for weeks. Combined with my lingering surf buzz, it feels phenomenal.

“All right, angel-face,” she says, “you’re all set.”

“So what’s the plan for tonight?” I ask.

“Dawn’s got a hot date. Me, not so much. But I’m meeting up with her for drinks at midnight.”

“You want to grab some dinner after the beach?”

“Deal,” she says, leaning her shoulder into mine.

Dawn stays out in the ocean for another half hour, while Teagan and I nap and flirt on the beach. It’s late afternoon by the time we make it back to Brooklyn. I shower and put on a T-shirt and jeans and cowboy boots. Before heading out I do a quick double take in the mirror, a little surprised at how surfing has transformed my upper body.

Teagan and I meet up at Bonita, an upscale Mexican place just around the corner from my apartment.

“Hi hi,” she says—it’s always double
hi
’s with Teagan—and returns my kiss on the cheek. We score a coveted sidewalk table, right on Bedford, and drink Pacificos with lime while waiting for our orders. We talk about her birds: she makes little stuffed pigeons, knits and sews them by hand, sells them from her website.

She also tells me about a friend who showed up at her apartment the previous weekend ripped on cocaine. He basically hung around all night, tweaking out, eating her food, throwing her pigeons around, and trying but failing to sit through a movie.

“Finally at about four in the morning he comes up with this
brilliant
idea that we should make out. But by that time I was way past bored and ready for bed. I was like really, dude,
really?

“So what’d you do?”

“I figured what the hell. We’re not a couple or anything. I mostly just did it to shut him up. So yeah, I let him French me for a minute, then pushed him out the door.”

Her use of
French
as a verb kills me. And also the way she used actual
Frenching
so strategically. I consider my own strategy, wondering if I’ll plant a first kiss on her, but at the same time starting to doubt if I can even keep up with her.

After dinner, Teagan wants me to hit the bars with her, then meet up with Dawn at midnight. But it’s already past eleven, and I have a strict rule about waking up early on Saturdays to write. Plus I had two whole Pacificos—about all my lightweight constitution can handle. The fact is, I’m just not that into drinking. In this way I’ve maybe set myself up for some major isolation—drinking is what New York women in their thirties do on the weekends. At least the ones I’ve met so far.

Teagan and I say our good-byes and then I head home, still ecstatic about surfing but at the same time completely lonely. Teagan’s intelligent and beyond attractive, but we’re totally incompatible. It’s the same story with all the women I’ve dated in the city.

Then it hits me—what feels like an epiphany: I want to be with Karissa. After my Ophelia ride I’m feeling better than ever. I’ve gotten over my subway fear, my ocean fear, and now that I’m stronger, more independent, I’m ready to leave New York on a high note. And I want to be with Karissa again, share this feeling with one person who will understand, and who won’t just want to go partying all night. Who will instead let me take her to bed early, so we can take our time folding into each other’s bodies, and then wake up early for a service at Unity.

I picture the two of us standing hand in hand at a church altar in Portland, Oregon—where Karissa lives now, and where I’ve always wanted to live—in front of all our friends and family.

She picks up when I call, sounds happy to hear from me.

“I want to talk to you about something,” she says.

My stomach goes all fluttery, hoping maybe she’s been thinking the same thing, that we can work it out and get back together, that this is all going according to the two-Pacifico plan I formulated five minutes ago.

“You know that black party dress I told you about, the one I sewed by hand?” she says.

Though I’ve never actually seen it, I can so vividly picture her in it, the way it must curve around her hips and chest, expose her smooth skin and tattoos.

“I wore it the other night, when a bunch of my new friends and I went out and sang karaoke. And something clicked with me—I got up on stage and sang song after song. Everyone was cheering for me because they were glad to finally see me happy, you know? Then my new friend Alex got up and sang with me, and everyone was cheering for us even more. And then it dawned on me—I almost couldn’t believe it was happening—but it dawned on me that Alex and I are
together
now.”

After a long silence, Karissa asks if I’m still there.

I finally manage to speak. “I guess I don’t know why you’re telling me this.”

“I’m telling you because I don’t think we should talk so much anymore. It’s not really fair to the person I’m dating.”

Though I was the one who’d gone and left her for my ostensibly awesome new life in New York, the news hits me hard, sucker punches me right off my blissful little surfing peak.

Feeling panicked and desperate, I tell her how I’ve dated some people too, but that I realize now how
special
what we had was, that
no one else makes me feel like she does
—trying not to, but still heaping on the clichés, because I so desperately need to get this out, to get her back. I tell her about surfing and my epiphany—that I want to move to Portland. That I’m
ready
to move to Portland, to be
with her
.

