The Language of Sisters (22 page)

BOOK: The Language of Sisters
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“Those damn pink cocks,” Daisy announced, the white daisy in her purple hat flying around. “I want to whip up their insides with my mixer, then dump them in the oven and cook them with no salt.”
“I'm going to lose my appetite if you talk like that,” Charles said. He smiled at Daisy. I liked Charles. Wise, measured, elegant man. He had won Professor of the Year at the university where he taught, voted on by the students.
“Dagnabbit, Charles,” Daisy said, slamming a hand down and leaning forward at the table. “You're right. I won't talk about cooking people without salt.”
“I appreciate that.”
“But can I talk about boiling them?”
“Let's skip the cauldron image,” Vanessa said. “Too witchy.”
“Cauldrons! I'm not a witch. Except!” Daisy pointed a finger up. “On Wednesdays.” Daisy was wearing a necklace with a tiny stuffed bear over her pink sweater with red cats. Her black boots came up to her knees and had silver studs on them.
“We need an attorney,” Vanessa said. “You all have heard of Cherie Poitras? We've been friends for years. She has a colleague she recommended for us. Cherie said the woman is a ninja warrior in high heels. Her name is Heather Dackson. She'll fight for us, and this will give us a head start.”
“Head start! I know how to make a head start,” Daisy said. “We'll put their heads on a pick. That's a start.”
“I think that's too violent,” Vanessa said. “But, Daisy, I think we all want to thank you for bringing the blueberry pies tonight. These are scrumptious.”
“Ya. I know how to make blueberry pies. My momma taught me. She could shoot a fly's whisker off, toss a rattlesnake without getting bit, and bake pies. She escaped from prison once, too.”
“Awesome,” Lindy said.
“Shot a man's private part clean off,” Daisy said, proud, pointing at her crotch.
We sat in that vision for a second.
“Shot another one in the buttocks.” Daisy spanked her own butt.
“So, the attorney?” Jayla said, getting us back on track.
We all agreed to hire Heather. We also agreed to put up $500 each.
“Nah,” Lindy said. “Don't do it. The dock will not close. I promise.”
“How do you know, Lindy?” Vanessa said. “We've already received notice.”
Lindy waved a hand. “We're all safe. Make no plans to move. Don't get an attorney. I'll have it handled.”
“What do you mean, you'll have it handled?” Charles asked. “We need to keep this legal.”
“Legal?” Lindy said, arching an eyebrow.
“What he means is ...” I didn't know what Charles meant, but I didn't want Lindy offended.
“Charles simply meant ...” Vanessa said, fumbling. “Well ... hmm ... he didn't intend—”
“No offense, Lindy,” Charles said. “Please. I didn't mean to hurt you.”
“We know that you would, uh, uh, uh ...” Jayla said. “Keep it legal.”
“Absolutely,” Beth said, so earnest. “We trust you.”
Lindy shook her head back and forth. “Please. Come on. Do you think this is how big business works? Legally? No, we'll fight this on their level. The level of the Tweedle Dees who are scum. Don't worry. This will all stop soon. Could you please pass the paella again? This is delicious, Jayla and Beth.”
“I think we have to worry about this,” Vanessa said.
“We can't sit and do nothing,” Charles added.
“Listen to me,” Daisy said, her stuffed bear swinging from side to side. “All this talk about attorneys. Attorneys are like vultures. They peck away at you and tear your flesh out. I'll just shoot them.” She pulled a tiny gun out from between her breasts and pointed it at the ceiling.
We weren't fazed.
“Please don't shoot, Daisy,” Jayla said. “The cat sleeps upstairs, right above you.”
“The kitty sleeps right there?” Daisy smiled, then tucked the gun back between her boobs. “I will not shoot a furry animal. Never. Or a hairy animal. No animals with flippers. No animals with whiskers.” She shook her head, and the daisy on her hat bobbed. “Only humans.”
“That's comforting to me,” I said.
“I feel comfortable now,” Charles said.
“Good enough,” Jayla said. “Who wants more blueberry pie?”
We all did. Daisy went upstairs to get the cat and held it on her lap. “I would never shoot you,” she whispered to it. “Don't you worry.”
* * *
I heard Daisy singing at the edge of the dock that night. Her haunting, melodious voice is a complete dichotomy from her shoot-'em-up personality.
Skippy and Georgie told me that she used to sing at the bars she owned. The bar would be packed.
“I saw my momma, many times, drag drunks out of her bars like she was haulin' coal out, swearin' like a son of a gun,” Skippy told me. “I can't even count how many men she smashed in the face with this huge skillet she had.
