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Authors: H.P. Lovecraft

The Horror in the Museum (71 page)

BOOK: The Horror in the Museum
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Mladdna’s rotten teeth were ill suited to the food they gathered, but they contrived to chop it up till she could manage it. This weary routine of seeking and eating was Ull’s childhood.

Now he was strong, and firm, in his nineteenth year, and the old woman was dead. There was naught to stay for, so he determined at once to seek out those fabled huts beyond the mountains, and live with the people there. There was nothing to take on the journey. Ull closed the door of his cabin—why, he could not have told, for no animals had been there for many years—and left the dead woman within. Half-dazed, and fearful at his own audacity, he walked long hours in the dry grasses, and at length reached the first of the foothills. The afternoon came, and he climbed until he was weary, and lay down on the grasses. Sprawled there, he thought of many things. He wondered at the strange life, passionately anxious to seek out the lost colony beyond the mountains; but at last he slept.

When he awoke there was starlight on his face, and he felt refreshed. Now that the sun was gone for a time, he travelled more quickly, eating little, and determining to hasten before the lack of water became difficult to bear. He had brought none; for the last
people, dwelling in one place and never having occasion to bear their precious water away, made no vessels of any kind. Ull hoped to reach his goal within a day, and thus escape thirst; so he hurried on beneath the bright stars, running at times in the warm air, and at other times lapsing into a dogtrot.

So he continued until the sun arose, yet still he was within the small hills, with three great peaks looming ahead. In their shade he rested again. Then he climbed all the morning, and at mid-day surmounted the first peak, where he lay for a time, surveying the space before the next range.

Upon an eroded cliff-top rested the man, gazing far across the valley. Lying thus he could see a great distance, but in all the sere expanse there was no visible motion….

The second night came, and found Ull amid the rough peaks, the valley and the place where he had rested far behind. He was nearly out of the second range now, and hurrying still. Thirst had come upon him that day, and he regretted his folly. Yet he could not have stayed there with the corpse, alone in the grasslands. He sought to convince himself thus, and hastened ever on, tiredly straining.

And now there were only a few steps before the cliff wall would part and allow a view of the land beyond. Ull stumbled wearily down the stony way, tumbling and bruising himself even more. It was nearly before him, this land where men were rumoured to have dwelt; this land of which he had heard tales in his youth. The way was long, but the goal was great. A boulder of giant circumference cut off his view; upon this he scrambled anxiously. Now at last he could behold by the sinking orb his long-sought destination, and his thirst and aching muscles were forgotten as he saw joyfully that a small huddle of buildings clung to the base of the farther cliff.

Ull rested not; but, spurred on by what he saw, ran and staggered and crawled the half mile remaining. He fancied that he could detect forms among the rude cabins. The sun was nearly gone; the hateful, devastating sun that had slain humanity. He could not be sure of details, but soon the cabins were near.

They were very old, for clay blocks lasted long in the still dryness of the dying world. Little, indeed, changed but the living things— the grasses and these last men.

Before him an open door swung upon rude pegs. In the fading light Ull entered, weary unto death, seeking painfully the expected faces.

Then he fell upon the floor and wept, for at the table was propped a dry and ancient skeleton.

* * *

He rose at last, crazed by thirst, aching unbearably, and suffering the greatest disappointment any mortal could know. He was, then, the last living thing upon the globe. His the heritage of the Earth … all the lands, and all to him equally useless. He staggered up, not looking at the dim white form in the reflected moonlight, and went through the door. About the empty village he wandered, searching for water and sadly inspecting this long-empty place so spectrally preserved by the changeless air. Here there was a dwelling, there a rude place where things had been made-r-clay vessels holding only dust, and nowhere any liquid to quench his burning thirst.

Then, in the centre of the little town, Ull saw a well-curb. He knew what it was, for he had heard tales of such things from Mladdna. With pitiful joy, he reeled forward and leaned upon the edge. There, at last, was the end of his search. Water—slimy, stagnant, and shallow, but water—before his sight.

