The Insufferable Gaucho

C
ONTENTS

Jim

The Insufferable Gaucho

Police Rat

Álvaro Rousselot’s Journey

Two Catholic Tales

Literature + Illness = Illness

The Myths of Cthulhu

For my children Lautaro and Alexandra

and for my friend Ignacio Echevarría

So perhaps we shall not miss so very much after all.

—Franz Kafka

J
IM

M
any years ago I had a
friend named Jim, and he was the saddest North American I’ve ever come across.
I’ve seen a lot of desperate men. But never one as sad as Jim. Once he went to
Peru—supposedly for more than six months, but it wasn’t long before I saw him
again. The Mexican street kids used to ask him, what’s poetry made of, Jim?
Listening to them, Jim would stare at the clouds and then he’d start throwing
up. Vocabulary, eloquence, the search for truth. Epiphany. Like when you have a
vision of the Virgin. He was mugged several times in Central America, which is
surprising, because he’d been a Marine and fought in Vietnam. No more fighting,
Jim used to say. I’m a poet now, searching for the extraordinary, trying to
express it in ordinary, everyday words. So you think there are ordinary,
everyday words? I think there are, Jim used to say. His wife was a Chicana poet;
every so often she’d threaten to leave him. He showed me a photo of her. She
wasn’t especially pretty. Her face betrayed suffering, and under that suffering,
simmering rage. I imagined her in an apartment in San Francisco or a house in
Los Angeles, with the windows shut and the curtains open, sitting at a table,
eating sliced bread and a bowl of green soup. Jim liked dark women, apparently,
history’s secret women, he would say, without elaborating. As for me, I liked
blondes. Once I saw him watching fire-eaters on a street in Mexico City. I saw
him from behind, and I didn’t say hello, but it was obviously Jim. The badly cut
hair, the dirty white shirt and the stoop, as if he were still weighed down by
his pack. Somehow his neck, his red neck, summoned up the image of a lynching in
the country—a landscape in black and white, without billboards or gas station
lights—the country as it is or ought to be: one expanse of idle land blurring
into the next, brick-walled rooms or bunkers from which we have escaped,
standing there, awaiting our return. Jim had his hands in his pockets. The
fire-eater was waving his torch and laughing fiercely. His blackened face was
ageless: he could have been thirty-five or fifteen. He wasn’t wearing a shirt
and there was a vertical scar from his navel to his breastbone. Every so often
he’d fill his mouth with flammable liquid and spit out a long snake of fire. The
people in the street would watch him for a while, admire his skill, and continue
on their way, except for Jim, who remained there on the edge of the sidewalk,
stock-still, as if he expected something more from the fire-eater, a tenth
signal (having deciphered the usual nine), or as if he’d seen in that discolored
face the features of an old friend or of someone he’d killed. I watched him for
a good long while. I was eighteen or nineteen at the time and believed I was
immortal. If I’d realized that I wasn’t, I would have turned around and walked
away. After a while I got tired of looking at Jim’s back and the fire-eater’s
grimaces. So I went over and called his name. Jim didn’t seem to hear me. When
he turned around I noticed that his face was covered with sweat. He seemed to be
feverish, and it took him a while to work out who I was; he greeted me with a
nod and then turned back to the fire-eater. Standing beside him, I noticed he
was crying. He probably had a fever as well. I also discovered something that
surprised me less at the time than it does now, writing this: the fire-eater was
performing exclusively for Jim, as if all the other passersby on that corner in
Mexico City simply didn’t exist. Sometimes the flames came within a yard of
where we were standing. What are you waiting for, I said, you want to get
barbecued in the street? It was a stupid wisecrack, I said it without thinking,
but then it hit me: that’s exactly what Jim’s waiting for. That year, I seem to
remember, there was a song they kept playing in some of the funkier places with
a refrain that went,
Chingado, hechizado (Fucked up, spellbound)
. That
was Jim: fucked up and spellbound. Mexico’s spell had bound him and now he was
looking his demons right in the face. Let’s get out of here, I said. I also
asked him if he was high, or feeling ill. He shook his head. The fire-eater was
staring at us. Then, with his cheeks puffed out like Aeolus, the god of the
winds, he began to approach us. In a fraction of a second I realized that it
wasn’t a gust of wind we’d be getting. Let’s go, I said, and yanked Jim away
from the fatal edge of that sidewalk. We took ourselves off down the street
toward Reforma, and after a while we went our separate ways. Jim didn’t say a
word in all that time. I never saw him again.

