The Journey Prize Stories 22 (13 page)

“Happiness is a right,” Aiko Mori continued, “a right enjoyed by every child, every human being. The bound duty of the good parent is to help your son or daughter find that path to happiness. All of you have taken the first step towards assuring their participation in the single most important passage of life: the transformative act of marriage.”

Aiko Mori had a great deal to say about marriage, or what she preferred to call “life partnering.” Many factors in contemporary society made it difficult for young people to engage successfully in “life partnering” on their own: the rise in the number of working women, the stagnant domestic
economy, the high cost of living, increased sexual freedom, even changing dietary habits – all of these conditions were potential impediments.

Toshiyuki took the opportunity to look around the room more closely. Men were definitely in the minority here. He assumed that most of the men were accompanying their wives, like Mr. Yamaguchi, who was seated across from him, or like himself for that matter. One man a few tables over was staring blankly at the tablecloth in front of him and another had his eyes shut. But everyone else in the room – male and female – looked downright spellbound.

As soon as Aiko Mori stepped away from the microphone, a flock of attendants dressed in identical blue suits herded the participants into two groups: the “boys” and the “girls.” The rules were simple. The parents of daughters were handed a pink paddle with a number in the middle, and told to seat themselves at the corresponding table. Their counterparts, clutching blue paddles, were given envelopes containing a list of their table assignments. Each visit was timed; when the chime rang they were to move to the next table on their list.

For several minutes the pink and blue paddles bobbed unsteadily as the participants jostled into place, bowing each time they nearly bumped into each other.

Toshiyuki followed Yumiko as she crossed the floor towards the first table on their list. Instead of her usual handbag, she was carrying a large brown leather bag that he had never seen before. They bowed to the woman seated alone at the table, Mrs. Sato, who rose halfway and nodded solemnly in return. She had an anxious expression on her face, as if she were about to be interviewed by the police.

After exchanging a few pleasantries, Yumiko produced a stiff document folder from her bag, and with businesslike briskness extracted the photographs of their son. She placed them on the table facing Mrs. Sato.

Toshiyuki had never seen the first photo. It was Mitsuo on an outing of some kind, maybe with his company. He was wearing a red plaid shirt and beige alpine hiking pants. His arms were folded casually across his breast, and he stood erect and tall in front of a signpost indicating fifty metres to the summit of Mount Hakuba. Mitsuo's normally pale face shone with an appealing mixture of health, satisfaction, and confidence. Behind him the faraway ridges of the Nagano mountains looked like the furry backs of large sleeping animals.

When, he wondered, had he last seen his son looking so happy and carefree?

“This is Mitsuo on a hiking trip,” Yumiko began.

“Ahhh, hiking is a nice hobby, very healthy,” said Mrs. Sato. She fanned herself rapidly with her pink paddle.

“Mitsuo has many hobbies,” Yumiko continued. “Reading, for instance. American mystery novels are a big favourite of his. And going to the movies. He is especially fond of French films.”

“Ahhh, foreign films.”

“French films,” Yumiko corrected emphatically, her mouth set in a tight smile.

Toshiyuki wondered how on earth she could feel so confident that Mitsuo went to French films. How did she know? Did Mitsuo call her up to discuss books and cinema? It struck Toshiyuki that, as adults, he and his son had never sat together in a movie theatre.

“What about Tomoko? What kind of hobbies does she have?”

“Tea.” Mrs. Sato stopped fanning herself and drew her shoulders back smartly. “Of course, tea ceremony is more than just a hobby.”

Mr. Sato, it seemed, had wisely decided to stay away this evening, and Toshiyuki couldn't help envying him. Although Yumiko had been insistent on Toshiyuki's participation, she was doing quite well on her own. She and Mrs. Sato talked for several more minutes before the chime rang signalling them to move to the next table.

“What a waste of time,” Yumiko whispered into Toshiyuki's ear, tugging his jacket so he was forced to bend closer. “I wouldn't let that Tomoko within ten yards of our Mitsuo. Did you notice that one of her eyes is slightly smaller than the other? Shouldn't they screen participants better?”

