The Jazz Palace

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Authors: Mary Morris

BOOK: The Jazz Palace
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ALSO BY MARY MORRIS

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Revenge

Acts of God

The Lifeguard

House Arrest

A Mother's Love

The Waiting Room

The Bus of Dreams

Crossroads

Vanishing Animals

Nonfiction

The River Queen

Angels & Aliens: A Journey West

Maiden Voyages: Writings of Women Travelers

Wall to Wall: From Beijing to Berlin by Rail

Nothing to Declare: Memoirs of a Woman Traveling Alone

This book is a work of fiction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author's imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Copyright © 2015 by Mary Morris

All rights reserved. Published in the United States by Nan A. Talese/Doubleday, a division of Penguin Random House LLC, New York, and distributed in Canada by Random House of Canada, a division of Penguin Random House Ltd., Toronto.

www.nanatalese.com

DOUBLEDAY
is a registered trademark of Penguin Random House LLC.

Nan A. Talese and the colophon are trademarks of Penguin Random House LLC.

eBook design adapted from printed book design by Maria Carella

Cover painting:
J Mood
, c. 1985, by Romare Bearden, from the collection of Wynton Marsalis © Romare Bearden Foundation/Licensed by VAGA, New York, NY. Image courtesy of the National Gallery of Art, Washington, D.C.

Library of Congress Cataloging-in-Publication Data

Morris, Mary, 1947–

The Jazz Palace : a novel / Mary Morris. — First edition.

pages; cm

ISBN 978-0-385-53973-9 (alk. paper)

ISBN 978-0-385-53974-6 (eBook)

I. Title.

PS3563.O87445J39 2015

813′.54—dc23       2014043501

eBook ISBN 9780385539746

v4.1

a

This book is for the Piano Man

and for Larry, of course

For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it always must be heard. There isn't any other tale to tell, it's the only light we've got in all this darkness.

—James Baldwin, “Sonny's Blues”

One

It was a hot July morning and the green river stank. The Onion River, the French called it. The Potawatomi named this place Chicagoua after the garlic that grew along its banks. As Benny walked to the bridge, he had to hold his nose. A light rain fell, but he didn't care. He heard the music before he saw the big ships, and it made him pick up his pace. Pausing on the Clark Street Bridge, Benny took his time. A parcel, wrapped in brown paper, dangled from his hands. Though he was short for his age, he had a sturdy chest and arms that seemed to reach the ground. His hands were big as catcher's mitts, and he swung his parcel to the beat.

He was late, but it was Saturday. Time to be in the vacant lot, playing ball. “Time to make deliveries,” was what his father said. Benny stared into the churning waters, which flowed west toward the Mississippi, not into Lake Michigan as nature had intended. In 1900, the year he was born, engineers reversed the current to make Chicago's drinking water safe. It was the feat of the century, sending the city's polluted waters downriver to St. Louis. Cholera and typhoid would follow.

Thousands milled on the docks. Western Electric had invited its employees on this mandatory picnic across the lake to Michigan City. They made the receivers, amplifiers, and vacuum tubes for Bell Telephone. In the twine room they sat on benches, wrapping wires.
That winter Alexander Graham Bell dialed from his phone in New York, and his assistant, Thomas Watson, answered in San Francisco. These workers had woven the cables.

They came in droves. Wives in creamy linen paraded with their husbands in Panama hats. Rows of siblings in matching dresses and suits walked hand in hand. Little girls in pigtails wore satin ribbons in their hair, and budding young women who worked on the assembly lines hung on the arms of their beaus. Grandmothers chased after toddlers, and a Hungarian man had brought all of his friends. Whiskey flasks were tucked into pockets. A sea of parasols floated by. It would require five ships to take them, and the
Eastland
was boarding first.

Benny marveled at the state-of-the-art steamship with its white-and-gray hull and sparkling deck. The crew in navy jackets and sailor caps dazzled him. The
Eastland
was outfitted with the latest in life-saving equipment. Three years before, the
Titanic
went down with lifeboats for fewer than half on board. Afterward Woodrow Wilson signed the Seamen's Act. Lifeboats had to accommodate every man, woman, and child. Earlier that summer, extra rafts, weighing fourteen tons, were added to the
Eastland
's upper deck. The crew knew she was top heavy. The first officer just shook his head.

