The Infinity Concerto (8 page)

BOOK: The Infinity Concerto
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No, indeed, Michael thought; this is not Earth, whatever its outward resemblance.

He sat on the rocks for some time before he heard the voices. They came from the creek, but he couldn't see who was speaking; there was no light but the stars and the now-faint glow from the hut's windows. Concentrating on the source, forcing his pupils to their maximum dilation, he discerned a low-slung boat-shadow gliding down the creek, as well as a few figures standing on the prow. The boat nudged the bank and he heard footsteps coming toward him.

He stood up on the rocks. "Who's that?" he called out.

The hut door swung open. Spart stood silhouetted against the swirling, furnace-orange light. The approaching shadows passed through the shaft of light from the door and were outlined briefly. There were four, brownish-green in color - or perhaps solid green - and they were naked. Three were male, one female. They were obviously Sidhe, with the same elongated features and spectral grace, and each carried a broad, stubby log.

They surrounded Michael and at a signal, simultaneously dropped the logs from their shoulders into the dirt.

"Dura," said the female. The beauty of her voice made Michael shudder.

"Your wood, boy," the Crane Woman said from the hut door.

He turned and cried out. "What do I do with it?". But the hut door closed and the naked Sidhe walked away. The female glanced back at him with some sympathy, he thought, but she said nothing more. They were absorbed in the blackness.

He remained standing on the boulder awhile, then sat. The four logs rested on their ends, each about a foot and a half wide and a yard tall. He was no carpenter like his father; he couldn't calculate how many board-feet there were in the logs, or how much of a house he could build with them.

Not a very large one.

He leaned back and closed his eyes again.

"Whose boy are you?"

He thought he was dreaming. He wiped his nose reflexively.

"Hoy ac! Whose house?"

Michael spun around on the boulders and looked in the voice's direction. There was only a log.

"Rup antros, jan wiros," said the voice, like that of the Sidhe woman but with a fuzzy quality. "Quos maza."

"Where are you?" Michael asked softly. The night air was quite chilly now.

"All around, antros. It's true. Your words are Anglo-Saxon and Norman and mixes from the misty north and the warm south. Ah, I knew those tongues once, at their very roots. affrighted many a Goth and Frank and Jute."

"Who are you? Who?"

There was silence for a moment, then the voice, much weaker, said, "Maza sed more kay rup antros. It's strange to be broken for a human's house. Why so privileged? Still, all wood is passing; the imprint, must fade."

The voice did indeed fade. Though it was still and quiet thereafter, Michael got no sleep that night.

Chapter Six

He was almost as cold as the rocks he sat on when the dew settled around him in the early dawn. The sky turned from black to gray and mist slid over the mound and creek in glutinous layers. Narrow vapor trails four or five feet in length shot through the mist with quiet hissing noises. Michael was too chilled to care.

He twisted his stiff neck around and noticed the logs were no longer standing around the boulders. Sometime during the night, they had fallen into jumbles of neatly cut beams and boards. The bark of each log lay folded next to its partitioned innards.

Michael wasn't encouraged. Like a lizard, he waited for the sun to come up and warm his blood. He hadn't resolved anything during the night - the hours had been spent in a cold stupor - but the conviction of his inadequacy had solidified.

The sun appeared in the east, a distant red curve topping a hill beyond the main branch of the river. Without thinking, Michael uncurled his arms and legs and stood on the rock to catch the first rays of warmth. His bones cracked and his legs almost collapsed under him, but he staggered and kept his balance. His clothes were soaked with dew.

The hut was quiet and dark, likewise the village. In a few minutes, however, just when he thought he might be catching some warmth from the new day, he heard activity from the Halftown houses. Curls of smoke began to rise from their stone and mud-brick chimneys.

He heard a woman singing. At first, he was too intent on just getting warm to pay much attention, but as the voice grew near, he angled his head and saw a young Breed female fording the stream on the flat rocks, barefoot. She wore cloth pants ending at the knees and a vest laced together with string. Her hair was raven black - uncharacteristic, he thought - but her face bore the unmistakable mark of the Sidhe, long with prominent cheeks and a narrow, straight nose. She carried four buckets covered with cloth caps, two in each hand. She glanced at Michael on her way to the Crane Women's hut.