Now the silence emanates from her end.

When she finds her voice, it quavers on the edge of anger and hurt. “I thought you’d be happy for me. You were the one who left me, remember? But instead you dump all this shit on me.”

“I’m sorry,” I say. “It’s how I feel. I’m just being honest.”

“Well, as usual, your timing sucks. Because I’m
with
someone now. And this conversation is over.”

I hardly sleep that night; instead I lie awake obsessing over her, over what might have been, doubting that I’ll ever find another soul connection like I had with Karissa, especially here in New York City. This marks the beginning of a long, treacherous tide of obsession and regret; it runs strong and deep, and I try to channel it, like my chronic dissatisfaction with my work, all back into the ocean, spending more and more solo time out at Rockaway, attempting to surf my mind and body into a state of numbness, to recapture those ephemeral few minutes of Ophelia bliss.

THE REJECTION

August 15, 2005

Mr. Jerry Clark

2580 S. Wilcox Lane

Orlando, Florida 23756

Dear Mr. Clark,

Thank you for your recent submission of WET GODDESS. After having read it, I’m afraid this is going to be a pass for us. Although the manuscript is well written and has some nice details, I’m afraid that we do not see a large enough market for a story about an amorous relationship between a man and a porpoise.

Thanks again for the look, and best of luck with your writing.

Sincerely,

The Editors

_____Publishing

DARKNESS AND THE LIVING WATER

A
fter my first Wednesday-night men’s meeting, I’m not sure I ever want to go back. I grew up partly with a single mother and multiple stepsisters, so I’m most comfortable around women. I’ve always had plenty of male friends, but aside from skateboarding road trips, given a choice between a group of women or a group of men, I’ll choose women any day. It just seems logical; who—besides members of the Promise Keepers or the Elks club—honestly wants to sit in a poorly lit room full of forty or fifty
dudes?
And this room in particular is full of so much testosterone, like the womanless
Pequod
—a ship ruined by unbridled masculine force.

But after the phone call with Karissa, I realize that though our relationship was categorically different from Nicole’s and mine, in the end I’ve elicited the exact same baffling, crippling pattern. Through my anti-Midas alchemy, I’ve turned another available, lovely woman into an unavailable object of obsession and misery. I’m haunted by what she said at the airport that Thanksgiving—
the only reason you ever love anyone is to make yourself feel better
. No one had ever nailed me like that before. It was a fairly polite way of bringing me face to face with my own darkness—with the fact that, relationship-wise, I was kind of an imperialistic asshole. I’d bounced in and out of relationships my entire adult life, using them to narcotize myself and hurting people in the process. I know I need help—
God, please help me
—no matter how many lurid stories I have to endure.

I know that Asa will be there, so I go back the following Wednesday. I tell myself that if nothing else, the two of us can talk about surfing.

That evening, a small, quiet man with wire-rimmed glasses tells his story. His name is Attiq; he describes how growing up in a half-Iraqi, half-Iranian Jewish household, he always felt at war with himself. At the beginning of his share, he says he’ll spare us all the graphic details of his history with women.

“Because the thing that really got me—brought me to my knees, over and over,” he says, “is love addiction.” He describes how he dated a woman for several years, but it fell apart, and then by some twist of fate they ended up working together in the same office. Worse yet, she started dating some six-foot-tall, athletic blond guy, prominently displaying pictures of him on her desk.

“Even two years after we broke up, I’d wake up in the middle of the night, in a cold sweat, imagining them sleeping together. And thinking about how the guy probably had a much bigger dick than me.” This last line is totally unexpected from someone with the looks and mannerisms of a Buddhist monk; it sends the group into hysterics. But not me. Instead of humor I feel a jolt of anxiety—what if
Karissa’s
new boyfriend has a bigger dick than
me?

He goes on to talk about how he got better—through prayer and meditation, constant contact with a power higher than himself—and, in his case, writing poetry and reading the work of Rumi.

“For me, Rumi gleaned the essence of this program, but he did it back in the thirteenth century, in my homeland. So much of his poetry centers around an ecstatic connection to
the lover
. What he’s really talking about is entering a relationship with the divine, a part of which resides in our own hearts,” Attiq says, looking out across the room.

Other books

A Dangerous Path by Erin Hunter
Don't Tell by Amare, Mercy
Finding Angel by Nicole, Ann
I Can't Believe He Spanked Me! (Kari's Lessons) by Zara, Cassandra, Lane, Lucinda
Rainbow Valley by Lucy Maud Montgomery
Fixed Up by Maddie Jane
Wild Open by Bec Linder