The Half-Made World (16 page)

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Authors: Felix Gilman

Tags: #Fantasy - General, #Fantasy fiction, #Fiction - Fantasy, #Fiction, #Fantasy, #General, #Science Fiction And Fantasy

BOOK: The Half-Made World
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—How long must we suffer this absurdity, Creedmoor?

—You’ll be sorry if my health goes and my youth and my vigor go. When my eyesight goes and my heart fails out there in the dust one day.

—You can be replaced. Besides, your health cannot fail. We will not let it.

—Perhaps I have more faith in human science than in your will, my friend.

—That
is
absurdity.

The crowd filled about half the square; the women with their parasols and fans, the men sweating red-faced in their shirtsleeves and suspenders. At the back of the square, a single immense baobab tree curled out its broad dry branches and gave some shade. It was the most impressive structure in Kloan by far. The crust of obscene carvings on its trunk went all the way back to
Fuck Mr. Howell for bringin us out here, Big John, 1875
, and it looked to Creedmoor like it was Kloan’s greatest cultural achievement.

Creedmoor stood half a head above the crowd—Kloan’s men were short. The young men had a pretty good drunk on and sprawled on the hard earth with bottles and jugs, or sat in the branches of the baobab tree and hooted.

—Pointless, Creedmoor.

Behind and to the side of Sloop’s stage, a clever-looking young black fellow in a somewhat stained white suit was working on a complex apparatus of tubes of colored glass and spools of copper wire and things that resembled cymbals and other things that resembled organ pipes. Creedmoor imagined that this was “Professor” Harry Ransom. Every so often he stopped, scratched his head, and looked baffled at the obstinate refusal of his apparatus to do whatever it was supposed be doing. . . .

—Creedmoor, this is pathetic.

—Look, I’ll gather intelligence. Will that shut you up?

—Careful, Creedmoor.

—I’ll take that as a yes.

At the edge of the square was a long log bench where the town’s old men sat, all in a row. Creedmoor sat down among them, with a grunt, and joined in the grumbling. He agreed with them that the weather was dreadful, that prices were outrageous, and Sloop was nothing special, not like the medicine men of the good old days. Which was true; these days the Line’s factory-produced drugs flooded the markets of the heartlands and drove out the more inspired and entrepreneurial type of chemist, such as Creedmoor hoped Sloop might be.

The old men grumbled about the War. A pox on both sides—that was the general consensus.

Gently Creedmoor steered the conversation to the House Dolorous:

“Ever heard of it?”

“Of course!” The wrinkled fellow on the bench next to Creedmoor rolled his eyes, as if to say: What
hadn’t
he seen, in his long life in Kloan? “I’ve been there. Not far north of here, as far west as any sane man goes. Friend of mine died there, as a matter of fact. You look well enough, sir, what do you need to go there for?”

“Maybe I’m just looking for work.”

“They don’t take just anyone. They’re unfriendly types, for healers. These are dangerous times, so who can blame ’em?”

“That’s too bad.”

“They say there’s a Power watches over ’em. They say it loves peace and hates the War and if any man strikes another man there, that Power strikes ’em right back.”

“A mothering Power! Who says that?”

“Everyone does.
They
do.”

“Men from the House? You know them?”

“They come through town every now and again.”

“Who does?”

“Men from the House. They go walking all over the country, looking for wounded and mad. You’ll see ’em on the trails in these parts—a dozen men lame or mad walking, walking, one man of the House leading them, town to town and home to the House. Towns’ll pay to get rid of the mad folk, often enough. Or the old folk. Maybe it’ll be my time soon!”

And the old men started wheezing with laughter, and Creedmoor said,

—An idea occurs to me.

—Yes, Creedmoor.

—Our way in. Our disguise.

—Yes.

—Aren’t you pleased we came to Kloan? I’ve done my day’s work. Now it’s time for my medicine.

When Creedmoor rejoined the crowd, the pretty girl had moved closer to the stage, and her boyfriend had put an arm around her. Creedmoor stood quietly behind her and admired the view.