Boom
. They'd hit the ground like dead ducks. She drank like a sailor, smoked like a chimney, she fought, and she ran the businesses with a fist full of iron. But when we were home at night, the three of us, she would sing like a bird. She could sing opera, the blues, lullabies.” He wiped his eyes. I noticed his knuckles were scraped, so it made me wonder who he had beaten up.
“At night she sang us to sleep,” Georgie said. He had a bruise on the side of his face. They had probably been together. “When Skippy and I were teenagers, she'd come in and sing even if we'd been up to no good and she'd paddled both of us a minute before.”
“I still call her for a song,” Skippy said, his eyes watering. “I'm not embarrassed to say that as a man. Life's rough, right, Toni? Gets me in the mood to sleep, what with all the stuff I have to deal with. I bought her some new boots. Warm ones. I worry about her feet gettin' cold.”
I did not mention that I saw Arthur/Skippy, aka Slugger, and George/Georgie, aka Slash, in the paper again and that they had, once again, slithered out of charges filed against them for money laundering of what appeared to be, but was not proven to be, illegal gambling money, loan sharking, etc.
So it was almost funny when Skippy said, “I wanted to talk to you about somethin', so did Georgie, Toni, and, uh, we know you're a crime and justice reporter for the paper and, uh, don't believe everything you hear, okay? I mean, it's embarrassin'. We're embarrassed that you, uh, heard this stuff and we don't want no trouble with you, we know you're a friend to our ma.”
“Don't worry, Skippy. To be honest, as soon as I met you I was then unable to write about you, so another reporter always covers your ... shall we say, business challenges?”
“Yeah, yeah. That's it. Our business challenges. Hey! I like that.”
I did not mention the dock closing to Skippy or Georgie. That was for Daisy to do, and she told me she hadn't done it because “if my boys find out that Tweedle Dee Dum and Tweedle Dum Dee are kicking me off the dock and into the river to sing with the whales, then they'll send those two wankers off a bridge and then my boys will be in the slammer. They been in the slammer before and they didn't like it, so I'm not saying nothing to them until I check with the whales.”
I decided to keep quiet, too. I did not need the Tweedles' deaths on my head, and I wouldn't put it past Georgie or Skippy.
Daisy's voice carried over the water. She was singing about a woman who had lost her man.
It broke my heart.
12
“How was your day?” I asked Nick, my voice wobbling like a teeter-totter in his kitchen. I was tossing a salad, trying not to look at him. I had seen enough. He had a bandage on his shoulder under his black tank top, a long bruise on his arm, and a cut on his neck. It made me nervous and upset. Another reason not to be in a serious relationship with Nick: He could get killed.
“Not as productive as the day before.”
I felt like crying when I saw that shoulder. I turned away as the tears came and rubbed my hands over my cheeks. He came up behind me and wrapped his arms around me.
I swallowed hard, and snuffled, and wiped my tears with a dish towel. “What happened?”
“Someone didn't like me arresting him.”
I tried to pull away.
“Toni.”
I tried to pull away again.
“Babe, please. I need a hug.”
“And I need—” I choked. “Not to see you getting beat up.”
“Doesn't happen that often.”
“Happens enough, and I don't like seeing you like this. It's upsetting. I don't like knowing that you could get hurt worse... .”
“It's good to know you care.”
“I care. What do you mean by that?” I snapped, angry.
“Babe, I can't even get you to go out on a date with me. You pull away every time we're together, you go home—”
I tried to push his arms away from me as I always do when he puts pressure on me.
He cupped my face with one gentle hand. “Look at me.”
“No. I don't want to.”
“Please, baby.” He tilted my chin up. “Come on, look at me.”
“No.” I finally did, then my eyes shifted to the bandage on his shoulder and to that bruise on his arm, that cut on his neck, that someone did to him, some dirtbag criminal hurt Nick ... my Nick. Who shouldn't be my Nick. There was no Nick and Toni, but he was still my Nick, even if I wouldn't go on a date. He pulled me close and held me tight.
I put my head under his chin while I trembled like some sappy lady who couldn't get it together. “I don't want to sleep with someone who gets hurt.”
“I'll try not to get hurt again.”
“Try harder, you big oaf.”
“Okay.” He kissed me and I was a sloppy kisser because I kept crying. He lifted me up, I wrapped my legs around his hips, and he carried me into his bedroom. It took my mind off things for a while, but when I stopped panting, and I was lying underneath him, I laid eyes on that bandage and bruise and started crying all over again. I pushed him to get him off of me.
He rolled and pulled me down on top of him again when I, the sloppy crier, tried to get away. He stroked my back and I settled down, about how a cat would. I was so tired from all that emotion that I fell asleep on him, and when I woke up it was two in the morning.
I got out of bed.
“One night, Toni. Please. Call it a pity night because of my shoulder. Call it a night when you give in one time. Come on, honey. We're so comfortable.”