T
HE
I
NSUFFERABLE
G
AUCHO

for Rodrigo Fresán

I
n the opinion of those
who knew him well, Manuel Pereda had two outstanding virtues: he was a caring
and affectionate father, and an irreproachable lawyer with a record of honesty,
in a time and place that were hardly conducive to such rectitude. As a result of
the first virtue, his son and daughter, Bebe and Cuca, whose childhood and
adolescent years had been happy, later accused him of having sheltered them from
the hard realities of life, focusing their attack particularly on his handling
of practical matters. Of his work as a lawyer, there is little to be said. He
prospered and made more friends than enemies, which was no mean feat, and when
he had the choice between becoming a judge or a candidate for a political party,
he chose the bench without hesitation, although it obviously meant giving up the
opportunities for greater financial gain that would have been open to him in
politics.

After three years, however, disappointed by his judicial career, he
gave up public life and spent some time, perhaps even years, reading and
traveling. Naturally there was also a Mrs. Pereda, née Hirschman, with whom the
lawyer was, so they say, madly in love. There are photos from the time to prove
it: in one of them, Pereda, in a black suit, is dancing a tango with a blonde,
almost platinum blonde, woman, who is looking at the camera and smiling, while
the lawyer’s eyes remain fixed on her, like the eyes of a sleepwalker or a
sheep. Unfortunately, Mrs. Pereda died suddenly, when Cuca was five and Bebe was
seven. The young widower never remarried, although there were various women in
his social circle with whom he was known to maintain friendly (though never
intimate) relations, and who had, moreover, all the qualities required to become
the new Mrs. Pereda.

When the lawyer’s two or three close friends asked him why he remained
single, his response was always that he didn’t want to impose the unbearable
burden (as he put it) of a stepmother on his offspring. In Pereda’s opinion,
most of Argentina’s recent problems could be traced back to the figure of the
stepmother. As a nation, we never had a mother, he would say, or she was never
there, or she left us on the doorstep of the orphanage. But we’ve had plenty of
stepmothers, of all sorts, starting with the great Peronist stepmother. And he
would conclude: In Latin America, when it comes to stepmothers, we’re the
experts.

In spite of everything, his life was happy. It’s hard not to be happy,
he used to say, in Buenos Aires, which is a perfect blend of Paris and Berlin,
although if you look closely it’s more like a perfect blend of Lyon and Prague.
Every day he got up at the same time as his children, had breakfast with them,
and dropped them off at school. He spent the rest of the morning reading at
least two newspapers; and, after a snack at eleven (consisting basically of cold
cuts and sausage on buttered French bread and two or three little glasses of
Argentine or Chilean wine, except on special occasions, when the wine was,
naturally, French), he took a siesta until one. His lunch, which he ate on his
own in an enormous, empty dining room while reading a book under the
absent-minded gaze of the elderly maid, and watched by the black-and-white eyes
of his deceased wife, looking out from photographs in ornate silver frames, was
light: soup, a small portion of fish and mashed potato, some of which he would
leave to go cold. In the afternoon, he helped his children with their homework,
or sat through Cuca’s piano lessons in silence, or Bebe’s English and French
classes, given by two teachers with Italian surnames, who came to the house.
Sometimes, when Cuca had learned to play a piece right through, the maid and the
cook would come to listen, and the lawyer, filled with pride, would hear them
murmur words of praise, which struck him at first as excessive, but then, on
reflection, seemed perfectly apt. After saying good night to his children and
reminding his domestic staff for the umpteenth time not to open the door to
anyone, he would go to his favorite café, on Corrientes, where he would stay
until one at the very latest, listening to his friends or friends of theirs
discussing issues that he would have found supremely boring, he suspected, had
he known anything about them, after which he would go home, where everyone, by
that time, was asleep.

Eventually the children grew up. First Cuca got married and went to
live in Rio de Janeiro; then Bebe started writing and indeed became a highly
successful writer, which was a source of great pride for Pereda, who read each
and every page his son published. Bebe went on living at home for a few more
years (where else could he have had it so good?), after which, like his sister,
he flew the coop.

