The Horror in the Museum (36 page)

When Ben at last sent forth the electric beam we saw that the object lay on its side, back toward us. It was clearly of the same material as the dog outside, but was dressed in the mouldering and unpetrified remains of rough sport clothing. Braced as we were for a shock, we approached quite calmly to examine the thing; Ben going around to the other side to glimpse the averted face. Neither could possibly have been prepared for what Ben saw when he flashed the light on those stony features. His cry was wholly excusable, and I could not help echoing it as I leaped to his side and shared the sight. Yet it was nothing hideous or intrinsically terrifying. It was merely a matter of recognition, for beyond the least shadow of a doubt this chilly rock figure with its half-frightened, half-bitter expression had at one time been our old acquaintance, Arthur Wheeler.

Some instinct sent us staggering and crawling out of the cave, and down the tangled slope to a point whence we could not see the ominous stone dog. We hardly knew what to think, for our brains were churning with conjectures and apprehensions. Ben, who had known Wheeler well, was especially upset; and seemed to be piecing together some threads I had overlooked.

Again and again as we paused on the green slope he repeated “Poor Arthur, poor Arthur!” but not till he muttered the name “Mad Dan” did I recall the trouble into which, according to old Sam Poole, Wheeler had run just before his disappearance. Mad Dan, Ben implied, would doubtless be glad to see what had happened. For a moment it flashed over both of us that the jealous host might have been responsible for the sculptor’s presence in this evil cave, but the thought went as quickly as it came.

The thing that puzzled us most was to account for the phenomenon itself. What gaseous emanation or mineral vapour could have wrought this change in so relatively short a time was utterly beyond us. Normal petrification, we know, is a slow chemical replacement process requiring vast ages for completion; yet here were two stone images which had been living things—or at least Wheeler had— only a few weeks before. Conjecture was useless. Clearly, nothing remained but to notify the authorities and let them guess what they might; and yet at the back of Ben’s head that notion about Mad Dan still persisted. Anyhow, we clawed our way back to the road, but Ben did not turn toward the village, but looked along upward toward where old Sam had said Dan’s cabin lay. It was the second house from the village, the ancient loafer had wheezed, and lay on the left far back from the road in a thick copse of scrub oaks. Before I knew it Ben was dragging me up the sandy highway past a dingy farmstead and into a region of increasing wildness.

It did not occur to me to protest, but I felt a certain sense of mounting menace as the familiar marks of agriculture and civilisation grew fewer and fewer. At last the beginning of a narrow, neglected path opened up on our left, while the peaked roof of a squalid, unpainted building shewed itself beyond a sickly growth of half-dead trees. This, I knew, must be Mad Dan’s cabin; and I wondered that Wheeler had ever chosen so unprepossessing a place for his headquarters. I dreaded to walk up that weedy, uninviting path, but could not lag behind when Ben strode determinedly along and began a vigorous rapping at the rickety, musty-smelling door.

There was no response to the knock, and something in its echoes
sent a series of shivers through one. Ben, however, was quite unperturbed; and at once began to circle the house in quest of unlocked windows. The third that he tried—in the rear of the dismal cabin— proved capable of opening, and after a boost and a vigorous spring he was safely inside and helping me after him.

The room in which we landed was full of limestone and granite blocks, chiselling tools and clay models, and we realised at once that it was Wheeler’s erstwhile studio. So far we had not met with any sign of life, but over everything hovered a damnably ominous dusty odour. On our left: was an open door evidently leading to a kitchen on the chimney side of the house, and through this Ben started, intent on finding anything he could concerning his friend’s last habitat. He was considerably ahead of me when he crossed the threshold, so that I could not see at first what brought him up short and wrung a low cry of horror from his lips.

In another moment, though, I did see—and repeated his cry as instinctively as I had done in the cave. For here in this cabin—far from any subterranean depths which could breed strange gases and work strange mutations—were two stony figures which I knew at once were no products of Arthur Wheeler’s chisel. In a rude armchair before the fireplace, bound in position by the lash of a long rawhide whip, was the form of a man—unkempt, elderly, and with a look of fathomless horror on its evil, petrified face.

