The Killing Kind

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Authors: John Connolly

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BOOK: The Killing Kind
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The Killing Kind

TheKillingKindbyJohnConnolly

Synopsis

Did Grace Peltier commit suicide? When a mass grave in northern Maine reveals the final resting place of a religious community that disappeared almost forty years earlier, private detective Charlie Parker, hired to investigate the circumstances of her death, realises that their deaths and the violent passing of Grace Peltier are part of the same mystery, one that has its roots in her family history and in the origins of the shadowy organisation known as the Fellowship. Aided by the genial killers Angel and Louis, Parker must descend into the depths of a honeycomb world populated by dark angels and lost souls, a world where the ghosts of the dead wait for justice and the unwary are prey for the worst kind of creatures. The killing kind...

The Killing Kind

By

John Connolly

The third book in the Charlie Parker series

Copyright © 2001 by John Connolly

For my mother

The Killing Kind
I

And heavy is the tread

Of the living; but the dead

Returning lightly dance . . .

—EDWARD THOMAS, “ROADS”

PROLOGUE

THIS IS A HONEYCOMB WORLD.

It hides a hollow heart. The truth of nature, wrote the philosopher Democritus, lies in deep mines and caves. The stability of what is seen and felt beneath our feet is an illusion, for this life is not as it seems. Below the surface, there are cracks and fissures and pockets of stale, trapped air; stalagmites and helactites and unmapped dark rivers that flow ever downward. It is a place of caverns and stone waterfalls, a labyrinth of crystal tumors and frozen columns where history becomes future, then becomes now.

For in total blackness, time has no meaning.

The present is imperfectly layered on the past; it does not conform flawlessly at every point. Things fall and die and their decay creates new layers, thickening the surface crust and adding another thin membrane to cover what lies beneath, new worlds resting on the remains of the old. Day upon day, year upon year, century upon century, layers are added and the imperfections multiply. The past never truly dies. It is there, waiting, just below the surface of the now. We stumble into it occasionally, all of us, through remembrance and recall. We summon to mind former lovers, lost children, departed parents, the wonder of a single day when we captured, however briefly, the ineffable, fleeting beauty of the world. These are our memories. We hold them close and call them ours, and we can find them when we need them.

But sometimes that choice is made for us: a piece of the present simply falls away, and the past is exposed like old bone. Afterward, nothing can ever be the same again, and we are forced to reassess the form of what we believed to be true in the light of new revelations about its substance. The truth is revealed by a misstep and the fleeting sense that something beneath our feet rings false. The past bubbles out like molten lava, and lives turn to ash in its path.

This is a honeycomb world. Our actions echo through its depths.

Down here, dark life exists: microbes and bacteria that draw their energy from chemicals and natural radioactivity, older than the first plant cells that brought color to the world above. Every deep pool is alive with them, every mine shaft, every ice core. They live and die unseen.

But there are other organisms, other beings: creatures that know only hunger, entities that exist purely to hunt and kill. They move ceaselessly through the hidden cavities, their jaws snapping at the endless night. They come to the surface only when they are forced to do so, and all living things flee from their path.

They came for Alison Beck.

Dr. Beck was sixty and had been performing abortions since 1974, in the immediate aftermath of Roe v. Wade. As a young woman she had become involved in Planned Parenthood following the rubella epidemic of the early 1960s, when thousands of American women delivered babies with serious birth defects. She had progressed to outspoken membership of NOW and the National Association for the Repeal of Abortion Laws before the changes for which they fought enabled her to establish her own clinic in Minneapolis. Since then, she had defied Joseph Scheidler's Pro-Life Action Network, his sidewalk counselors and bullhorn mafia, and had stood head-to-head with Randall Terry when Operation Rescue tried to blockade her clinic in 1989. She had fought against the Hyde amendment of '76, which cut off Medicaid funding for abortions, and had cried when the antiabortionist C. Everett Koop became U.S. surgeon general. On three separate occasions butyric acid had been injected into the clinic walls by antiabortion activists, forcing it to close its doors for days until the fumes had dispersed. The tires on her car had been slashed more times than she could count, and only the toughened glass on the clinic window had prevented an incendiary device housed in a fire extinguisher from burning the building to the ground.