"Hoy," she greeted.

"Hello," Michael returned. She stopped before the door, which opened a crack. A long-fingered hand stretched out and took two buckets, withdrew, then emerged to take two more. The door closed and the woman reversed her course. She paused, cocked her head at Michael, then started toward him.

"Oh, God," he said under his breath. He was just warm enough to shiver and he badly needed to piss. He didn't want to talk to anyone, much less a Breed woman.

"You're human," she said, stopping about six paces from the boulders. "Yet they gave you wood."

He nodded, arms still unfolded to catch the warmth.

"You're an English speaker," she continued. "And you come from the Isomage's house. That's all they say about you in Halftown."

He nodded again. Beneath all the cold and misery was a steady current of shyness. Her voice was disarmingly beautiful. He would have to get used to Sidhe and Breed voices.

"It will be warm soon," she said, walking toward the stream. "If you have time today, come to the village and I'll give you a card for milk and cheese. Everybody needs to eat. Just ask for Eleuth."

"I will," he said, his voice cracking. When she had crossed the creek, he clambered down from the rock, walked some distance away, and knelt down to hide himself while he urinated. He felt like some animal, barely domesticated. A pet of the Breeds.

The door to the Crane Women's hut opened and Spart emerged carrying a roll of cloth. She stared at him balefully, unfurled the cloth and flapped it. An exaltation of tiny birds flew from its folds and circled the house, then headed north. Without explanation, Spart returned to the house and closed the door behind.

Massaging blood back into his legs, Michael looked doubtfully at the piles of lumber. He picked up the sheets of bark and discovered that they could be peeled into light, strong strips with a ropy toughness. He thought about how to put a hut together and shook his head. He'd need tools - nails, certainly, and a knife and saw.

Even as he speculated half-heartedly, he asked himself what the hell good it was, building a house where he didn't belong.

"You have a long way to go."

Nare stood behind him. Her eyes were large, like an owl's but mobile. Her long red-gray hair was an unbraided radiance, spreading to its widest point behind her knees. "Now that you have the grace of wood, what are you going to do with it?"

"I need tools."

"I don't think so. Are you aware what the grace of wood means?"

He thought for a moment. "Humans don't get much."

"Humans get scrap. Not even Breeds can get wood all the time. The finest wood is reserved for the Sidhe. Like as not they have ancestors in it."

"I don't understand," Michael said.

"The Sidhe are immortal, but if they die in battle or through some other faulting, the Arborals press them into tree. They dwell there awhile, then request oblivion. Arborals do then-work, and we have wood."

"I heard a voice last night."

Nare nodded. Bending over, she picked up a plank and held it out to Michael. One long forefinger pressed against the edge and a notch fell out. "Feel and press. Riddle how it all goes together. Wood was shaped into a house by the Sidhe that dwelled within. Just puzzle it. Maza."

"Today?" Michael asked.

"Today is all the time you have." Nare headed for the creek and dove in like an otter. He didn't see her come up.

For the next few hours, trying to ignore his hunger, Michael took each board and beam and pressed, poked and rubbed the surfaces until he found the removable pieces. At first he took the small pieces and tossed them aside, but thought better of it and gathered them into a small pile. - It became obvious that he could fit some of the pieces into holes in the planks, and use them to slide into notches in the beams. It reminded him of a wooden puzzle he had at home, only much more complex. When the sun was high, he had managed to assemble two planks and one beam, with no idea where to go from there. He didn't even know what shape the house would be.

Spart, the Crane Woman with tattoos all over and the melodious voice, came to him from the hut and offered a wooden bowl. Inside was cold gruel, a piece of fruit and a puddle of thin milk. He ate it without complaint. She watched, one long arm twitching now and then, and removed the bowl from his hands when he was done.

"When you have finished the house, you will go into the village and announce yourself at the market. They will allow for your food. Also, while you're here, you can carry messages for us, and otherwise make yourself useful." She glanced at the pile of wood. "If you haven't puzzled it by dawn tomorrow, it's not your wood any more."

