The Hollow Man (6 page)

She turns away from the window, holding her arms.

“The reason Chuck Gilpen had that research in the first place,” he says. “Do you remember that Chuck’s working with the Fundamental Physics Group out at Lawrence Berkeley Labs?”

Gail nods. “So?”

“So for the past few years they’ve been hunting down all those smaller and smaller particles and studying the properties that rule them to get a hook on what’s real. What’s
really
real. And when they get past the gluons and quarks and charm and color, and do get a glimpse of reality on its most basic and persuasive level, you know what they get?”

Gail shakes her head and hugs herself more tightly, seeing his answer even before he verbalizes it.

“They get a series of probability equations that show standing wavefronts,” he says softly, his own skin breaking out in goose bumps. “They get the same squiggles and jiggles that Goldmann gets when he looks beyond the brain and finds the mind.”

Gail’s voice is a whisper. “What does that
mean
, Jerry?”

Jeremy abandons his iced tea with its melting ice cubes and goes to the fridge to get a beer. He pops the top and drinks deeply, pausing to burp once. Beyond Gail, the
late-afternoon light is painting the cherry trees beyond the barn in rich colors.
Out there
, he shares with Gail.
And in our minds. Different … and the same. The universe as a standing wavefront, as fragile and improbable as a baby’s dreams
.

He burps again and says aloud, “Beats the hell out of me, kiddo.”

O
n the third day, Bremen rose and went out into the light. There was a small dock behind the shack, little more than two boards on pilings really, and it was here that Bremen stood and blinked at the sunrise while birds made riotous sounds in the swamp behind him and fish rose to feed in the river in front of him.

On the first day he had been content to let Verge ferry him across the river and show him his fishing shack. The old man’s thoughts were a welcome change to Bremen’s exhausted mind: wordless thoughts, images without words, slow emotions without words, thoughts as rhythmic and soothing as the put-putting of the ancient outboard motor that propelled them across the slow-moving river.

The shack had been more than Bremen had expected for forty-two dollars a day; beyond the dock the little
structure boasted a porch, a tiny living room with screened windows, one sprung couch, and a rocking chair, a small kitchen with a half-sized refrigerator—there was electricity!—the bulky oven and promised hot plate, and finally a narrow table with a faded oilcloth. There was also a bedroom not much larger than the built-in bed itself, its single window looking out on an honest-to-God outhouse. The shower and sink were makeshift things in an open alcove outside the back door. But the blankets and folded sheets were clean, the three electric lights in the shack worked, and Bremen collapsed onto the sprung couch with an emotion very close to elation at having found this place … if one can feel elation while feeling a sadness so profound that it bordered on vertigo.

Verge had come in and sat on the rocking chair. Remembering his manners, Bremen had gone through the grocery sacks, found the six-pack of beer that Norm Sr. had packed, and had offered one to Verge. The old man did not refuse, and Bremen basked in the warm glow of the old man’s wordless thoughts as they sat in the warm twilight and sipped their equally warm beers.

Later, after his guide had left, Bremen sat on the dock and fished. Not worrying about choice of bait or strength of line or what kind of fish he was going after, he had dangled his legs off the rough planks, listened to the swamp and river come alive with bullfrogs in the fading light, and caught more fish than he had ever dreamed of. Bremen knew that some were catfish from their whiskers, that several were longer, thinner, and tougher fighters, and that one actually looked like a rainbow trout, although he considered that unlikely … but he threw them all back. He had enough for three nights’ dinners and he needed no fish. It was the
process
of fishing that was therapeutic; it was
fishing
that lulled his mind into
some vestige of peace after the madness of the preceding days and weeks.

Later on that first day’s night, sometime after it grew dark (Bremen did not consult his watch), he had gone into the shack, prepared a bacon, lettuce, and tomato sandwich for dinner, washed it down with another beer, cleaned the dishes and then himself, and had gone to bed, to sleep for the first time in four days, and to sleep, without dreaming, for the first time in many weeks.

