The H.G. Wells Reader (95 page)

“I say,” said Mr. Polly, “how old are you?”

“Nine,” said the little girl.

She turned away and reflected. Truth compelled her to add one other statement.

“He's not what I should call handsome, not Uncle Jim,” she said. “But he's a scorcher and no mistake. . . . Gramma don't like him.”

Mr. Polly found the plump woman in the big bricked kitchen lighting a fire for tea. He went to the root of the mater at once.

“I say,” he asked, “who's Uncle Jim?”

The plump woman blanched and stood still for moment. A stick fell out of the bundle in her hand unheeded.

“That little granddaughter of mine been saying things?” she asked faintly.

“Bits of things,” said Mr. Polly.

“Well, I suppose I must tell you sooner or later. He's—. It's Jim. He's the Drorback to this place, that's what he is. The Drorback. I hoped you mightn't hear so soon. . . . Very likely he's gone.”

“
She
don't seem to think so.”

“ 'E 'asn't been near the place these two weeks and more,” said the plump woman.

“But who is he?”

“I suppose I got to tell you,” said the plump woman.

“She says he scoots people,” Mr. Polly remarked after a pause.

“He's my own sister's son.” The plump woman watched the crackling fire for a space. “I suppose I got to tell you,” she repeated.

She softened towards tears. “I try not to think of it, and night and day he's haunting me. I try not to think of it. I've been for easy-going all my life. But I'm that worried and afraid, with death and ruin threatened and evil all about me! I don't know what to do! My own sister's son, and me a widow woman and 'elpless against his doin's!”

She put down the sticks she held upon the fender, and felt for her handkerchief. She began to sob and talk quickly.

“I wouldn't mind nothing else half so much if he'd leave that child alone. But he goes talking to her—if I leave her a moment he's talking to her, teaching her words and giving her ideas!”

“That's a Bit Thick,” said Mr. Polly.

“Thick!” cried the plump woman; “it's 'orrible! And what am I to do? He's been here three times now, six days and a week and a part of a week, and I pray to God night and day he may never come again. Praying! Back he's come sure as fate. He takes my money and he takes my things. He won't let no man stay here to protect me or do the boats or work the ferry. The ferry's getting a scandal. They stand and shout and scream and use language. . . . If I complain they'll say I'm helpless to manage here, they'll take away my license, out I shall go—and it's all the living I can get—and he knows it, and he plays on it, and he don't care. And here I am. I'd send the child away, but I got nowhere to send the child. I buys him off when it comes to that, and back he comes, worse than ever, prowling round and doing evil. And not a soul to help me. Not a soul! I just hoped there might be a day or so. Before he comes back again. I was just hoping—I'm the sort that hopes.”

Mr. Polly was reflecting on the flaws and drawbacks that seem to be inseparable from all the more agreeable things in life.

“Biggish sort of man, I expect?” asked Mr. Polly, trying to get the situation in all its bearings.

But the plump woman did not heed him. She was going on with her tire-making, and retailing in disconnected fragments the fearfulness of Uncle Jim.

“There was always something a bit wrong with him,” she said, “but nothing you mightn't have hoped for, not till they took him and carried him off and reformed him. . . .

“He was cruel to the hens and chickings, it's true, and stuck a knife into another boy, but then I've seen him that nice to a cat, nobody could have been kinder. I'm sure he didn't do no 'arm to that cat whatever anyone tries to make out of it. I'd
never listen to that. . . . It was that reformatory ruined him. They put him along of a lot of London boys full of ideas of wickedness, and because he didn't mind pain—and he don't, I will admit, try as I would—they made him think himself a hero. Them boys laughed at the teachers they set over them, laughed and mocked at them—and I don't suppose they was the best teachers in the world; I don't suppose, and I don't suppose anyone sensible does suppose that everyone who goes to be a teacher or a chapl'in or a warder in a Reformatory Home goes and changes right away into an Angel of Grace from Heaven—and Oh, Lord! where was I?”

“What did they send him to the Reformatory for?”

“Playing truant and stealing. He stole right enough—stole the money from an old woman, and what was I to do when it came to the trial but say what I knew. And him like a viper a-looking at me—more like a viper than a human boy. He leans on the bar and looks at me. ‘All right, Aunt Flo,' he says, just that and nothing more. Time after time, I've dreamt of it, and now he's come. ‘They've Reformed me,' he says, ‘and made me a devil, and devil I mean to be to you. So out with it,' he says.”