On the floor beside it lay a woman’s figure; graceful, and with a face betokening considerable youth and beauty. Its expression seemed to be one of sardonic satisfaction, and near its outflung right hand was a large tin pail, somewhat stained on the inside, as with a darkish sediment.

We made no move to approach those inexplicably petrified bodies, nor did we exchange any but the simplest conjectures. That this stony couple had been Mad Dan and his wife we could not well doubt, but how to account for their present condition was another matter. As we looked horrifiedly around we saw the suddenness with which the final development must have come—for everything about us seemed, despite a heavy coating of dust, to have been left in the midst of commonplace household activities.

The only exception to this rule of casualness was on the kitchen table; in whose cleared centre, as if to attract attention, lay a thin, battered, blank-book weighted down by a sizeable tin funnel. Crossing to read the thing, Ben saw that it was a kind of diary or set of dated entries, written in a somewhat cramped and none too practiced
hand. The very first words riveted my attention, and before ten seconds had elapsed he was breathlessly devouring the halting text—I avidly following as I peered over his shoulder. As we read on—moving as we did so into the less loathsome atmosphere of the adjoining room—many obscure things became terribly clear to us, and we trembled with a mixture of complex emotions.

This is what we read—and what the coroner read later on. The public has seen a highly twisted and sensationalised version in the cheap newspapers, but not even that has more than a fraction of the genuine terror which the simple original held for us as we puzzled it out alone in that musty cabin among the wild hills, with two monstrous stone abnormalities lurking in the death-like silence of the next room. When we had finished Ben pocketed the book with a gesture half of repulsion, and his first words were “Let’s get out of here.”

Silently and nervously we stumbled to the front of the house, unlocked the door, and began the long tramp back to the village. There were many statements to make and questions to answer in the days that followed, and I do not think that either Ben or I can ever shake off the effects of the whole harrowing experience. Neither can some of the local authorities and city reporters who flocked around—even though they burned a certain book and many papers found in attic boxes, and destroyed considerable apparatus in the deepest part of that sinister hillside cave. But here is the text itself:

“Nov. 5—My name is Daniel Morris. Around here they call me ‘Mad Dan’ because I believe in powers that nobody else believes in nowadays. When I go up on Thunder Hill to keep the Feast of the Foxes they think I am crazy—all except the back country folks that are afraid of me. They try to stop me from sacrificing the Black Goat at Hallow Eve, and always prevent my doing the Great Rite that would open the gate. They ought to know better, for they know I am a Van Kauran on my mother’s side, and anybody this side of the Hudson can tell what the Van Kaurans have handed down. We come from Nicholas Van Kauran, the wizard, who was hanged in Wijtgaart in 1587, and everybody knows he had made the bargain with the Black Man.

“The soldiers never got his
Book of Eibon
when they burned his house, and his grandson, William Van Kauran, brought it over when he came to Rensselaerwyck and later crossed the river to Esopus. Ask anybody in Kingston or Hurley about what the
William Van Kauran line could do to people that got in their way. Also, ask them if my Uncle Hendrik didn’t manage to keep hold of the
Book of Eibon
when they ran him out of town and he went up the river to this place with his family.

“I am writing this—and am going to keep writing this—because I want people to know the truth after I am gone. Also, I am afraid I shall really go mad if I don’t set things down in plain black and white. Everything is going against me, and if it keeps up I shall have to use the secrets in the
Book
and call in certain Powers. Three months ago that sculptor Arthur Wheeler came to Mountain Top, and they sent him up to me because I am the only man in the place who knows anything except farming, hunting, and fleecing summer boarders. The fellow seemed to be interested in what I had to say, and made a deal to stop here for $13.00 a week with meals. I gave him the back room beside the kitchen for his lumps of stone and his chiselling, and arranged with Nate Williams to tend to his rock blasting and haul his big pieces with a drag and yoke of oxen.

“That was three months ago. Now I know why that cursed son of hell took so quick to the place. It wasn’t my talk at all, but the looks of my wife Rose, that is Osborne Chandler’s oldest girl. She is sixteen years younger than I am, and is always casting sheep’s eyes at the fellows in town. But we always managed to get along fine enough till this dirty rat shewed up, even if she did balk at helping me with the Rites on Roodmas and Hallowmass. I can see now that Wheeler is working on her feelings and getting her so fond of him that she hardly looks at me, and I suppose he’ll try to elope with her sooner or later.