On the second day Bremen slept late and fished from the dock through the morning, caught nothing at all, and was as satisfied as he had been the night before. After an early lunch he had walked along the bank almost to a point where the river drained into the swamp, or vice versa … he could not tell, and fished for a few hours from a bank. Again, he threw back everything he caught, but he saw a snake swimming lazily between the half-submerged cypress and for the first time in his life was not afraid of the serpent.

On the evening of the second day Verge came put-putting upriver, coasted into the dock, and let Bremen know through simple signs that he was there to take him fishing back in the swamp. Bremen had hesitated a moment—he did not know if he was ready for the swamp—but then had lowered his rod and reel to the old man and jumped carefully into the front of the boat.

The swamp had been dark and overhung with Spanish moss, and Bremen had spent less time paying attention to his fishing than in watching the huge birds flapping lazily overhead to their nests, or listening to the evening calls of a thousand varieties of frogs, and even watching two alligators move lazily through the dusk-tinted water. Verge’s thoughts were almost one with the rhythms of the boat and swamp, and Bremen found it infinitely soothing to
surrender the turmoil of his own consciousness to the damaged clarity of his fishing partner’s damaged mind. Through some strange way Bremen had fathomed that Verge, although poorly educated and far from being a learned man, had been a kind of poet in his earlier days. Now, since the stroke, that poetry showed itself as a gentle cadence of wordless memories and as a willingness to surrender memory itself to the more demanding cadence of
now
.

Neither of them had caught anything worth keeping, so they came out of the swamp into a lighter darkness—a full moon was rising above cypress to the east—and tied up to the little dock at Bremen’s shack. A breeze kept the mosquitoes away as they sat in companionable silence on the porch and finished the last of Bremen’s beers.

Now, on the third morning, Bremen rose and came out into the light, blinking at the sunrise and wanting to get a little fishing in before breakfast. Bremen jumped down from the dock and walked a hundred yards south along the bank to a grassy place he had found the previous afternoon. Mist rose from the river and the birds filled the air with urgent cries. Bremen walked carefully, one eye out for snakes or alligators in the weeds along the bank, feeling the air warm quickly as the sun rose free of the trees. There was something very close to happiness turning slowly in his chest.

The Big Two-Hearted River
, came Gail’s thought.

Bremen stopped and almost stumbled. He stood, panting slightly, closing his eyes to concentrate. It had been Gail but had
not
been Gail: a phantom echo, as chilling as if her actual voice had whispered to him. For a minute the dizziness grew worse, and Bremen had to sit down quickly on a hummock of grass. He lowered his head between his knees and tried to breathe slowly. After a
while the humming in his ears lessened, the pounding in his chest moderated, and the wave of déjà vu bordering on nausea passed.

Bremen raised his face to the sun, tried to smile, and lifted his rod and reel.

He did not have his rod and reel. This morning he had carried out the 38-caliber pistol instead.

Bremen sat on the warming riverbank and considered the weapon. The blue steel looked almost black in the bright light. He found the lever that released the cylinder and looked at the six brass circles. He clicked the cylinder shut and lifted the weapon higher, raising it almost to his face. The hammer clicked back with surprising ease and locked into place. Bremen set the short barrel against his temple and closed his eyes, feeling the warm sunlight on his face and listening to the buzz of insects.

Bremen did not fantasize that the bullet entering his skull would free him … would send him to some other plane of existence. Neither he nor Gail had ever believed in any life but this one. But he did realize that the gun, that the single bullet, were instruments of release. His finger had found the trigger, and now Bremen knew with absolute certainty that the slightest additional pressure would bring an end to the bottomless chasm of sorrow that lay under even this brief flash of happiness. The slightest additional pressure would end forever the incessant encroachment of other people’s thoughts that even now buzzed around the periphery of his consciousness like a million bluebottle flies around rotted meat.

Bremen began to apply that additional pressure, feeling the perfect arc of metal under his finger, and, despite himself, converted that tactile sense of arc as a mathematical construct. He visualized the latent kinetic energy lying in the gunpowder, the sudden translation of that
energy into motion, and the ensuing collapse of a much more intricate structure as the complex dance of sine waves and standing wavefronts in his skull died with the dying of the brain that generated them.