Ull cried out in the voice of a tortured animal, groping for the chain and bucket. His hand slipped on the slimy edge; and he fell upon his chest across the brink. For a moment he lay there—then soundlessly his body was precipitated down the black shaft.

There was a slight splash in the murky shallowness as he struck some long-sunken stone, dislodged aeons ago from the massive coping. The disturbed water subsided into quietness.

And now at last the Earth was dead. The final, pitiful survivor had perished. All the teeming billions; the slow aeons; the empires and civilizations of mankind were summed up in this poor twisted form—and how titanically meaningless it all had been! Now indeed had come an end and climax to all the efforts of humanity—how monstrous and incredible a climax in the eyes of those poor complacent fools of the prosperous days! Not ever again would the planet know the thunderous tramping of human millions—or even the crawling of lizards and the buzz of insects, for they, too, had gone. Now was come the reign of sapless branches and endless fields of tough grasses. Earth, like its cold, imperturbable moon, was given over to silence and blackness forever.

The stars whirred on; the whole careless plan would continue for infinities unknown. This trivial end of a negligible episode mattered
not to distant nebulae or to suns new-born, flourishing, and dying. The race of man, too puny and momentary to have a real function or purpose, was as if it had never existed. To such a conclusion the aeons of its farcically toilsome evolution had led.

But when the deadly sun’s first rays darted across the valley, a light found its way to the weary face of a broken figure that lay in the slime.

R.H. Barlow

The Night Ocean

I went to Ellston Beach not only for the pleasures of sun and ocean, but to rest a weary mind. Since I knew no person in the little town, which thrives on summer vacationists and presents only blank windows during most of the year, there seemed no likelihood that I might be disturbed. This pleased me, for I did not wish to see anything but the expanse of pounding surf and the beach lying before my temporary home.

My long work of the summer was completed when I left the city, and the large mural design produced by it had been entered in the contest. It had taken me the bulk of the year to finish the painting, and when the last brush was cleaned I was no longer reluctant to yield to the claims of health and find rest and seclusion for a time. Indeed, when I had been a week on the beach I recalled only now and then the work whose success had so recently seemed all-important. There was no longer the old concern with a hundred complexities of colour and ornament; no longer the fear and mistrust of my ability to render a mental image actual, and turn by my own skill alone the dim-conceived idea into the careful draught of a design. And yet that which later befell me by the lonely shore may have grown solely from the mental constitution behind such concern and fear and mistrust. For I have always been a seeker, a
dreamer, and a ponderer on seeking and dreaming; and who can say that such a nature does not open latent eyes sensitive to unsuspected worlds and orders of being?

Now that I am trying to tell what I saw I am conscious of a thousand maddening limitations. Things seen by the inward sight, like those flashing visions which come as we drift into the blankness of sleep, are more vivid and meaningful to us in that form than when we have sought to weld them with reality. Set a pen to a dream, and the colour drains from it. The ink with which we write seems diluted with something holding too much of reality, and we find that after all we cannot delineate the incredible memory. It is as if our inward selves, released from the bonds of daytime and objectivity, revelled in prisoned emotions which are hastily stifled when we translate them. In dreams and visions lie the greatest creations of man, for on them rests no yoke of line or hue. Forgotten scenes, and lands more obscure than the golden world of childhood, spring into the sleeping mind to reign until awakening puts them to rout. Amid these may be attained something of the glory and contentment for which we yearn; some image of sharp beauties suspected but not before revealed, which are to us as the Grail to holy spirits of the medieval world. To shape these things on the wheel of art, to seek to bring some faded trophy from that intangible realm of shadow and gossamer, requires equal skill and memory. For although dreams are in all of us, few hands may grasp their moth-wings without tearing them.