But in recent years the strain of her profession had begun to tell and she now looked much older than her years. In almost three decades, she had enjoyed the company of only a handful of men. David had been the first, and she had married him, and loved him, but David was gone now. She had held him as he died, and she still kept the shirt he had worn on that day, the bloodstains like the shadows of dark clouds floating across its once pristine whiteness. The men who followed offered many excuses for departing but, in the end, all the excuses could be distilled down to one simple essence: fear. Alison Beck was a marked woman. She lived each day in the knowledge that there were those who would rather see her dead than have her continue her work, and few men were willing to stand beside such a woman.

She knew the statistics by heart. There had been twenty-seven cases of extreme violence against American abortion clinics in the previous year, and two doctors had died. Seven abortion doctors and assistants had been killed in the preceding five years, and many others injured in bombings and shootings. She knew all of this because she had spent over twenty years documenting the incidences of violence, tracing common factors, establishing connections. It was the only way that she could cope with the loss of David, the only means she had of making sure that some small good might arise from the ashes of his death. Her research had been used to support the abortion providers' successful invocation of the RICO antiracketeering laws in their fight against their opponents, alleging a nationwide conspiracy to close down clinics. It had been a hard-won victory.

But slowly, another, more indistinct pattern had begun to emerge: names recurring and echoing down the canyons of the years, figures half-glimpsed in the shadows of violent acts. The convergences were visible in barely half a dozen cases, but they were there. She was certain of it, and the others seemed to agree. Together, they were drawing closer and closer to the truth.

But that brought with it its own dangers.

Alison Beck had an alarm system in her home, linked directly to a private security firm, and two armed guards were always on duty at the clinic. In her bedroom closet was an American Body Armor bulletproof vest, which she wore while traveling to and from the clinic despite the discomfort involved. Its twin hung on a steel rail in her consulting room. She drove a red Porsche Boxster, her only true indulgence. She collected speeding tickets the way other people collected stamps.

Alison was a conservative dresser. She typically wore a jacket, unbuttoned, which hung to midthigh level. Beneath the jacket she wore pants with either a brown or a black belt, depending on the color of her ensemble. Attached to the belt was an Alessi holster containing a Kahr K40 Covert pistol. The Kahr held a five-round magazine of .40 caliber ammunition. Beck had tried using six rounds for a time, but found that the extended magazine sometimes caught in the folds of her shirt. The Kahr had an abbreviated grip that suited her small hands, for Alison Beck was just a shade over five feet tall and slightly built. On a range, with the Kahr's smooth double-action trigger pull, she could put the five rounds through the heart of a target thirty feet away in under eight seconds.

Her shoulder bag contained a can of Mace and a stun gun that could send a 20,000-volt charge through a man and leave him gasping and quivering on the ground like a stranded fish. While she had never fired her gun in anger, she had been forced to use the Mace on one occasion when an antiabortion protester had tried to force his way into her home. Later she recalled, with a twinge of shame, that Macing him had felt good. She had chosen her life—that she simply could not deny—but the fear and the anger at the restrictions it had imposed upon her and the hatred and animosity of those who despised her for what she did had affected her in ways she did not like to admit. That November evening, with the Mace in her hand and the short, bearded man howling and crying in her hallway, all of that tension and anger had exploded from her through the simple action of pressing a plastic button.

Alison Beck was a familiar figure, a public figure. Although based on a leafy street in Minneapolis, she traveled twice each month to South Dakota, where she conducted a clinic at Sioux Falls. She appeared regularly on local and national television, campaigning against what she perceived as the gradual erosion of women's right to choose. Clinics were closing, she had pointed out on the local NBC affiliate only the previous week, and now 83 percent of U.S. counties had no abortion services. Three dozen congressmen, a dozen senators, and four governors were openly anti-choice. Meanwhile, the Roman Catholic Church was now the largest private health care provider in America, and access to abortion services, sterilization, birth control, and in vitro fertilization was becoming increasingly limited.

Yet faced with a pleasant, soft-spoken young woman from Right to Life of Minnesota, who concentrated on the health issues for women and the changing attitudes of a younger generation that could not remember the days before Roe v. Wade, Alison Beck had begun to feel that it was she, the campaigning doctor, who now sounded strident and intolerant, and that perhaps the tide was turning more than she realized. She admitted as much to friends in the days before she died.

But something else had given her cause to feel afraid. She had seen him again, the strange red-haired man, and she knew that he was closing in on her, that he intended to move against her and the others before they could complete their work.

But they can't know, Mercier had tried to reassure her. We've made no move against them yet.

I tell you, they know. I have seen him. And . . .

Yes?

I found something in my car this morning.

What? What did you find? A skin.