Professor Ransom’s mysterious apparatus was still not cooperating, but Dr. Sloop and his hurdy-gurdy man and his feather-clad showgirl were putting on quite enough of a performance to hold Kloan’s attention. They strutted and clapped and roared and jiggled across the flat boards of the medicine wagon’s stage. The backdrop behind them was a huge canvas painted with blue skies and clouds and soaring mountains and mighty forests sweeping horizon to horizon. Kloan and environs were flat as dirt from farms to cattle markets and the panorama was likely the most exciting thing they’d ever seen. The showgirl moved before that painted world like a beautiful colossus. Sloop worked the crowd up into clapping and stomping and hooting like apes.

Then Sloop brought out the muscleman.

Five foot five and practically square, bowlegged, clad in bearskin, and hairy chested: the muscleman pranced and bounced and hefted two huge anvils that were surely hollow inside. “Ladies and gentlemen of Kloan,” Sloop screamed, “such are the benefits of Sloop’s tonic water!” The men in the crowd clapped, and the women sighed and swooned.

—Fools.

—They know it’s horseshit, my friend. They are only bored, and looking for amusement.

Sloop seized the muscleman’s hairy wrist and held his arm up in the air, to applause that started mild and trailed off. Sloop had let the muscleman go on a little too long; the crowd was losing interest.

Creedmoor clapped loudly and cheered. He favored Sloop with a wide encouraging smile. Out of the corner of his eye, Creedmoor noticed the pretty girl noticing him. He noticed, too, her big blond boy standing possessively beside her, glaring. He smiled at them both.

“You sir,” Sloop said, pointing at Creedmoor, “you man of Kloan, will you come up and test your strength against my good friend here? Would you see firsthand what Sloop’s tonic water can do for a man’s vigor?”

—No, Creedmoor. Do not draw attention.

But the pretty girl was smiling at him with interesting and interested eyes, waiting to see what he would do, and the dumb animal glare of her boy was intensely amusing, so Creedmoor laughed and stepped up onto the stage. He saw Sloop’s one good eye drop sharply to his gun belt and to Marmion’s gleaming grip, and he began to think twice, but it was too late to back away.

From the stage, Creedmoor could see all of Kloan and the flat land that stretched off into the haze of the uncreated West.

The stubby muscleman flexed into view, just under Creedmoor’s chin. He stank of whiskey and sweat. He posed his bulgy body for the crowd. He seized Creedmoor’s hand, and they arm-wrestled.

—Huh. Aren’t you going to help me?

—Of course not, Creedmoor.

The muscleman slammed Creedmoor’s hand down almost at once. Creedmoor smiled and took it with good grace.

“That’s no man of Kloan!” The big blond boy was drunker than he’d looked. His sweaty face had gone from red to near purple. His neck veins bulged. “That old drifter’s no man of Kloan! Why don’t you try a real man, Sloop?”

Creedmoor offered the crowd a guileless and ingratiating smile. They looked back at him, and at the blond boy climbing the stage, with no hostility, only a bored curiosity.

—Look there, Creedmoor.

—What?

—There in the door of the boardinghouse, in shirtsleeves and spectacles.

—Ah. I see him.

A small fat man in the distance at the edge of the market, just by the boarding house. Pale-skinned but sunburned, soft-featured, in a dirty gray shirt, his blinking gray eyes fixed on Creedmoor; on Creedmoor’s belt; on Marmion. The man’s eyes flicked up and met Creedmoor’s, and he flinched and ducked quickly back indoors.

—A man of the Line.

—No uniform.

—Nevertheless. As we said: The enemy is present.

—This far west? No Engines run this far. He’s far from his masters.

—As we said: The enemy is present. The Lion and Fanshawe reported movements south of Greenbank. They were correct.

—Are they on the same trail as us?

—We do not know the plans of the Engines. They are mad. Creedmoor! Where there is one Linesman, there are many.
Go
.

