The Holy City

PATRICK McCABE

1 C.J. Pops, International Celeb

2 Abide With Me

3 Jerusalem

4 A Child's Garden of Verses

5 Suits Me, Mrs Vindaloo

6 An E-Type Jag

7 A Very Clever Plan

8 Sand

9 Any Views on That, Mahatma Gandhi?

10 The Mysteries of Protestants

11 In the Cathedral

12 Mr Wonderful

13 The New Philosophy

14 A City Devastated

15 My Friends the Stars

16 Vesna Krapotnik, Catholic

17 The Beachcomber Affair

18 Saints You May Not Know

19 A Walk in the Black Forest

20 City of Sapphire

21 To Sir With Love

22 In the Holy of Holies

23 The Eggman

A Note on the Author

By the Same Author

Now entering upon one's sixty-seventh year, one is at pains to recall such a blissful degree of contentment — ever. Welcome to the Happy Club, where our good fortune and well-being continue apace. Further enhancing the union of the lovely Vesna and her dutiful, respectful and ever-apprecative spouse: yours truly, Chris J. McCool — at your service, just call me Pops.

It has been remarked, of late, I have not failed to notice, how well I tend to look for my age — and in spite of a recent hip replacement too, I might add, necessitating the use of a walking cane.
Dashing
is a word which has — and not so infrequently, either — been generously and spontaneously applied. Such good-natured appreciations of one's status encouraging me daily to disport myself, as of old, in the smartest of neat blue blazers with brightly polished brass buttons, complete with white loafers and razor-creased grey slacks, a Peter Stuyvesant King Size cigarette
(the international passport to smoking pleasure!)
louchely dawdling between my lips. Completing the image — kinky, Pops, if that's your bag! — with just the teeniest sprinkling of Monte Carlo Man — the most expensive aftershave available on the market. I jest — there being no such fragrance in existence, of
course. Old Spice, as ever, sufficing admirably, liberally sprinkled across the lantern jaw of ‘retired businessman' Christopher J. McCool — ‘Cullymore citizen', and refined boulevardier of some local distinction.

In passing, perhaps flippantly, there has been the somewhat flattering suggestion, tall and handsome as I am considered to be, of a more than passing resemblance to a certain Roger Moore, the cool, suave, unflappable star of stage and cinema screen. Who is perhaps best remembered for his portrayal of Simon Templar, the Saint, a self-styled ‘jet-setting, country club' schmoozer very popular on television in the mid- to late-sixties. And that, of course, in later years, of that other post-war icon, the extremely sophisticated Mr James ‘Licence to Kill' Bond, Ian Fleming's similarly enduring creation. A piece of intelligence which, were he to have become acquainted with it, my dearest old papa would, I feel confident, have found immensely gratifying. Dr Thornton being something of a sophisticated gentleman himself, of course — bred of the noblest, verifiably Protestant stock.

With his eighteenth-century Palladian-style mansion set in its sumptuous, painstakingly maintained grounds, boasting many priceless works of art, a ‘capital' stables, and an absurd number of capacious and magnificently appointed rooms. Not to mention the extensive wainscoted library, with so many leather-bound spines glinting in the amber firelight, Father being something of a literary critic and essayist in his own right. Amongst those bookish treasures some of the world's finest works of literature. Most notably,
perhaps, those of James Joyce, including both
Dubliners and A Portrait of the Artist as a Young Man.
A volume of which, in later years, for a variety of reasons, I was to become excessively, even — dare I say it — obsessively, fond. How proud he would have been of my artistic inclinations.

They could possibly have influenced him, who can tell? To the extent that he might even have come to regard me as a perfectly reasonable and valid human being. Not to mention his son and heir. Sired though I was at the back of a barn, by a representative of that most despicable breed, which he loathed with all his being, and routinely defined as ‘Catholic scum'.

In recent times, reinvigorated here in the modest quietude of the Happy Club, I have made it my business assiduously to proceed with the redecoration of our fine fourth-floor apartment. My latest purchases including a delightfully ornate Moroccan carpet, which I sourced on the web, and a Peter Blake print of the singer Alma Cogan — which, can you believe it, I actually found here in Cullymore East, in a little antique shop located along the Plaza. Also the loveliest low mahogany table, complete with polished inlaid chessboard. With which I like to amuse myself for protracted periods — whenever I'm not listening to Andy Williams or the Carpenters, one of their songs in particular seeming to provide the soundtrack to our new life.

—
We've only just begun,
sings Karen in that warm, mesmerising, melted-caramel voice, as I ease my head on to the comforting slopes of my beloved Vesna's bosom, drawing languidly on my Peter Stuyvesant, staring dreamily out at the stars.

—
Can't take my eyes off you,
croons Andy, as Vesna smiles and I run my fingers through her hair, kissing her frail shoulders, all along her pale freckled arm, as I whisper in her ear:

— In love's holy city we dwell. For me, my love, you will never be just a corpse.

We tend to retire early now, as a rule, and I can think of no greater comfort than the two of us just lying here, in that easeful silence we have signally made our own. With Vesna looking as delectable as ever, her helmet of hair gleaming platinum in the light. What with her Dreamland nightdress and Max Factor make-up, she almost makes the perfect model. Every inch as striking as Grace Kelly, say, or the remote but elegant Kim Novak in Hitchcock's
Vertigo.
Which has always been a favourite of mine. We rarely even bother going out any more.
Domestic bliss
— our very own club.