I found a spider skin. Spiders grow by shedding their old exoskeleton and replacing it with a larger, less constraining hide, a process known as ecdysis. The discarded skin, or exuvium, that Alison Beck had found on the passenger seat of her car belonged to a Sri Lankan ornamental tarantula, Poecilotheria fasciata, a beautifully colored but temperamental arachnid. The species had been specifically selected for its capacity to alarm: its body was about two and a half inches in length, marked with grays, blacks, and creams, and its legspan was almost four inches. Alison had been terrified, and that terror had only slightly abated when she realized that the shape beside her was not a living, breathing spider.

Mercier had gone silent then, before advising her to go away for a time, promising that he would warn their associates to be vigilant.

And so Alison Beck had, in that final week, decided to take her first vacation in almost two years. She intended to drive to Montana, stopping off along the way for the first week, before visiting an old college friend in Bozeman. From there they planned to travel north together to Glacier National Park if the roads were passable, for it was only April and the snows might not yet have completely melted.

When Alison did not arrive on that Sunday evening as she had promised, her friend was mildly concerned. When, by late Monday afternoon, there was still no word from her, she phoned the headquarters of the Minneapolis PD. Two patrol officers, Ames and Frayn, familiar with Alison from previous incidents, were assigned to check on her home at 604 West Twenty-sixth Street.

Nobody answered the doorbell when they rang, and the garage entrance was firmly locked. Ames cupped his hands and peered through the glass into the hallway. In the open doorway leading into the kitchen were two suitcases, and a kitchen chair lay on the floor with its legs toward the wall. Seconds later, Ames had slipped on his gloves, broken a side window, and, his gun drawn, entered the house. Frayn made his approach from the rear and came in through the back door. The house was a small two-story, and it didn't take the policemen long to confirm that it was empty. From the kitchen, a connecting door led into the garage. Through the frosted glass, the lines of Alison Beck's Boxster were clearly visible.

Ames took a breath and opened the door.

The garage was dark. He removed his flashlight from his belt and twisted it on. For a moment, as its beam hit the car, he wasn't sure what he was seeing. He believed initially that the windshield was cracked, for thin lines spread in all directions across it, radiating from irregular clumps dotted like bullet holes across the glass and making it impossible to see the interior of the car. Then, as he drew nearer the driver's door, he thought instead that the car had somehow filled with cotton candy, for the windows appeared to be coated on the inside with soft white strands. It was only when he shined the light close to the windshield and something small and brown darted across the pane that he recognized it for what it was.

It was spiderweb, its filaments gilded with silver by the flashlight's beam. Beneath the weave, a dark shape sat upright in the driver's seat.

“Dr. Beck?” he called. He placed his gloved hand on the door handle and pulled.

There came the sound of sticky strands breaking, and the silken web flailed at the air as the door opened. Something dropped at Ames's feet with a soft, barely audible thud. When he looked down, he saw a small brown spider making its way across the concrete floor toward his right foot. It was a recluse, about half an inch in length, with a dark groove running down the center of its back. Instinctively, Ames raised his steel-capped shoe and stamped down on it. For a brief moment he wondered if his action constituted a destruction of evidence, until he looked into the interior of the car and realized that, for all its effect, he might just as easily have stolen a grain of sand from the seashore or pilfered a single drop of water from the ocean.

Alison Beck had been stripped to her underwear and tied to the driver's seat. Gray masking tape had been wrapped around her head, covering her mouth and anchoring her to the seat. Her face was swollen almost beyond recognition, her body mottled with decay, and there was a square of exposed red flesh just below her neck where a section of skin had been removed.

Yet the disintegration of her body was masked by the fragments of web that covered her in a tattered white veil, her face almost concealed beneath the dense pockets of thread. All around her, small brown spiders moved on arched legs, their palps twitching as they sensed the change in the air; others remained huddled in dark recesses, orange egg sacs dangling beside them like bunches of poisonous fruit. The husks of drained insects speckled the snares, interspersed with the bodies of spiders that had been preyed upon by their own kind. Fruit flies flitted around the seats, and Ames could see decaying oranges and pears on the floor by Alison Beck's feet. Elsewhere invisible crickets chirped, part of the small ecosystem that had been created inside the doctor's car, but most of the activity came from the compact brown spiders that busied themselves around Alison Beck's face, dancing lightly across her cheeks and her eyelids, continuing the construction of the irregular webs that coated the inside of the car with thread.

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