Because of the rain many had gone below. Others stayed on top and danced. On the bridge above, Benny swayed to the rhythm of Bradfield's Orchestra. The piano player was pounding out a tune on a shiny Kimball upright. Couples glided along the promenade deck. They leaped to a polka, then to a daring fox-trot, their smiles bright under broad-rimmed hats. The hats made Benny remember his errand. He glanced at the parcel in his hand. His father manufactured crisp white or heavy blue uniform caps that his sons distributed throughout the city. Every butcher and motorman in Chicago wore one of these. When he delivered to the stockyards, Benny heard the shrieks from the Bridge of Sighs. Guts and animal hair coated his shoes.

Today he had only one delivery on the North Side, then he could play ball. He'd meet up with his pal Moe. In the afternoon they'd sneak into Comiskey Park to see the White Sox wallop the Yanks.
Faber was pitching and Benny wanted to be there. Now he lingered as young Bohemian and Polish men and women boarded. He shuffled his feet to the tune of “Alexander's Ragtime Band.” When the orchestra switched to “The Girl I Left Behind,” Benny rocked in the morning rain. He thought about the girl who sat in front of him in history class. She had a long black braid and a Polish name. Perhaps he'd see her on one of these boats. In class he pictured himself caught up in the strands of her hair. He'd climbed into its darkness until all of history was lost to him. He envisioned her in his arms, black braid swishing across his face, her hips pressing into his.

Off the bridge a street vendor was selling sausage smothered in sauerkraut. If he had a nickel, Benny would buy one, even though it was
trafe
, but he didn't. He was mad at his father for not giving him more than one-way carfare when he set out on his errands. “You'll do a better job,” his father reasoned, “if you're working for tips.” Benny had walked home many times from the South Side or hitched a ride on the back of a trolley, cursing his father all the way.

His mouth watered as Bohemian women passed with baskets, tucked under their arms, filled with creamy potato salad, deviled eggs, chickens that had been slow roasting for days, pickled beets, sweet-smelling breads. He was tempted to tag along so he could sample what they had. Instead he tipped his cap as the women sauntered by and men in gray jackets and starched shirts tipped their straw hats back. Benny's hands clasped the railing, and his package swung by the string. He tapped out the music his fingers heard as he went along—not the Chopin and Beethoven his mother wanted him to play, but the tunes that were caught in his head.

He heard his own music everywhere. It was in the movement of his feet on wooden sidewalks, in the clomp of horses' hooves, in the clatter of the “el.” He banged it out on garbage can lids and on his desk at school. In the morning he hummed in the tub. At dinner he held the beat with a knife and fork until his father ordered him to stop. Then he played on his sheets at night as he drifted to sleep. The music that came from his hands was different from the ragtime he listened to now. He heard his music on the deliveries he made to the neighborhoods where the black people lived. It came from behind
closed doors or out lonely windows where men in white undershirts played the horn on summer evenings.

Before he began running deliveries for Lehrman's Caps, Benny didn't know much of the world beyond the neighborhood where he lived, the White Sox for whom he rooted, and the piano he played. He had seen the first cars rumble down Chicago streets and heard that airplanes could fly. He knew the Great War had begun in Europe and that Wilson was president. That spring the
Lusitania
sank in eighteen minutes, killing most of the passengers aboard. Anti-German sentiment spread throughout Chicago. In western suburbs dachshunds were poisoned. But his deliveries took him in a different direction, down an old fur trader's trail called State Street by some, Satan's Mile by most. People claimed the devil lived downtown, but Benny wanted to go to the South Side where the rail workers and meat-packers lived.

In the back alleys the city was starting to roar. Hot music, he heard it called. In February Joe “King” Oliver and his New Orleans band had caused an uproar on the South Side. They had all those horns, going at once. Joe Oliver was a big man with a wandering eye. Behind his back the musicians called him Cockeye. But he had a sixth sense. Everything was about to change. Blacks and their music were moving north. They were building shacks along the tracks where the trains let them off.

