‘So he did.’ Ruth Packford nodded. ‘I noticed them when we collected him from the railway station.’
‘Quite so. And you may have noticed something more. They were
twin
suitcases.’ Appleby smiled grimly. ‘And that is something which no Napoleon should provide himself with.’
‘Do you mean,’ Rushout asked curiously, ‘because they can get muddled up?’
‘Just that. But now I must say something about Mrs Husbands. I see she isn’t here in the library, so I can begin with a well-deserved compliment. Amid all these alarms, the household over which she presides continues to run very smoothly.’
Rixon nodded emphatically. ‘I quite agree. If the cook, for example, has been discomposed at any time the circumstance has never been allowed to impinge upon our host’s table. And that is truly remarkable, we shall all agree.’
Appleby nodded. ‘It is more immediately relevant to my own argument, however, that the house-maiding seems to remain equally efficient. My own suitcase was unpacked for me in the most orthodox way. But Rood’s was not.’
Edward Packford came back from the window and sat down again. ‘I’m afraid,’ he said mildly, ‘that’s it’s too late to apologize to him. But is the circumstance highly relevant?’
‘As it happens, it is. Yesterday evening, and by mere chance, I became aware of Mrs Husbands coming out of what later revealed itself as Rood’s bedroom. She came out as if anxious not to be seen doing so. That was rather odd. But much odder was the fact that she appeared to be in a state of shock, and even perhaps terror. I resolved to investigate the matter as soon as I had an opportunity. It was thus that I later came upon Rood preparing to go to bed. I had a conversation with him, which I found interesting in several particulars. But much more interesting was something I simply
saw
as soon as I opened the door. Rood was standing by one of his suit-cases, and fishing out a pair of pyjamas. Why hadn’t this job been done for him, as it had been done for me? There was an obvious answer. He had forgotten to unlock the suitcase containing his clothes. But this could scarcely in itself have had a shattering effect upon Mrs Husbands, who had presumably been going round the house to see that everything of that sort had been attended to. There must be some other explanation. And that other explanation was clear. Rood had failed to unlock the
right
suitcase simply because he had in fact unlocked the
wrong
one. Its contents had been unpromising, and the housemaid had retired baffled. But Mrs Husbands had investigated. And she had come upon something that completely shattered her. To put the point crudely, she did a little covert rummaging among Rood’s possessions – and her action was the proximate cause of Rood’s death.’
Edward Packford had stood up again. ‘It seems to me,’ he said seriously, ‘that this is a very grave statement. If the matter is to be taken further now, I think Mrs Husbands should be present. Shall I fetch her?’
For a fraction of a second Appleby hesitated. Then he nodded. ‘Yes, do,’ he said.
Edward moved to the door. ‘I presume,’ he asked, ‘that you have already had some talk with her about this queer development?’
‘I had some talk with her very shortly after Rood’s death.’
‘And she admitted finding something shattering – I think that was your word – in the suitcase which Rood had so rashly unlocked?’
‘She did.’
Edward nodded. ‘She ought not to have rummaged. I’m surprised at her. Still, if it helps to clear things up – as you seem to think it does – nobody’s going to blame the lady. I’ll find her right away.’
Edward left the library, and there was a long silence. It was broken – rather nervously – by Rushout. ‘You say that Moody’s being here was an eventuality for which this unfortunate and bloody-minded solicitor had arrived prepared. And you have spun us this yarn about a right and a wrong suitcase. I take it he had brought the Cintio back with him? It was what Mrs Husbands stumbled on?’
‘He had certainly brought the Cintio back with him.’ Appleby spoke out of what appeared to be a profound and sombre abstraction.
‘Then I must say he had a nerve. He was proposing, if the opportunity offered, actually to do a deal with Moody here on the spot?’
‘Just that. When I told him that Mr Moody would be around in the morning, Rood said very happily that in that case he’d make bold to stop at Urchins a little longer than he had intended to. He and Moody, he said, would certainly have a chat.’ Appleby smiled faintly. ‘He was wrong about that.’
‘I can only repeat: he had a nerve.’
There was a long, awkward silence. Then Appleby appeared to rouse himself. ‘A nerve? Well, yes. He drew my attention to the fact that the faking of a suicide for Lewis Packford had been a palpably false step, likely to direct investigation into a very narrow field: that of persons who could conceivably bring off the forgery on that postcard. Or words to that effect. He was a bold criminal, without a doubt.’