Such skill this narrative does not have. If I might, I would reveal to you the hinted events which I perceived dimly, like one who peers into an unlit realm and glimpses forms whose motion is concealed. In my mural design, which then lay with a multitude of others in the building for which they were planned, I had striven equally to catch a trace of this elusive shadow-world, and had perhaps succeeded better than I shall now succeed. My stay in Ellston was to await the judging of that design; and when days of unfamiliar leisure had given me perspective, I discovered that—in spite of those weaknesses which a creator always detects most clearly—I had indeed managed to retain in line and colour some fragments snatched from the endless world of imagining. The difficulties of the process, and the resulting strain on all my powers, had undermined my health and brought me to the beach during this period of waiting. Since I wished to be wholly alone, I rented (to the delight of the incredulous owner) a small house some distance from
the village of Ellston—which, because of the waning season, was alive with a moribund bustle of tourists, uniformly uninteresting to me. The house, dark from the sea-wind though it had not been painted, was not even a satellite of the village; but swung below it on the coast like a pendulum beneath a still clock, quite alone upon a hill of weed-grown sand. Like a solitary warm animal it crouched facing the sea, and its inscrutable dirty windows stared upon a lonely realm of earth and sky and enormous sea. It will not do to use too much imagining in a narrative whose facts, could they be augmented and fitted into a mosaic, would be strange enough in themselves; but I thought the little house was lonely when I saw it, and that like myself, it was conscious of its meaningless nature before the great sea.

I took the place in late August, arriving a day before I was expected, and encountering a van and two workingmen unloading the furniture provided by the owner. I did not know then how long I would stay, and when the truck that brought the goods had left I settled my small luggage and locked the door (feeling very proprietary about having a house after months of a rented room) to go down the weedy hill and on the beach. Since it was quite square and had but one room, the house required little exploration. Two windows in each side provided a great quantity of light, and somehow a door had been squeezed in as an after-thought on the oceanward wall. The place had been built about ten years previously, but on account of its distance from Ellston village was difficult to rent even during the active summer season. There being no fireplace, it stood empty and alone from October until far into the spring. Though actually less than a mile below Ellston, it seemed more remote; since a bend in the coast caused one to see only grassy dunes in the direction of the village.

The first day, half-gone when I was installed, I spent in the enjoyment of sun and restless water—things whose quiet majesty made the designing of murals seem distant and tiresome. But this was the natural reaction to a long concern with one set of habits and activities. I was through with my work and my vacation was begun. This fact, while elusive for the moment, showed in everything which surrounded me that afternoon of my arrival, and in the utter change from old scenes. There was an effect of bright sun upon a shifting sea of waves whose mysteriously impelled curves were strewn with what appeared to be rhinestone. Perhaps a water-colour might have caught the solid masses of intolerable light which lay upon the beach where the sea mingled with the sand. Although
the ocean bore her own hue, it was dominated wholly and incredibly by the enormous glare. There was no other person near me, and I enjoyed the spectacle without the annoyance of any alien object upon the stage. Each of my senses was touched in a different way, but sometimes it seemed that the roar of the sea was akin to that great brightness, or as if the waves were glaring instead of the sun, each of these being so vigorous and insistent that impressions coming from them were mingled. Curiously, I saw no one bathing near my little square house during that or succeeding afternoons, although the curving shore included a wide beach even more inviting than that at the village, where the surf was dotted with random figures. I supposed that this was because of the distance and because there had never been other houses below the town. Why this unbuilt stretch existed, I could not imagine; since many dwellings straggled along the northward coast, facing the sea with aimless eyes.

I swam until the afternoon had gone, and later, having rested, walked into the little town. Darkness hid the sea from me as I entered, and I found in the dingy lights of the streets tokens of a life which was not even conscious of the great, gloom-shrouded thing lying so close. There were painted women in tinsel adornments, and bored men who were no longer young—a throng of foolish marionettes perched on the lip of the ocean-chasm; unseeing, unwilling to see what lay above them and about, in the multitudinous grandeur of the stars and the leagues of the night ocean. I walked along that darkened sea as I went back to the bare little house, sending the beams of my flashlight out upon the naked and impenetrable void. In the absence of the moon, this light made a solid bar athwart the walls of the uneasy tide; and I felt an indescribable emotion born of the noise of the waters and the perception of my smallness as I cast that tiny beam upon a realm immense in itself, yet only the black border of the earthly deep. That nighted deep, upon which ships were moving alone in the darkness where I could not see them, gave off the murmur of a distant, angry rabble.

BOOK: The Horror in the Museum
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