After school Benny raced through his deliveries. Then he lingered on the smoky streets. A few nights before he'd stood at a door where a cornet played beside an out-of-tune piano. It wasn't off by much, but it grated on his nerves. Still Benny stayed. There was something in that alleyway music he'd never heard. He couldn't see where it was taking him. It was as if it had no rules, except for the ones it was making up. It had no beginning, no end. No one to scold him or tell him what to do. No one to be mad if he was late or his homework was due. This music just went on, the piano talking and the cornet listening, then the cornet talking back, the piano laughing as if two strangers, bent over drinks, were having a conversation into the night. Eavesdropping, Benny caught what he could.

As the ballast tanks were emptied, he was tapping out a tune. He hummed, trying to remember a refrain he'd heard. Water poured from the hull of the ship. Soon the gangplank was level with the river. Now the crowds climbed more easily aboard. The boat's horn gave a deep, harsh honk. He dallied as any child would, waving from the bridge as if he were about to leave. The passengers rushed to starboard, raising up their children and flicking their kerchiefs in the wind. A nearby tug sounded its horn and they ran to port. Benny heard the laughter as the ship pitched beneath their weight, then back again. Shouts of good-bye rose from the crowd. They would only be gone for the day, but they acted as if this were a journey across the sea.

It was 1915. The city was safe. Except for the accidents that happened in the streets because children had nowhere else to play, there was little to fear. Doors were never locked. There were no thieves. Big Bill Thompson would soon be mayor, and George Wellington Streeter was selling home brew from a sandbar he claimed to rule as the District of Lake Michigan. Except for Sundays, liquor was legal. Gangsters, bootleggers, and pimps hadn't begun their rule. On hot summer nights people slept on the beaches and in the parks.

Benny's eyes caught those of a woman, standing beside him. Her hair was the color of burning leaves and her body round as a plum. She had come up on the Clark Street Bridge as he had for a better view. The woman held a girl by each hand. The youngest was pale and fragile as a porcelain doll, and at first Benny mistook her for one. The older girl was dark with olive skin and looked grown-up for her years. They were dressed in creamy linen with matching hats. “It's a beautiful sight, isn't it?” the woman said, turning to him.

“Yes, ma'am, it is,” Benny replied, resting his arms on the railing.

“I bet you wish you were going with.”

He nodded. “Yes, I do.”

“My boys are.” She pointed to three young men who were scampering up the gangplank as a crew member motioned for them to hurry. It was ten minutes after seven, and the gangplank was raised. The crew began turning others away and sending them over to the
Theodore Roosevelt
, which was ready to receive them. The young men raised their fists in victory as their mother waved back. They were the last to board.

The older girl looked up, and her brown eyes caught his. “Jonah was supposed to come, too, but he wouldn't get up,” the girl said. She spoke as if he knew about whom she was speaking. “That's why we're late.”

Benny smiled, not quite listening as his fingers kept time. “Who's Jonah?”

“He's my deaf brother's twin. His name is Wren.” Her eyes scanned the water as she pointed to the boat. “Four of my brothers work for the company, but only Robin, Wren and Jay are going. Not Jonah. He overslept.”

“You have a lot of brothers,” Benny replied. She looked warm in her high-collar dress with the cinched waist. She kept tugging at the neck. Beads of sweat formed on her forehead and on the forehead of the little blond girl as well as they clasped the railing, looking down.

“They're named after birds,” the girl said, waving to her brothers on the deck. “We're named after gems.” She pointed to the blond child who held her mother's hand.

“Pearl, leave the young man alone. Is she bothering you?” the mother asked.

“Oh, no,” Benny said. “Not at all.” He was just talking, not really paying her much heed.

The dark-haired girl spoke rapidly as if she could never get a word in. “Jonah wouldn't get out of bed. I tried to wake him, but he wouldn't budge.”

“Well, he must have been very tired,” Benny said, amused by her chatter. “I wouldn't get up if I didn't have to. Why don't you join them?” He pointed to the boats, five of them now, ready to sail.

“Oh, I can't. It's my birthday,” the girl went on, her voice filled with anticipation. She gestured to her mother and her golden-haired sister. “We're going to Buffalo's for ice cream.”

Raising his face to the wind, Benny kept his eyes ahead. He was worried that the Sox game would be called off because of the rain. The wetness glazed his cheeks. He was glad to be standing there with
the ship before him and the music pouring from its deck. He decided to humor the girl. “I bet you'll have strawberry,” he said.

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