The Line Up (3 page)

My mother was once asked what she thought of the series, said,

“I never read him.”

Nor did she.

Ever.

Bitter?

Not really.

I grew up in a house where books and reading were regarded as not only a waste of time but a waste of money.

God forbid you ever waste money.

My mother, Lord rest her, said,

“Ken lives in a separate room from the rest of us.”

She was right.

By one of those odd coincidences, when Jack’s mother had a stroke, so did mine, so all that Jack experienced then is based on what I was going through.

It’s been eerie with the series like that.

The Killing of the Tinkers, I had a young psycho beheading swans. The swans are to Galway what the apes are to Gibraltar, though a little more attractive to look at.

My publisher was horrified, said,

“You can’t do that!”

Notice how often that crops up in my career.

You can’t.

You daren’t.

You shouldn’t.

I refused to back down, and just before the book was published, some lunatic began disemboweling the swans.

I sent my publisher the article, and he said,

“Okay… long as it’s not you doing it.”

I confuse people, not deliberately, but they read the books, thank god! (How Irish is that?) with the darkness, ferocity, brutality, and then they meet me and I’m mellow, easy to be with, and they’re a tad bewildered.

A tad

is my nod to my UK readers, the two of them.

I reserve my murderous intent for my work.

Which brings me along to the violence I’ve been crucified for.

I never dwell on it, but it’s there, explicit, and no doubt about what happens. It’s ugly, fast, and very intense.

As all violence is.

Last November, I was at a book launch. A guy walked up and broke my jaw with a hurly.

Now, that is one very bad book review.

Will Jack do similar?

Already has.

Many times.

And that led me to the accusations of being pro-vigilante, a fascist, a supporter of all kinds of violent organizations.

You live in Galway, as I do, every single day, our latest horror, some thug walks free after raping an old lady, a seventy-nine-year-old nun, and the perp walks free, is given therapy, and in one ludicrous case, sent to Spain for a holiday.

I would love to say this is Irish exaggeration, but even in the past two years, my own personal history, a drunk driver who killed someone dear to my heart walked free because of personal problems.

The old people in Ireland used to say,

“Me blood boils.”

Jesus.

Mine wept… freaking buckets.

So, I put it on Jack.

Let him deal with it.

And he does.

Usually with a hurly.

Jack believes as I do.

“Law is for the courts; justice is administered in alleys.”

Controversial?

Of course.

In a society where there are no longer consequences, a hurly is a good edge.

One of me best friends, a doctor, has fretted for years about my views on so-called justice and the tone of my books.

He was, he said, my friend,

“Despite your, um… odd ideas.”

Three weeks ago, his daughter was very seriously mugged and he came round, not looking for solace, but for my hurly.

When I put Jack out there, I figured maybe three books, and lo and behold, I’m on number seven….

The bastard won’t go away.

Cross, the sixth, went another direction, had to if the series was to stay fresh and challenging.

More of a thriller element than any of the previous. It also showed the dying of the Celtic Tiger. We were plunging into recession after eight years of living it on the hog, and hog is the perfect term. It made us, indeed, greedy at the trough, and suddenly, they were taking it away. The sheen was off the tiger and we were… fook, in maybe financial trouble.

We reacted like any child that you spoil and then take away the toys. We reacted very, very badly.

Still do.

And Jack, no longer shopping in charity shops, might have to return to them.

And,

He’s getting old.

Losing his hearing.

Has the limp.

You ask,

Jesus, how much longer can he go on?

Indeed.

Would the only woman in his life, Ridge… and of course, the only constant female in Jack’s life, who’s gay…

take over the series?

No.

She doesn’t even read that much.

When should a series end?

Simple.

When it’s stale.

When you are no longer all that bothered by what happens to the main character. Jack is way past his sell-by date and if he gets through one more book, no one will be more surprised—or relieved—than me.

I’ve been truly amazed by the response to Jack.

The New York Times said he was as likely to give you a slap in the mouth as give five Euros to a homeless person.

I kind of liked that.

Brian Widenmouth, a fine online reviewer, suggested that Jack was already dead!… and this was all in look-back. Long as he didn’t think I was dead too.

An Irish reviewer said I must have been a cop… had to be.

And you have to mention the movie.

In limbo hell.

Fookit.

The first serious offer wanted a happy ending….

And I said,

“Happy?”

I don’t do fooking happy.

Shite, I don’t even do nice anymore!

Then the casting… Now, that was fun.

My mate of over twenty years David Soul was keen but couldn’t quite get that Galway accent.

My only suggestion, and you know how much they take notice of the writer’s idea.

Yeah.

Right in the bin.

But I always saw it being shot in black-and-white.

Color… in Jack’s life?

Naw, he’d reach for the hurly.

The first offer to film The Guards was from a UK company, and they wanted it to be shot in Brighton, with Brighton Pier substituting for Nimmo’s Pier, a recurrent landmark in the series. Not only is it in the Claddagh, but it’s literally the last outpost before America and also the scene of Jack’s first real murderous act, the drowning of his erstwhile friend.

I couldn’t agree. The number of actors, etc., in Galway who could sure use the work would never forgive me. And The Guards is such a Galway novel.

The bookstores:

Kennys,

Charlie Byrne’s,

Dubray’s.