Creedmoor smiled and moved to the edge of the stage. “Excuse me, Dr. Sloop, good ladies and gentlemen of Kloan, it’s been a fine afternoon, but I must—”

But the stupid blond boy lunged out of the crowd and grabbed Creedmoor’s arm with a drunken crushing grip and would not let go. Creedmoor looked into the oaf’s dull eyes and saw there was no reasoning with him; so he flashed one last smile at the oaf’s pretty young lady, wide-blue-eyed in the shade of her green parasol, and he twisted the oaf’s arm—and there was a burning in Creedmoor’s blood and there was cordite and sulfur in his nostrils as
now
Marmion’s dark strength flooded his veins—he twisted so that the big boy spun like a ballerina and went down on his back with a wet snapping sound and a limp arm flopping at his side.

Creedmoor shrugged and jumped down from the stage. The girl met his eye again and recoiled; his eyes were shot with blood and darkness and he was not smiling now, not at all.

The oaf had friends; they shoved through the crowd at Creedmoor and instantly his thumb was in one man’s eye and another man was kneeling on the dust clutching his bleeding nose.

Behind him, Sloop and the showgirl and the muscleman were frantically packing their clanking, sloshing stock of tonic water away for safety, and Ransom dismantled his apparatus.

The crowd cleared around Creedmoor, and he broke into a run for the boardinghouse door, kicking up dust with his boots.

When the boardinghouse door opened, he shot the first man to come through it in the head, but the body was at once trampled down by two more men, both of whom were dull and pale and doughy and glassy-eyed in the way of the mass-manufactured men of the Line. To either side of the door, the windows broke, and the ugly muzzles of machine guns poked through. Creedmoor lurched to a halt and turned on his heel back into the crowd as the guns opened up: the whir of the Engine first and the chatter of the feeding belt; a sound of threshing Engines and a gathering storm. He called out
MARMION
!
and a dark rush of blood pounded through him and the world went gray, and he veered sideways and dove between bullets that swam past him in stately slow-moving procession. One scraped his leg, ripping his trouser, and the pain let loose another burst of black blood in his brain, but it was only a scrape, and Marmion knitted the flesh closed even as he ran. He ran, thinking:
I’ll need needle and thread to be presentably dressed for the House Dolorous.
Then he ducked for cover in the crowds of Kloan’s market.

The hideous machines churned up the crowd. Kloan was a peaceful town, out here far to the west of the War; its people had not the good sense to drop—so they made excellent shields for Creedmoor. He darted between an old woman in a lacy dress who went down in a bloody spray and a dumb young farmboy who shrieked like a girl as the bullets hit him; between the two, Creedmoor fired a single shot that caught one of the Linesman gunners between the eyes; the Linesman’s mechanical weapon fell from the window still automatically firing and thrashing like an iron snake until the belt was empty.

They were men of the Line for sure, of course; no one else had access to such hideous machines.

One of the Linesmen in the boardinghouse knelt in the doorway. He snapped open his black chrome-clasped briefcase and removed a black lump of iron, the size of his fist, and he bowled it through the air toward the crowd and Creedmoor. Creedmoor, darting from behind a screaming gaggle of girls in blood-spattered dresses, caught it on the wing with one careful shot (
time froze; the world became gray and cold and precise; Marmion guided his hand
) knocking it back like a billiard ball into the boardinghouse through the open door.

The boardinghouse immediately burst into flame. The curtains went up and the glass shattered and sparks and smoke poured forth from the windows. The shooting stopped briefly.

—Was that a firebomb? An unusual weapon for the Line.

—Remember Logtown, Creedmoor. They burned Logtown.

—How could I forget?

—It might have been a noise-bomb. Or gas. You broke it, Creedmoor, so now it burns. Who cares what it was made for?

—Now it burns. Who cares what it was made for? That should be your motto. I should have it
engraved
on your grip. Oh, look at it burn! That should keep them busy.

—There may be more nearby.

—What do you think they were doing here?

—Spying. Establishing their hateful spying machines. Laying claim to territory that is not theirs.

Two more men, short, hunching, coughing, staggered out of the blaze, smoke streaming from shabby black suits and howling mouths, ugly stub rifles held loosely and rattling away.

—Finish them. Smash their machines.
Go
.

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