It was the thought of destroying that beautiful mathematical construct, of smashing forever the wavefront equations that were so much more beautiful to Bremen than the flawed and injured human psyche they represented, that caused him to lower the pistol, lower the hammer of the pistol, and toss it away from him, over the high reeds, into the river.

Bremen stood and watched the ripples widen. He felt neither elation nor sadness, satisfaction nor relief. He felt nothing at all.

He sensed the man’s thoughts only seconds before he turned and saw him.

The man was standing in an old skiff not twenty-five feet from Bremen, using an oar as a pole to move the flat-bottomed boat out of the shallows near where the river entered the swamp (or vice versa). The man was dressed even less appropriately for the river than Bremen had been three days before: he wore a white lounge suit with a black shirt, sharp collars slashing across the suit’s broad lapels like raven wings; there were layers of gold necklaces descending from the man’s thin throat to where black chest hair matched the black satin of his shirt; he wore expensive black pumps of a soft leather never designed for any surface more hostile than a plush carpet; a pink silk handkerchief rose from the pocket of his white lounge suit; his pants were held up by a white belt with a large gold buckle, and a gold Rolex gleamed on his left wrist.

Bremen had opened his mouth to say good morning when he saw everything at once.

His name is Vanni Fucci. He left Miami a little after three
A.M
. The dead man in the trunk had borne the unlikely name of Chico Tartugian. Vanni Fucci had dumped the body less than twenty feet from where the skiff now floated, just back among the cypresses where the swamp was black and relatively deep
.

Bremen blinked and could see the ripples still emanating from the shadowy place where Chico Tartugian had been pushed overboard with fifty pounds of steel chain around him.

“Hey!” cried Vanni Fucci, and almost overturned the skiff as he took one hand off the oar to paw under his white jacket.

Bremen took a step backward and then froze. For an instant he thought that the .38-caliber revolver in Vanni Fucci’s hand was
his
gun, the pistol Bremen’s brother-in-law had given him, the pistol he had just tossed into the river. Ripples still widened from that site of discard, although they were dying now as they met the river current and the small waves from Vanni Fucci’s bobbing skiff.

“Hey!” shouted Vanni Fucci a second time, and cocked the pistol. Audibly.

Bremen tried to raise his hands, but found that he had only brought them together in front of his chest in a motion suggesting neither supplication nor prayer so much as contemplation.

“What the fuck are you doing here?” screamed Vanni Fucci, the skiff wobbling so much now that the black muzzle opening of the pistol moved from being aimed at Bremen’s face to a point near his feet.

Bremen knew that if he were going to run, now was the time to do it. He did not run.

“I said what the fuck are you doing here, you goddamn fuck!” screamed the man in the white suit and black shirt.
His hair was as black and shiny as his shirt and rose in tight ringlets. His face was pale under a machine tan and his mouth was a cupid’s fleshy pout, now contorted into something resembling a snarl. Bremen saw a diamond gleaming in Vanni Fucci’s left earlobe.

Unable to speak for a moment, due more to a strange exhilaration than from any surge of fear, Bremen shook his head. His hands remained cupped, fingertips almost touching.

“C’mere, you fuck,” shouted Vanni Fucci, trying to keep the pistol steady as he tucked the oar tighter under his right arm and poled toward the bank, using his left forearm to steady himself against the oar. The skiff rocked again, but coasted forward; the muzzle of the pistol grew in size.

Bremen blinked gnats away from his eyes and watched as the skiff floated up to the bank. The .38 was less than eight feet away now and much more steady.

“What’d you see, you fuck? What’d you fucking see?” Vanni Fucci punctuated the second question with an extension of the revolver, as if he meant to thrust it through Bremen’s face.

Bremen said nothing. A part of him was very calm. He thought of Gail during her last days and nights, surrounded by instruments in the intensive care ward, her body invaded by catheters, oxygen tubes, and intravenous drips. All thought of the elegant dance of sine waves had vanished with the gangster’s shouts.