‘Edward must be having difficulty in finding Mrs Husbands.’ Ruth spoke casually – but with one hand she was nervously tapping the arm of her chair.
‘Yes,’ Appleby said.
Limbrick made to light another cigarette, and then appeared to think better of it. Alice’s broadside had shaken him. Alice herself appeared to be uneasy – which was no doubt the reason why Canon Rixon had taken once more to a fatherly patting of her hand. Prodger was perhaps asleep. Moody was glancing about the library – warily, but at the same time with the assurance of a man who gets most anything he wants. And then the door opened and Mrs Husbands came in.
She was alone. She shut the door behind her, and looked round the room. She was carrying a book in an ancient leather binding. She walked up to Ruth and put the book down on a table beside her. ‘Mr Packford,’ she said, in a strained voice, ‘asked me to give you this. He asked me to say that of course it is yours – and that he is sorry it isn’t worth much.’
Ruth glanced at the book, and then swiftly from Mrs Husbands to Appleby. ‘But where is he?’ she asked. ‘Where is Edward?’
Nobody had a reply. And then, in the instant’s silence, in some distant part of the house, there rang out a single pistol-shot.
Alice was the first to spring to her feet. ‘What is it?’ she cried. ‘What was that?’
Appleby too rose. ‘I am afraid,’ he said quietly, ‘that it is another long farewell. The last.’
It was a couple of hours later, and Appleby and Ruth Packford were alone in the garden.
‘You let him go and do it,’ she said. ‘I think I admire that – taking the responsibility, I mean, of letting him go. But I suppose that, in a policeman, it wasn’t quite regular. You ought to have arrested him. And endless horrors ought to have followed. Do they hang people nowadays? I forget.’
Appleby made no reply. They walked on. The morning was faintly autumnal, and already sycamore and chestnut leaves were falling on the fringes of the lawn. ‘I wonder,’ Appleby said, ‘what happens to this place now? Is it all tied up, so that some distant Packford has to be found to take it over? Or does it come to you?’
‘Rood would know.’ Ruth made a long pause. ‘Why did he kill Lewis? It was madness. It was an absurdity.’
‘Yes, it was. And the only real answer is that he thought it clever. Of course he was going to make money out of Moody, and all that. But it was his own cleverness he was in love with.’
‘And Edward?’
‘He was devoted to Lewis. I remember, early on, a sudden fire in him when he said he wished he had been here when Lewis was killed. He meant that the mere intensity of his feeling would have directed him to be killed. And he said something even more revealing about his having a flair for summary justice. Or something of the sort. But one must realize – if one is to get the simple moral issues of this ghastly business straight – that Edward Packford committed precisely as grave a crime as Rood. He fancied himself as an embodiment of justice. Or, if you prefer it, he fancied himself as a public executioner. He judged Rood, and he put Rood to death. Well, he had no business to. He was a murderer. He would have been a murderer, even if his motive hadn’t been, in actual fact, vitiated and corrupt.’
‘You mean that Edward had a profit motive, as well as a notion of executing justice?’
‘Certainly he had. He was going to kill two birds with one stone – and feather his own nest on the proceeds.’ Appleby’s voice had an unwonted hardness. ‘He was lucky to be let blow his own brains out. And there’s an end to it.’
‘Very well. There’s an end of it. But there are still things I don’t understand.’
‘Not many, I imagine. You see, Rood had with him in that second suitcase what you might call his whole bag of tricks. Mrs Husbands may have seen the Cintio – but I doubt whether it would have conveyed much to her. What she certainly did see – as she admitted to me finally last night – was a notebook of Rood’s. It contained, jotted down in his hand, a number of appropriate Shakespeare quotations which might have been useful as last messages. Mrs Husbands opened the thing straight on
Farewell, a long farewell
. No wonder that she was staggered. She went straight to Edward and told him of her discovery. He went at once to Rood’s bedroom and found not only the notebook but the Cintio. This, I believe, was while I was having some talk with Alice. When I subsequently saw Edward, he was a changed man. He had realized almost the whole truth about his brother’s death. And presently he was to glimpse a tremendous tempation.’
‘The Cintio?’
‘Yes. Remember that Urchins isn’t at all flourishing, and that he was left with the task of keeping it up without his brother’s purely personal fortune, which comes to you. It was an inconvenient sort of inheritance. The precise nature of the book – Cintio’s
Ecatommiti
with its marginalia – was real news to him; and he at once understood its value. He also knew about Moody, who would give an enormous sum for such a thing even if it had to remain an absolutely secret part of his collection. Moreover he felt – Edward felt – that justice required that he, Edward, should have it. Edward, as we have seen, was very strong on justice. It’s what’s killed him.’