“What did you give him last time?” asked Mr. Polly.

“Three golden pounds,” said the plump woman. “ ‘That won't last very long,' he says. ‘But there ain't no hurry. I'll be back in a week about.' If I wasn't one of the hoping sort—”

She left the sentence unfinished.

Mr. Polly reflected. “What sort of a size is he?” he asked. “I'm not one of your Herculaceous sort, if you mean that. Nothing very wonderful bicepitally.”

“You'll scoot,” said the plump woman with conviction rather than bitterness. “You'd better scoot now, and I'll try and find some money for him to go away again when he comes. It ain't reasonable to expect you to do anything but scoot. But I suppose it's the way of a woman in trouble to try and get help from a man, and hope and hope. I'm the hoping sort.”

“How long's he been about?” asked Mr. Polly, ignoring his own outlook.

“Three months it is come the seventh since he come in by that very back door—and I hadn't set eyes on him for seven long years. He stood in the door watchin' me, and suddenly he let off a yelp—like a dog, and there he was grinning at the fright he'd given me. ‘Good old Aunty Flo,' he says, ‘ain't you dee-lighted to see me?' he says, ‘now I'm Reformed.' ”

The plump lady went to the sink and filled the kettle.

“I never did like 'im,” she said, standing at the sink. “And seeing him there, with his teeth all black and broken—. P'raps I didn't give him much of a welcome at first. Not what would have been kind to him. ‘Lord!' I said, ‘it's Jim.' ”

“ ‘It's Jim,' he said. ‘Like a bad shilling'—like a damned bad shilling. Jim and trouble. You all of you wanted me Reformed and now you got me Reformed. I'm a Reformatory Reformed Character, warranted all right and turned out as such. Ain't you going to ask me in, Aunty dear?'

“ ‘Come in,' I said, ‘I won't have it said I wasn't ready to be kind to you!'

“He comes in and shuts the door. Down he sits in that chair. ‘I come to torment you!' he says, ‘you Old Sumpthing!' and begins at me. . . . no human being could ever had been called such things before. It made me cry out. ‘And now,' he says, ‘just to show I ain't afraid of 'urting you,' he says, and ups and twists my wrist.”

Mr. Polly gasped.

“I could stand even his vi'lence,” said the plump woman, “if it wasn't for the child.”

Mr. Polly went to the kitchen window and surveyed his namesake, who was away up the garden path with her hands behind her back, and whisps of black hair in disorder about her little face, thinking, thinking profoundly, about ducklings.

“You two oughtn't to be left,” he said.

The plump woman stared at his back with hard hope in her eyes.

“I don't see that it's my affair,” said Mr. Polly.

The plump woman resumed her business wit the kettle.

“I'd like to have a look at him before I go,” said Mr. Polly, thinking aloud. And added, “Somehow. Not my business, of course.”

“Lord!” he cried with a start at a noise in the bar, “who's that?”

“Only a customer,” said the plump woman.

Mr. Polly made no rash promises, and thought a great deal.

“It seems a good sort of crib,” he said, and added, “for a chap who's looking for trouble.”

But he stayed on and did various things out of the list I have already given, and worked the ferry, and it was four days before he saw anything of Uncle Jim. And so resistent is the human mind to things not yet experienced that he could easily have believed in that time that there was no such person in the world as Uncle Jim. The plump woman, after her one outbreak of confidence, ignored the subject, and little Polly seemed to have exhausted her impressions in her first communication, and engaged her mind now with a simple directness in the study and subjugation of the new human being Heaven had sent into her world. The first unfavourable impression of his punting was soon effaced; he could nickname ducklings very amusingly, create boats out of wooden splinters, and stalk and fly from imaginary tigers in the orchard with a convincing earnestness that was surely beyond the power of any other human being She conceded at last that he should be called Mr. Polly, in honour of her, Miss Polly, even as he desired.

Uncle Jim turned up in the twilight.