At first the lawyer tried to resign himself to solitude. He had an
affair with a widow, went on a long trip through France and Italy, met a girl
called Rebeca, and finally contented himself with organizing his huge, chaotic
library. When Bebe came back from the United States, where he had spent a year
teaching at a university, Pereda had aged prematurely. Bebe was worried and
tried to spend as much time as he could with his father, so sometimes they went
to the movies or the theater, where the lawyer would usually fall into a deep
sleep, and sometimes Bebe dragged him along (though he only had to drag him at
first) to the literary gatherings held in a café called El Lapiz Negro, where
authors basking in the glory of some municipal prize held forth at length about
the nation’s destiny. Pereda, who never opened his mouth at those gatherings,
began to take an interest in what his son’s colleagues had to say. When they
talked about literature, he was completely bored. In his opinion, the best
Argentine writers were Borges and his son; any further commentary on that
subject was superfluous. But when they talked about national and international
politics, the lawyer’s body grew tense, as if under the effect of an electric
current. From then on, his daily habits changed. He began to get up early and
look through the old books in his library, searching for something, though he
couldn’t have said what. He spent his mornings reading. He decided to give up
wine and heavy meals, because he realized they were dulling his intellect. His
personal hygiene also underwent a change. He no longer spruced himself up when
he was going out. He soon stopped taking a daily shower. One day he went to read
the paper in a park without putting on a tie. His old friends barely recognized
this new Pereda as the lawyer they had known, who had been irreproachable in
every respect. One day he woke up feeling more agitated than usual. He had lunch
with a retired judge and a retired journalist, and laughed all the way through
the meal. Afterward, while they were drinking cognac, the judge asked him what
he found so funny. Buenos Aires is sinking, Pereda replied. The ex-journalist
thought that the lawyer had gone crazy and recommended some time by the seaside:
the beach, that invigorating air. The judge, less given to speculation, simply
thought that Pereda had gone off on a tangent.

A few days later, however, the Argentine economy collapsed. Accounts
in American dollars were frozen, and those who hadn’t moved their capital (or
their savings) offshore suddenly discovered that they had nothing left, except
perhaps a few bonds and bank bills—just looking at them was enough to give you
goosebumps—vague promises inspired in equal parts by some forgotten tango and
the words of the national anthem. I told you so, said the lawyer to anyone who
would listen. Then, accompanied by his cook and maid, he stood in long lines,
like many other inhabitants of Buenos Aires, and entered into long conversations
with strangers (who struck him as utterly charming) in streets thronged with
people swindled by the government or the banks, or some other culprit.

When the President resigned, Pereda was there among the protestors as
they banged their pots and pans. It wasn’t the only demonstration. Sometimes it
seemed that the elderly had taken control of the streets, old people of all
social classes, and he liked that, although he didn’t know why; it seemed like a
sign that something was changing, that something was moving in the darkness,
although he was also happy to join in the wildcat strikes and blockades that
soon degenerated into brawling. In the space of a few days, Argentina had three
different Presidents. It didn’t occur to anyone to start a revolution, or mount
a military coup. That was when Pereda decided to go back to the country.

Before leaving, he explained his plan to the maid and the cook. Buenos
Aires is falling apart; I’m going to the ranch, he said. They talked for hours,
sitting at the kitchen table. The cook had been to the ranch as often as Pereda,
who in the past had always said that the country was no place for a man like
him, a cultivated family man, who wanted to make sure that his children got a
good education. His mental images of the ranch had blurred and faded, leaving
only a house with a hole in the middle, an enormous, threatening tree, and a
barn whose dim interior flickered with shadows that might have been rats.
Nevertheless, that night, as he drank tea in the kitchen, he told his employees
that he had hardly any money left for their wages (it was all frozen in the
bank—in other words, as good as lost), and the only solution he could think of
was to take them to the country, where at least they wouldn’t be short of food,
or so he liked to think.

The maid and the cook listened to him compassionately. At one point
the lawyer burst into tears. Trying to console him, they told him not to worry
about the money; they were prepared to go on working even if he couldn’t pay
them. The lawyer definitively rejected any such arrangement. I’m too old to
become a pimp, he said with an apologetic smile. The next morning, he packed a
suitcase and took a taxi to the station. The women waved goodbye from the
sidewalk.