Ruth shivered. ‘Yes,’ she said, ‘I see that. But you know, he’d only have had to ask me for the damned book. Wouldn’t he know that?’
‘Apparently not. His case was – these were his own words to me – that you were entitled to anything you had a reasonable expectation of. And that didn’t include this enormously valuable discovery of his brother’s. So he avenged his brother and stole from him – or from you – in one and the same act. He killed Rood, left on his table the ripped-out page from the notebook, and made off with the
Ecatommiti
. He still didn’t know of course, that it was a forgery. And even when that disconcerting truth broke on him this morning, he still thought he was all right. It was only when he learnt I had got Mrs Husbands’ story that he realized it was all up with him.’
Ruth shook her head. She looked dazed and weary. They turned back towards the house. ‘At least it’s over,’ she said. ‘A ghastly story. Is there a moral to it?’
Appleby thought for a moment. ‘There’s no moral. There’s only a caution.’
‘And that is?’
‘When you’re in the middle of Italy, think twice when a voice calls “Come in”.’
John Appleby first appears in
Death at the President’s Lodging
, by which time he has risen to the rank of Inspector in the police force. A cerebral detective, with ready wit, charm and good manners, he rose from humble origins to being educated at ‘St Anthony’s College’, Oxford, prior to joining the police as an ordinary constable.
Having decided to take early retirement just after World War II, he nonetheless continued his police career at a later stage and is subsequently appointed an Assistant Commissioner of the Metropolitan Police at Scotland Yard, where his crime solving talents are put to good use, despite the lofty administrative position. Final retirement from the police force (as Commissioner and Sir John Appleby) does not, however, diminish Appleby’s taste for solving crime and he continues to be active,
Appleby and the Ospreys
marking his final appearance in the late 1980’s.
In
Appleby’s End
he meets Judith Raven, whom he marries and who has an involvement in many subsequent cases, as does their son Bobby and other members of his family.
These titles can be read as a series, or randomly as standalone novels
1. | | Death at the President’s Lodging | | Also as: Seven Suspects | | 1936 |
2. | | Hamlet! Revenge | | | | 1937 |
3. | | Lament for a Maker | | | | 1938 |
4. | | Stop Press | | Also as: The Spider Strikes | | 1939 |
5. | | The Secret Vanguard | | | | 1940 |
6. | | Their Came Both Mist and Snow | | Also as: A Comedy of Terrors | | 1940 |
7. | | Appleby on Ararat | | | | 1941 |
8. | | The Daffodil Affair | | | | 1942 |
9. | | The Weight of the Evidence | | | | 1943 |
10. | | Appleby’s End | | | | 1945 |
11. | | A Night of Errors | | | | 1947 |
12. | | Operation Pax | | Also as: The Paper Thunderbolt | | 1951 |
13. | | A Private View | | Also as: One Man Show and Murder is an Art | | 1952 |
14. | | Appleby Talking | | Also as: Dead Man’s Shoes | | 1954 |
15. | | Appleby Talks Again | | | | 1956 |
16. | | Appleby Plays Chicken | | Also as: Death on a Quiet Day | | 1957 |
17. | | The Long Farewell | | | | 1958 |
18. | | Hare Sitting Up | | | | 1959 |
19. | | Silence Observed | | | | 1961 |
20. | | A Connoisseur’s Case | | Also as: The Crabtree Affair | | 1962 |
21. | | The Bloody Wood | | | | 1966 |
22. | | Appleby at Allington | | Also as: Death by Water | | 1968 |
23. | | A Family Affair | | Also as: Picture of Guilt | | 1969 |
24. | | Death at the Chase | | | | 1970 |
25. | | An Awkward Lie | | | | 1971 |
26. | | The Open House | | | | 1972 |
27. | | Appleby’s Answer | | | | 1973 |
28. | | Appleby’s Other Story | | | | 1974 |
29. | | The Appleby File | | | | 1975 |
30. | | The Gay Phoenix | | | | 1976 |
31. | | The Ampersand Papers | | | | 1978 |
32. | | Shieks and Adders | | | | 1982 |
33. | | Appleby and Honeybath | | | | 1983 |
34. | | Carson’s Conspiracy | | | | 1984 |
35. | | Appleby and the Ospreys | | | | 1986 |