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Acknowledgements

Writing this book has been one of the most enjoyable enterprises I have ever undertaken. This is in part thanks to the five writers whose lives I have been immersed in, and in part thanks to the enthusiasm and generosity of friends, family and colleagues, and of all the people whom the book has brought me into contact with along the way.

Thanks goes first to Alex Harris, over whose kitchen table the idea for the book was born, and to Juliet Gardiner and Hannah Mulder, who both helped sustain my faith in the book in its early stages, and in whose company and cottages much of the book has been written. Alex and Juliet have also been generous readers of the manuscript, as have Lisa Appignanesi and Richard Overy, with whom I have engaged in several years of oddly enjoyable discussions about Second World War bombing.

Many colleagues and students at King’s have been supportive friends. Clare Brant and Max Saunders have given Life Writing a home in the English department and me a home in the Centre for Life-Writing Research without which I don’t think I would have had the courage to write this kind of book. It is thanks to the inspiration of Neil Vickers that so much of Ireland has found its way into the book. Hannah Crawforth provided happy companionship during our shared months of maternity leave and book finishing. Ellie Bass, Nicola von Bodman-Hensler, Susie Christensen and Natasha Periyan made the final stages of writing into an enjoyable (and energetic) holiday. And Ellie dug out microfilms for me in the British Library while I was buried in Norfolk and clambered through an exceptionally dusty attic searching for Greene letters, while Nicola helped with many of the German translations and references.

I am extremely indebted to the other biographers of my subjects, both for their work and for their generosity in welcoming me into the field. I am especially grateful to William Cash, who not only shared his Greene material with me but allowed me to write part of the book in his beautiful gatehouse, as well as making possible a trip to Achill. Sarah LeFanu and Martin Ferguson Smith have been generous in sharing photographs, sources and archival adventures. Jeremy Treglown has been extremely encouraging throughout the project. I am also indebted to the biographers I do not know personally, especially to Victoria Glendinning and Norman Sherry. The children of Hilde Spiel and Henry Yorke have all been very supportive of my endeavours. Christine Shuttleworth and Felix de Mendelssohn have been munificent in sharing anecdotes, manuscripts and photographs; Sebastian Yorke has been welcoming and helpful, despite some scepticism about the value of biography; Alice Kadel and John House have both been very kind in allowing me access to their parents’ archives.

Researching the book has taken me on several archival trips and I am grateful for the grants that made these possible and the friends who made them fun. Mark Turner and Jan Palmowski enabled a research grant from King’s College London which funded the trips to America, Vienna and Munich. The Heinrich Böll Foundation funded the trip to Achill. My stay in Austin was made possible by the hospitality of Inga and Richard Markovits. These trips have been turned into holidays by the friends who accompanied and hosted me: Marcel Feigel and Justin Williams in Vienna; Rebecca Welsford, Robert Newell, Vike Plock, Jason Hall and Hannah Crawforth in America; Mary Fairclough and Michelle Kelly in York; Kate Arthur in Cambridge; William Peacock, Julia Schoen and Eveline Kilian in Berlin; and Nicola von Bodman-Hensler in Munich. And I am happily indebted to the staff in numerous archives but especially at the Harry Ransom Center, the Georgetown and Boston University Greene archives, the Bodleian Library, the Wren Library at Trinity College Cambridge and the national libraries of Vienna and Munich, as well as to Georg Fritsch in Vienna who arranged for me to see one of the Spiel archives. I am extremely grateful to Brigitte Petrisch for her meticulous research assistance in Vienna. Several other friends have contributed to this book in their conversation, sharing of knowledge and support. In particular I’d like to thank Katie Graham, Caroline Maclean, Beatrice Pembroke, Stephen Romer, Matthew Spender, John-Paul Stonard, Nick Stargardt, John Sutherland and Matt Taunton.

I have been extremely fortunate in both my agent and my publishers. Zoe Waldie believed in both me and the book from the start and was invaluable in helping to shape it in its early stages and in finding it a home at Bloomsbury. Michael Fishwick has been a superb, visionary editor whose passionate enthusiasm for my writing has imbued me with great confidence and made the writing process all the more enjoyable. My desk editor Anna Simpson has been a model of clarity and calm, turning potential crises into solvable situations. I don’t think that I could have had a better experience of publishing.

The book is dedicated to my son, Humphrey, though it might be a while before he can read it. Humphrey’s impending birth provided a happy deadline for the first draft of the book and he himself has been a much happier distraction during the year of editing and proofing the book. I couldn’t have done all this without the unstinting support of his five grandparents – Ilse, Marcel, Paul, Margaret and Jimmy – and I certainly couldn’t have done it without my husband John, who has made this year of books and babies not only possible but fun. Neither husbands nor fathers come very well out of the book but John has excelled as both and I am more grateful than I can say.

A Note on the Author

DR LARA FEIGEL
is a lecturer in English and the Medical Humanities at King’s College London, where her research is centred on the 1930s and the Second World War. She is the author of
Literature, Cinema and Politics, 1930–1945
and the editor (with Alexandra Harris) of
Modernism of Sea: Art and Culture at the British Seaside
and (with John Sutherland) of the
New Selected Journals of Stephen Spender
. She has also written pieces for various publications, including the
Guardian
,
Prospect
and
History Today
. Lara lives in West Hampstead, London.

By the Same Author

A Nosegay: A Literary Journey from the Fragrant to the Fetid
(ed.)

Modernism on Sea: Art and Culture at the British Seaside
(ed. with Alexandra Harris)

Literature, Cinema and Politics, 1930–1945: Reading between the Frames

New Selected Journals of Stephen Spender
(ed. with John Sutherland)

Bloomsbury Publishing, London, New Delhi, New York and Sydney

First published in Great Britain 2013

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