Uncle Jim appeared with none of the disruptive violence Mr. Polly had dreaded. He came quite softly. Mr. Polly was going down the lane behind the church that led to the Potwell Inn after posting a letter to the lime-juice people at the post-office. He was walking slowly, after his habit, and thinking discursively. With a sudden tightening of the muscles he became aware of a figure walking noiselessly beside him. His
first impression was of a face singularly broad above and with a wide empty grin as its chief feature below, of a slouching body and dragging feet.

“Arf a mo',” said the figure, as if in response to his start, and speaking in a hoarse whisper. “Arf a mo', mister. You the noo bloke at the Potwell Inn?”

Mr. Polly felt evasive. “ 'Spose I am,” he replied hoarsely, and quickend his pace.

“Arf a mo',” said Uncle Jim, taking his arm. “we ain't doing a (sanguinary) Marathon. It ain't a (decorated) cinder track. I want a word with you, mister. See?”

Mr. Polly wriggled his arm free and stopped. “What is it?” he asked, and faced the terror.

“I jest want a (decorated) word wiv you. See?—just a friendly word or two. Just to clear up any blooming errors. That's all I want. No need to be so (richly decorated) proud, if you are the noo bloke at Potwell Inn. Not a bit of it. See?”

Uncle Jim was certainly not a handsome person. He was short, shorter than Mr. Polly, with long arms and lean big hands, a thin and wiry neck stuck out of his grey flannel shirt and supported a big head that had something of the snake in the convergent lines of its broad knotty brow, meanly proportioned face and pointed chin. His almost toothless mouth seemed a cavern in the twilight. Some accident had left him with one small and active and one large and expressionless reddish eye, and wisps of straight hair sprayed from under the blue cricket cap he wore pulled down obliquely over the latter. He spat between his teeth and wiped his mouth untidily with the soft side of his fist.

“You got to blurry well shift,” he said. “See?”

“Shift!” said Mr. Polly. “How?”

“ 'Cos the Potwell Inn's my beat. See?”

Mr. Polly had never felt less witty. “How's it your beat?” he asked.

Uncle Jim thrust his face forward and shook his open hand, bent like a claw, under Mr. Polly's nose. “Not your blooming business,” he said. “You got to shift.”

“S'pose I don't,” said Mr. Polly.

“You got to shift.”

The tone of Uncle Jim's voice became urgent and confidential.

“You don't know who you're up against,” he said. “It's a kindness I'm doing to warn you. See? I'm just one of those blokes who don't stick at things, see? I don't stick at nuffin' ”

Mr. Polly's manner became detached and confidential—as though the matter and the speaker interested him greatly, but didn't concern him overmuch. “What do you think you'll do?” he asked.

“If you don't clear out?”

“Yes.”

“
Gaw
!” said Uncle Jim. “You'd better. '
Ere
!”

He gripped Mr. Polly's wrist with a grip of steel, and in an instant Mr. Polly understood the relative quality of their muscles. He breathed, an uninspiring breath, into Mr. Polly's face.

“What
won't
I do?” he said. “Once I start in on you.”

He paused, and the night about them seemed to be listening. “I'll make a mess of you,” he said in his hoarse whisper. “I'll do you—injuries. I'll 'urt you. I'll kick you ugly, see? I'll 'urt you in 'orrible ways—'orrible, ugly ways. . . .”

He scrutinised Mr. Polly's face.

“You'll cry,” he said, “to see yourself. See? Cry you will.”

“You got no right,” began Mr. Polly.

“Right!” His note was fierce. “Ain't the old woman me aunt?”

He spoke still closer. “I'll make a gory mess of you. I'll cut bits orf you—”

He receded a little. “I got no quarrel with you,” he said.

“It's too late to go to-night,” said Mr. Polly.

“I'll be round to-morrer—'bout eleven. See? And if I finds you—”

He produced a blood-curdling oath.

“H'm,” said Mr. Polly, trying to keep things light. “We'll consider your suggestions.”

“You better,” said Uncle Jim, and suddenly, noiselessly, was going.

His whispering voice sank until Mr. Polly could hear only the dim fragments of sentences. “ 'Orrible things to you—'orrible things. . . . Kick yer ugly. . . . Cut yer—liver out . . . spread it all about, I will. . . . Outing doos. See? I don't care a dead rat one way or the uvver.”