All pivotal to Jack’s daily life.

And the pubs, like McSwiggan’s, where a tree literally grows in the center of the pub, the question arising, Which came first, the tree or the pub?

As negotiations went back and forth, a ferocious storm hit Brighton and washed away the pier.

God spoke, if not last, at least loudest.

Jack would have loved the irony.

Next serious offer, they wanted a happy ending.

What?

And sink the whole series on the very first book?

I don’t do happy, as I’ve said, and neither, by Christ, does Jack.

Research?

I was assured by the son of a retired top Guard that I must have been a cop, and this has frequently come up. I take it as a compliment and I think, too, the fact that I was a security guard at the Twin Towers has muddied the truth.

The title of my new stand-alone, Once Were Cops, will only cloud it further.

I’m very good friends with a Ban Garda, a female Guard, and all of Ridge, her attitudes, comes from this source.

A nice sidebar, I decided to have the Ban Garda in my books wear tiny pearl earrings, and I’m not saying it’s a direct result, but recently, I notice they are indeed wearing said items.

In the beginning with Ridge, even I wasn’t entirely sure why she was so hostile and combative, and I woke one morning and knew.

She was gay.

Not that I’m saying being gay means the above, but being gay in a strict, traditional, macho organization like the Guards will certainly embitter you.

In the new Jack, Benediction, he comes up against gay bashing, and yet again I had to battle to keep one particular scene, against the cry of it not being realistic.

You guessed it, not one hundred yards from my home, a young gay man was beaten into a coma by gay haters and no, I wasn’t involved.

Superintendent Clancy, Jack’s former partner in the Guards and great friend, is now his bitter enemy, and they regularly collide, with Jack taking the worst of it.

The final showdown, if such it is, comes in the newest Jack, the eventual head-to-head that has been simmering for six books.

As I wrote that scene, one song would not leave my head:

Springsteen’s “The Price You Pay.”

For a time, Thomas Merton and a pint were all Jack seemed to need, not always in that order, but you get the drift.

Jack soured on Merton, as he did on so many others.

In The Guards, Jack comments that he is so laden down with deaths, he feels like an old cemetery. Just about anyone who gets close to him is getting buried.

I was delighted that St. Martin’s, when they began the American publications, never asked for the language or tone to be Americanized. They went with all the Irish-ism’s, and I am so grateful for the chance they took on that.

A question I’m rarely asked and would have seemed obvious:

What do I think of the Guards?

I have the height of respect for them. They are still unarmed, and the new breed of criminal is armed to the teeth.

Every weekend, when the young folk go on the piss, young girls go into the water, usually in the canals and usually about three in the morning. Young Guards plunge into that freezing water and rescue them.

And how do the Guards feel about me?

Mmmmm…

When The Killing of the Tinkers was published, a parcel came through my door, a solid silver Zippo with the Garda insignia on it and a note that read,

“We don’t always approve of what you write,

but keep it up.”

It’s not exactly an endorsement, but, you know, it sure made my day. And what impressed me most?

It was primed, fueled, flinted.

You might say,

Good to go….

As is Jack, for one more run at it.

Or, perhaps… limp at it.

LEE CHILD

Lee Child was born in 1954 in Coventry, England. His family soon moved to Birmingham, where he went to the same high school that J. R. R. Tolkien once attended. He received a formal English education, reading Latin, Greek, and Old English, then attended law school in Sheffield. After working in the theater, he began an eighteen-year career with Granada Television in Manchester. When he was made redundant due to restructuring, he embarked on a fiction-writing career.

Jack Reacher, who has been featured in all of Child’s novels, made his first appearance in 1997 in Killing Floor, which was an immediate success, winning both the Anthony and Barry awards for best first novel of the year. The series has increased in popularity each year, with foreign rights selling widely around the world, while making regular appearances on major bestseller lists everywhere. One Shot, Child’s 2005 novel, is in development with Paramount Pictures.

The James Bond–ish Child drives a supercharged Jaguar and divides his time between the south of France and Manhattan, where he has become an enthusiastic fan of the New York Yankees. He is married and has a daughter.

JACK REACHER

BY LEE CHILD

How far back should I go with this? Reacher made his first appearance in print on March 17, 1997—Saint Patrick’s Day—when Putnam published Killing Floor in the US, which was Reacher’s—and my—debut. But I can trace his genesis backward at least to New Year’s Eve 1988. Back then I worked for a commercial television station in Manchester, England. I was eleven years into a career as a presentation director, which was a little like an air traffic controller for the network airwaves. In February of 1988, the UK commercial network had started twenty-four-hour broadcasting. For a year before that, management had been talking about how to man the new expanded commitment. None of us really wanted to work nights. Management didn’t really want to hire extra people. End of story. Stalemate. Impasse.

What broke it was the offer of a huge raise. We took it, and by New Year’s Eve we were ten fat and happy months into the new contract. I went to a party but didn’t feel much like celebrating. Not that I wasn’t content in the short term—I sleep better by day than night, and I like being up and about when the world is quiet and lonely, and for sure I was having a ball with the new salary. But I knew in my bones that management resented the raise, and that the new contract was in fact the beginning of the end. Sooner or later, we would all be fired in revenge. I felt it was only a matter of time. Nobody agreed with me except one woman.