At their next table they were greeted by a frail-looking elderly couple, Mr. and Mrs. Isozumi, who Toshiyuki at first thought were grandparents. No. They had come in the hopes of finding a husband for their daughter, who, despite a girlish pageboy and the best efforts of a professional photographer, looked old enough to be Mitsuo's aunt. To make matters worse, the poor thing had a prominent mole on the side of her right nostril. Without looking at Yumiko, Toshiyuki knew that she had her lips set in a “waste of time” grimace.

Over the next two hours they traveled from table to table, exchanging name cards and showcasing their son. Yumiko had quickly perfected her patter, introducing Mitsuo's vital statistics as smoothly as a saleswoman promoting a new line of kitchenware. Toshiyuki listened with not a little admiration. It
was disappointing, however, that so few of the female candidates met with Yumiko's approval. Too old, too tall, too immature, too little education, too homely. While some of the other parents had expressed interest in Mitsuo as a potential son-in-law, Yumiko didn't like any of the daughters.

At ten o'clock they approached their final table, where an elegant woman wearing an expensive-looking burgundy jacket sat alone. She rose to greet them, bowing politely, and introduced herself as Mrs. Honda. Around her throat, she had tied a bright yellow scarf that accentuated the graceful curve of her long neck. Her smooth, unlined skin made it hard to believe she was old enough to have a grown daughter.

As soon as they took their seats, Mrs. Honda wasted no time in pushing the photographs of her daughter across the table. Keiko Honda smiled over and over in a series of large-format glossy prints that featured her in different poses and a variety of expensive fashion attire. She was a striking young woman with large brown eyes, deep dimples and high sculptured cheekbones. Toshiyuki noticed that Yumiko lingered over each photograph in a way she hadn't with any of the other candidates.

“I think everything you need to know is in Keiko's resume,” Mrs. Honda said, pointing her finger to a sheet of paper encased in clear plastic that was displayed on the table. “I'd be happy to answer any questions.”

“What a lovely girl,” Yumiko began.

“Not at all,” Mrs. Honda murmured modestly.

“I see she attended Keifu College. What did she study there?”

“English Literature mainly, but she also studied some French and German. Keiko really enjoys foreign languages.”

“Mitsuo, too!” Yumiko's voice shot up a notch. “He likes American novels and French movies.”

“My goodness, that sounds like Keiko!” Mrs. Honda's yellow scarf fluttered like large, soft petals. “She wrote her senior essay on Hemingway. And, of course, she loves anything French. Where did Mitsuo learn his French? In university?”

“He hasn't really studied it. Not formally.”

“Keiko doesn't like formal study, either. We sent her to Paris for a summer when she was in college, and since then she's been back three times. She'll probably go again this summer. We enrolled her in French language school, but she tells me that most of her learning is outside the classroom. My husband grumbles that it's too expensive, but he can't refuse her.”

“It sounds like she has a wonderful life.”

“No, it's not wonderful. Not at all.” Two little frown lines briefly marred Mrs. Honda's smooth brow. “She needs to settle down and have children. You can't go traipsing off to Europe your whole life.”

Mrs. Honda reached across the table and picked up the formal shot of Mitsuo taken last New Year's in a professional studio. She held it at arm's length, studying it in silence, and then picked up the hiking picture and did the same. Toshiyuki was conscious that he was holding his breath, waiting anxiously for her assessment.

“A nice-looking young man,” she said finally. “You say he likes France?”

“Oh, very much.”

Toshiyuki glanced at Yumiko. Shouldn't they explain that Mitsuo had never actually been to France? He'd never been
outside of Japan. But as if reading his mind, Yumiko refused to let him catch her eye. She focused her gaze intently at Mrs. Honda.

“Young people think nothing of travelling halfway around the globe,” Mrs. Honda said, sighing softly. She continued to stare at Mitsuo's photograph, which she still held in her hands. “They're all spoiled, don't you think?”

“Oh.” Yumiko looked bewildered.

“Spoiled and selfish. Just look at what we do for them, coming to events like this. Keiko is simply impossible. You have no idea what a terrible time I had getting her to pose for the photographer.” Mrs. Honda paused. “What about Mitsuo? Did he cooperate?”

“Mitsuo? We haven't told him what we're doing.”