—
To sir with love,
continues Lulu — with another of our special ‘mellow mood' favourites.

As I turn down the lights in our Happy Club home, fondly nibbling her ear as I lean in and whisper:

— Night, Vesna.

— Night night, Christopher. Chris my dearest, debonair darling.

Although, obviously, she doesn't use the word ‘debonair'. For Vesna, poor thing, she can barely speak English. As, sifting her fair hair lovingly through my fingers:

—
Je t'aime,
I sigh, in my Serge Gainsbourg accent, as once more our flesh becomes one, a salutary, defiant celebration of love, that obstinately enduring, quite indomitable city. The most sacred place on Jesus God's green earth. And I should know for it's there I abide each and every single night.

—
The holy city,
I whimper anew.

As I crush my eager lips to her so-called ‘dead' lips.

Whenever I do actually bother going down to the pub, which is situated just beyond the Plaza, I always endeavour to look my best, as if nothing is wrong or out of the ordinary — for I don't want anyone getting the wrong idea. And if they ever do actually enquire after Vesna and her welfare, I will always supply the usual excuse — that she's gone to visit her mother in Dubrovnik.

In the days before her quite appalling transgression — she committed adultery, I'm afraid I have to say — there were times when we would have gone out, why at the very least three times a week.

— Chris darlink, I is ready in moment, you would hear her say.

— Tsssssk, or — About bloody time! I would reply, as off we trotted hand in hand across the Plaza, on our way yet again to engage in a little ‘swinging' — to ‘get with' the ‘fab' Mood Indigo beat.

Which of course has been cleverly targeted at us, the ‘baby boomers', as we're called. Who, with our surplus cash and steadfast refusal to accept the passage of time are the perfect customers. Snapping our fingers as we bop till we drop, our hair turning silver like our hero Burt Bacharach. Yes, that's us: we're the ‘groovy cats', the ‘in crowd' of old. Yes, there they go, with their beads ‘n' blue jeans — it's Pops and the Group — doing the Watusi out under the stars.

Not that there was much Watusi-ing going on in the little town where I happened to grow up. Indeed, to be honest, the only one who approached the status of trendsetter in the small and quite unremarkable village known as Cullymore was a rambunctious scallywag I happened to know at school, an eccentric, free-spirited individual who went by the name of Teddy ‘the Hippy' Maher. Teddy had lived in America for a while and he was obsessed with California and ‘the Summer of Love'.

— I'm telling you, Christy my man, he used to say to me, it's all happening out there. It's a revolution, buddy — there's no other word. It's crazy, Chris! Soon as I get my shit together, I'm heading right back — back to Haight-Ashbury and the groove!

It was around the time that Teddy did actually go back that I purchased my first ensemble of Carnaby Street-style ‘gear', a blouson-style shirt, a psychedelic matching-collar-and-tie paisley affair in swirling pink. Yeah, crazy, groove — thangs! I used to repeat in what I perceived to be a fashionable American drawl, flamboyantly parading in front of the bedroom mirror.

But, lest I digress, let me return to my subject and share with you some facts about the club, Mood Indigo, this blue-lit, glass-walled theatre of musical delights to which I repeatedly, approvingly refer. In its heyday, there really and truly was nothing to compare with it. It was absolutely fantastic, it really was, and it's no wonder we'd look forward to it. I liked nothing better in those early days than getting myself
spruced up and heading out that door, clasping the hand of my ‘foreign chic' girlfriend (think Elke Sommer, think Daliah Lavi), the sophisticated, statuesque, stunning-looking Vesna.

How I used to look forward to watching her getting ready. Being so particular about her appearance, she could spend an absolute age at it — dolling and prettying herself up even more, tugging on her crocheted mini or slipping into a chequered A-line dress. Her hair — as always (more Kim than Elke or Daliah, really) — piled up in that awesome, lacquered, great blonde tower.

Sometimes — just for fun — she'd incorporate this little dance she'd invented into the process, wiggling her fingers as she crooned Lulu or maybe Clodagh Rodgers. Both of whom we loved twisting to on the flashing multicoloured Mood Indigo floor. After a daiquiri or a couple of manhattans.

—
Come back and shake me, take me in your arms!
I'd shimmy. As Vesna, for her part, did her best to emulate the diminutive redheaded soul crooner from Glasgow, shaking her hips — it was quite hysterical! — as she sang:

—
My heart goes boom bank a bank when you is near!

About as far from Lulu's voice, I used to think, as the village of Cullymore was from the war-torn streets of suffering old Croatia.

One night we arrived at the club, Pops the Groover with his ‘chick' on his arm, to find that the MC, my old pal Mike, was already more than halfway through his set. As usual, of
course, as soon as he saw us coming through the door, he launched straight away into his absurdly daft version of a random Beatles medley. With ‘I Am the Walrus' delivered, as usual, in his own inimitable style. That cleft palate of his, it really was hilarious:

—
I am the Eggmah!
he bawled, wrenching notes from the guitar as he grimaced.
I am the Walnut!