“But he works slow like all sly, polished dogs, and I’ve got plenty of time to think up what to do about it. They don’t either of them know I suspect anything, but before long they’ll both realise it doesn’t pay to break up a Van Kauran’s home. I promise them plenty of novelty in what I’ll do.

“Nov. 25—Thanksgiving Day! That’s a pretty good joke! But at that I’ll have something to be thankful for when I finish what I’ve started. No question but that Wheeler is trying to steal my wife. For the time being, though, I’ll let him keep on being a star boarder. Got the
Book of Eibon
down from Uncle Hendrik’s old trunk in the attic last week, and am looking up something good which won’t require sacrifices that I can’t make around here. I want something that’ll finish these two sneaking traitors, and at the same time get me into no trouble. If it has a twist of drama in it, so much the better.
I’ve thought of calling in the emanation of Yoth, but that needs a child’s blood and I must be careful about the neighbours. The Green Decay looks promising, but that would be a bit unpleasant for me as well as for them. I don’t like certain sights and smells.

“Dec. 10—
Eureka!
I’ve got the very thing at last! Revenge is sweet—and this is the perfect climax! Wheeler, the sculptor—this is too good! Yes, indeed, that damned sneak is going to produce a statue that will sell quicker than any of the things he’s been carving these past weeks! A realist, eh? Well—the new statuary won’t lack any realism! I found the formula in a manuscript insert opposite page 679 of the
Book.
From the handwriting I judge it was put there by my great-grandfather Bareut Picterse Van Kauran—the one who disappeared from New Paltz in 1839.
Iä! Shub-Niggurath!
The Goat with a Thousand Young!

“To be plain, I’ve found a way to turn those wretched rats into stone statues. It’s absurdly simple, and really depends more on plain chemistry than on the Outer Powers. If I can get hold of the right stuff I can brew a drink that’ll pass for home-made wine, and one swig ought to finish any ordinary being short of an elephant. What it amounts to is a kind of petrification infinitely speeded up. Shoots the whole system full of calcium and barium salts and replaces living cells with mineral matter so fast that nothing can stop it. It must have been one of those things great-grandfather got at the Great Sabbat on Sugar-Loaf in the Catskills. Queer things used to go on there. Seems to me I heard of a man in New Paltz—Squire Hasbrouck—turned to stone or something like that in 1834. He was an enemy of the Van Kaurans. First thing I must do is order the five chemicals I need from Albany and Montreal. Plenty of time later to experiment. When everything is over I’ll round up all the statues and sell them as Wheeler’s work to pay for his overdue board bill! He always was a realist and an egoist—wouldn’t it be natural for him to make a self-portrait in stone, and to use my wife for another model—as indeed he’s really been doing for the past fortnight? Trust the dull public not to ask
what quarry
the queer stone came from!

“Dec. 25—Christmas. Peace on earth, and so forth! These two swine are goggling at each other as if I didn’t exist. They must think I’m deaf, dumb, and blind! Well, the barium sulphate and calcium chloride came from Albany last Thursday, and the acids, catalytics, and instruments are due from Montreal any day now. The mills of the gods—and all that! I’ll do the work in Allen’s Cave near the
lower wood lot, and at the same time will be openly making some wine in the cellar here. There ought to be some excuse for offering a new drink—though it won’t take much planning to fool those moonstruck nincompoops. The trouble will be to make Rose take wine, for she pretends not to like it. Any experiments that I make on animals will be down at the cave, and nobody ever thinks of going there in winter. I’ll do some wood-cutting to account for my time away. A small load or two brought in will keep him off the track.

“Jan. 20—It’s harder work than I thought. A lot depends on the exact proportions. The stuff came from Montreal, but I had to send again for some better scales and an acetylene lamp. They’re getting curious down at the village. Wish the express office weren’t in Steenwyck’s store. Am trying various mixtures on the sparrows that drink and bathe in the pool in front of the cave—when it’s melted. Sometimes it kills them, but sometimes they fly away. Clearly, I’ve missed some important reaction. I suppose Rose and that upstart are making the most of my absence—but I can afford to let them. There can be no doubt of my success in the end.