There was a moment of silence before Mrs. Honda began laughing. She brought her hand up to cover her mouth. “He doesn't know!”

“No, I thought it might be upsetting.” Yumiko stuck out her lower lip a fraction of an inch, a look Toshiyuki had often observed, a defensive pout she unconsciously assumed whenever she thought she was being attacked.

“That's certainly one way of handling things.” Mrs. Honda laughed even harder. “I see you're the practical type.”

Yumiko tensed her jaw.

“Well, I believe in being practical, too. I told myself I'd come tonight and gather as much data as I can. Aiko Mori has such a good reputation, I was very hopeful. But I must say,” Mrs. Honda bent forward across the table and whispered, “quite frankly, some of the candidates here are a big disappointment. Given the fees being charged, I expected to find
more doctors and lawyers, dentists even, you know, a higher class of candidates.”

She suddenly turned to Toshiyuki. “Where did you say Mitsuo works?”

“Kita Chemical.”

“You've heard of it, haven't you?” Yumiko said quickly.

“I'm not sure. The pharmaceutical company?”

“They mainly make agricultural applications,” Toshiyuki explained.

“They're Japan's leading producer of fertilizer,” Yumiko added. “With overseas offices throughout Asia and even one in Europe.”

“Fertilizer.” Mrs. Honda wrinkled her nose. “I see.”

Yumiko began speaking faster. “Mitsuo has done very well. Salaries at Kita Chem are excellent, you know, with generous bonuses twice a year.”

“No doubt.” A faint smile rose on Mrs. Honda's lips. “I'm sure he's very good at what he does.”

Around the room some of the other groups had started to break up and were getting ready to leave.

“Oh, it's time to go.” Mrs. Honda gathered Keiko's photographs and slid them into her carrying case. “It's been nice meeting you. Good luck with Mitsuo.”

Toshiyuki began doing the same, picking up the photographs of Mitsuo that lay scattered across the table. He turned to hand them to Yumiko to put in her bag, but she was glaring at Mrs. Honda.

“Such an attractive young woman!” Yumiko's voice was loud enough that several women nearby turned around. Mrs. Honda cocked her head slightly and gave Yumiko a puzzled
look. Her lips were puckered as if she were uncertain whether she should smile or not.

“A beautiful girl! No,
gorgeous!”
Now Yumiko was shouting. At the surrounding tables all conversation had stopped and the room was suddenly very still. “But you can't help wondering what's wrong with her, can you? I mean, there must be
some
reason she isn't already married.”

“What are you driving at?” Mrs. Honda's scarf had come undone, one end hanging untidily at the side of her neck.

“Nothing.” Yumiko picked up her brown bag and headed straight for the exit, brushing past the two blue-suited assistants who were rushing towards their table.

They walked to the train station in silence. The wind was cold and Toshiyuki turned up his collar and dug his hands deep into his pockets. He glanced at Yumiko from time to time, but she gave no indication that she felt like talking or that she even noticed him looking at her. She had pulled her scarf up to cover her cheeks and mouth, so all he could see was half her face. Bending her head, she sliced into the wind with brisk, determined strides. The clicking of her heels on the cold pavement echoed inside his head, a steady tap tap tap that made his thoughts bounce like hard, loose beads. He considered what words of encouragement he should offer. The evening had not been good, but maybe they could sign up for another session or go to a different company. He thought about saying these things aloud to Yumiko, but decided in the end that silence was better.

As soon as they reached the entrance to the station, they were surrounded by people again. Toshiyuki slowed his pace
as they headed for the ticket turnstiles, and reached into his pocket for his commuter pass. Yumiko would have to purchase a ticket. They stopped and faced each other.

“We shouldn't have come,” Yumiko said quietly. She was looking past his shoulder, not at him.

“We can try again,” he said.

“No,” she repeated firmly. “We shouldn't have come. We should never have come.” Then without waiting for a reply, she walked over to the automated ticket machine and took her place in a long line behind a young couple. The boy, who was tall and skinny, held his girlfriend in a tight embrace and every so often he would tickle her under the arms and make her giggle. “Stop it!” the girl said, squirming excitedly. Although the couple bumped into Yumiko several times, she didn't step back or even flinch. Toshiyuki could feel the stiffness in her short thick back.