He stared at her tattoos. She didn't seem to mind, but she bent down and tapped the wood meaningfully. He set to work again and she walked back toward the house.

"Is it safe to drink the water?" he called after her.

"I wouldn't know," she said.

By evening, with all his ingenuity he had succeeded in figuring out that the house would be square, about two yards on each side, without a roof or floor. He would apparently have to gather grass or something for the roof, and that discouraged him. He was ravenous, but no more food was brought out.

"Maybe they'll feed me when I'm done," he thought. "If."

He discovered the bark could be used for lashings. As the sun and sky went through the same twilight phenomena of the day before, Michael kicked a beam with one foot and held his hand out in front of him. "It's impossible."

But.

He knelt and picked out a square, thick beam whose use he hadn't discovered. He pressed along the grain and it fell apart in neat, almost paper-thin shingles. Then the plan seemed to come together in his mind. He assembled planks and beams, slipped tenon into mortise, lashed the wood together, and took five long, thin curved pieces to make the framework of the roof. When darkness was complete, he had almost finished putting on the shingles. He had one string of bark and two pieces of pressed-out wood left, yet the house seemed complete.

Spart stood outside when he emerged through the low door. She looked at the string in his hand and shook her head. "Pera antros," she said. "If you had built it right, you wouldn't have any pieces left over."

For a moment, he was afraid she might have him dismantle the hut and start all over again, but she pulled a bowl from behind her back and handed it to him. His meal this time was vegetable paste and a thick, doughy slice of dark bread. She squatted down next to him as he ate.

"There are many languages among the Sidhe," Spart said. "Some are very ancient, some more recent. Nearly all the Sidhe speak Cascar. It would be an advantage to learn as much Cascar as you can - and you need all the advantages you can get."

"Some speak English," Michael said.

"Most speak it because it is in your mind. In-speaking. And English was spoken in the last lands many of us inhabited on Earth, English and other tongues - Irish, Welsh, French, German. We also speak Earth languages you wouldn't be familiar with, all old, most dead. Languages come easy to the Sidhe. But no human tongue can replace Cascar."

Not being hungry made Michael bolder. "How old are you?"

"There are no years here," Spart said. "Seasons come and go at the whim of Adonna. How old are you?"

"Sixteen," Michael said.

She stood and took his empty bowl. "Tonight, in the dark, one of us will test you. You will not be able to fend us off, but how you react will shape the way we teach you. Sleep or not, as you will."

Chapter Seven

Inside, the house was drafty and small and the floor was no comfort, but it was better than nothing. He sat in a corner, trying not to sleep, awaiting the promised test.

There wasn't much he could do to prepare. He wondered if they would hurt him. He had never been much of a fighter; it had always taken him too long to get angry. Consequently, he had little experience with his fists.

Not having slept the night before, he couldn't keep his eyes from closing. He groaned as he realized he was falling asleep. His head fell against his knees -

And jerked up at the sound of hooves. It was still dark. Something splashed in the river. He heard a horse nicker and sneeze.

He was so tired. Being tired and alert at once gave the experience a surreal edge, as if things weren't bizarre enough already. He had to decide whether to stay in the house - and perhaps have it knocked down around his ears - or go outside.

He stood. The roof was a bare half-inch above the top of his head. All his life he had been slow to act, thoughtful, predictable. Perhaps being unpredictable would give him an advantage.

Hunkering down, he bunched his leg muscles to spring through the doorway. If he could run fast enough, perhaps he could get away.

He leaped through the door, keeping his head down, and ran headlong into someone tall and solid. He rebounded and fell back, clasping his hands to his head. A Sidhe stood over him, wearing bright silver chain mail and sporting a long, wickedly pointed pike. Michael's vision swam; he barely saw the Sidhe lower the pike and prod his sternum.

"Vera ais, sepha jan antros pek," said the Sidhe in a low voice. Michael regained his breath and looked around frantically. A few yards away, a Sidhe horse stood relaxed, pale gray blankets wrapped around its neck and withers, with a silvery saddle and no stirrups or reins. "Vas lenga spu?" The pike pressed harder, drawing blood. Michael squirmed and cried out. "Vas lenga?"

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