The long, monotonous train trip gave him ample time for reflection. At
first, the carriage was full. He observed that there were basically two topics
of conversation: the country’s state of bankruptcy and how the Argentine team
was shaping up for the World Cup in Korea and Japan. The press of passengers
reminded him of the trains departing from Moscow in the film
Doctor
Zhivago
, which he had seen some time before, except that in the Russian
carriages as filmed by that English director, the talk was not about ice hockey
or skiing. What hope have we got, he thought, although he had to agree that on
paper the Argentine selection looked unbeatable. When night fell, the
conversations petered out, and the lawyer thought of his children, Cuca and
Bebe, both of them abroad; he was also surprised to find himself remembering a
number of women with whom he had been intimately acquainted; quietly they
emerged from oblivion, their skin covered with perspiration, infusing his
restless spirit with a kind of serenity, although it wasn’t altogether serene,
perhaps not exactly a sense of adventure, but something like that.

Then the train began to advance across the pampas, and the lawyer
leaned his head against the cold glass of the window and fell asleep.

When he woke, the carriage was half empty and there was a man who
looked part Indian sitting beside him, reading a Batman comic. Where are we?
asked Pereda. In Coronel Gutiérrez, said the man. Ah, that’s all right, thought
the lawyer, I’m going to Capitán Jourdan. Then he got up, stretched his legs,
and sat down again. Out on the dry plain he saw a rabbit that seemed to be
racing the train. There were five other rabbits running behind it. The first
rabbit, running just outside the window, had wide-open eyes, as if the race
against the train required a superhuman effort (super-leporine, actually,
thought the lawyer). The rabbits in pursuit, on the other hand, seemed to be
running in tandem, like cyclists in the Tour de France. With a couple of big
leaps, the rabbit bringing up the rear relieved the front-runner, who dropped
back to last position, while the third rabbit moved up to second place, and the
fourth moved up to third; and all the while the group was closing in on the
solitary rabbit running beside the lawyer’s window. Rabbits, he thought, how
wonderful! On the plains there was nothing else to be seen: a vast, boundless
expanse of scanty grass under massive, low clouds, and no indication that a town
might be near. Are you going to Capitán Jourdan? Pereda asked the Batman reader,
who seemed to be examining every panel with extreme care, scrutinizing every
detail, as if he were visiting a portable museum. No, he replied, I’m getting
off at El Apeadero. Pereda tried to remember a station of that name but
couldn’t. And what’s that, a station or a factory? The guy with the Indian look
stared back at him fixedly: A station, he replied. He seems annoyed, thought
Pereda. It wasn’t the sort of question he would normally have asked, given his
habitual discretion. The pampas had made him inquire in that frank, manly, and
down-to-earth way, he thought.

When he rested his forehead against the window again, he saw that the
rabbits in pursuit had caught up with the lone racing rabbit, and were attacking
it ferociously, tearing at its body with their claws and teeth, those long
rodents’ teeth, thought Pereda with a horrified frisson. He looked back and saw
a bundle of tawny fur thrashing about beside the rails.

The only passengers who got off at the station in Capitán Jourdan were
Pereda and a woman with two children. The platform was half wood, half cement,
and in spite of his best efforts Pereda couldn’t find a railway employee
anywhere. The woman and the children set off walking on a cart track, and
although they were clearly moving away and their figures were visibly shrinking,
it took more than three quarters of an hour, according to the lawyer’s
reckoning, for them to disappear over the horizon. Is the earth round? Pereda
wondered. Of course it is, he told himself, as he settled down for a lengthy
wait on an old wooden bench against the wall of the station offices. Inevitably,
he remembered Borges’s story “The South,” and when he thought of the store
mentioned in the final paragraphs, tears brimmed in his eyes. Then he remembered
the plot of Bebe’s last novel, and imagined his son writing on a computer, in an
austere office at a Midwestern university. When Bebe comes back and finds out
I’ve gone to the ranch . . . , he thought in enthusiastic anticipation. The
glare and the warm breeze blowing off the plain made him drowsy; he fell asleep.
A hand shook him awake. A man as old as he was, wearing a worn-out railway
uniform, asked him what he was doing there. Pereda said he was the owner of the
Alamo Negro ranch. The man stood there looking at him for a while, then said:
The judge. That’s right, replied Pereda, there was a time when I was a judge.
Don’t you remember me, Mister Judge? Pereda scrutinized the man: he needed a new
uniform and a haircut, urgently. Pereda shook his head. I’m Severo Infante, said
the man. We used to play together when we were kids. But,
che
, that’s
ages ago—how could I remember, Pereda retorted, and the sound of his voice, not
to mention the words he had used, sounded odd, as if the air of Capitán Jourdan
had invigorated his vocal chords or his throat.