“No. You're making me cry. I didn't come here to cry and get scared about you and worry about you and I am not here to feel like that again and I don't like your job.”
“I like you.”
“I don't like you. You are bad for my, for my ...” I struggled to think of something. “For my face.”
“I'm bad for your face?”
“Yes. It's all puffy now and swollen and my tear ducts are tired.”
“Then close your eyes and go to sleep with me, and I will rub your back.”
Tempting. I loved when he rubbed my back, but no.
I left. I do not spend the night. He's my lover, my Nick. That's what he is: lover.
He trailed after me and walked me to my door and kissed me on the cheek. I hugged him, then pulled myself out of his arms when the kiss became all sizzly again and shut the door behind me after I said, “I'm mad at you, Nick,” because I was mad at him for getting hurt. “Really mad.”
I did not miss his sigh and one short swear word.
Living on a Tugboat, Talking About Homes
BY TONI KOZLOVSKY
 
I visited a woman this week who was born in the home she lives in now. Mabel Stiva is eighty-four years old. Her light blue front porch, the one that is almost invisible because of the overflowing flower boxes, is one of three front porches we featured this week because it's so welcoming.
“My home is me,” Stiva told me. “It's my family. My parents and grandparents. It's us. It's the Stivas. I made strudel with my grandma in this kitchen. My father taught me how to clean a gun in the family room. My grandfather taught me how to ride a horse out back, where there is now a line of homes. They're all gone, but the home retains our memories between the walls. That's why I'll stay here until I die. My family is here.”
I talked with a man named Marv DeSota, who said that his modern home, about four blocks away, was the pinnacle of a hard-working life, a goal he had long held. “I grew up poor. We had nothing. I had two jobs by the time I was fourteen, delivering newspapers and working in a restaurant washing dishes. I used to look at people who had nice homes and think, I want that. I want that life. I want to have a roof that doesn't leak, a place that doesn't have rats, a floor that is not so broken in places we can see the ground. This home, for me, is the culmination of decades of work. No one helped me, I did it myself.”
I also talked with an artist, Lucianne Micah, who has painted every wall of her home several times, depending on her mood and where she is in her life. “My home, to me, is my canvas. And my canvas, my art, is my life. That's why it's special. When I get tired of what I've painted, I paint it white, live with the white until I know what I'm going to do, then I paint a mural. It's mental therapy for a few hard knocks I've had to deal with in my life.”
My own special home? I will always remember a small, tight, shabby apartment I lived in with my family in Moscow, Russia, then called the Soviet Union.
Do I want to live there again? I don't. Too many things happened I want to forget. Too many dangers, too many whispers in the night, too much of the KGB. It was cold, it was poor, it was desperate. Life as an American is much better in every way.
But I can see my mother making syrniki there, with jam and sour cream, and my grandmother Ekaterina making my sisters and me dolls out of cloth, and my grandfather carving me toys out of wood. I can see my father grading his students' papers, his brow furrowed. I can see my sisters and myself playing games in the small bedroom/closet we shared, one bed, all piled in together at night. I can see my uncles and aunts playing cards, laughing, shouting, an argument here and there.
I can remember Christmas, how we had to hide our small, homemade Christmas tree in our bedroom because being Christian was illegal. I remember the dollhouse my parents built us out of wood one year, wearing mittens as the apartment was freezing, the hot water off for weeks at a time.
I will never forget that apartment, our lives there, the laughter, the happy times.
Wishing you much laughter and happy times in your own home.
I saw my ex-editor, William Lopez. “Bored yet, Kozlovsky?”
“Not yet, William.”
“I'm bored thinking about what you're doing. It makes me lose brain cells. I can hardly stand it.”
I laughed. I bought him a box of cookies to “sweeten his sour disposition,” which is what I wrote on the card.
He wrote back, “It'll never work, Kozlovsky.”
* * *
“I no understand,” my uncle Sasho moaned, head in his hands. “I no understand. How this happen? How this happen to me?”
“Sasho, all will be well,” my mother said, patting his shoulder.
“Woe on my life, these things happen,” Uncle Vladan said. “I don't know how.”
“This not so bad,” my uncle Yuri muttered, casting a glance at his pregnant granddaughter, Hope, who was outside in the backyard.
All of the Kozlovskys were at Uncle Sasho's house to celebrate his son Pavel's birthday.
Ellie was there with Gino, who hugged me, friendly as ever, and said, “I wish Ellie wasn't so worried about the wedding. I'm trying to help her, but she keeps telling me she has everything organized already, that you and your mom and Valerie are doing it.”
I told him we were doing everything that Ellie asked us to do, and we chatted from there. There was a serious communication problem between those two, but I didn't say that, as that would have been a poor choice and Gino would have lost his marbles.
Valerie gave me a hug and said, “The Barton psychos haven't gotten me yet,” Kai hugged me and said he missed seeing me on crime scenes, and Ailani told me she was studying DNA for a class project. “Can I put a cotton swab in your mouth and rub the inside of your cheek, Aunt Toni? I'm practicing taking DNA. Also, can I pull out one of your hairs?” Koa was wearing a King Kong outfit. He wielded a wooden spatula and tapped me on the rear with it.
JJ had circles under her eyes, and Jax had a stunned expression on his face. JJ told me that Jax was almost to the point where he could understand that his little girl had had sex, but her growing stomach still stopped him in his tracks. “He'll see it, then he feels faint and has to sit down.”
Hope looked seasick from her pregnancy, and she told me she was “scared out of my mind, and sick in the toilet.” I gave her a hug.
Chelsea arrived wearing all black and a second nose ring. “Mom and Dad are so upset about Hope getting pregnant, they didn't even say anything about the new nose ring. It was disappointing,” she mused. “Not what I thought their reaction would be at all.”
Boris insisted he was not stealing cars, and Tati and Zoya proudly showed us their new stripper clothes line for Tati and Zoya's Light and Lacy Delights.
Anya told me that she was worried about contracting Ebola the next time it “came around town.”
The kids and teenagers were all outside in the backyard as Uncle Sasho continued to moan.
“Pavel, my Pavel, he want to be dancer. Ballet! Ballerina. For the boy.”
“So he want to be dancer,” my aunt Polina said, patting Uncle Sasho's left shoulder. “It okay. We no have any dancers in these families.”
“A dancer? A dancer?” Uncle Sasho shook his big head, then put a hand to his face, over that nose that had been broken one too many times boxing in the Soviet Union. “No. I want him to be doctor. Engineer. Attorney. But he say dancer!” His bushy eyebrows shot up.
My father patted his other shoulder.
My aunt Holly said, “I like ballet.”
Tati, ever the business owner, said, “Maybe he can introduce us to his dance teachers and we can make the outfits for their next recital.”
“Tati!” Zoya gushed. “That gave me the shivers. See my arm? Shiver bumps. We should make up some samples and bring them to his school.”
“I don't think that the high school will appreciate stripper outfits for their dancers,” JJ said.
“I'll take a stripper outfit for my wife,” Kai said.
Valerie slugged him, lightly. “Sweetie, I bet you'd like that.” She paused, then turned toward Tati and Zoya, “Actually, could I get one from you? I need to get my sexiness back. I don't feel sexy. And I need one that covers my stomach. Two pregnancies have reduced it to cottage cheese with stretch marks.”
“I like cottage cheese,” Kai said. Valerie smiled at him. They are so in love, it's nauseating.
“I don't feel sexy, either,” Anya said. “With all these diseases you can catch anywhere. I was studying African diseases during rehearsal and how they can travel on planes, spread themselves in the bathroom—”
“Let's get back to Sasho and Pavel,” Aunt Holly said.
“I only want to know this: Why the little pink shoes?” Uncle Sasho said, distraught, his eyebrows rising up, down, up. “My boy. He
boy
. He want to wear the ribbon on his ankles? Pink ribbon on a boy? No. Not normal. I send him to this school, it say the school for peoples who want the art and science. Pavel say he like chemistry. So chemistry. This news I like. Chemistry for a doctor. But no. He like chemistry but he like ballerina-ing more. I not even know. It a secret. Ack. I raise boy ballet dancer! How this happen? This America? They say you be what you want be, but now my son want be ballerina.”
“We should design a stripper outfit line called ‘The Ballerina, ' ” Zoya whispered to Tati.
“That's genius!” Tati whispered back. “Zoya, you always think of the best ideas.”
“Oh no, stop. You do. You were the one who thought of the police officer stripper outfit. So popular... .”
“Go and get your brother,” Uncle Sasho said to Tati. “I need to talk to Pavel.”
We argued that it wasn't the time, or the place. It was Pavel's birthday! He insisted. Pavel was brought in. I hugged him, so did Ellie, Boris, and Zoya. Kozlovskys often solve family conflicts as a group, even when it's only between two people.
“Pavel, my son,” Uncle Sasho said, sitting across from Pavel in the family room. “You are ballet dancer.”
“Yes, Dad, I am.” Pavel's voice was soft, but resolute. “I love ballet.”
“Why, son?”
“I love to dance. I love the music, the rhythm.” Pavel's hands were shaking. He was trying to be brave. “I love to tell a story through dance, to make people feel the emotion that the choreographer or the writer wanted the audience to feel. I love making something, a production, a show, and being a part of it. I like the people who dance, Dad. I feel like I'm a part of something, that I'm accepted, that people know I'm alive.”
BOOK: The Language of Sisters
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